Now back in print, these witty, insightful ssays on fashion, cinema, wartime, and everyday life demonstrate why Eileen Chang was and is a major icon of twentieth-century Chinese literature. Eileen Chang is one of the most celebrated modern Chinese novelists and essayists of the twentieth century. First published in 1944, and just as beloved as her fiction in the Chinese-speaking world, Written on Water collects Chang’s reflections on art, literature, war, urban culture, and her life as a writer and woman in wartime Shanghai and Hong Kong. With her vibrant yet meditative style and her sly, sophisticated humor, Chang writes of friends, colleagues, and teachers turned soldiers or wartime volunteers, and of her own experiences as a part-time nurse. She also turns her thoughts to Chinese cinema, the aims of the writer, Peking Opera, Shanghainese food, culture, and fashion, all the while upending prevalent attitudes toward women and painting the self-portrait of a daring and cosmopolitan woman bent on questioning pieties and enjoying the pleasures of modernity, even as the world convulses in war and a revolution looms. The book includes illustrations by the author.
Relates the events in the life of a Chinese lower-class woman trapped within the confines of an unhappy arranged marriage, resulting in her gradual descent into madness.
A best-selling, autobiographical depiction of class privilege, bad romance, and political intrigue during World War II in China. Now available in English for the first time, Eileen Chang’s dark romance opens with Julie, living at a convent school in Hong Kong on the eve of the Japanese invasion. Her mother, Rachel, long divorced from Julie’s opium-addict father, saunters around the world with various lovers. Recollections of Julie’s horrifying but privileged childhood in Shanghai clash with a flamboyant, sometimes incestuous cast of relations that crowd her life. Eventually, back in Shanghai, she meets the magnetic Chih-yung, a traitor who collaborates with the Japanese puppet regime. Soon they’re in the throes of an impassioned love affair that swings back and forth between ardor and anxiety, secrecy and ruin. Like Julie’s relationship with her mother, her marriage to Chih-yung is marked by long stretches of separation interspersed with unexpected little reunions. Chang’s emotionally fraught, bitterly humorous novel holds a fractured mirror directly in front of her own heart.
Eileen Chang is now recognized as one of the greatest modern Chinese writers, though she was completely erased from official histories in mainland China.-- Her semi-autobiographical novels depict in gripping detail her childhood years in Tianjin and Shanghai, as well as her student days in Hong Kong during World War II, and shed light on the construction of selfhood in her other novels. --This previously unpublished semi-autobiographical novel continues the story begun in The Fall of the Pagoda, following the girl's experiences as a student at the University of Victoria in Hong Kong, including the city's 1941 fall after Pearl Harbor. Hiding in shelter to escape air raids, she vividly conveys her sense of alienation both as a sojourner in a distant land and as a displaced refugee of war.--This previously unpublished work is essential to any scholar or loyal fan of Eileen Chang.-
This is the first of two semi-autobiographical novels written originally in English which depict Chang's childhood years in Tianjin and Shanghai. The book introduces a young girl growing up amid many family entanglements with her divorced mother and spinster aunt during the 1930s.
Shanghai, 1930s. Shen Shijun, a young engineer, has fallen in love with his colleague, the beautiful Gu Manzhen. He is determined to resist his family’s efforts to match him with his wealthy cousin so that he can marry her. But dark circumstances—a lustful brother-in-law, a treacherous sister, a family secret—force the two young lovers apart. As Manzhen and Shijun go on their separate paths, they lose track of one another, and their lives become filled with feints and schemes, missed connections and tragic misunderstandings. At every turn, societal expectations seem to thwart their prospects for happiness. Still, Manzhen and Shijun dare to hold out hope—however slim—that they might one day meet again. A glamorous, wrenching tale set against the glittering backdrop of an extraordinary city, Half a Lifelong Romance is a beloved classic from one of the essential writers of twentieth-century China.
These firsthand accounts examine the subtle and not-so-subtle effects of the Japanese bombing and occupation of Shanghai and Hong Kong. Eileen Chang writes of friends, colleagues, and teachers turned soldiers or wartime volunteers, and her own experiences as a part-time nurse. Her nuanced depictions range from observations of how a woman's elegant dress affects morale to descriptions of hospital life."--BOOK JACKET.
Courtesans, desire & the denizens of the Shanghai underworld are just some of the elements in Han Bangqing's novel of late imperial China, published in 1892 & now available in English for the first time.
There were two women in Zhenbao�s life: one he called his white rose, the other his red rose. One was a spotless wife, the other a passionate mistress. Isn�t that just how the average man describe a chaste widow�s devotion to her husband�s memory � as spotless, and passionate too? Maybe every man has had two such women � at least two. Marry a red rose and eventually she�ll be a mosquito-blood streak smeared on the wall, while the white one is �moonlight in front of my bed.� Marry a white rose, and before long she�ll be a grain of sticky rice that�s gotten stuck to your clothes; the red one, by then, is a scarlet beauty mark just over your heart. In Eileen Chang�s eloquent and evocative novella, Zhenbao is a devoted son, a diligent worker, and guarded in love. But when he meets a friend�s spoilt, spirited, desirable wife, he cannot resist her charms, or keep their relationship under his control. As he succumbs to passions and resentments, Red Rose, White Rose is both sensual and restrained.
An NYRB Classics Original Set in the early years of Mao’s China, Naked Earth is the story of two earnest young people confronting the grim realities of revolutionary change. Liu Ch’üan and Su Nan meet in the countryside after volunteering to assist in the new land reform program. Eager to build a more just society, they are puzzled and shocked by the brutality, barely disguised corruption, and ruthless careerism they discover, but then quickly silenced by the barrage of propaganda and public criticism that is directed at anyone who appears to doubt a righteous cause. Joined together by the secret of their common dismay, they remain in touch when Liu departs to work on a newspaper in Peking, where Su Nan eventually also moves. Something like love begins to grow between them—but then a new round of purges sweeps through the revolutionary ranks. One of the greatest and most loved of modern Chinese writers, Eileen Chang illuminates the dark corners of the human existence with a style of disorienting beauty. Naked Earth, unavailable in English for more than fifty years, is a harrowing tale of perverted ideals, damaged souls, deepest loneliness, and terror.
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