The #1 International Bestseller! A Science Fiction & Fantasy Book to Keep on Your Radar by io9 and Gizmodo A fast-paced, literary, dystopian thriller for fans of fiction like Andy Weir's The Martian, Emily St. John Mandel's Station Eleven, and Cormac McCarthy's The Road. Asteroids are striking Earth, the end of the world is near, and Edgar Hill is on the wrong side of the country. Over five hundred miles of devastated wastelands stretch between him and his family, and every second counts. His only option is to run—or risk losing everything he loves. He'll have to be ingenious and push himself to the very limit if he wants to see them again. Can he reach them in the race against time, or will the end of the world defeat him? The End of the World Running Club is where the beautifully imagined post-apocalyptic world of The Salt Line meets the deep humanity of A Man Called Ove. A dystopian page-turner about the endurance of the human body and spirit—perfect for lovers of apocalyptic science fiction, running books, and anyone who knows that true strength comes from love. Praise for The End of the World Running Club: "Harrowing and heartrending, this is a novel that is almost impossible to put down."—Library Journal "Walker's ability to imagine a post-apocalyptic world in crisp detail is on full display in the early pages of The End of the World Running Club."—Maximum Shelf "...a beautifully written postapocalyptic tale of a flawed man's struggle for survival and redemption."—Booklist
“A superb account of the rise of modern broadcasting.” —Financial Times When the pirate operator Oliver Smedley shot and killed his rival Reg Calvert in Smedley’s country cottage on June 21, 1966, it was a turning point for the outlaw radio stations dotting the coastal waters of England. Situated on ships and offshore forts like Shivering Sands, these stations blasted away at the high-minded BBC’s broadcast monopoly with the new beats of the Stones and DJs like Screaming Lord Sutch. For free-market ideologues like Smedley, the pirate stations were entrepreneurial efforts to undermine the growing British welfare state as embodied by the BBC. The worlds of high table and underground collide in this riveting history.
Papers presented at the Cities in the World conference held at Southampton University and organised through the Society for Post-Medieval Archaeology challenged the commonly held perception that cities are about the present and the future, not about the past. All cities have an innate sense of the past, and this volume, encompassing as it does
What was the relationship between power and the public sphere in early modern society? How did the printed media inform this relationship? Contributors to this volume address those questions by examining the interaction of print and power in France and England during the 'hand-press period'. Four interconnected and overlapping themes emerge from these studies, showing the essential historical and contextual considerations shaping the strategies both of power and of those who challenged it via the written word during this period. The first is reading and control, which examines the relationship between institutional power and readers, either as individuals or as a group. A second is propaganda on behalf of institutional power, and the ways in which such writings engage with the rhetorics of power and their reception. The Academy constitutes a third theme, in which contributors explore the economic and political implications of publishing in the context of intellectual elites. The last theme is clientism and faction, which examines the competing political discourses and pressures which influenced widely differing forms of publication. From these articles there emerges a global view of the relationship between print and power, which takes the debate beyond the narrowly theoretical to address fundamental questions of how print sought to challenge, or reinforce, existing power-structures, both from within and from without.
Who will remember 'Our Gracie' waving goodbye; Jack Buchanan constantly bumping into Elsie Randolph; Bobby Howes celebrating the invention of the Belisha Beacon, doing a cat duet with Wylie Watson and giving ideas to Rene Ray about ham sandwiches; John Wood and Claire Luce climbing the steps of the lighthouse and breathing on windows in Over She Goes, these accompanied by some of the most deft British and American composers of their time, their work lighter and freer than air. We catch those airs still, breathing on windows and wondering what became of it all. Book jacket.
Now in its 11th edition, Texas: The Lone Star State offers a balanced, scholarly overview of the second largest state in the United States, spanning from prehistory to the twenty-first century. Organized chronologically, this comprehensive survey introduces undergraduates to the varied history of Texas with an accessible narrative and over 100 illustrations and maps. This new edition broadens the discussion of postwar social and political dynamics within the state, including the development of key industries and changing demographics. Other new features include: New maps reflecting county by county results for the most recent presidential elections Expanded discussions on immigration and border security The effects of the COVID-19 pandemic in Texas and a look to the future Updated bibliographies to reflect the most recent scholarship This textbook is essential reading for students of American history.
Although articles in this volume fall into three thematic clusters, each of those groups exemplifies three general themes: micro-social processes; innovations and the question of continuity versus discontinuity; and the relationship between ideas and practice. Most of these essays touch upon, and some of them are exclusively concerned with, small scale social processes: e.g. the routines of the all-female early-modern childbirth ritual, the different ways that male practitioners were summoned to such occasions, the functioning of voluntary hospitals, the protocols underlying patient records. Such social practices are well worth studying as both the sites and drivers of larger-scale historical change. Whenever there comes into being something new - whether an institution (a hospital), a social practice (the summoning of men as midwives) or a concept (a new approach to disease) - the question arises as to its relationship with what went before. This concept resonates throughout these essays, but is most to the fore in the chapters on early Hanoverian London (which asks explanatory questions) and on Porter versus Foucault (who represent the extremes of continuity and discontinuity respectively). A couple of generations ago, the ’history of ideas’ was pursued largely without reference to practice; in recent times, the danger has appeared of the very reverse taking place. This book ranges across a broad spectrum in this respect, the emphasis being sometimes upon practice (Eleanor Willughby’s work as a midwife) and sometimes upon ideas (concepts of pleurisy across the centuries); but in every case there is at least the potential for relating the two to one another. None of these themes is specific to medical history; on the contrary, they are the bread-and-butter of historical reconstruction in general.
With a chapter on public procurement by Sarah Hannaford ; A commentary on JCT forms of contract by Adirian Williamson, and a commentary of the infrastructure conditions of contract by John Uff
From humble Glasgow beginnings, Colin Campbell rose to become Scotland's finest general and a favourite of Queen Victoria. In his fifty-year career he fought through the Peninsula, the Crimea, China and India, and still found time to contain a slave revolt, a Chartist revolution and Ireland's Tithe War. Through a combination of personal courage, compassionate leadership and genius for military strategy he became an idol for the men who served under him. This undisputed hero, whose memory has grown faint beside celebrated warriors of the Victorian age, was a soldier ahead of his time – the first working-class field marshal, with strong humanitarian leanings and an instinct for harnessing the power of the press. In the first major biography of Campbell since 1880 his career is radically reinterpreted and the life of this very private man is revealed. Victoria's Scottish Lion was shortlisted for The Society for Army Historical Research's 2015 Templar Prize.
In this engaging guide, teacher, poet and lyricist Adrian May shows how magic is a tool used by writers to generate creativity, where concepts of magic are seen as portals of creative power. This unique book features approachable chapters on aspects of magic and writing - such as the Tarot and the creative methods of W. B. Yeats. Blending literary criticism with practical exercises, this text will enable readers to understand the magical nature of creative writing, giving them a sense of wider possibilities and equipping them to improve their creative writing. This an ideal resource for undergraduate or postgraduate students taking courses on Creative Writing, as well as established or budding writers working independently.
`An important contribution to the development of cognitive therapy that synthesizes the best of traditional cognitive therapy with important new developments emerging from a range of different areas. Combining practical accessibility with theoretical sophistication, this book will be invaluable reading for both beginning therapists and experienced clinicians' - Jeremy D. Safran, Ph.D., Professor and Director of Clinical Psychology, New School for Social Research, New York `Like a powerful river with many tributaries, this book somehow manages to weave influences from all kinds of diverse sources into an exciting, coherent whole. It is everything you'd want of a new CBT book for students and practitioners - fresh, practical, accessible' - James Bennett-Levy, Oxford Cognitive Therapy Centre Assessment and Case Formulation in Cognitive Behavioural Therapy is a comprehensive guide to key areas of professional knowledge and skill. The successful outcome of therapy depends on the therapist's ability to work collaboratively with clients to create rounded assessments and formulations as a solid basis for therapeutic work. Drawing directly on their own clinical work, the authors describe how assessment and formulation should evolve throughout the process. The case examples chosen include helping individuals with axis I and II problems such as psychosis, depression, borderline personality disorder and family case formulation. The authors also discuss the importance of the therapist taking into account their own beliefs and emotions in formulating each case and present suggested self-practice/self-reflection trajectories to support continuous professional development in this area. Alec Grant is Principal Lecturer and Course Leader MSc in Cognitive Psychotherapy at INAM, University of Brighton. Michael Townend is Reader in Cognitive Behavioural Psychotherapy and Programme Leader for the MSc in Cognitive Behavioural Psychotherapy and Postgraduate Certificate in Clinical Supervision, University of Derby. Jem Mills is Managing Director Aurora CBT Ltd and also Cognitive Psychotherapist in Private Practice. Adrian Cockx is Community Psychiatric Nurse and MSc in Cognitive Psychotherapy student at University of Brighton.
This book asks the questions can `Man' be separated from `Nature'? Is it valid to seek to `control' Nature? It argues that the firm modern boundaries between nature and culture have been breached and pulls together new strands of thinking about nature which suggest that humanity and nature have never been separate. The argument is developed through a critical discussion of the Romantic ideal of pure nature, unsullied by humanity and largely confined to fragile margins in need of protection and more recent discourses which identify nature with environment, and cast man in the role of a polluter and destroyer.
A comprehensive reassessment of British musical films 1946-1972 including King's Rhapsody, Beat Girl, The Tommy Steele Story, Rock You Sinners, The Golden Disc, and Oliver! Acting as a sequel to Adrian Wright's Cheer Up! British Musical Films, 1929-1945 (Boydell, 2020), Melody in the Dark offers the first major reassessment of the British musical film from the end of Second World War up to the beginning of the 1970s. In the immediate post-war world, British studios sought to reflect fast-changing social attitudes as they struggled to create inventive diversions in an effort to rival American competition. Hollywood stars Errol Flynn, Vera-Ellen, Jayne Mansfield and Judy Garland were among those brought in to provide Hollywood glamour. Embedded in the British consciousness, the operettas of Gilbert and Sullivan were represented in three productions. Studios occasionally attempted adaptations of British stage musicals, among them King's Rhapsody and Expresso Bongo, and sexploitation movies turned musical via Secrets of a Windmill Girl and Beat Girl. It was left to minor studios to acknowledge the impact of rock'n'roll on social change in three early films, The Tommy Steele Story, Rock You Sinners and the iconic The Golden Disc. Through the sixties, British cinema seemed intent on flooding the market with entertainments promoting pop singers and rock groups such as Cliff Richard, Billy Fury and The Beatles. Towards the end of the period, it aspired to more grandiose projects such as Oliver! and Oh! What a Lovely War.
The second edition of the popular Illicit Drugs: Use and Control provides a timely, up-to-date discussion of the key issues raised in the first edition, whilst also providing new chapters which address: Class, gender and race, The geo-politics of illicit drug production and distribution, Britain's drug use within a global context. This accessible book, with its inclusion of new pedagogical features, will be essential reading for students and researchers working in the area of drugs and society.
Joseph Ibn Kaspi was among the most prolific philosophical writers in one of the most vibrant, productive, creative periods in the history of Jewish philosophy. Born around 1280 in Provence, Ibn Kaspi penned works engaging a broad range of fields, including philosophy, theology, grammar, logic, biblical exegesis, and interreligious polemics. In Joseph Ibn Kaspi: Portrait of a Hebrew Philosopher in Medieval Provence, Adrian Sackson asks the question: What was Ibn Kaspi’s overarching intellectual project? The book focuses on several key themes: Ibn Kaspi’s conception of the formative (not just discursive) function of philosophy; his multi-layered esotericism; his distinct approach to the interpretation of Maimonides; his Maimonidean-philosophical approach to the interpretation of religious texts and practices; his Platonic political thought; his approach to messianism, and his attendant conception of the nature of human history.
Written by an active composer, performer and educator, Sonic Art: An Introduction to Electroacoustic Music Composition provides a clear and informative introduction to the compositional techniques behind electroacoustic music. It brings together theory, aesthetics, context and practical applications to allow students to start thinking about sound creatively, and gives them the tools to compose meaningful sonic art works. In addition to explaining the techniques and philosophies of sonic art, the book examines over forty composers and their works, introducing the history and context of notable pieces, and includes chapters on how to present compositions professionally, in performance and online. The book is supported by an online software toolkit which enables readers to start creating their own compositions. Encouraging a ‘hands on’ approach to working with sound, Sonic Art is the perfect introduction for anyone interested in electroacoustic music and crafting art from sounds.
Books about the work of James Joyce are an academic industry. Most of them are unreadable and esoteric. Adrian Hardiman's book is both highly readable and strikingly original. He spent years researching Joyce's obsession with the legal system, and the myriad references to notorious trials in Ulysses and Finnegans Wake. Joyce was fascinated by and felt passionately about miscarriages of justice, and his view of the law was coloured by the potential for grave injustice when policemen and judges are given too much power. Hardiman recreates the colourful, dangerous world of the Edwardian courtrooms of Dublin and London, where the death penalty loomed over many trials. He brings to life the eccentric barristers, corrupt police and omnipotent judges who made the law so entertaining and so horrifying. This is a remarkable evocation of a vanished world, though Joyce's scepticism about the way evidence is used in criminal trials is still highly relevant.
In response to unprecedented environmental degradation, activists and popular movements have risen up to fight the crisis of climate change and the ongoing devastation of the earth. The environmental movement has undeniably influenced even its adversaries, as the language of sustainability can be found in corporate mission statements, government policy, and national security agendas. However, the price of success has been compromise, prompting soul-searching and questioning of the politics of environmentalism. Is it a revolutionary movement that opposes the current system? Or is it reformist, changing the system by working within it? In Birth of a New Earth, Adrian Parr argues that this is a false choice, calling for a shift from an opposition between revolution and incremental change to a renewed collective imagination. Parr insists that environmental destruction is at its core a problem of democratization and decolonization. It requires reckoning with militarism, market fundamentalism, and global inequality and mobilizing an alternative political vision capable of freeing the collective imagination in order to replace an apocalyptic mindset frozen by the spectacle of violence. Birth of a New Earth locates the emancipatory work of environmental politics in solidarities that can bring together different constituencies, fusing opposing political strategies and paradigms by working both inside and outside the prevailing system. She discusses experiments in food sovereignty, collaborative natural-resource management, and public-interest design initiatives that test new models of economic democratization. Ultimately, Parr proclaims, environmental politics is the refusal to surrender life to the violence of global capitalism, corporate governance, and militarism. This defiance can serve as the source for the birth of a new earth.
In the world of organized crime the bosses grab the headlines, as the names Capone, Gotti, Bonnano, Cotroni and Rizzuto attest. But a crime family has many working parts and the young mobster known as The Weasel was the epitome of a crucial, invisible cog-the soldier, the muscle, the driver, the gopher. By a quirk of fate, Marvin Elkind-later The Weasel-was placed in the foster home of a tough gangster family, immersing him from the age of nine in a daring world of con men, cheats, bootleggers, loan sharks, bank robbers, leg breakers and Mafia bosses. During a Golden Age of underworld life in New York, Detroit and across Canada, The Weasel found himself working with a surprising cast of colourful characters. He befriended powerful gangsters by smuggling bottles of Scotch to their tables as a waiter at New York's famed Copacabana; he was pushed to be Jimmy Hoffa's chauffeur. But his disenchantment with the broken promises of mob life brought him into another fraternity, one offering the same adrenaline rush, danger and dark comedy he craved. After a startling confrontation, he was embraced by law enforcement, and a cop with a reputation for results. Now a career informant, The Weasel learned he was a far better fink than he ever was a crook. With his impeccable gangland pedigree, enormous girth, cold stare and sausage-like fingers adorned with chunky rings, no one questioned The Weasel's loyalty. The backroom doors were flung open and The Weasel slipped in, bringing undercover cops with him. For case after case over two decades, he worked for the FBI, U.S. Customs, Scotland Yard, RCMP, Ontario Provincial Police and other law enforcement agencies on three continents, trapping and betraying mobsters, mercenaries, spies, drug traffickers, pornographers, union fat cats and corrupt politicians. With unflinching honesty, The Weasel and many of the undercover officers he worked with revealed their successes and failures to award-winning crime reporter and best-selling author Adrian Humphreys. The Weasel is the riveting chronicle of a unique and engaging figure who lived a most dangerous and rare experience. It is a story that was never supposed to be told.
In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic "A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor "The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent "Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement
Selfishness is essential to capitalism—or so both advocates and opponents claim. In Infinite Greed, Adrian Johnston argues that this consensus is mistaken. Through a novel synthesis of Marxism and psychoanalysis, he reveals how the relentless pursuit of profits is not fundamentally animated by human acquisitiveness. Instead, capitalism’s strange “infinite greed” demands that individuals sacrifice their pleasures, their well-being, and even themselves to serve inhuman capital. Johnston traces the mechanisms that compel capitalist subjects to obey the cold imperative to accumulate in perpetuity and without limits—and also without regard for the consequences for everyone and everything else. Facing crises such as spiraling wealth inequality and the profit-driven prospect of a looming ecological apocalypse, the rational self-interest of the majority would seem to dictate putting a stop to capitalist accumulation. By bringing together the Marxian critique of political economy with psychoanalytic metapsychology, Johnston shows why and how capitalism, rather than being responsive to people’s rationally selfish interests, disregards and overrides them instead. Unlike previous syntheses of Marxism and psychoanalysis, Infinite Greed pairs Freudian and Lacanian concepts with the economic heart of Marx’s historical materialism. In so doing, Johnston brings to light the complex intertwining of political and libidinal economies keeping us invested and complicit in perpetuating capitalism and its ills.
There’s never been a better time to be an author! Books like the Harry Potter series create a media phenomenon, with people lining up and camping outside bookstores to purchase newly released titles. Yet book sales overall – not just those of mega-sellers – are on the rise, as more and more people seek knowledge and entertainment through reading. The Library of Congress currently registers about 60,000 new titles for copyright each year. 60,000 books by 60,000 authors. Imagine yourself as one. Getting Your Book Published For Dummies is your complete guide to realizing whatever gem of an idea you’ve been carrying with you. If you’ve ever thought, “this would make a really good book,” be it the next great American novel or a guide to naming babies, here’s your chance to put pen to paper and find out! Written from both sides of the editor’s desk – by a widely published writer and a HarperCollins veteran publisher – this guide puts in your hand the advice you need to: Pick an idea Approach the publisher Craft proposals and queries Work with agents, or act as your own Self-publish Negotiate a contract Create the actual book Sell your published book Full of examples, proposals, query letters, and war stories drawn from the authors’ extensive experience, Getting Your Book Published For Dummies shows you how to clear all the hurdles faced by today’s writers – freeing up precious time for you to refine your manuscript. You’ll get the inside scoop on: Titling your book Major publishers, smaller houses, niche publishers, university presses, and spiritual and religious publishers The 12 elements of a successful nonfiction proposal How editors read queries Submitting fiction Publishing outside the box And much more Getting Your Book Published For Dummies is the clear, A-Z handbook that makes the entire process plain and practicable. You don’t need to be a celebrity. You don’t need to be some kind of publishing insider. All you need to do is write.
Most Christians hold marriage to be a sacrament, created and uniquely blessed by God. Yet, the theology of marriage rarely matches its actual experience. Marriage is too often discovered to be a violent, loveless institution, and increasingly it is delayed, avoided, and terminated.
Revolutionary Recognition represents a major contribution to contemporary political theory. It argues that human emancipation is only possible in a society characterised by 'mutual recognition'. In present-day political theory, the term 'recognition' has become popular and widely discussed, but has become synonymous with reformist scenarios, such as social democratic politics and the politics of identity. Richard Gunn and Adrian Wilding undertake a comprehensive critique of existing understandings of recognition, particularly those of Axel Honneth and Charles Taylor, returning 'recognition' to its original meaning in the work of Hegel and Marx, and showing how mutual recognition has revolutionary rather than merely reformist implications. Gunn's and Wilding's work is unapologetically political and introduces a new principle – 'mutual recognition' – around which radical politics can organise. This book is a ground-breaking contribution to left wing theory and is relevant as both a scholarly text and a rallying cry to the Left.
Crossing cultures can be a stimulating and rewarding adventure. It can also be a stressful and bewildering experience. This thoroughly revised and updated edition of Furnham and Bochner's classic Culture Shock (1986) examines the psychological and social processes involved in intercultural contact, including learning new culture-specific skills, managing stress and coping with an unfamiliar environment, changing cultural identities and enhancing intergroup relations. The book describes the ABCs of intercultural encounters, highlighting Affective, Behavioural and Cognitive components of cross-cultural experience. It incorporates both theoretical and applied perspectives on culture shock and a comprehensive review of empirical research on a variety of cross-cultural travellers, such as tourists, students, business travellers, immigrants and refugees. Minimising the adverse effects of culture shock, facilitating positive psychological outcomes and discussion of selection and training techniques for living and working abroad represent some of the practical issues covered. The Psychology of Culture Shock will prove an essential reference and textbook for courses within psychology, sociology and business training. It will also be a valuable resource for professionals working with culturally diverse populations and acculturating groups such as international students, immigrants or refugees.
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