From the recovery after the Irish Potato Famine in the 1840s to the booming Celtic Tiger of the 1990s, a revival of the ancient traditions of Celtic jewelry have become a part of how the Irish, as well as the Scots, Welsh and other Celts have expressed their cultural identity. Usually the story of this tradition focuses on very old prototypes, the museum pieces turned up by archaeologists or the legend of the original Claddagh ring. In our imagination, we connect the popular Celtic jewelry of today with the distant past. But that link with the ancient style was very much influenced by what others had done in more recent history. The story of is told by four authors. Tara Kelly writes of the early Celtic Revival manufacture of facsimiles of medieval Irish metalwork in Victorian Dublin and how the success of that enterprise lead to historical Celtic jewellery to become iconic symbols of Irish identity. Mairi MacArthur tells the story of Alexander and Euphemia Ritchie who created the foundation for modern Scottish Celtic jewellery on the Isle of Iona in the early 20th century. Aidan Breen, himself a pioneer of the late 20th century Celtic Renaissance, recalls his career beginning with an apprenticeship with Dublin silversmiths which trained him in the traditions of the older Celtic Revival. Stephen Walker, craftsman and collector, brings the story together as it spans 150 years, from Scottish pebble jewellery to the innovative modern Celtic creations of the Arts and Crafts Movement. 69 color photographs and 29 black and white illustrations.
This book is a comparative study of masculinity and white racial identity in Irish nationalism and Zionism. It analyses how both national movements sought to refute widespread anti-Irish or anti-Jewish stereotypes and create more prideful (and highly gendered) images of their respective nations. Drawing on English-, Irish-, and Hebrew-language archival sources, Aidan Beatty traces how male Irish nationalists sought to remake themselves as a proudly Gaelic-speaking race, rooted both in their national past as well as in the spaces and agricultural soil of Ireland. On the one hand, this was an attempt to refute contemporary British colonial notions that they were somehow a racially inferior or uncomfortably hybridised people. But this is also presented in the light of the general history of European nationalism; nationalist movements across Europe often crafted romanticised images of the nation’s past and Irish nationalism was thus simultaneously European and postcolonial. It is this that makes Irish nationalism similar to Zionism, a movement that sought to create a more idealized image of the Jewish past that would disprove contemporary anti-Semitic stereotypes.
This is a book about what people imagine it means to live in a world where private property is dominant, and their fears – and sometimes hopes – about living in a future world where private property has disappeared. In the propertied imagination, private property is a fragile thing, an institution beset by terrifying enemies and racialised and gendered mobs: Levellers and Diggers, socialists and anarchists, fervent religious radicals, abolitionists, feminists, and haughty welfare-state bureaucrats. The history of private property is the history of a recurring nightmare that one or another of these groups would storm the castle and take control. That threatened social chaos is the central unifying story of this book. Private property and the fear of social chaos starts by charting the thinkers who laid the foundations for how we understand private property, including Locke, Burke, Marx and Engels. The book looks at how their ideas have been put into practice in ways that continue to shape the modern world, from Harry Truman’s housing policies and the anti-abolitionist George Fitzhugh to Margaret Thatcher and Elon Musk. Arguing that the spectre of ‘the mob’ has been intimately interconnected with the idea of private property throughout capitalist modernity, the book ambitiously narrates this history from the early colonisation of the Americas to Silicon Valley, and the future of human colonisation in space.
The physical process of birth is no longer as mysterious as it once was. But many unanswered psychological questions still surround the birth of a child. In this remarkably appealing and personable book, pediatrician Aidan Macfarlane takes a careful look at a large number of these important psychological unknowns. On Macfarlane's agenda: Can a woman's emotional attitude toward pregnancy cause "morning sickness," influence the smoothness of labor and delivery, or shape the child's behavior after birth? Can the mother-child relationship be adversely affected by separation immediately after birth? Is the quality of the birth experience improved by home delivery? What are the psychological effects of pain-killing drugs on mother and child? What, if anything, does the unborn infant see, hear, and feel inside the womb? Is birth a psychological trauma for the child and, if so, how can it be alleviated? Although Dr. Macfarlane refuses to provide easy answers to any of these questions, his clear discussion of the available evidence is not without important consequences for the way in which we understand birth and manage it in our society.
Originally published as three separate volumes--"Donkey's Years," " Dog Days," and "The Whole Hog"--"A Bestiary" relates the life and times of one of Ireland's greatest contemporary writers. As in his fiction, Higgins's writing exquisitely captures sights, smells, and emotions, detailing his life from childhood in County Kildare before his family's economic decline, to his mother's slow, agonizing death; from his travels in England and South Africa, to his two years spent living with a schoolmistress after the end of his first marriage. In writing his memoirs Higgins exposes the sources for many of his best novels, from "Scenes from a Receding Past" to "Langrishe, Go Down," giving the reader a rare look into the "story behind the story." But "A Bestiary" is more than a factual expose--this collection of memoirs is constructed in a novelistic way, creating a work of literary art out of a life.
Compelling' Irish Times Aidan O'Mahony was at peak physical fitness and making his mark on the Kerry Senior Football team when he made the devastating choice to walk away from it all. Now, in his powerfully honest memoir, Aidan looks at the events leading up to this moment: the extreme discipline and pressure involved in striving for maximum physical strength, struggling with the asthma that had plagued him since childhood; the on-pitch altercation that took a toll on his mental health; the controversy over a failed drug test and the intense media scrutiny he found himself facing. He also tells of how, in the weeks that followed him quitting the game, he made a decision which would ultimately change everything. 'Aidan was one of the most dedicated and resilient players I've ever played with. A true warrior' Colm Cooper
An eminently poetic book, Langrishe, Go Down (Higgins's first novel) traces the fall of the Langrishes—a once wealthy, highly respected Irish family—through the lives of their four daughters, especially the youngest, Imogen, whose love affair with a self-centered German scholar resonates throughout the book. Their relationship, told in lush, erotic, and occasionally melancholic prose, comes to represent not only the invasion and decline of this insular family, but the decline of Ireland and Western Europe as a whole in the years preceding World War II. In the tradition of great Irish writing, Higgins's prose is a direct descendent from that of James Joyce and Samuel Beckett, and nowhere else in his mastery of the language as evident as in Langrishe, Go Down, which the Irish Times applauded as "the best Irish novel since At Swim-Two-Birds and the novels of Beckett.
This new book focuses on the latest research from around the globe on: fundamental processes in radiation physics; radiation sources and detectors and applications of radiation physics in fundamental research.
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