Beginning from the notion of finite life, Another Finitude takes this staple subject from post-Heideggerian philosophy and opposes it to the onto-theological concept of infinity, represented by an eternal absolute. Although critical of Heidegger and his definition of finitude as 'being-towards-death', this book does not revert to the ontological idea of infinity secured in the sacred image of immortality. But it also does not want to give up on infinity altogether; the infinite is transposed, so it can become a necessary moment of the finite life. A theological framework for the new elaboration of the concept of finitude is crucial; but instead of following the Lutheran formula, Agata Bielik-Robson turns to the sources of Judaism. Taking inspiration from the Jewish idea of torat hayim, the principle of finite life, which found the best expression in the biblical sentence: love strong as death; love emerges as the alternative marker of finitude, allowing to us redefine it in an affirmative way. By tracing the avatars of love in the group of 20th-century thinkers, or 'messianic vitalists'–Benjamin, Rosenzweig, Arendt, Derrida, and (deeply revised) Freud–the book attempts to demonstrate the possibility of such affirmation. Love becomes the new 'infinite-in-the-finite'; love in all its forms, from the original libidinal endowment of the human psyche to the last metamorphoses of agape, the Greco-Christian divine love.
In this first ever monograph on Jacques Derrida's 'Toledo confession' – where he portrayed himself as 'sort of a Marrano of the French Catholic culture' – Agata Bielik-Robson shows Derrida's marranismo to be a literary experiment of auto-fiction. She looks at all possible aspects of Derrida's Marrano identification in order to demonstrate that it ultimately constitutes a trope of non-identitarian evasion that permeates all his works: just as Marranos cannot be characterized as either Jewish or Christian, so is Derrida's 'universal Marranism' an invitation to think philosophically, politically and – last but not least – metaphysically without rigid categories of identity and belonging. By concentrating on Derrida's deliberate choice of marranismo, Bielik-Robson shows that it penetrates deep into the very core of his late thinking, constantly drawing on the literary works of Kafka, Celan, Joyce, Cixous and Valéry, and throws a new light on his early works, most of all: Of Grammatology, Dissemination and 'Différance'. She also offers a completely new interpretation of many of Derrida's works only seemingly non-related to the Marrano issue, like Glas, Given Time: Counterfeit Money, Death Penalty Seminar, and Specters of Marx. In these new readings, this book demonstrates that the Marrano Derrida is not a marginal auto-biographical figure overshadowed by Derrida the Philosopher: it is one and the same thinker who discovered marranismo as a literary trope of openness, offering up a new genre of philosophical story-telling which centers around Derrida's Marrano 'auto-fable'.
Hailed as our era's most profound theorist of literary influence, Harold Bloom's own influence on the landscape of literary criticism has been decisive. His wide-ranging critical writings have plumbed the depths of Romanticism, explored the anxiety caused by the influence of one generation of poets on another, wrestled with the idea of a literary canon, and examined the relationship between religion and literature. --
This book aims to interpret ‘Jewish Philosophy’ in terms of the Marrano phenomenon: as a conscious clinamen of philosophical forms used in order to convey a ‘secret message’ which cannot find an open articulation. The Marrano phenomenon is employed here, in the domain of modern philosophical thought, where an analogous tendency can be seen: the clash of an open idiom and a secret meaning, which transforms both the medium and the message. Focussing on key figures of late modern, twentieth century Jewish thought; Hermann Cohen, Gershom Scholem, Walter Benjamin, Franz Rosenzweig, Theodor Adorno, Ernst Bloch, Jacob Taubes, Emmanuel Levinas and Jacques Derrida, this book demonstrates how their respective manners of conceptualization swerve from the philosophical mainstream along the Marrano ‘secret curve.’ Analysing their unique contribution to the ‘unfinished project of modernity,’ including issues of the future of the Enlightenment, modern nihilism and post-secular negotiation with religious heritage, this book will be essential reading for students and researchers with an interest in Jewish Studies and Philosophy.
This book aims to interpret ‘Jewish Philosophy’ in terms of the Marrano phenomenon: as a conscious clinamen of philosophical forms used in order to convey a ‘secret message’ which cannot find an open articulation. The Marrano phenomenon is employed here, in the domain of modern philosophical thought, where an analogous tendency can be seen: the clash of an open idiom and a secret meaning, which transforms both the medium and the message. Focussing on key figures of late modern, twentieth century Jewish thought; Hermann Cohen, Gershom Scholem, Walter Benjamin, Franz Rosenzweig, Theodor Adorno, Ernst Bloch, Jacob Taubes, Emmanuel Levinas and Jacques Derrida, this book demonstrates how their respective manners of conceptualization swerve from the philosophical mainstream along the Marrano ‘secret curve.’ Analysing their unique contribution to the ‘unfinished project of modernity,’ including issues of the future of the Enlightenment, modern nihilism and post-secular negotiation with religious heritage, this book will be essential reading for students and researchers with an interest in Jewish Studies and Philosophy.
Beginning from the notion of finite life, Another Finitude takes this staple subject from post-Heideggerian philosophy and opposes it to the onto-theological concept of infinity, represented by an eternal absolute. Although critical of Heidegger and his definition of finitude as 'being-towards-death', this book does not revert to the ontological idea of infinity secured in the sacred image of immortality. But it also does not want to give up on infinity altogether; the infinite is transposed, so it can become a necessary moment of the finite life. A theological framework for the new elaboration of the concept of finitude is crucial; but instead of following the Lutheran formula, Agata Bielik-Robson turns to the sources of Judaism. Taking inspiration from the Jewish idea of torat hayim, the principle of finite life, which found the best expression in the biblical sentence: love strong as death; love emerges as the alternative marker of finitude, allowing to us redefine it in an affirmative way. By tracing the avatars of love in the group of 20th-century thinkers, or 'messianic vitalists'–Benjamin, Rosenzweig, Arendt, Derrida, and (deeply revised) Freud–the book attempts to demonstrate the possibility of such affirmation. Love becomes the new 'infinite-in-the-finite'; love in all its forms, from the original libidinal endowment of the human psyche to the last metamorphoses of agape, the Greco-Christian divine love.
Hailed as our era's most profound theorist of literary influence, Harold Bloom's own influence on the landscape of literary criticism has been decisive. His wide-ranging critical writings have plumbed the depths of Romanticism, explored the anxiety caused by the influence of one generation of poets on another, wrestled with the idea of a literary canon, and examined the relationship between religion and literature. --
In this first ever monograph on Jacques Derrida's 'Toledo confession' – where he portrayed himself as 'sort of a Marrano of the French Catholic culture' – Agata Bielik-Robson shows Derrida's marranismo to be a literary experiment of auto-fiction. She looks at all possible aspects of Derrida's Marrano identification in order to demonstrate that it ultimately constitutes a trope of non-identitarian evasion that permeates all his works: just as Marranos cannot be characterized as either Jewish or Christian, so is Derrida's 'universal Marranism' an invitation to think philosophically, politically and – last but not least – metaphysically without rigid categories of identity and belonging. By concentrating on Derrida's deliberate choice of marranismo, Bielik-Robson shows that it penetrates deep into the very core of his late thinking, constantly drawing on the literary works of Kafka, Celan, Joyce, Cixous and Valéry, and throws a new light on his early works, most of all: Of Grammatology, Dissemination and 'Différance'. She also offers a completely new interpretation of many of Derrida's works only seemingly non-related to the Marrano issue, like Glas, Given Time: Counterfeit Money, Death Penalty Seminar, and Specters of Marx. In these new readings, this book demonstrates that the Marrano Derrida is not a marginal auto-biographical figure overshadowed by Derrida the Philosopher: it is one and the same thinker who discovered marranismo as a literary trope of openness, offering up a new genre of philosophical story-telling which centers around Derrida's Marrano 'auto-fable'.
Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Łuksza places special emphasis on the most engaged spectators, known as “theatremaniacs”—from what they wore, to what they bought, to what they ate. Her source material is elusive ephemera from fans’ lives, such as notes scribbled on a weekly list of shows in the Warsaw theatres, collections of theatre postcards, and recipes for sweets named after famous actors. The fannish behavior of theatremaniacs was usually deemed excessive or in poor taste by people in positions of power, as it clashed with the ongoing embourgeoisement of the theatre and the disciplining of audiences. Nevertheless, the theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.