The greatest achievement in GAA history finally gets its due: Adrian Russell's The Double is a singular triumph. - Michael Moynihan On 16 September 1990, Cork's footballers ran out on the Croke Park pitch chasing immortality. The Rebel County hurlers, watching on from the Hogan Stand in suits, had won an unlikely All-Ireland a fortnight earlier; their thrilling final victory over Galway capped a hugely fun come-from-nowhere season. Now, if Billy Morgan's footballers could overcome their rivals in Meath, they'd secure sporting history for the county; a Senior All-Ireland double. After hitting a historically low ebb the previous year, the hurlers arrived with a bang led by a hurling fanatic priest. Fr Michael O'Brien built his by plucking players from relative obscurity, coaxing old stars back into action and trusting young guns to make a name for themselves. Billy Morgan's footballers, meanwhile, were a tight-knit, well-travelled side by the summer of 1990. A cast of strong characters, including Larry Tompkins, Niall Cahalane and Dave Barry, who trained hard and partied just as hard, they ended Kerry football's hopes, before running into the Meath machine. Cork were defending champions but questions remained: could they back it up when the pressure was piled on by the hurlers' success? In a long summer that saw the nation celebrate Ireland's Italia '90 success, Cork made its own sporting history. The Double is the story of how they pulled it off.
First published in 1993. This book is intended for managers and occupational psychologists involved in the selection and assessment of the workforce. It details the history and development of the use of biographical data for both recruitment and promotion of employees. Grounded in relevant research literature, it offers a comprehensive analysis of the advantages and disadvantages of biodata in different contexts. It also includes examples of applications and recommendations for use, as well as examples of questionnaires. Written by experts, it represents a wide-ranging review of the contemporary research in the field. This work will be of interest to students of business and psychology.
Responding to the ongoing “objectal turn” in contemporary humanities and social sciences, the essays in Subject Lessons present a sustained case for the continued importance— indeed, the indispensability—of the category of the subject for the future of materialist thought. Approaching matters through the frame of Hegel and Lacan, the contributors to this volume, including the editors, as well as Andrew Cole, Mladen Dolar, Nathan Gorelick, Adrian Johnston, Todd McGowan, Borna Radnik, Molly Anne Rothenberg, Kathryn Van Wert, and Alenka Zupančič—many of whom stand at the forefront of contemporary Hegel and Lacan scholarship—agree with neovitalist thinkers that material reality is ontologically incomplete, in a state of perpetual becoming, yet they maintain that this is the case not in spite of but, rather, because of the subject. Incorporating elements of philosophy, psychoanalysis, and literary and cultural studies, Subject Lessons contests the movement to dismiss the subject, arguing that there can be no truly robust materialism without accounting for the little piece of the Real that is the subject.
Brandywine Boy is a memoir that also includes relevant history, social history and explanations of some features of farm animals. It describes life and events that occurred in the mid-twentieth century as seen through a boy's eyes. Most of the book centers on the author's experiences on a small farm in the Brandywine Valley of southeastern Pennsylvania. The author had a number of Tom Sawyer-like adventures, which included building a log cabin after felling trees with friends 11 to 13 years of age, drinking from a swamp out of necessity, and jumping a barbed wire gate while riding his horse without a saddle. And without television a boy had to depend on his imagination while listening to radio shows. The author is a veterinarian so he speaks authoritatively about the inner workings of farm animals, providing for their needs and the nature of farming in the post-World War II era. Artist Gayle Joseph has added eleven evocative illustrations. Both teenagers and adults, particularly those who grew up in the same era as the author, will enjoy Brandywine Boy.
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