The story of King Arthur and the quest for the Holy Grail is well known; less so is that of the coming of Christianity to Britain at around the time of the Roman invasion. It is generally assumed that both these legends revolve around town of Glastonbury, yet the paucity of evidence for this assumption has always been troubling to those who like their history to be founded on fact. In this extraordinary book, Adrian Gilbert reveals the location to be not just of the true 'Avalon' or 'Glastonbury' but of many other sites crucial to the Arthurian legend. He shows how the core teachings of Christianity were kept secret by a dynasty of Welsh kings and saints and later (after the Norman invasions) by their surviving descendants. For centuries this remnant of the Brittano-Welsh nobility, still living in 'Avalon', kept alive a hope: they prayed that one day a new Arthur, one with the holy blood of the family of Mary flowing in his veins, would sit once more on the throne of Britain. Extraordinary as it may seem, this hope may soon be realised - for through the late Diana, Princess of Wales, our own Prince William, whose middle name is indeed Arthur, is so descended.
What do Henry Tudor, Edward of Woodstock, Edward VII and Prince Charles all have in common? They’ve all held the title The Prince of Wales. This book offers a colourful and interesting stroll through the history of the title and the men who’ve held it, as well as speculating about the future of the role. Containing a chronological list of all of The Princes of Wales, the book also provides the reader with a brief description of how they lived their lives, their relationship with their subjects and, if they became the ruling Monarch, an insight into the features that characterised their reign. Discover how the Princes of Wales of history have been involved with love, infidelity, hate, deception, war and even alleged conspiracy and murder! This is the first published book to look in depth at this important aspect of British Monarchy. It is illustrated throughout with black and white photographs and forms an invaluable addition to existing literature on British Royalty.
Containing detailed readings of plays by Shakespeare, Marlowe and Middleton, as well as poetry and prose, this book provides a major historical and critical reassessment of the relationship between early modern Protestantism and drama. Examining the complex and painful shift from late medieval religious culture to a society dominated by the ideas of the Reformers, Adrian Streete presents a fresh understanding of Reformed theology and the representation of early modern subjectivity. Through close analysis of major thinkers such as Augustine, William of Ockham, Erasmus, Luther and Calvin, the book argues for the profoundly Christological focus of Reformed theology and explores how this manifests itself in early modern drama. Moving beyond questions of authorial 'belief', Streete assesses Elizabethan and Jacobean drama's engagement with the challenges of the Reformation.
This book examines the many and varied uses of apocalyptic and anti-Catholic language in seventeenth-century English drama. Adrian Streete argues that this rhetoric is not simply an expression of religious bigotry, nor is it only deployed at moments of political crisis. Rather, it is an adaptable and flexible language with national and international implications. It offers a measure of cohesion and order in a volatile century. By rethinking the relationship between theatre, theology and polemic, Streete shows how playwrights exploited these connections for a diverse range of political ends. Chapters focus on playwrights like Marston, Middleton, Massinger, Shirley, Dryden and Lee, and on a range of topics including imperialism, reason of state, commerce, prostitution, resistance, prophecy, church reform and liberty. Drawing on important recent work in religious and political history, this is a major re-interpretation of how and why religious ideas are debated in the early modern theatre.
A comprehensive and concise guide to all medieval English castles of which something can still be seen today, ranging from the massive keeps which still dominate the landscape to grassy earthworks and Border pele towers, and spanning the centuries from the Norman Conquest to the accession of the Tudors A well-written contribution to the literature on the subject, and will interest both the historically minded tourist and, as a reference book, the scholar. WAR IN HISTORY A comprehensive and concise guide to all medieval English castles of which something can still be seen today, ranging from the massive keeps which still dominate the landscape to grassy earthworks and Border pele towers, and spanning the centuries from the Norman Conquest to the accession of the Tudors. English Castles contains over five hundred main entries in county order, each giving a brief history and description of the castle. A short introduction supplies the historical background to the explosion of castle-building in the middle ages, and there is a glossary covering all aspects of castles in some detail. There are also full Ordnance Survey map references.
Even in an age of emerging nationhood, English men and women still thought very much in terms of their parishes, towns, and counties. This book examines the vitality of early modern local consciousness and its deployment by writers to mediate the larger political, religious, and cultural changes of the sixteenth and seventeenth centuries.
Discover the history and architectural treasures of the Cheshire town of Northwich and its environs in this fascinating exploration of 50 buildings and landmarks - old and new.
This book asks the questions can `Man' be separated from `Nature'? Is it valid to seek to `control' Nature? It argues that the firm modern boundaries between nature and culture have been breached and pulls together new strands of thinking about nature which suggest that humanity and nature have never been separate. The argument is developed through a critical discussion of the Romantic ideal of pure nature, unsullied by humanity and largely confined to fragile margins in need of protection and more recent discourses which identify nature with environment, and cast man in the role of a polluter and destroyer.
The book is a collection of fifty short pieces, ranging widely over topics briefly related to church occasions and Christian faith including Easter, Christmas, Pentecost, weddings, funerals, parenthood, prayer, belief, and hope. Their style is anecdotal, humorous and allusive.
From an acclaimed social and architectural historian, the tumultuous, scandalous, glitzy, and glamorous history of English country houses and high society during the interwar period As WWI drew to a close, change reverberated through the halls of England's country homes. As the sun set slowly on the British Empire, the shadows lengthened on the lawns of a thousand stately homes. In The Long Weekend, historian Adrian Tinniswood introduces us to the tumultuous, scandalous and glamorous history of English country houses during the years between World Wars. As estate taxes and other challenges forced many of these venerable houses onto the market, new sectors of British and American society were seduced by the dream of owning a home in the English countryside. Drawing on thousands of memoirs, letters, and diaries, as well as the eye-witness testimonies of belted earls and bibulous butlers, Tinniswood brings the stately homes of England to life as never before, opening the door to a world by turns opulent and ordinary, noble and vicious, and forever wrapped in myth. We are drawn into the intrigues of legendary families such as the Astors, the Churchills and the Devonshires as they hosted hunting parties and balls that attracted the likes of Charlie Chaplin, T.E. Lawrence, and royals such as Edward VIII and Wallis Simpson. We waltz through aristocratic soiré, and watch as the upper crust struggle to fend off rising taxes and underbred outsiders, property speculators and poultry farmers. We gain insight into the guilt and the gingerbread, and see how the image of the country house was carefully protected by its occupants above and below stairs. Through the glitz of estate parties, the social tensions between old money and new, the hunting parties, illicit trysts, and grand feasts, Tinniswood offers a glimpse behind the veil of these great estates -- and reveals a reality much more riveting than the dream.
Applying the principles of marketing to nonprofit organizations and the fundraising sector is vital for the modern fundraiser who wants to increase profitability and diversify their fundraising efforts in this challenging industry. This comprehensive how-to guide provides a thorough grounding in the principles underpinning professional practices and critically examines the key issues in fundraising policy, planning and implementation. This new edition of Fundraising Management builds on the successful previous editions by including modern perspectives on organizational behaviour, extended coverage of digital fundraising and donor behaviour, including an examination of group influences on behaviour, and a new chapter on the use of social media for supporter engagement and retention. Combining scholarly analysis with practical real life examples, Fundraising Management has been endorsed by the Institute of Fundraising, and is mapped to the Certificate and Diploma in Fundraising, making it the definitive guide to best practice both in the UK and globally. This is a clear, problem-solving guide that no fundraising student or professional should be without.
Why do people commit crime? How effective and reliable is the investigative process? How do jurors decide whether a person is guilty or innocent? How effective is treatment in reducing the risk of reoffending? In this up-to-date edition of his highly informative textbook, Adrian Scott reveals just how much forensic psychology can tell us - not only about offenders and their crimes, but also about the different stages of the criminal justice system. Covering social, psychological, biological and cognitive theories of crime, as well as research and theory relating to the investigative process, the courtroom and the penal system, this book provides in-depth coverage of the major areas within forensic psychology. It is essential reading for curious students seeking an engaging and accessible introduction to this fascinating topic.
Gazetteer of over 500 hundred surviving Scottish Castles. Discover the castles of Scotland, from early "motte and bailey" earthworks and impressive walled enclosures to the many tower houses that dot the landscape. Castles were built in increasing numbers from the 14th to the 17th century, as residences for the Scottish nobility. Some are still proudly occupied; others are well-maintained ruins; many others slowly decay in fields and farmyards. Here, Adrian Pettifer provides a brief account of every Scottish castle to survive in a reasonable state of preservation, including such iconic sites as Edinburgh, Glamis and Cawdor. Each of the more than five hundred main entries provides a brief history and description of a castle, followed by advice on accessibility, sources for further reading and cross-references to related sites. An introduction supplies the historical background, while a glossary covers all aspects of Scottish castles in some detail. Ordnance Survey references are given in the index.
This is the first truly comprehensive guide to fundraising management, uniquely blending current academic knowledge with the best of professional practice. Much more than a how-to guide, it provides a detailed overview of modern fundraising planning and practice, and analyzes critical issues as well presenting practical tools for campaign planning. Campaigns discussed include high-profile examples from companies as diverse as RSPCA, Greenpeace, Barnados and the American Cancer Society, which illustrate the theories and bring the topic to life. A truly groundbreaking analysis, this text works through the planning stages of fundraising to give readers a rounded understanding of the topic, and is essential reading for students of fundraising and non-profit professionals alike.
During the Elizabethan Age and for the following hundred and fifty years, such figures as Shakespeare and Jonson, Milton and Pope dominated the English literary scene. But what was the vast majority of society really watching, reading and singing? This pioneering anthology, set in two volumes, attempts to answer this question by offering a wide selection of material, ranging from broadside ballads and drolls to witch trial reports and political newsbooks.
When Peter Watson was murdered in his bath by a jealous boyfriend in 1956, the art world lost one of its wealthiest, most influential patrons. This compellingly attractive man, adored by Cecil Beaton; a man who was called a legend by contemporaries, who was the subject of two scandalous novels, and who helped launch the careers of Francis Bacon, John Craxton and Lucian Freud, fell victim to a fortune-hungry lover.Elegant and hungrily sexual, Peter Watson had a taste for edgy, disreputable boyfriends. He was the unrequited love of Cecil Beaton's life - his 'queer saint' - but Peter preferred the risk of edgier, less sophisticated lovers, including the beautiful, volatile, drug-addicted prostitute Denham Fouts. Peter's thirst for adventure took him through the cabaret culture of 1930s Berlin, the demi-monde and aristocratic salons of pre-war Paris, English high society, and the glitz of Hollywood's golden age.Gore Vidal described him as 'a charming man, tall, thin, perverse. One of those intricate English queer types who usually end up as field marshals, but because he was so rich he never had to do anything.' Truman Capote called him 'not just another rich queen, but - in a stooped, intellectual, bitter-lipped style - one of the most personable men in England'.More than just a gay playboy, Peter Watson was a renowned connoisseur, and fuelled the engine of mid-twentieth century art with his enormous wealth. Without his patronage, Bacon and Freud might have failed before they'd got started. He also founded the influential British arts journal Horizon with Cyril Connolly and Stephen Spender, and was one of the core founders of the Institute of Contemporary Arts, and organised most of its early exhibitions.From the mystery of his obscure family origins to the enigma surrounding his premature death, this book follows Peter Watson through an odyssey of the mid twentieth century, from high society to sweaty underworld, and discovers a man tormented by depression and doubt; he ultimately wanted love and a sense of self-worth but instead found angst and a squalid death.'PETER WATSON (1908-1956), LONG FORGOTTEN AS AN ASTUTE GREY EMINENCE IN THE ART WORLD OF HIS DAY, DISCERNING COLLECTOR OF PAINTINGS, PATRON OF THE YOUNG AND PROMISING, FOUNDER AND BENEFACTOR OF THE INSTITUTE OF CONTEMPORARY ARTS, IS AT LAST AND DESERVEDLY THE SUBJECT OF A SCRUPULOUS AND COMPELLING INVESTIGATION' - BRIAN SEWELL'THIS COMPELLING REDISCOVERY OF THE LIFE AND DEATH OF PETER WATSON CASTS NEW LIGHT ON THE INTELLECTUAL AND ARTISTIC WORLD OF MID-TWENTIETH-CENTURY BRITAIN: THE WORLD OF BACON AND FREUD, CYRIL CONNOLLY AND STEPHEN SPENDER' - LOYD GROSSMAN, CHAIRMAN OF THE HERITAGE ALLIANCE
The first comprehensive history of marine insurance transacted in London from the industry's beginnings, to the early-nineteenth-century, when legislative change ended parliamentary monopolies over the business.This book describes the development and evolution of the customary, legal, and commercial institutions of marine insurance, alongside its developing organisational structures. It analyses major market interventions during the period, including state-sponsored initiatives in the late sixteenth century, the introduction of new corporate forms in the early eighteenth century, and the formation and maturation of Lloyd's of London. The book examines the impact of crises such as the Smyrna catastrophe of 1693 and the South Sea Bubble, and makes comparisons with developments in other marine insurance markets. In revealing how the London insurance market changed over centuries, the book discusses issues of risk and uncertainty, the financial revolution, the development of trade, and the reciprocal developmental roles of markets and the state. Overall, it highlights the ways that efficient and effective marine insurance capable of adapting according to circumstance was vital to the growth of trade and the economy.l roles of markets and the state. Overall, it highlights the ways that efficient and effective marine insurance capable of adapting according to circumstance was vital to the growth of trade and the economy.l roles of markets and the state. Overall, it highlights the ways that efficient and effective marine insurance capable of adapting according to circumstance was vital to the growth of trade and the economy.l roles of markets and the state. Overall, it highlights the ways that efficient and effective marine insurance capable of adapting according to circumstance was vital to the growth of trade and the economy.
The Hundred Years War was a struggle for control over the French throne, fought as a series of conflicts between England, France, and their respective allies. The Soldier in Later Medieval England is the outcome of a project which collects the names of every soldier known to have served the English Crown from 1369 to the loss of Gascony in 1453, the event which is traditionally accepted as the end-date of the Hundred Years War. The data gathered throughout the project has allowed the authors of this volume to compare different forms of war, such as the chevauchées of the late fourteenth century and the occupation of French territories in the fifteenth century, and thus to identify longer-term trends. It also highlights the significance of the change of dynasty in England in the early 1400s. The scope of the volume begins in 1369 because of the survival from that point of the 'muster roll', a type of documentary record in which soldiers names are systematically recorded. The muster roll is a rich resource for the historian, as it allows closer study to be made of the peerage, the knights, the men-at-arms (the esquires), and especially the lower ranks of the army, such as the archers, who contributed the largest proportion of troops to English royal service. The Soldier in Later Medieval England seeks to investigate the different types of soldier, their regional and national origins, and movement between ranks. This is a wide-ranging volume, which offers invaluable insights into a much-neglected subject, and presents many opportunities for future research.
In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic "A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor "The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent "Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement
The title of a great musical composition is not always a clear or simple matter. An allusive title, particularly in a foreign language, or a title that does not seem related to the work, can confuse even the most devoted music lover. Here are histories of the creation of 3,500 titles for symphonies, operas, oratorios, ballets, orchestral works, choral works, chamber music, keyboard compositions, and songs, ranging from the popular to the obscure. Each entry (arranged by English, French, German, Italian or Spanish title) includes alternate titles where appropriate, the composer's name, date of composition and first performance, opus number where appropriate, a description of the work, and the origin of the title or any story behind it. A bibliography and an index conclude the work.
Dark and foggy Victorian streets, the murderous madman, the arsenic-laced evening meal - we all think we know the realities of Victorian crime. Adrian Gray's thrilling book recounts the classic murders, by knife and poison, but it also covers much more, taking the reader into less familiar parts of Victorian life, uncovering the wicked, the vengeful, the foolish and the hopeless amongst the criminal world of the nineteenth century. Here you will encounter the women who sold their children, corrupt bankers, smugglers, highwaymen, the first terrorists, bloodthirsty mutineers and petty thieves; you will meet the 'mesmerists' who fooled a credulous public, and even the Salvation Army band that went to gaol. Gray journeys through the cities, villages, lanes, mills and sailing ships of the period, ranging from Carlisle to Cornwall, showing how our laws today have been shaped by what the Victorians considered acceptable - or made illegal.
This lavishly illustrated encyclopedia contains some 1,500 terms and idioms, related to or connected with falconry, with explanations, derivations and notes. It is illustrated with photographs, figures, and reproductions of antiquarian prints and is believed to be the first attempt to catalog and review the complete language of falconry as used between the later Middle Ages and the present day. The Encyclopedia of Falconry will be a valuable addition to all reference collections by uniquely covering a subject with a long and distinguished history.
A rollicking tour of the English country home after World War II, when swinging London collided with aristocratic values As the sun set slowly on the British Empire, its mansions fell and rose. Ancient families were reduced to demolishing the parts of their stately homes they could no longer afford, dukes and duchesses desperately clung to their ancestral seats, and a new class of homeowners bought their way into country life. A delicious romp, Noble Ambitions pulls us into these crumbling halls of power, leading us through the juiciest bits of postwar aristocratic history—from Mick Jagger dancing at deb balls to the scandals of Princess Margaret. Capturing the spirit of the age, historian Adrian Tinniswood proves that the country house is not only an iconic symbol, but a lens through which to understand the shifting fortunes of the British elite in an era of monumental social change.
Claiming Sacred Ground Pilgrims and Politics at Glastonbury and Sedona Adrian J. Ivakhiv A study of people and politics at two New Age spiritual sites. In this richly textured account, Adrian Ivakhiv focuses on the activities of pilgrim-migrants to Glastonbury, England and Sedona, Arizona. He discusses their efforts to encounter and experience the spirit or energy of the land and to mark out its significance by investing it with sacred meanings. Their endeavors are presented against a broad canvas of cultural and environmental struggles associated with the incorporation of such geographically marginal places into an expanding global cultural economy. Ivakhiv sees these contested and "heterotopic" landscapes as the nexus of a complex web of interestes and longings: from millennial anxieties and nostalgic re-imaginings of history and prehistory; to real-estate power grabs; contending religious visions; and the free play of ideas from science, pseudo-science, and popular culture. Looming over all this is the nonhuman life of these landscapes, an"otherness" that alternately reveals and conceals itself behind a pagenant of beliefs, images, and place-myths. A significant contribution to scholarship on alternative spirituality, sacred space, and the politics of natural landscapes, Claiming Sacred Ground will interest scholars and students of environmental and cultural studies, and the sociology of religious movements and pilgrimage. Non-specialist readers will be stimulated by the cultural, ecological, and spiritual dimensions of extraordinary natural landscapes. Adrian Ivakhiv teaches in the Faculty of Environmental Studies at York University in Toronto, and is President of the Environmental Studies Association of Canada. April 2001 384 pages, 24 b&w photos, 2 figs., 9 maps, 6 1/8 x 9 1/4, index, append. cloth 0-253-33899-9 $37.40 s / £28.50 Contents I DEPARTURES 1 Power and Desire in Earth's Tangled Web 2 Reimagining Earth 3 Orchestrating Sacred Space II Glastonbury 4 Stage, Props, and Players of Avalon 5 Many Glastonburys: Place-Myths and Contested Spaces III SEDONA 6 Red Rocks to Real Estate 7 New Agers, Vortexes, and the Sacred Landscape IV ARRIVALS 8 Practices of Place: Nature and Heterotopia Beyond the New Age
Substantially revised and enlarged, this new edition of the Dictionary of Pseudonyms includes more than 2,000 new entries, bringing the volume's total to approximately 13,000 assumed names, nicknames, stage names, and aliases. The introduction has been entirely rewritten, and many previous entries feature new accompanying details or quoted material. This volume also features a significantly greater number of cross-references than was included in previous editions. Arranged by pseudonym, the entries give the true name, vital dates, country of origin or settlement, and profession. Many entries also include the story behind the person's name change.
350 international craft beers are divided into seven categories -- or moods -- for drinking, including social, adventurous, poetic, bucolic, imaginative, gastronomic, and contemplative -- ensuring the perfect beer for every occasion. The Seven Moods of Craft Beer brings together the best 350 beers from around the world and then divides them into specific moods meant as the perfect guide for what to drink, when. There are beers that are social, like Funky Buddha Hope Gun from Florida, which are to be sipped in the backyard to the hum of conversation and kids playing. There are beers that are imaginative, like the Broken Dream from the UK, meant for contemplative nights with old friends. And there are gastronomic beers, like Sovina which pairs perfectly with a carnitas taco. Each of the seven chapters offers profiles of approximately 50 beers that cover tasting notes, history and information on the brewery, and alcohol percentage. Sidebars throughout include histories of the world's best bars and information on styles of beer, brewers and breweries, and the world's most famous festivals.
Who will remember 'Our Gracie' waving goodbye; Jack Buchanan constantly bumping into Elsie Randolph; Bobby Howes celebrating the invention of the Belisha Beacon, doing a cat duet with Wylie Watson and giving ideas to Rene Ray about ham sandwiches; John Wood and Claire Luce climbing the steps of the lighthouse and breathing on windows in Over She Goes, these accompanied by some of the most deft British and American composers of their time, their work lighter and freer than air. We catch those airs still, breathing on windows and wondering what became of it all. Book jacket.
Although articles in this volume fall into three thematic clusters, each of those groups exemplifies three general themes: micro-social processes; innovations and the question of continuity versus discontinuity; and the relationship between ideas and practice. Most of these essays touch upon, and some of them are exclusively concerned with, small scale social processes: e.g. the routines of the all-female early-modern childbirth ritual, the different ways that male practitioners were summoned to such occasions, the functioning of voluntary hospitals, the protocols underlying patient records. Such social practices are well worth studying as both the sites and drivers of larger-scale historical change. Whenever there comes into being something new - whether an institution (a hospital), a social practice (the summoning of men as midwives) or a concept (a new approach to disease) - the question arises as to its relationship with what went before. This concept resonates throughout these essays, but is most to the fore in the chapters on early Hanoverian London (which asks explanatory questions) and on Porter versus Foucault (who represent the extremes of continuity and discontinuity respectively). A couple of generations ago, the ’history of ideas’ was pursued largely without reference to practice; in recent times, the danger has appeared of the very reverse taking place. This book ranges across a broad spectrum in this respect, the emphasis being sometimes upon practice (Eleanor Willughby’s work as a midwife) and sometimes upon ideas (concepts of pleurisy across the centuries); but in every case there is at least the potential for relating the two to one another. None of these themes is specific to medical history; on the contrary, they are the bread-and-butter of historical reconstruction in general.
What was it that the British people believed they were fighting for in 1914–18? This compelling history of the British home front during the First World War offers an entirely new account of how British society understood and endured the war. Drawing on official archives, memoirs, diaries and letters, Adrian Gregory sheds new light on the public reaction to the war, examining the role of propaganda and rumour in fostering patriotism and hatred of the enemy. He shows the importance of the ethic of volunteerism and the rhetoric of sacrifice in debates over where the burdens of war should fall as well as the influence of religious ideas on wartime culture. As the war drew to a climax and tensions about the distribution of sacrifices threatened to tear society apart, he shows how victory and the processes of commemoration helped create a fiction of a society united in grief.
The previously untold story of the hidden politics that went on behind the scenes during the handling of the Royal abdication crisis of 1936. The King Who Had to Go describes the harsh realities of how the machinery of government responds when even the King steps out of line. It reveals the pitiless and insidious battles in Westminster and Whitehall that settled the fate of the King and Mrs Simpson. Prime Minister Stanley Baldwin had to fight against ministers and civil servants who were determined to pressure the King into giving up Mrs Simpson and, when that failed, into abdicating. Dubious police reports on Mrs Simpson's sex life poisoned the government's view of her and were used to blacken her reputation. Threats to sabotage her divorce were deployed to edge the King towards abdication. Covert intelligence operations convinced the hardliners that the badly coordinated and hopeless attempts of the King's allies, particularly Winston Churchill, to keep him on the throne amounted to a sinister anti-constitutional conspiracy. The book also shows how the King doomed his chances of keeping the throne by wildly unrealistic goals and ill-thought -out schemes. As each side was overwhelmed by desperation and distrust, Baldwin somehow held the balance and steered the crisis to as smooth a conclusion as possible.
Riotous Assemblies examines eighteenth- and early nineteenth-century England through the lens of popular disorder. Tackling both the more closely-studied forms of protest, such as food riots, industrial disorders, and political disturbances, and much less well understood occasions of popular disorder, such as tax riots, turnpike riots, riots against the establishment of the militia, and religious riot, Adrian Randall re-engages the study of riot within a wider interpretation of the forces - social, economic and political - which were transforming society. He pays particular attention to disturbances in the years between 1795 and 1812, critically examining how far they indicated the major discontinuities discerned by earlier histories of protest, or whether they retained much of the character of earlier upheaval. Based upon detailed case studies and drawing upon the most recent research, the book extends the focus of earlier studies of protest. It locates the origins of disorder within the concepts of constitutionalism and the free-born Englishman, and argues that older attitudes proved far more tenacious than many have allowed.
An "enchanting" upstairs/downstairs history of the British royal court, from the Middle Ages to the reign of Queen Elizabeth II (Wall Street Journal). Monarchs: they're just like us. They entertain their friends and eat and worry about money. Henry VIII tripped over his dogs. George II threw his son out of the house. James I had to cut back on the alcohol bills. In Behind the Throne, historian Adrian Tinniswood uncovers the reality of five centuries of life at the English court, taking the reader on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire, the practicalities of cooking dinner for thousands and of ensuring the king always won when he played a game of tennis. A masterful and witty social history of five centuries of royal life, Behind the Throne offers a grand tour of England's grandest households.
This book places childbirth in early-modern England within a wider network of social institutions and relationships. Starting with illegitimacy - the violation of the marital norm - it proceeds through marriage to the wider gender-order and so to the ’ceremony of childbirth’, the popular ritual through which women collectively controlled this, the pivotal event in their lives. Focussing on the seventeenth century, but ranging from the sixteenth to the eighteenth century, this study offers a new viewpoint on such themes as the patriarchal family, the significance of illegitimacy, and the structuring of gender-relations in the period.
In this useful work, detailing more than 2,500 African placenames of all types, each entry identifies the country and, in most cases, geographical location within the country. An account of the name's origin and meaning follows, along with appropriate historical, topographical, and biological references. Cross references provide former names, alternate spellings, and alternate forms of current names. An introduction comprises a geographical summary, a chronological survey of the exploration and colonization of Africa, and an overview of African languages.
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