This volume is a study of Fascism in its country of origin, Italy. It describes the impact of a new type of political movement on Italian government and society. The Fascist seizure of power did not begin or end with Mussolini's famous March on Rome in 1922; it was achieved rather by gradual subversion of the liberal order, which involved not only the destruction of all political opposition but also the creation of new institutions designed to control economic and cultural life. A classic work of wide-ranging scholarship, this book is here republished with a new preface by the author and will be essential reading for all students of Fascism and international history.
T Though today he is hailed as one of Britain's greatest leaders, throughout his career, Winston Churchill was an outsider, accumulating a reputation for bad judgement and untrustworthiness. Only risk-takers and fellow outsiders would back him – but these strong and often feuding personalities proved to be vital to his decision-making in war and peace alike. Winston's Bandits provides, for the first time, a detailed account of his greatest friendships. These friends were Max Aitken, Lord Beaverbrook, a press baron who craved power but only on his own terms; Frederick Lindemann, later Lord Cherwell, an ascetic and quarrelsome scientist who believed in Churchill's intellectual genius; Brendan Bracken, an Irishman from a humble background who reinvented himself as a major force in financial publishing and gave Churchill unconditional support; the young Bob Boothby, who would earn notoriety for adventurous sexual conduct and dubious financial dealings; Randolph Churchill, who was often a disappointment and burden to his father; and Duncan Sandys, who reaped the full benefits of being Churchill's son-in-law in his political career. Together, they were Winston's bandits. This remarkable book explores how Churchill's relationships with these forceful and intriguing sparring partners provide the key to understanding his greatest triumphs and disasters.
Shakespeare has been one of the most-cited authors since his plays were performed, and yet little attention has been paid to his views on psychic phenomena. It took another 300 years of paranormal experiences before scholars at Cambridge University helped to found the Society for Psychical Research, which brought scientific scrutiny to the area, and the UK is now a world leader in university research on this topic. This book throws new light on many historical case reports from Shakespeare’s time onwards. It identifies the core experiences that transcend time and give clues to an understanding of psychic phenomena. The book highlights Shakespeare’s insights, showing how these relate to, and even amplify, the conclusions of later and on-going research. In our time of disconnectedness from nature, the book discusses neglected human experiences which represent an important part of life and which do, in fact, occur to most of us. In doing so, the book raises awareness against the emptiness of a zombie-like existence in today’s society and offers a new approach to life and death, and their deeper meaning.
A placename is often much more than just a label. A name may bespeak the history of a nation, the culture of a people, or the hopes of an individual. Such connections are revealed in this very large reference work on placenames of the world, which offers an in-depth look at the origins of each. First published in 1997, this 2006 edition contains 6,000+ entries--natural features such as mountains, rivers and lakes and human entities such as cities and countries. Each entry includes the name of the feature; a brief description and its geographical location; and the origin of the name with relevant historical, biographical and topographical details. Appendices give the meanings of common elements of non-English placenames (e.g., Abu, as in Abu Dhabi, means "father of"); major placenames in European languages (e.g., Pays-Bas and Paesi Bassi are the French and Italian names, respectively, for what English speakers call the Netherlands); and transcribed Chinese-language equivalents for the names of the world's countries and capitals.
Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
It began as a small, slow, and unadorned sailing vessel—in a word, ordinary. Later, it was a weary workhorse in the age of steam. But the story of the Edwin Fox reveals how an everyday merchant ship drew together a changing world and its people in an extraordinary age of rising empires, sweeping economic transformation, and social change. This fascinating work of global history offers a vividly detailed and engaging narrative of globalization writ small, viewed from the decks and holds of a single vessel. The Edwin Fox connected the lives and histories of millions, though most never even saw it. Built in Calcutta in 1853, the Edwin Fox was chartered by the British navy as a troop transport during the Crimean War. In the following decades, it was sold, recommissioned, and refitted by an increasingly far-flung constellation of militaries and merchants. It sailed to exotic ports carrying luxury goods, mundane wares, and all kinds of people: not just soldiers and officials but indentured laborers brought from China to Cuba, convicts and settlers being transported from the British Empire to western Australia and New Zealand—with dire consequences for local Indigenous peoples—and others. But the power of this story rests in the everyday ways people, nations, economies, and ideas were knitted together in this foundational era of our modern world.
Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.
This book analyses representations of death and dying in modern Western theatre from the late nineteenth century onward, examining how and why historically informed conceptions of mortality are dramatized and staged.
Adrian Kerridge has been part of the British recording industry for the past 50 years. His revolutionary and often forthright approach within the music industry has put him at the centre of the recording world for half a century. As owner of the eminent Lansdowne Studios - birth place of the Dave Clark Five, and home to numerous household name artists and session stories as well as the cofounding father of the CADAC console brand - he witnessed first-hand the technological changes of an industry transitioning from analogue tape to multi-track to digital recording and editing in the 80s and forwards; was a forerunner in the 60s of the then experimental practice of direct injection – now widely employed by sound engineers and laid the foundations for a more modern upfront sound that was lacking in the 50s and early 60s. Renown for creating unique sonic signature for bands and other recording artists, Adrian's approach to recording was unlike anything the industry had seen in the years previous. He recorded "hot" while his contemporaries were more conservative in their approach. This book traces his personal journey from war time Britain to the swinging 60s taking in the technical and social changes that were to shape the way music was recorded. It tells the story of a choir boy from West London who fell in love with Jazz and landed a job at a music shop. A chance invitation to sit in on a studio recording of the Sydney Lipton band sparked in Adrian an interest that was to put him on a path from choir boy to the foremost "Ears" in the business. Adrian describes how his first job at IBC London, one of the UK's largest independent recording studios at the time, led him to work with the legendary and sometimes volatile Joe Meek. Working with Joe gave Adrian crucial insights into the talented engineer's innovative techniques, which he describes in technical and personal detail, After a brief stint of National Service, Adrian returned to the recording industry but instead of resuming his old job at IBC he was offered a job alongside Joe Meek at a completely new London studio – Lansdowne Recording Studios – with producer Denis Preston, who ran his own Record Supervision jazz label. Adrian describes his experience of working with Joe and Denis, becoming responsible for his own sessions, and the studios' prolific output. He paints the picture of Joe's complex character, as well as his ground breaking and highly successful recording techniques. Joe's premature departure from Lansdowne meant Adrian suddenly found himself catapulted into the job of senior engineer and solely responsible for running the studios. It was during this time that Adrian, along with the Dave Clark Five, led the British "invasion" of the U.S. music scene in the 1960s pioneering new audio techniques using equipment considered primitive by today's standards. Adrian relates how in the early 1960s, the Dave Clark Five first came into the studio, and how his contribution to the band's development helped create their signature "Tottenham Sound". He provides unique insights into the recording of numerous hits such as "Glad All Over" which resulted in huge success for the band knocking the Beatles' song "I want to hold your hand" off the top of the U.K. charts in January 1964, going on to sell 2.5M copies. Nowadays you can get a number one with 10-20,000 copies. He describes his intriguing experiences in Germany and Belgium, recording material for the KPM Music Library and other music libraries.
Julian Mann, the hard drinking, preening, and sexually provocative star of the TV sitcome Richard the Nerd, feels caught on the horns of a dilemma: should he be concentrating on his career, which is on the slide after an unseemly bout of fisticuffs at the BAFTA awards; or following his baser instincts and bedding every young girl in sight? His twin dreams of comic immortality and a penthouse flat full of booze and young models seem to be frustrated by his wife and children; by Tom, his wife's best friend from university days, a pretentious 'National Theatre Player' who appears to be competing with Julian on the small sreen and in the bedroom; by the tax man, who's chasing him for sixty thousand pounds; and by Lillith, a psychotic fan, and member of a strange Herculean cult whose eight-year cycle of death and regeneration might augur Julian's imminent nemesis...
An "enchanting" upstairs/downstairs history of the British royal court, from the Middle Ages to the reign of Queen Elizabeth II (Wall Street Journal). Monarchs: they're just like us. They entertain their friends and eat and worry about money. Henry VIII tripped over his dogs. George II threw his son out of the house. James I had to cut back on the alcohol bills. In Behind the Throne, historian Adrian Tinniswood uncovers the reality of five centuries of life at the English court, taking the reader on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire, the practicalities of cooking dinner for thousands and of ensuring the king always won when he played a game of tennis. A masterful and witty social history of five centuries of royal life, Behind the Throne offers a grand tour of England's grandest households.
The birth and baptism of fire of one of Britain's most illustrious military units Studded with numerous firsthand descriptions from soldiers in the African desert Head to head with Erwin Rommel in Africa, the British Eighth Army enjoyed superior numbers and a more effective air force, but despite the valor of its men, it had difficulty turning those advantages into battlefield victory because of command, equipment, and morale problems. After modest success during Operation Crusader in November 1941, the Eighth Army found itself battered and driven back for much of the ensuing year as Rommel scored victory after victory. Not until the fall of 1942 at the Alamein Line did the Eighth Army's fortunes begin to reverse.
A rollicking tour of the English country home after World War II, when swinging London collided with aristocratic values As the sun set slowly on the British Empire, its mansions fell and rose. Ancient families were reduced to demolishing the parts of their stately homes they could no longer afford, dukes and duchesses desperately clung to their ancestral seats, and a new class of homeowners bought their way into country life. A delicious romp, Noble Ambitions pulls us into these crumbling halls of power, leading us through the juiciest bits of postwar aristocratic history—from Mick Jagger dancing at deb balls to the scandals of Princess Margaret. Capturing the spirit of the age, historian Adrian Tinniswood proves that the country house is not only an iconic symbol, but a lens through which to understand the shifting fortunes of the British elite in an era of monumental social change.
Substantially revised and enlarged, this new edition of the Dictionary of Pseudonyms includes more than 2,000 new entries, bringing the volume's total to approximately 13,000 assumed names, nicknames, stage names, and aliases. The introduction has been entirely rewritten, and many previous entries feature new accompanying details or quoted material. This volume also features a significantly greater number of cross-references than was included in previous editions. Arranged by pseudonym, the entries give the true name, vital dates, country of origin or settlement, and profession. Many entries also include the story behind the person's name change.
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