A bold new conceptualization of Islam that reflects its contradictions and rich diversity What is Islam? How do we grasp a human and historical phenomenon characterized by such variety and contradiction? What is "Islamic" about Islamic philosophy or Islamic art? Should we speak of Islam or of islams? Should we distinguish the Islamic (the religious) from the Islamicate (the cultural)? Or should we abandon "Islamic" altogether as an analytical term? In What Is Islam?, Shahab Ahmed presents a bold new conceptualization of Islam that challenges dominant understandings grounded in the categories of "religion" and "culture" or those that privilege law and scripture. He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent. What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation--one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory. A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.
This book traces the contribution of Punjabis born before the Partition of India in 1947 to Indian cinema. It examines the story of their contributions at three centres of Hindustani-language films: Bombay, Calcutta and Lahore. This book is co-published with Aakar Books. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
Studies in Islamic Civilization draws upon the works of Western scholars to make the case that without the tremendous contribution of the Muslim world there would have been no Renaissance in Europe. For almost a thousand years Islam was arguably one of the leading civilizations of the world spanning a geographic area greater than any other. It eliminated social distinctions between classes and races, made clear that people should enjoy the bounties of the earth provided they did not ignore morals and ethics, and rescued knowledge that would have been lost, if not forever, then at least for centuries. The genius of its scholars triggered the intellectual tradition of Europe and for over seven hundred years its language, Arabic, was the international language of science. Strange then that its legacy lies largely ignored and buried in time. In the words of Aldous Huxley, “Great is truth, but still greater, from a practical point of view, is silence about truth. By simply not mentioning certain subjects... propagandists have influenced opinion much more effectively than they could have by the most eloquent denunciations.” Studies in Islamic Civilization is a compelling attempt to redress this wrong and restore the historical truths of a “golden age” that ushered in the Islamic renaissance, and as a by-product that of the West. In doing so it gives a bird’s eye view of the achievements of a culture that at its height was considered the model of human progress and development.
The debate over Islam and modernity tends to be approached from a Eurocentric perspective that presents Western norms as a template for progress - against which Islamic societies can be measured. This misses the historical development of Muslim reformist thought that actively engages with the world around it and seeks to reconfigure Islam within the diverse conditions of modernity. Safdar Ahmed paints a complex and nuanced picture that goes beyond the idea that Muslim reformers have either reproduced or reacted against Western ideas. Rather, Ahmed argues, they have reconstructed and appropriated these ideas, and so the thread of Western influence runs through modern Islamic thought on nationalism and sovereignty, femininity and gender. Ahmed uncovers new historiographical perspectives by critically examining the work of prominent intellectuals, such as Muhammad Abduh, Qasim Amin and Abdul A'la Maududi.
At a time when ordinary courage has become rare, one has to look up to the lives of those who stood for dissent in the colonial era. Back in the 19th century, Justice Syed Mahmood, son of the great social reformer Sir Syed Ahmad Khan, became the first judge to resist colonial power by espousing the cause of judicial independence. At the age of just 32, he not only remains the youngest, but also the first Indian Muslim and first north Indian to be appointed as a High Court judge in India. Endowed with a judicial acuity ahead of his times, a number of his dissents were later accepted by the courts, and continue to be the law. This book chronicles the triumphs and tragedies of Syed Mahmood's life, and his contribution in shaping the consciousness of post 1857 India. With an impressive array of research, perception and analysis, the book succeeds in exhuming a seminal figure from the dust of history, and showcases the past speaking to the present.
This collection juxtaposes text from Google Search autocomplete with the intimate language of prayer. Corporate jargon coexists with the incantatory and ancient ghazal form. Ahmed’s second book of poetry explores the terrain of loss—of a beloved family member, of human dignity and potential, of the earth as it stands, of hope. Her poems weave mourning with the erratic process of healing, skepticism with an unsteady attempt to regain faith. With poems that are by turns elegiac, biting, and tender, Bring Now the Angels conveys a desire to move toward transformation and rebirth, even among seemingly insurmountable obstacles: chronic disease, corporate greed, environmental harm, and a general atmosphere of anxiety and violence. UNDERGROUND …They are turning their locks to paint their faces and their daughters’ faces. They look on as the girls regard their eyes in mirrors, in the long cracked mirror of history, and war. They paint themselves into existence inside the shuttered rooms of their hearts, where freedom still bristles…
Famine debate, conceptual framework, and study approach; Record of drought and household-level consequences in western Sudan; Drought-production relationships; Prices and market disconnections during famines; Implications of drought and famine for consumption and nutrition; Past policies and programs for coping with drought and famine; Policy conclusions.
For more than three decades, preeminent scholars in comparative literature and postcolonial studies have called for a return to philology as the indispensable basis of critical method in the humanities. Against such calls, this book argues that the privilege philology has always enjoyed within the modern humanities silently reinforces a colonial hierarchy. In fact, each of philology's foundational innovations originally served British rule in India. Tracing an unacknowledged history that extends from British Orientalist Sir William Jones to Palestinian American intellectual Edward Said and beyond, Archaeology of Babel excavates the epistemic transformation that was engendered on a global scale by the colonial reconstruction of native languages, literatures, and law. In the process, it reveals the extent to which even postcolonial studies and European philosophy—not to mention discourses as disparate as Islamic fundamentalism, Hindu nationalism, and global environmentalism—are the progeny of colonial rule. Going further, it unearths the alternate concepts of language and literature that were lost along the way and issues its own call for humanists to reckon with the politics of the philological practices to which they now return.
The 2011 secession of South Sudan spurred hopes for a more just, democratic Sudan, but was followed by new wars and growing unrest. This book examines how the Islamist project has shaped these developments in Sudan, with a particular focus on how divisive policies have driven regional violence as well as the fight against continued marginalization.
This book is the second volume of a much larger project, Ancient Pakistan - An Archaelogical History, which deals with the prehistory of Pakistan from the Stone Age to the end of the Indus Civilization ca. 1500 BC. This particular volume, A Prelude to Civilization, is concerned with the beginning of agriculture, sedentary living and the emergence of village farming communities in the Greater Indus Valley, leaving the reader at the threshold of the Harappan Civilization. The material is generously illustrated with a large number of maps, tables, drawings, and photographs. A comprehensive bibliography is provided for those who want to dig deeper into the subject.
Mushtaq Ahmed Yousufi’s last published work Mirages of the Mind traces an arc of nostalgia between Pakistan and India. Its main characters—Indian Muslim immigrants to Pakistan—reminisce about and long for an impossible return to their pre-Partition life in India. The book’s lightly fictionalized anecdotes, both humorous and poignantly sad, form a treasure trove of the arcana and subtle differences of twentieth-century Muslim life in the subcontinent. A cultural memoir, multi-layered biography, and anecdotal chain, Mirages of the Mind chronicles a milieu that has all but disappeared. Its narratives portray the hardships, heartbreak, and humour of colonial north-Indian Muslim life and its subsequent forms in post-colonial India and Pakistan. The book’s central character Basharat serves the role of a wise fool—equally ridiculous and full of penetrating, bizarre sense. Basharat’s tales about his friends paint a rare, and perhaps the last, authentic picture of the literary and cultural life of South Asia’s Urdu speakers. The first Urdu anthologies recalled the lives of poets exclusively in anecdotes. With Mirages of the Mind, Mushtaq Ahmed Yousufi rekindles this form and briefly illuminates the beauty of a culture that is fast receding into the darkness of the past.
FINALIST FOR THE 2022 PEN/FAULKNER AWARD FOR FICTION FINALIST FOR PUBLISHING TRIANGLE'S EDMUND WHITE DEBUT FICTION AWARD In the last weeks of her pregnancy, a Muslim Indian lesbian living in San Francisco receives a visit from her estranged mother and sister that surfaces long held secrets and betrayals in this "sweeping family saga . . . with the beautiful specificity of real lives lived, loved, and fought for" (Entertainment Weekly) Working as a consultant for Kamala Harris’s attorney general campaign in Obama-era San Francisco, Seema has constructed a successful life for herself in the West, despite still struggling with her father’s long-ago decision to exile her from the family after she came out as lesbian. Now, nine months pregnant and estranged from the Black father of her unborn son, Seema seeks solace in the company of those she once thought lost to her: her ailing mother, Nafeesa, traveling alone to California from Chennai, and her devoutly religious sister, Tahera, a doctor living in Texas with her husband and children. But instead of a joyful reconciliation anticipating the birth of a child, the events of this fateful week unearth years of betrayal, misunderstanding, and complicated layers of love—a tapestry of emotions as riveting and disparate as the era itself. Told from the point of view of Seema’s child at the moment of his birth, and infused with the poetry of Wordsworth and Keats and verses from the Quran, Radiant Fugitives is a moving tale of a family and a country grappling with acceptance, forgiveness, and enduring love.
A periodic autobiographical narrative from Independence to millennium, a bildungsroman, ‘a coming of age stories’ of formation, education culture; covers important events during fifty tumultuous years of post independence India; the scenes of turmoil during Hyderabad liberation in 1948 and the harrowing scenes of immigrants returning to Madras composite state from Nizam’s territory; the reorganization of states on lingual base; life in Kurnool and years of father-bereft family of a widow mother, siblings; back to Hyderabad, an event filled life.
From the Love, Prayers, Devotion, Joy and Enigma to the Laments, Qalandariyat, Sin, Exile and Debauchery of the Persian Qalandars and Mystics. Selected translated English verses, quatrains, rubai, ghazals, masnawis and qasidehs of Saadi Shirazi, San’ai, Rudaki, Farrukhi Sistani, Mahsati, Baba Taher, Omar Khayyam, Amir Khusrau, Hafez, Jalal ud-din Md Rumi, Attar of Nishapur, Abolqasem Ferdowsi, Nezami Ganjavi, Abd’l Rahman Jami, Nasir Khusraw, Saib of Tabriz and several Persian masters and Qalandars - spanning eras, courts, dilapidated wine houses, prisons and millennials compiled into a single Richly-Illustrated Book, from a variety of sources. Translations from Sir Richard Francis Burton, Edward Fitzgerald, Coleman Barks, John Moyne, E.H. Whinfield, Dick Davis, Paul E. Losensky, Lt. Col. H. Wilberforce Clarke, Edward Heron-Allen, Alfaham Darabandi, Charles Schefler and several other scholars of the Persian Literature. Re-Live your Persian Dreams!
Studies in Islamic Civilization draws upon the works of Western scholars to make the case that without the tremendous contribution of the Muslim world there would have been no Renaissance in Europe. For almost a thousand years Islam was arguably one of the leading civilizations of the world spanning a geographic area greater than any other. It eliminated social distinctions between classes and races, made clear that people should enjoy the bounties of the earth provided they did not ignore morals and ethics, and rescued knowledge that would have been lost, if not forever, then at least for centuries. The genius of its scholars triggered the intellectual tradition of Europe and for over seven hundred years its language, Arabic, was the international language of science. Strange then that its legacy lies largely ignored and buried in time. In the words of Aldous Huxley, “Great is truth, but still greater, from a practical point of view, is silence about truth. By simply not mentioning certain subjects... propagandists have influenced opinion much more effectively than they could have by the most eloquent denunciations.” Studies in Islamic Civilization is a compelling attempt to redress this wrong and restore the historical truths of a “golden age” that ushered in the Islamic renaissance, and as a by-product that of the West.
A stunning history of Pakistan’s cultural and intellectual capital, from one of the preeminent scholars of South Asia The city of Lahore was more than one thousand years old when it went through a violent schism. As the South Asian subcontinent was partitioned in 1947 to gain freedom from Britain’s colonial hold, and the Islamic Republic of Pakistan was formed, the city’s large Hindu and Sikh populations were pushed toward India, and an even larger Muslim refugee population settled in the city. This was just the latest in a long history of the city’s making and unmaking. Over the centuries, the city has kept a firm grip on the imagination of travelers, poets, writers, and artists. More recently, it has been journalists who have been drawn to the city as a focal point for a nation that continues to grab international headlines. For this book, acclaimed historian Manan Ahmed Asif brings to life a diverse and vibrant world by walking the city again and again over the course of many years. Along the way he joins Sufi study circles and architects doing restoration in the medieval parts of Lahore and speaks with a broad range of storytellers and historians. To this Asif juxtaposes deep analysis of the city’s centuries-old literary culture, noting how it reverberates among the people of Lahore today. To understand modern Pakistan requires understanding its cultural capital, and Disrupted City uses Lahore’s cosmopolitan past and its fractured present to provide a critical lens to challenge the grand narratives of the Pakistani nation-state and its national project of writing history.
With the scope of a philosopher and the precision of a scientist, Dr. Ahmed takes us on a journey through the labyrinth of Islamic history offering unique insights into its own internal dialectic as well as its interactions with Western civilization. Using pivotal personalities and critical events as guideposts, he has brought forth the complex interplay of political, social, economic, spiritual and religious currents within the large and diverse Muslim world and their interconnections with global developments. It is a book for the layman, the historian, the pundit and the policy maker alike at a time when Islam takes roots in America and as it becomes a major force in shaping the destiny of man. Dr. Ahmed has used his clarity of thought and his lucid prose to convey the meaning of the Muslim experience in history. Those who are interested in getting new perspectives and insights from the emerging community of Muslim intellectuals in the West can find much food for thought in this book. Professor Sulayman S. Nyang, Ph.D., Department of African Studies, Howard University, Washington, D.C. Legislator, scientist, educator, and community leader, Dr. Nazeer Ahmed is Executive Director of the American Institute of Islamic History and Culture based in California. After his graduation with distinction from the University of Mysore, India, he entered the California Institute of Technology as an Institute Scholar (1961) where he earned MS and Ae. E. degrees. Later, he received a Doctor of Philosophy degree (1967) from Cornell University and an MBA from Rider University. Dr. Ahmed was an elected Member of the Legislative Assembly in Bangalore, India (1978). He was an elected delegate to the Democratic National Convention in Atlanta, GA (1988) from the 46th Congressional district in California. He is an inventor and holds fourteen United States Patents. His articles have appeared in the Los Angeles Times and he has conducted extensive lecture tours in the United States, India and Malaysia, speaking on history, science and culture.
Set in nineteenth-century India between two revolutionary moments of change, Twilight in Delhi brings history alive, depicting most movingly the loss of an entire culture and way of life. As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons’ wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First published by the Hogarth Press in 1940. Twilight in Delhi was widely acclaimed by critics and hailed in India as a major literary event. Long since considered a landmark novel, it is now available in the U.S. as a New Directions Classic. Twilight in Delhi has also been translated into French, German, Portuguese, Spanish, and Urdu.
A Collection of Verses, Bards, Hymns, Poems, Qitahs, Masnawis, Muwashshahs, Sonnets, Zajals and Couplets of famous Rhapsodists and Rhymesters of their respective eras - spanning the European Courts, Indian Darbars, Irish Taverns, British Pubs, American Diners, Russian Battlefields, Italian Countryside, Persian Winehouses, Mandarin Riverbanks, French Bistros, Spanish Twilights, Australian Deserts and Mid-Eastern Prisons - all unified by the same celebratory euphoria and exhilaration of the “Aqua Vitae” which enraptured such critical and unique pieces of art and literature.
The Rushdie affair, September 11 2001 and 7/7 pushed British Muslims into the forefront of increasingly fraught debate about multiculturalism. Stereotyping images have proliferated, reducing a heterogeneous minority group to a series of media soundbites. This book examines contemporary literary representations of Muslims by British writers of South Asian Muslim descent – including Salman Rushdie, Hanif Kureishi, Monica Ali and Nadeem Aslam – to explore the contribution they make to urgent questions about multicultural politics and the place of Muslims within Britain. By focusing on class, and its intersection with faith, ‘race’ and gender in identity- and community-formation, it challenges the dichotomy of secular freedom versus religious oppression that constrains thinking about British Muslims, and offers a more nuanced perspective on multicultural debates and controversies. Writing British Muslims will appeal to academics and postgraduate and final-year undergraduate students in the fields of postcolonial studies, English studies and cultural studies.
A book of poetry, mostly based on spiritual themes, so as to shed light on the wholesome solace one finds through the love of God; and motivational, positivity-oriented topics.
This is an engrossing analysis of ?Abd al-Ra?m?n al-Mahd?'s initiative to abandon the futile political violence and religious fanaticism of the 19th century historic Mahdiyya. It articulates his alternative constitutional strategy that has placed Neo-Mahdism in the centre stage of Sudanese politics.
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