Here is presented for the first time a medieval text, the first Old French Vie des Peres. The Vie des Peres is a collective text comprising three branches and, at its fullest, over seventy individually enclosed pious tales and miracles. The first Vie - the first forty-one or forty-two tales - dates from the first third of the thirteenth century. It is a vitally significant, but hitherto neglected, part of the Old French canon. The tales are well written and offer glimpses of thirteenth-century life and spirituality." "The Vie des Peres will interest scholars engaged in the study of vernacular literature, codicology, lexicography, art history, theology and philology. Tales of Vice and Virtue is the first sustained analysis of the entire first Vie des Peres. It is a book which provides readers new to the text with detailed commentaries, offers abundant intertextual information for romance philologists, and suggests many new areas for further research."--Page de 4
Like the world in which we live, human beings are broken. This brokenness leads to damaged relationships, sinful behaviour and even physical and mental illness. With a pastoral heart shaped by years of ministry to hurting people, and with careful attention to the truth of Scripture, Adrian De Visser uncovers how the emotional wounds of childhood, physical and sexual abuse and legalistic church environments provide opportunities for the Enemy to build strongholds in our lives. These strongholds are grounded on lies that influence our thinking at the deepest level and create destructive patterns that rob us of joy, limit our fruitfulness in the Kingdom and derail our relationships with God and those we love. With transparency and grace, Rev. De Visser reveals his own struggle to understand and accept the love of God and combines biblical truth, psychological research and poignant examples from the lives of those he has helped in his ministry. Each chapter is accompanied by study questions and activities that encourage readers to apply the truths they have learned as they embark on the journey to emotional healing. Rev. Adrian De Visser is the Founder and Senior Pastor of Kithu Sevana Ministries, a missions-oriented church-planting organization, based in Sri Lanka. As a widely respected preacher, speaker and author, Adrian continues to impact people with his message of incarnational evangelism and through his teachings on inner healing. He has authored several books in English and Sinhala, including Ministry in the Balance. Adrian holds an MA in Missions from Columbia International University, and was awarded an honorary doctorate by the Government of Sri Lanka in 2007 for his social development and community-oriented work of over two decades. In the same year, he was also awarded the title of Deshabandu by the Government of Sri Lanka. Adrian serves as the Vice President for Partnership Development for Asian Access and is the former International Deputy Director for South Asia for the Lausanne Movement.
Publié à l'occasion de l'exposition " Adrian Schiess : Peinture " au Frac Provence-Alpes-Côte-d'Azur, Marseille, du 24 mai au 30 août 2014.00Une vue d'ensemble de l'oeuvre du peintre : une rétrospective de ses principales expositions à travers le monde depuis plus de vingt ans, de la Biennale de Venise en 1990 à Marseille en 2014 en passant par Chicago, Paris, Reykjavík, Kassel, Bâle, Porto, Barcelone, Munich ou Vienne, avec deux essais et un entretien.00.
In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occitan, with the explicit intention of transmitting encyclopedic, political, philosophical, moral, historical, and other forms of knowledge. In Knowing Poetry, Adrian Armstrong and Sarah Kay explore why and how verse continued to be used to transmit and shape knowledge in France. They cover the period between Jean de Meun’s Roman de la rose (c. 1270) and the major work of Jean Bouchet, the last of the grands rhétoriqueurs (c. 1530). The authors find that the advent of prose led to a new relationship between poetry and knowledge in which poetry serves as a medium for serious reflection and self-reflection on subjectivity, embodiment, and time. They propose that three major works—the Roman de la rose, the Ovide moralisé, and Boethius’ Consolation of Philosophy—form a single influential matrix linking poetry and intellectual inquiry, metaphysical insights, and eroticized knowledge. The trio of thought-world-contingency, poetically represented by Philosophy, Nature, and Fortune, grounds poetic exploration of reality, poetry, and community.
At the heart of the French Revolution there lay a fundamental paradox: how to liberate the minds of the people whilst simultaneously ensuring their loyalty to the new regime. It is an exploration of the facts and implications of this tension that forms the basis of this study, which reconstructs the intellectual world of the Revolution. The new radical regime attacked the old institutionalized forms of Catholic worship and instruction, yet retained the catechetical outlook with its dogmatic mindset as an important feature of political education. Catechisms not only conveyed information in an accessible manner, they also revealed the intellectual tendencies of those who favoured the genre. Civic catechisms were meant to play an important part of revolutionary instruction; they were the only category of texts repeatedly mentioned in the National Assembly and in various pieces of legislation, including education bills, and there were calls for a 'national catechism'. The status of the catechisms changed throughout the Revolution, and this study also investigates the degree of continuity of purpose across the period, as well as the catechisms' place alongside other texts such as speeches and bills. An important contribution to the literature on the intellectual history of the French Revolution, this book will also be of interest to scholars of rhetoric, education and the intellectual history of the eighteenth century, as well as to revolutionary studies in general.
Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
This volume documents the Getty Museum's important holdings of Vincennes and Sèvres porcelain. Entries are arranged in chronological order and include descriptions, commentary, and a complete bibliography and exhibition list. Every object is illustrated in color and all incised and painted marks are reproduced. The volume also includes an index of painters, gilders, and previous owners.
Critically engaging with thinkers including Slavoj Zizek, Alain Badiou, Catherine Malabou, Jean-Claude Milner, Martin Hagglund, William Connolly and Jane Bennett, Johnston formulates a materialist and naturalist account of subjectivity that does full just
Here is presented for the first time an extraordinary medieval text, the first Old French Vie des Pères. The Vie des Pères is in fact a collective text comprising three branches and, at its fullest, over seventy individually enclosed pious tales / miracles. The first Vie – the first forty-one or -two tales – dates from the first third of the thirteenth century. It is a vitally significant but hitherto neglected part of the Old French canon. Indeed, in his preface to this volume Michel Zink, one of the most respected medievalists of his generation, notes that the qualities of the Vie des Pèrs ‘devraient valoir à son auteur une place au voisinage de celle qu’occupent pour nous celui de la Chanson de Roland ou Chrétien de Troyes.’ The tales are remarkably well written and offer fascinating glimpses of thirteenth-century life and spirituality. They were also extremely popular in Medieval France. Sharing close links with a number of traditions – fabliaux, Saints’ Lives, Miracles of the Virgin, Romance, Sermons – the Vie des Pères has value for those interested in many branches of vernacular literature, codicology, lexicography, art history, theology and philology. Tales of Vice and Virtue – the first sustained analysis of the entire first Vie des Pères to be published – is a groundbreaking book providing readers new to the text with detailed commentaries, offering abundant intertextual information for romance philologists, and suggesting many new areas for further research.
During the years before his death in 1918 Apollinaire?s reputation as poet and artistic animateur approached legendary proportions. This book is the first to present an extensive reassessment of Apollinaire?s role in the promotion of themes and iconography amongst his painter friends. Detailed analysis of the poetic subject matter of selected works of Dufy, Delaunay, de Chirico, Laurencin, Marcoussis, Metzinger, Picabia and Picasso is used to reconstruct the responses of these artists to Apollinaire?s artistic and aesthetic proclivities. Drawing attention to the poet?s immersion in the art and iconography of the French late-Renaissance and the seventeenth century, Adrian Hicken shows that the study of the permeation of Apollinairean and Orphic imagery in the work of artists with very different personalities presents a fascinating and pivotal episode in the history of Parisian modernism.
Literary studies cannot neglect the study of books, the physical objects through which literary texts are transmitted. Book form is especially relevant to the literature of the late fifteenth and early sixteenth centuries, which saw the crucial shift from manuscript to print in Western Europe.This book examines manuscripts and printed editions of three major French writers of this key period: Jean Molinet, Jean Lemaire de Belges and Jean Bouchet. Presentational features which influence the reading of poems, such as layout, illustration, anthologization and paratext, are analysed. Thedevelopment of these features reflects a gradual change in the ways in which literary self-consciousness is manifested. In earlier texts, produced within an essentially manuscript culture, poets' creative investment in their work is exhibited primarily as formal virtuosity. As printing becomesdominant, such virtuosity tends to be rejected in favour of self-commentary and an apparently more personal discourse.
This is the first serious book wholly devoted to games based on maps. The authors are experts in their respective fields: board games, playing cards and dissected puzzles. They bring an informed historical approach to the development and diffusion of these games up to about the beginning of the twentieth century, including games from Western Europe and America in all their intriguing variety. This book is an essential reference source for those wishing to research this neglected area, while those new to the field will be pleasantly surprised at the interesting and unusual maps that these games exploit.
Dans une étude récente, l'écrivain américain Paul Auster évoque "la prose originale et délicate" de Nathaniel Hawthorne, "sa capacité d'allier la complexité d'une observation psychologique pénétrante avec un souci moral et philosophique d'ordre général" : "Hawthorne, le créateur d'allégories, Hawthorne le fabuliste romantique, Hawthorne le chroniqueur de la Nouvelle-Angleterre coloniale au XVIIe siècle, et surtout, le Hawthorne réinventé par Borgès (le précurseur de Kafka)." L'œuvre de Nathaniel Hawthorne, sous toutes ses formes, se prête au jeu de lectures plurielles et sa rencontre avec les approches critiques contemporaines est des plus productives. Comme l'écrit encore Paul Auster, Hawthorne n'est pas seulement une "figure vénérable du passé littéraire", mais aussi un contemporain, un "homme dont le temps est encore le présent". Animés de semblables convictions, nous avons souhaité publier ce recueil d'essais issus des travaux d'un colloque international, organisé en novembre 2001, dans le cadre d'un cycle d'études intitulé "Ethique et Esthétique" à l'Université de Provence. Nous sommes particulièrement reconnaissants envers Millicent Bell, critique littéraire et ancienne présidente de la société Hawthorne ("Nathaniel Hawthorne Society"), de nous avoir apporté son concours, et à Professor Marc Monthéard, Doyen Académique de The American University of Paris, qui a permis la publication de cet ouvrage. Annick Duperray, Université de Provence
Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon. Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other. Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.
Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
What was the relationship between power and the public sphere in early modern society? How did the printed media inform this relationship? Contributors to this volume address those questions by examining the interaction of print and power in France and England during the 'hand-press period'. Four interconnected and overlapping themes emerge from these studies, showing the essential historical and contextual considerations shaping the strategies both of power and of those who challenged it via the written word during this period. The first is reading and control, which examines the relationship between institutional power and readers, either as individuals or as a group. A second is propaganda on behalf of institutional power, and the ways in which such writings engage with the rhetorics of power and their reception. The Academy constitutes a third theme, in which contributors explore the economic and political implications of publishing in the context of intellectual elites. The last theme is clientism and faction, which examines the competing political discourses and pressures which influenced widely differing forms of publication. From these articles there emerges a global view of the relationship between print and power, which takes the debate beyond the narrowly theoretical to address fundamental questions of how print sought to challenge, or reinforce, existing power-structures, both from within and from without.
This study offers a new interpretation of the debates over education and politics in the early years of the French Revolution. Following these debates from the 1760s to the Terror (1793–94) and putting well-known works in dialogue with previously neglected sources, it situates education at the centre of revolutionary contests over citizenship, participatory politics and representative government. The book takes up education’s role in a dramatic period of uncertainty and upheaval, anxiety and ambition. It traces the convergence of philosophical, political, ideological and practical concerns in Ancien Régime debates and revolutionary attempts to reform education and remake society. In doing so, it provides new insight into the relationship between the Enlightenment and the French Revolution and sheds light on how revolutionary legislators and ordinary citizens worked to make a new sort of politics possible in eighteenth-century France.
Street Noises combines the diverse materials of mass culture with literary and archival sources, to produce an innovative and critical re-reading of twentieth-century Paris as the city of the people and of cultural modernity. It concentrates on popular song and opera, cultural theory and records of police surveillance (such as the unpublished archives concerning the sexual mores of sailors in Toulon), sensational weekly magazines (including the weekly Detective Magazine with its remarkable photomontage) and writers of the Academie Goncourt. The author picks out their common realisation of the experience of the city, also showing how the faits divers and the entertainment industries frame the writing of a Benjamin, a Colette or a Genet. Rifkin re-works modern critical theory through these sources, reflecting on its relation to the production of mass cultures.
Crusader Archaeology examines what life was like for European settlers in the Latin East and how they were influenced by their new-found neighbours. Incorporating recent excavation results and the latest research, this new edition updates the only detailed study of the material culture of the Frankish settlers in Israel, Cyprus, Syria and Jordan. Adrian Boas provides comprehensive coverage of the key topics connected to crusader archaeology, including an examination of urban and rural settlements, agriculture, industry, the military, the church, public and private architecture, arts and crafts, leisure pursuits, death and burial and building techniques. There are also entirely new chapters on domestic architecture and disease, injury and medical treatment. Drawing on the extensive experience of an established writer in the field, Crusader Archaeology effectively combines a broad body of material to introduce readers to the archaeological research of the region. This well-illustrated volume is a crucial survey for all those interested in the Middle Ages, and in particular the Crusades.
This book provides a long history of France’s infamous indigénat regime, from its origins in Algeria to its contested practices and legacies in France’s South Pacific territory of New Caledonia. The term indigénat is synonymous throughout the francophone world with the rigours and injustices of the colonial era under French rule. The indigénat regime or 'Native Code' governed the lives of peoples classified as French 'native' subjects in colonies as diverse as Algeria, West Africa, Madagascar, Indochina and New Caledonia. In New Caledonia it was introduced by decree in 1887 and remained in force until Kanak — New Caledonia’s indigenous people — obtained citizenship in 1946. Among the colonial tools and legal mechanisms associated with France’s colonial empire it is the one that has had the greatest impact on the memory of the colonized. Focussing on New Caledonia, the last remaining part of overseas France to have experienced the full force of the indigénat, this book illustrates the way that certain measures were translated into colonial practices, and sheds light on the tensions involved in the making of France as both a nation and a colonial empire. The first book to provide a comprehensive history of the indigénat regime, explaining how it first came into being and survived up until 1946 despite its constant denunciation, this is an important contribution to French Imperial History and Pacific History.
This book features the best of contemporary printed literature. It offers a critical survey of current graphic design, showing work by leading practitioners from the USA, Europe and Japan. Arranged in a designer-bydesigner format and accompanied by interviews with some of the designers responsible for the featured work, this book offers a complete and informative picture of this popular subject.
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