Resurrecting Tenochtitlan considers the ways in which artists, city planners, architects, and intellectuals in Mexico shaped the evolution of Mexico City's civic identity in the first half of the twentieth century. Long forgotten and assumed to have been completely destroyed during the Spanish conquest, layers of the remnants of Tenochtitlan were discovered in the middle of a drainage project augmented under the longtime president Porfirio Díaz. As the cityscape changed in the wake of the ends of the Porfiriato and the Mexican Revolution, the city's layers of history were uncovered to find the remnants of the Aztec capitol of Tenochtitlan, which stirred imaginings of a new and modern Mexican capital and nation that still drew from its ancient history. Tying the modern city to the ancient one was also a way in which intellectuals articulated a mestizo cultural identity. This discovery led to the renewed interest in 16th-century maps by artists, architects, and city planners to understand the ways in which the Aztec capital intersected with the beginnings of Spanish settlement over it. The manuscript examines how artists such as Juan O'Gorman and Diego Rivera drew from the recent work of archaeologists to render panoramic depictions of both the modern Mexican and the Aztec capital to visualize it for public audiences. And while not strictly chronological in its organization, it looks at how attitudes toward modern Mexico City's ties to Tenochtitlan shaped national identity and shifted over time. The authors' timeframe ends with the inauguration of Diego Rivera's long-planned Anahuacalli Museum, which was created with the support of the National Museum of Anthropology to display pre-Columbian artifacts. Its completion, after Rivera's death, was met with the first waves of the youth cultures in Mexico whose disinterest in and suspicion toward state-sponsored national projects signaled the beginning of the collapse of these ideas"--
Chicanas in Charge offers profiles, in the form of oral histories, of the careers of female community and political leaders from the Chicano community in Texas.
Transatlantic Travels in Nineteenth-Century Latin America: European Women Pilgrims retraces the steps of five intrepid “lady travelers” who ventured into the geography of the New World—Mexico, the Southern Cone, Brazil, and the Caribbean—at a crucial historical juncture, the period of political anarchy following the break from Spain and the rise of modernity at the turn of the twentieth century. Traveling as historians, social critics, ethnographers, and artists, Frances Erskine Inglis (1806–82), Maria Graham (1785–1842), Flora Tristan (1803–44), Fredrika Bremer (1801–65), and Adela Breton (1849–1923) reshaped the map of nineteenth-century Latin America. Organized by themes rather than by individual authors, this book examines European women’s travels as a spectrum of narrative discourses, ranging from natural history, history, and ethnography. Women’s social condition becomes a focal point of their travels. By combining diverse genres and perspectives, women’s travel writing ushers a new vision of post-independence societies. The trope of pilgrimage conditions the female travel experience, which suggests both the meta-end of the journey as well as the broader cultural frame shaping their individual itineraries.
Resurrecting Tenochtitlan considers the ways in which artists, city planners, architects, and intellectuals in Mexico shaped the evolution of Mexico City's civic identity in the first half of the twentieth century. Long forgotten and assumed to have been completely destroyed during the Spanish conquest, layers of the remnants of Tenochtitlan were discovered in the middle of a drainage project augmented under the longtime president Porfirio Díaz. As the cityscape changed in the wake of the ends of the Porfiriato and the Mexican Revolution, the city's layers of history were uncovered to find the remnants of the Aztec capitol of Tenochtitlan, which stirred imaginings of a new and modern Mexican capital and nation that still drew from its ancient history. Tying the modern city to the ancient one was also a way in which intellectuals articulated a mestizo cultural identity. This discovery led to the renewed interest in 16th-century maps by artists, architects, and city planners to understand the ways in which the Aztec capital intersected with the beginnings of Spanish settlement over it. The manuscript examines how artists such as Juan O'Gorman and Diego Rivera drew from the recent work of archaeologists to render panoramic depictions of both the modern Mexican and the Aztec capital to visualize it for public audiences. And while not strictly chronological in its organization, it looks at how attitudes toward modern Mexico City's ties to Tenochtitlan shaped national identity and shifted over time. The authors' timeframe ends with the inauguration of Diego Rivera's long-planned Anahuacalli Museum, which was created with the support of the National Museum of Anthropology to display pre-Columbian artifacts. Its completion, after Rivera's death, was met with the first waves of the youth cultures in Mexico whose disinterest in and suspicion toward state-sponsored national projects signaled the beginning of the collapse of these ideas"--
Racism and Discourse in Latin America investigates how public discourse is involved in the daily reproduction of racism in Latin America. The essays examine political discourse, mass media discourse, textbooks and other forms of text, and talk by the white symbolic elites, looking at the ways these discourses express and confirm prejudices against indigenous people and against people from African descent. The essays show that ethnic and racial inequality in Latin America continue to exacerbate the chasm between the rich and the poor, despite formal progress in the rights of minorities during the last decades. Teun A. van Dijk brings together a multidisciplinary team of linguists and social scientists from eight Latin American countries (Mexico, Guatemala, Colombia, Venezuela, Brazil, Argentina, Chile, and Peru), creating the first work in English that provides comprehensive insight into discursive racism across Latin America.
Chicanas in Charge offers profiles, in the form of oral histories, of the careers of female community and political leaders from the Chicano community in Texas.
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