A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Documenting Death is a gripping ethnographic account of the deaths of pregnant women in a hospital in a low-resource setting in Tanzania. Through an exploration of everyday ethics and care practices on a local maternity ward, anthropologist Adrienne E. Strong untangles the reasons Tanzania has achieved so little sustainable success in reducing maternal mortality rates, despite global development support. Growing administrative pressures to document good care serve to preclude good care in practice while placing frontline healthcare workers in moral and ethical peril. Maternal health emergencies expose the precarity of hospital social relations and accountability systems, which, together, continue to lead to the deaths of pregnant women.
A stunning achievement. A great read " -Mary Webb, author of The God Hustlers These historical novellas by author Adrienne Wolfert recreate the lives of three American women who, spurred by their own humanity and courage, go beyond their traditional roles to change history. The End of March-In 1965, Congress introduces the Voting Rights Act. Ten thousand people show their support by joining the Civil Rights march behind Martin Luther King. Willi Carotti leaves her family to volunteer as a transport driver on the march, but as a result, her marriage splits into two very separate journeys. The Beautiful Wife-Hailed as La Belle Americaine, Elizabeth Monroe arrives in Paris with her husband, James, the American ambassador to France. But Elizabeth quickly learns about the horror of the French Revolution when her friend, Adrienne Lafayette, is scheduled to be guillotined. The Queen of America-- "But where is he, what is he doing, who is he away from me?" Martha Washington embarks on a dangerous journey.
Recently the alarm has been raised – basic freedoms are under attack in our universities. A generation of ‘snowflake’ students are shutting out ideas that challenge their views. Ideologically motivated academics are promoting propaganda at the expense of rigorous research and balanced teaching. Universities are caving in and denying platforms to ‘problematic’ public speakers. Is this true, or is it panic and exaggeration? Carolyn Evans and Adrienne Stone deftly investigate the arguments, analysing recent controversies and delving into the history of the university. They consider the academy’s core values and purpose, why it has historically given higher protection to certain freedoms, and how competing legal, ethical and practical claims can restrict free expression. This book asks the necessary questions and responds with thoughtful, reasoned answers. Are universities responsible for helping students to thrive in a free intellectual climate? Are public figures who work outside of academia owed an audience? Does a special duty of care exist for students and faculty targeted by hostile speech? And are high-profile cases diverting attention from more complex, serious threats to freedom in universities – such as those posed by domestic and foreign governments, industry partners and donors?
The transformation of agriculture was one of the most far-reaching developments of the modern era. In analyzing how and why this change took place in the United States, scholars have most often focused on Midwestern family farmers, who experienced the change during the first half of the twentieth century, and southern sharecroppers, swept off the land by forces beyond their control. Departing from the conventional story, this book focuses on small farm owners in North Carolina from the post-Civil War era to the post-Civil Rights era. It reveals that the transformation was more protracted and more contested than historians have understood it to be. Even though the number of farm owners gradually declined over the course of the century, the desire to farm endured among landless farmers, who became landowners during key moments of opportunity. Moreover, this book departs from other studies by considering all farm owners as a single class, rejecting the widespread approach of segregating black farm owners. The violent and restrictive political culture of Jim Crow regime, far from only affecting black farmers, limited the ability of all farmers to resist changes in agriculture. By the 1970s, the vast reduction in the number of small farm owners had simultaneously destroyed a Southern yeomanry that had been the symbol of American democracy since the time of Thomas Jefferson, rolled back gains in landownership that families achieved during the first half century after the Civil War, and remade the rural South from an agrarian society to a site of global agribusiness.
Public health, housing, poverty, and immigration dominated social and political discourse in early twentieth-century New York, much as they do today. The Lower East Side provided an urban environment where infectious disease and other public health concerns flourished. One city block in particular, known in muckraking circles as “The Lung Block,” housed four thousand first- and second-generation Americans in dilapidated tenements where deadly tuberculosis spread uninhibited. The Lung Block looks at a 1903 reform crusade to demolish this working-class tenement neighborhood and replace it with a park. Progressive reformers aimed to confront the area’s moral and environmental dangers, but their conceptualization of the problem and methods for addressing it placed them into direct conflict with the hand-to-mouth priorities of the residents. The campaign and its eventual failure illuminate the formidable social barriers distancing urban reformers and the marginalized populations they intend to help.
When the Lincoln Alexander Parkway was named, it was a triumph not only for this distinguished Canadian, but for all African Canadians, It had indeed been a long journey from the days in the 1880s when a Blacks woman named Julia Berry operated one of the tollgates leading up to Hamilton Mountain. The Journey from Tollgate to Parkway examines the history of Blacks in the Hamilton-Wentworth area, from their status as slaves in Upper Canada to their settlement and development of community, their struggle for justice and equality, and their achievements, presented in a fascinating and meticulously researched historical narrative. Adrienne Shadd's original research offers new insights into urban Black history, filling in gaps on the background of families and individuals, while also exploding stereotypes of poverty and underachievement of early Black Hamiltonians. For the very first time, their contributions to the building and development of the city are heralded and take centre stage.
Covers four texts from the 1890s that helped to crystallize the idea of the 'New Woman' during a period where the role of women was increasingly debated and challenged, not least due to the growth of the suffrage movement.
Stories of the hopeful, brave people who fled slavery and made Toronto their home. “An engaging and highly readable account of the lives of Black people in Toronto in the 1800s.” — Lawrence Hill, bestselling author of The Illegal The Underground Railroad: Next Stop, Toronto! explores Toronto’s role as a destination for thousands of freedom seekers before the American Civil War. This new edition traces pathways taken by people, enslaved and free, who courageously made the trip north in search of liberty and offers new biographies, images, and information, some of which is augmented by a 2015 archaeological dig in downtown Toronto. Within its pages are stories of courageous men, women, and children who overcame barriers of prejudice and racism to create homes, institutions, and a rich and vibrant community life in Canada’s largest city. These brave individuals established organizations not only to help newcomers but also to oppose the ongoing slavery in the United States and to resist racism in their adopted city. Based entirely on original research, The Underground Railroad offers fresh insights into the rich heritage of African Americans who became African Canadians and helped build Toronto as we know the city today.
One woman's schocking battle with the 21st century hospital that killed rather than cured her. Her chilling report from the frontline of a medical system struggling to cope with its own compexity. And her campaign against the secrecy suurounding Avoidable Medical Error which costs 100,000 lives across Europe every year.
The contemporary mystic and physician von Speyr gives an account of her early years which reveals her extraordinarily rich and integral personality. Written at the request of Hans Urs von Balthasar, the 50 year old von Speyr reflects on the significant events of her younger years, including some of her mystical experiences, which shaped the two key elements of her life: her unshakable resolve to become a doctor against incredible obstacles in order to help others, and her unquenchable longing to belong completely to God. Written in an upbeat and lively manner, this is an authentic first hand picture that reveals the boundless spirit and deeply sensitive soul of an extraordinary woman who was completely dedicated to her patients and yet lived (and wrote much about) a deeply mystical life.
This book is dedicated to the man whose life inspired me to tell his story. His name is D. Anthony Venditti, widely known as the Godfather of Stock Car Racing in New England. It is also dedicated to my mother, with her eternal love and devoted support of her beloved Anthony, her family, and racing. She and the Godfather enabled and empowered our family to persevere in the sport. This is to all those with unending convictions in the Godfather and to the Seekonk Fraternity of racing. This book is a pictorial and a closer look at the life of the Godfather. He was the youngest promoter in motor sports in the United States in the 1940s. And as a twenty-five-year-old, he planned, engineered, and built his speedway. He was young and full of ambition. It was his dream, an American dream, to build, open, and operate his speedway at the end of World War II, in 1946. Yet when in his advanced years, he then became known as the oldest living promoter in stock car racing. He consecutively ran his race plant each year, faithfully opening his facility, without fail. He never missed a season under his reign—an unheard-of feat of forty-five years as a stock car racing promoter. Seekonk Speedway continues to run without any ambiguity by the same family. The speedway is proudly still in business all these seventy-three consecutive years of racing in the books. Anthony is celebrated and acclaimed for his pioneering in the American sport of auto racing, awarded RPM’s “1978 Promoter of the Year.” It was with great adoration of the sports community that he is acknowledged for his forethought and far-reaching ideas of innovation pertaining to mechanical engineering, safety features in facility construction, and administrative procedures. Mr. Venditti is attributed to numerous awards for his devotion for the betterment of the sport of auto racing.
A critical reexamination of Jean-Baptiste Carpeaux's bust Why Born Enslaved!, this book unpacks the sculpture's engagement with—and defiance of—an antislavery discourse. In this clear-eyed look at the Black figure in nineteenth-century sculpture, noted art historians and writers discuss how emerging categories of racial difference propagated by the scientific field of ethnography grew in popularity alongside a crescendo in cultural production in France during the Second Empire. By comparing Carpeaux's bust Why Born Enslaved! to works by his contemporaries on both sides of the Atlantic, as well as to objects by twenty‑first‑century artists Kara Walker and Kehinde Wiley, the authors touch on such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire in the postcolonial present. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.
New York Times bestselling author Adrienne Young returns to the world of The Narrows with Saint, a captivating prequel to Fable and Namesake. As a boy, Elias learned the hard way what happens when you don’t heed the old tales. Nine years after his lack of superstition got his father killed, he’s grown into a young man of piety, with a deep reverence for the hallowed sea and her fickle favor. As stories of the fisherman’s son who has managed to escape the most deadly of storms spreads from port to port, his devotion to the myths and creeds has given him the reputation of the luckiest bastard to sail the Narrows. Now, he’s mere days away from getting everything his father ever dreamed for him: a ship of his own, a crew, and a license that names him as one of the first Narrows-born traders. But when a young dredger from the Unnamed Sea with more than one secret crosses his path, Elias’ faith will be tested like never before. The greater the pull he feels toward her, the farther he drifts from the things he’s spent the last three years working for. He is dangerously close to repeating his mistakes and he’s seen first hand how vicious the jealous sea can be. If he’s going to survive her retribution, he will have to decide which he wants more, the love of the girl who could change their shifting world, or the sacred beliefs that earned him the name that he’s known for—Saint.
Amy Marcy Cheney Beach (1867-1944), the most widely performed composer of her generation, was the first American woman to succeed as a creator of large-scale art music. Her "Gaelic" Symphony, given its premiere by the Boston Symphony Orchestra in 1896, was the first work of its kind by an American woman to be performed by an American orchestra. Almost all of her more than 300 works were published soon after they were composed and performed, and today her music is finding new advocates and audiences for its energy, intensity, and sheer beauty. Yet, until now, no full-length critical biography of Beach's life or comprehensive critical overview of her music existed. This biography admirably fills that gap, fully examining the connections between Beach's life and work in light of social currents and dominant ideologies. Born into a musical family in Victorian times, Amy Beach started composing as a child of four and was equally gifted as a pianist. Her talent was recognized early by Boston's leading musicians, who gave her unqualified support. Although Beach believed that the life of a professional musician was the only life for her, her parents had raised her for marriage and a career of amateur music-making. Her response to this parental (and later spousal) opposition was to find creative ways of reaching her goal without direct confrontation. Discouraged from a full-scale concert career, she instead found her métier in composition. Success as a composer of art songs came early for Beach: indeed, her songs outsold those of her contemporaries. Nevertheless, she was determined to separate her work from the genteel parlor music women were writing in her day by creating large-scale works--a Mass, a symphony, and chamber music--that challenged the accepted notion that women were incapable of creating high art. She won the respect of colleagues and the allegiance of audiences. Many who praised her work, however, considered her an exception among women. Beach's reaction to this was to join with other women composers of serious music by promoting their works along with her own. Adrienne Fried Block has written a biography that takes full account of issues of gender and musical modernism, considering Beach in the contexts of her time and of her composer contemporaries, both male and female. Amy Beach, Passionate Victorian will be of great interest to students and scholars of American music, and to music lovers in general.
When Geoff Pollard, epitome of middle class middle England, is entrapped by ex-pupil Catherine Hosker into an affair through which she enacts her revenge on society, both he and his family are precipitated into a series of bizarre events. Eleanor, his beautiful but unstable wife vows revenge, but thanks to her HRT, a holiday in France and the advent of new friends loses interest in wreaking the havoc she has vowed. Their three talented offspring reap unexpected good fortune in the face of family financial ruin, and although they hover on the brink of disaster, there is always someone around to avert catastrophe. Best of all is the great boost to the family morale coming from Jake, the attractive ex-boyfriend of Jo, who has come to lodge with the Pollards. Jake is not only entertaining but helpful, decorative and generally adored by Eleanor, Andrew, and Anitra. He is the answer to a family prayer; a lodger who contributes not only financially but personally. However, Jake's personal contributions turn out to be very personal indeed, and while the family negotiates its way through a minefield of crises, Jake leaves his mark on them all in his own exceedingly charming fashion. As skeletons are bundled into cupboards, and Eleanor takes refuge in histrionic unconventionality, Geoff is gradually diminished by despair, only to find some path to redemption as a result of Jake's opportunistic behaviour. When Eleanor takes stock of their plight and concludes, "In the History of Evolution, this sort of situation ranks way down the spectrum as a cosmic joke." she utters the only understatement of her dramatic role in this turbulent family.
If you have ever been afraid of GOD. Seeking answers and complication get in your way. Wanting to know that you are truly saved. Wanting everything; but finding nothing. Wanting to knock on GOD's door but can't find it; or does it even exist? THIS BOOK IS FOR YOU In today's world people are interested in their spiritual growth, and many books and classes are available. The authors give their opinions and facts in all different types of methods. This was not available in the years that this author was raised. In 1960 things were very different. The word GOD was never used outside of religious gatherings. We were taught that we must love GOD. Did we? Or were we afraid not to, for various reasons. Questions were not asked, since there were no answers. The author never realized that it was possible for GOD to give us another way, that would help us obtain our true destination, to strive for our good dreams, which were held inside of us. He did and still does. In October 1960 she felt GOD's love and wrote down His inner soft words because she knew they were Sacred. -GOD CREPT UP ON ME. I KNOW NOT FROM WHERE, BUT WHEN I TURNED AROUND I FOUND HIM, HERE, THERE AND EVERYWHERE.- At the time, she did not realize it, but her first Mystical Experience began. There would be four more, through the years, each lasting one week. This book contains the author's 43 year Spiritual Journey which leads to the Glorification of GOD. He lead, she followed. At times she lead and He walked along side of her or through her. She surrendered to His love and found the Peace, Love and Joy that is available to others also. It is not easy to share something that is very sacred to you. When you begin to acknowledge that it is GOD's will and desire, you begin cautiously and receive the strength of GOD behind you and sometimes opening up a path, which eventually completes the mission.
• A beautifully rendered natural history of the Puget Sound region Turning Homeward: Restoring Hope and Nature in the Urban Wild is the journey of a newcomer to the Pacific Northwest who learns that home isn’t simply where you live, but where you create belonging. Set in Seattle and Western Washington's urban and suburban “altered” landscapes, Turning Homeward creates an accessible narrative of the complicated joys of rolling up one’s sleeves to help repair our beautiful, broken world. Adrienne Scanlan's personal story blends into the natural history of Puget Sound and the tangled issues around urban renewal and river restoration. In the process, readers move with her into a meaningful, hope-filled engagement with place and another understanding of the idea of home. Adrienne explores how seasons spent restoring the city’s salmon runs help her make peace with her father's death and build a new marriage. Turning Homeward speaks to a simple truth spreading through our society: The nature we cherish lives alongside us, and by restoring it we heal both home and heart.
Social Policy and Its Administration contains an index of literature that defines the output created by social scientists for the welfare of human beings. This literary survey originates out of the need to present a comprehensive bibliographic work. The book covers areas that encompass the concept social policy. Topics such as the standards in social welfare services are also the focus of the book. The book traces the beginning of social science and the major proponents of the subject. The improvements made on the field are also enumerated and the countries that contributed to the progress of society are named in the book. Social revolutions such as the liberation of women and the abolishment of servitude as well as the transition from colonial status to political independence are discussed in the book. The text will be a useful tool for sociologists, historians, students, and researchers in the field of political science.
When Emily's Brooks's mother passes away, the sensible, widowed single mother decides it's time she did something for herself. Little does she know that an innocent business venture will lead to a heady love affair.
The long-awaited companion to The Naked Buddha. The Naked Buddha, a timely, down-to-earth and highly accessible beginners' guide to Buddhism, struck a chord with Australian and international readers alike. In The Naked Buddha Speaks, feisty Buddhist nun Adrienne Howley continues her mission to demystify Buddhism by showing how anyone can integrate its practices into their everyday life. She also answers the questions many of her readers have raised, such as- How can Buddhism make me happy? How does a Buddhist cope with grief and loss? How do I practise generosity when I'm having a bad day? How can I move away from greed and hatred? How can I change my expectations? I want to meditate, but how do I start? In her warm and humorous style, Adrienne Howley unlocks the original basic tenets and practices of Buddhism, now the fastest-growing religion in Australia, and shows us how we can apply its principles in useful and meaningful ways to our lives.
Focusing on the integrated understanding of the role of systems within the business, organizationally and strategically, this book demonstrates theory by including extensive business examples, and by ending each chapter with international case studies. Topics covered include: the nature of organizations management roles and functions information as a resource systems approaches different information systems and what they can achieve structural and cultural fit and information systems change management and information systems strategic business and information systems management. Combining readability with theoretical concepts, this book is suitable for both advanced undergraduate and MBA/Masters students.
“50 percent memoir, 50 percent advice manual, and 100 percent heart.” —The New York Times Somebody's Gotta Do It is a humorous (and instructive) memoir about a progressive woman who runs for very small-town elected office in a red county—and wins (yay!)—and then realizes the critical importance of the job. Back in the fall of 2016, before casting her vote for Hillary Clinton, Adrienne Martini, a knitter, a runner, a mom, and a resident of rural Otsego County in snowy upstate New York, knew who her Senators were, wasn’t too sure who her Congressman was, and had only vague inklings about who her state reps were. She’s always thought of politicians as . . . oily. Then she spent election night curled in bed, texting her husband, who was at work, unable to stop shaking. And after the presidential inauguration, she reached out to Dave, a friend of a friend, who was involved in the Otsego County Democratic Party. Maybe she could help out with phone calls or fundraising? But Dave’s idea was: she should run for office. Someone had to do it. And so, in the year that 26,000 women (up from 920 the year before) contacted Emily’s List about running for offices large and small, Adrienne Martini ran for the District 12 seat on the Otsego County Board. And became one of the 14 delegates who collectively serve one rural American county, overseeing a budget of $130 million. Highway repair? Soil and water conservation? Child safety? Want wifi? Need a coroner? It turns out, local office matters. A lot.
A breathtaking debut about family secrets, a child with an amazing artistic talent, and a startling censorship controversy in a small, tension-filled Australian town. the story of a boy artist, a river town and its mysterious underworld Eleven-year-old Novi just wants to blend in - not easy when you're named after a silkworm and have the most eccentric family in town. A descendent of the first Italian silk growers in northern New South Wales, he is an obsessive artist with a habit of drawing the stories of the people around him, and a secret conviction that the river murdered his grandfather. Young teacher Dom Best is new in town and must overcome his lack of confidence to support Novi's talent. together with Camille, the enigmatic school librarian, Dom encourages the boy to release his inhibitions and unravel his unusual family history through his art- though little can he imagine the consequences this will bring. Watercolours is a poignant debut novel with a mystery at its heart, an unexpected love story and a surprising twist. Most of all, it celebrates the clarity and colour a child's-eye view brings to the adult world. 'A stunner. It's note-perfect and the control of the shifting points of view is incredibly skillful. the descriptions of Novi's painting and his way of seeing the world are gut-wrenching. It's a really fine novel' MALCOLM KNOX
From the nationally bestselling author of The True Memoirs of Little K, a deeply felt and historically detailed novel of family, loss, and love, told by an irrepressible young girl—the daughter of a two-bit gangster and a movie showgirl—growing up in golden-age Hollywood and Las Vegas in its early days. Esme Silver has always taken care of her charming ne’er-do-well father, Ike Silver, a small-time crook with dreams of making it big with Bugsy Siegel. Devoted to her daddy, Esme is often his "date" at the racetrack, where she amiably fetches the hot dogs while keeping an eye to the ground for any cast-off tickets that may be winners. In awe of her mother, Dina Wells, Esme is more than happy to be the foil who gets the beautiful Dina into meetings and screen tests with some of Hollywood’s greats. When Ike gets an opportunity to move to Vegas—and, in what could at last be his big break, to help the man she knows as "Benny" open the Flamingo Hotel—life takes an unexpected turn for Esme. A stunner like her mother, the young girl catches the attention of Nate Stein, one of the Strip’s most powerful men. Narrated by the twenty-year-old Esme, The Magnificent Esme Wells moves between pre–WWII Hollywood and postwar Las Vegas—a golden age when Jewish gangsters and movie moguls were often indistinguishable in looks and behavior. Esme’s voice—sharp, observant, and with a quiet, mordant wit—chronicles the rise and fall and further fall of her complicated parents, as well as her own painful reckoning with love and life. A coming-of-age story with a tinge of noir, and a tale that illuminates the promise and perils of the American dream and its dreamers, The Magnificent Esme Wells is immersive, moving, and compelling.
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