Regina wants to be Rapunzel in the school play, although her friend Mary is better in the part, but as she gets the idea for a one-act play about a baboon, she discovers her own theatrical talent.
Kugo and his sister Jelagat, who live in a remote East African village, spot a mzungu, a strange ghostike creature with skin like milk and long fur on top of its head, who turns out to be the new teacher at the village school, the first white person theyh
Paulo, who is afraid of heights, falls off a ladder into a truck that is about to be highjacked, and must help the driver get away from the bandits and protect the money hidden in the cargo.
Hamadi, a Galla, or Oromo nomad, hides when bandits raid his family's camp, and comes out to find himself alone, but he is the only one who has seen the bandit leader's face.
Romance, good food and money in my pocket; what more could a woman need? So says 27 year old widow, Belinda Norris. After being a part of “The Game,” Belinda decides she wants, “No Mo Drama” in her life. While in the midst of having “A Good Night,” Belinda encounters an unexpected “Visitor,” and discovers “Nothing Stays the Same” in order to redeem herself from her unscrupulous behavior of the past. Using alcohol and sex to comfort her pain, Belinda faces a “Now or Never,” decision. Can the “Reunion,” of old friends put an end to Belinda’s appetite for self-destruction, or will death come prior to Belinda’s revelation that it’s “Time for a Change.”
Romance, good food and money in my pocket; what more could a woman need? So says 27 year old widow, Belinda Norris. After being a part of “The Game,” Belinda decides she wants, “No Mo Drama” in her life. While in the midst of having “A Good Night,” Belinda encounters an unexpected “Visitor,” and discovers “Nothing Stays the Same” in order to redeem herself from her unscrupulous behavior of the past. Using alcohol and sex to comfort her pain, Belinda faces a “Now or Never,” decision. Can the “Reunion,” of old friends put an end to Belinda’s appetite for self-destruction, or will death come prior to Belinda’s revelation that it’s “Time for a Change.”
The most successful female writer from Francophone Africa, Calixthe Beyala occupies an unusual place in French literary and popular culture. Her novels are bestsellers and she appears regularly on French television, yet a conviction for plagiarism has tarnished her reputation. Thus, she is both an “authentic” African author and a proven literary “fake.” In Calixthe Beyala, Nicki Hitchcott considers representations of Beyala in the media, critical responses to her writing, and Beyala’s efforts to position herself as a champion of women’s rights. Hitchcott pays equal attention to Beyala’s novels, tracing their explorations of the role of migration in the creation of personal identity.
Compilation of essays analysing social conflict and political opposition in Brazil and Angola - includes papers on the role of Portugal during colonialism, African nationalism, Brazilian revolutionary social movements and peasant movements, etc., and includes two comparisons on portugal's contribution to underdevelopment in Africa and Brazil and the relationship of religion, race and nationalism to social class protest and economic development. References.
This book takes on the challenge: What roles can and should African literature play in Africa's development? From a variety of critical stances and perspectives, the concepts of "literature" and of "development" are theorized, to include and extend beyond inherited concepts and boundaries in the Humanities and the Social Sciences, and thus, to engage peoples' everyday life experiences. Approaches to the question of Africa's literature and its development range from African feminism or feminist practices, to the economics and politics of public access to knowledge, information and literature, to communication networks and use of African languages in national education policies. Twenty essays constitute the volume's four parts which focus on: -- Diverse conceptualizations of African literature and development -- Critical studies of specific writers' works, linking their artistic development with issues and events of social or political development -- A philosophical consideration of the development's relationship to literature -- Models of activist pedagogy in African literature The structure of this volume is encompassed by two roundtable transcriptions with writers and critics for whom African literature and Africa's development is part of a larger struggle to create new space in which to thrive and envision new life, inside and outside the academy.
This is a play which informs of the source of the celebration of the Valentines Day. The essence of true love is herein defended as a sacrifice rather than what it is often mistaken for. A priests loyalty to his calling thereby struggles for supremacy with an emperors will. Among the priests, a green snake lies under the green grass
v. 3: The third volume in the series examines the role of anti-apartheid movements around the world. The global anti-apartheid movement was very successful in creating awareness of the liberation struggle in South Africa, and in contributing to the downfall of the apartheid government. This volume, in 2 parts, brings together analyses which in the main are written by activist scholars with deep roots in the movements and organizations they are writing about.
What does the tradition of marriage mean for people who have historically been deprived of its legal status? Generally thought of as a convention of the white middle class, the marriage plot has received little attention from critics of African-American literature. In this study, Ann duCille uses texts such as Nella Larsen's Quicksand (1928) and Zora Neale Hurston's Their Eyes Were Watching God (1937) to demonstrate that the African-American novel, like its European and Anglo-American counterparts, has developed around the marriage plot--what she calls "the coupling convention." Exploring the relationship between racial ideology and literary and social conventions, duCille uses the coupling convention to trace the historical development of the African-American women's novel. She demonstrates the ways in which black women appropriated this novelistic device as a means of expressing and reclaiming their own identity. More than just a study of the marriage tradition in black women's fiction, however, The Coupling Convention takes up and takes on many different meanings of tradition. It challenges the notion of a single black literary tradition, or of a single black feminist literary canon grounded in specifically black female language and experience, as it explores the ways in which white and black, male and female, mainstream and marginalized "traditions" and canons have influenced and cross-fertilized each other. Much more than a period study, The Coupling Convention spans the period from 1853 to 1948, addressing the vital questions of gender, subjectivity, race, and the canon that inform literary study today. In this original work, duCille offers a new paradigm for reading black women's fiction.
The theme of the 2001 African Literature Association conference, translation encompasses more than the movement of expression from one language to another - it not only includes the translation of one culture to another, but also the translating of the particularities of historical and personal experience into the broader context of humanity. Includes the four addresses given at the conference on this topic by Nadine Gordimer, Assia Djebar, Emmanuel Dongala and Nuruddin Farah.
Of all the monstrous threats to humanity' zombies are the most horrific. That's because they are not uncommon or alien - they're human. (Or more correctly' were human.) Anywhere that there are humans' there are zombies' and they can never be completely annihilated because by breeding more humans we breed more zombies. In The Ultimate Book of Zombies' these decomposing monsters are demolished' decapitated' and destroyed. The gore flows as humans and zombies dispatch each other in blood - curdling battles fought in big - city alleys' high school playgrounds' and even suburban living rooms. In addition' the living dead are fully deconstructed in these wide - ranging and fascinating stories. More than just brain - eating assaults and acid - bath retaliations' the tales in this book explore all elements of zombie existence and their interaction with the humans they live among.
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