A virus destroys the communication network of the Canadian diplomatic service. Carson Pryce, a reclusive, moody intelligence analyst, and Rachel Dunn, a brilliant diplomat with a glowing humanitarian track record, are implicated in the event. For years, Carson has been secretly obsessed with Rachel, and abuses his privileged access to intelligence information to keep track of her and the people around her. He knows things about Rachel which she doesn't even know herself. The investigation into the virus deepens and Carson initiates a cover-up to prevent damage to Rachel's reputation. The plot in Borderless Deceit skips easily from Ottawa to Vienna, from Berlin to Alexandria and from Transylvania to Kenya. The action takes place in a world where privacy has disappeared, where hackers circle each other in cyberspace, and where a mouse click can orchestrate deceit in faraway places. Is there space in this for a rekindling of humanity's enduring values?
Anthony Hanbury, a Canadian diplomat pursuing a desultory career, is assigned as consul to Berlin. On the surface Hanbury's assignment unfolds routinely. Behind the scenes, however, his activities generate forces of suspicion. Only in the new Berlin where the Wall is gone but East-West divisions continue, where the Cold War's remnants linger and a totalitarian regime's entrails are available for scavenging could Hanbury's fate take the calamitous turn it does.
Location: The Hague, home of the International Criminal Court. Just north of the city a private plane crashes in a dense North Sea fog. The sole passenger, though badly injured, survives. His calling card identifies him, but it shows only his name and an acronym: P.E.A.C.E. That same week a secret diplomatic initiative is launched in The Hague. Its objective is to identify far-reaching, new international initiatives to advance global peace. In Adrian de Hoog's new thriller, forces pushing for a more enlightened world order are pitted against ones that profit from armed conflict. Natalia's Peace is a fast-paced novel that also deftly examines the role of culture, beliefs and collective memories in today's wars, and what the international community could do to end the senseless killing. With rich characterizations and a fine sense of irony, de Hoog has created another satisfying and thought-provoking read.
A virus destroys the communication network of the Canadian diplomatic service. Carson Pryce, a reclusive, moody intelligence analyst, and Rachel Dunn, a brilliant diplomat with a glowing humanitarian track record, are implicated in the event. For years, Carson has been secretly obsessed with Rachel, and abuses his privileged access to intelligence information to keep track of her and the people around her. He knows things about Rachel which she doesn't even know herself. The investigation into the virus deepens and Carson initiates a cover-up to prevent damage to Rachel's reputation. The plot in Borderless Deceit skips easily from Ottawa to Vienna, from Berlin to Alexandria and from Transylvania to Kenya. The action takes place in a world where privacy has disappeared, where hackers circle each other in cyberspace, and where a mouse click can orchestrate deceit in faraway places. Is there space in this for a rekindling of humanity's enduring values?
During the years before his death in 1918 Apollinaire?s reputation as poet and artistic animateur approached legendary proportions. This book is the first to present an extensive reassessment of Apollinaire?s role in the promotion of themes and iconography amongst his painter friends. Detailed analysis of the poetic subject matter of selected works of Dufy, Delaunay, de Chirico, Laurencin, Marcoussis, Metzinger, Picabia and Picasso is used to reconstruct the responses of these artists to Apollinaire?s artistic and aesthetic proclivities. Drawing attention to the poet?s immersion in the art and iconography of the French late-Renaissance and the seventeenth century, Adrian Hicken shows that the study of the permeation of Apollinairean and Orphic imagery in the work of artists with very different personalities presents a fascinating and pivotal episode in the history of Parisian modernism.
In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic "A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor "The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent "Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement
Books dealing with the mechanisms of enzymatic reactions were written a generation ago. They included volumes entitled Bioorganic Mechanisms, I and II by T.C. Bruice and S.J. Benkovic, published in 1965, the volume entitled Catalysis in Chemistry and Enzymology by W.P. Jencks in 1969, and the volume entitled Enzymatic Reaction Mechanisms by C.T. Walsh in 1979. The Walsh book was based on the course taught by W.P. Jencks and R.H. Abeles at Brandeis University in the 1960's and 1970's. By the late 1970's, much more could be included about the structures of enzymes and the kinetics and mechanisms of enzymatic reactions themselves, and less emphasis was placed on chemical models. Walshs book was widely used in courses on enzymatic mechanisms for many years. Much has happened in the field of mechanistic enzymology in the past 15 to 20 years. Walshs book is both out-of-date and out-of-focus in todays world of enzymatic mechanisms. There is no longer a single volume or a small collection of volumes to which students can be directed to obtain a clear understanding of the state of knowledge regarding the chemicals mechanisms by which enzymes catalyze biological reactions. There is no single volume to which medicinal chemists and biotechnologists can refer on the subject of enzymatic mechanisms. Practitioners in the field have recognized a need for a new book on enzymatic mechanisms for more than ten years, and several, including Walsh, have considered undertaking to modernize Walshs book. However, these good intentions have been abandoned for one reason or another. The great size of the knowledge base in mechanistic enzymology has been a deterrent. It seems too large a subject for a single author, and it is difficult for several authors to coordinate their work to mutual satisfaction. This text by Perry A. Frey and Adrian D. Hegeman accomplishes this feat, producing the long-awaited replacement for Walshs classic text.
First published in 1931 by renowned horticulturalist Arthur Johnson, Plant Names Simplified has become an established classic. Presented in a glossary format, this pocket-sized reference book gives the name, pronunciation and classification of common plants and the meaning behind the Latin origins of the name. This enables the reader to learn how the terms should be spelled and pronounced correctly and provides an explanation of why plants like Helianthus hirsutus is so called - because it is hairy! Plant Names Simplified 3rd Edition is a reliable resource for gardeners of all abilities, park managers, botanists, ecologists, garden designers and horticultural practitioners and students. 5m Books
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