Fieldwork of Empire, 1840-1900: Intercultural Dynamics in the Production of British Expeditionary Literature examines the impact of non-western cultural, political, and social forces and agencies on the production of British expeditionary literature; it is a project of recovery. The book argues that such non-western impact was considerable, that it shaped the discursive and material dimensions of expeditionary literature, and that the impact extends to diverse materials from the expeditionary archive at a scale and depth that critics have previously not acknowledged. The focus of the study falls on Victorian expeditionary literature related to Africa, a continent of accelerating British imperial interest in the nineteenth century, but the study’s findings have the potential to inform scholarship on European expeditionary, imperial, and colonial literature from a wide variety of periods and locations. The book’s analysis is illustrative, not comprehensive. Each chapter targets intercultural encounters and expeditionary literature associated with a specific time period and African region or location. The book suggests that future scholarship – especially in areas such as expeditionary history, geography, cartography, travel writing studies, and book history – needs to adopt much more of a localized, non-western focus if it is to offer a full account of the production of expeditionary discourse and literature.
From humble Glasgow beginnings, Colin Campbell rose to become Scotland's finest general and a favourite of Queen Victoria. In his fifty-year career he fought through the Peninsula, the Crimea, China and India, and still found time to contain a slave revolt, a Chartist revolution and Ireland's Tithe War. Through a combination of personal courage, compassionate leadership and genius for military strategy he became an idol for the men who served under him. This undisputed hero, whose memory has grown faint beside celebrated warriors of the Victorian age, was a soldier ahead of his time – the first working-class field marshal, with strong humanitarian leanings and an instinct for harnessing the power of the press. In the first major biography of Campbell since 1880 his career is radically reinterpreted and the life of this very private man is revealed. Victoria's Scottish Lion was shortlisted for The Society for Army Historical Research's 2015 Templar Prize.
In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic "A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor "The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent "Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement
In the course of the nineteenth century, four-hand piano playing emerged across Europe as a popular pastime of the well-heeled classes and of those looking to join them. Nary a canonic work of classical music that was not set for piano duo, nary a house that could afford not to invest in them. Duets echoed from the student bedsit to Buckingham Palace, resounded in schools and in hundreds of thousands of bourgeois parlors. Like no other musical phenomenon, it could cross national, social, and economic boundaries, bringing together poor students with the daughters of the bourgeoisie, crowned heads with penniless virtuosi, and the nineteenth century often regarded it with extreme suspicion for that very reason. Four-hand piano playing was often understood as a socially acceptable way of flirting, a flurry of hands that made touching, often of men and women, not just acceptable but necessary. But it also became something far more serious than that, a central institution of the home, mediating between inside and outside, family and society, labor and leisure, nature and nurture. And writers, composers, musicians, philosophers, journalists, pamphleteers and painters took note: in the art, literature, and philosophy of the age, four-hand playing emerged as a common motif, something that allowed them to interrogate the very nature of the self, the family, the community and the state. In the four hands rushing up and down the same keyboard the nineteenth century espied, or thought to espy, an astonishing array of things. Four-Handed Monsters tells not only the story of that practice, but also the story of the astonishing array of things the nineteenth century read into it.
Journalists often claim that they write the first draft of history, but few historians examine the press in detail when preparing later drafts. This book demonstrates the value of popular newspapers as a historical source by using them to explore the attitudes and identites of inter-war Britain, and in particular the reshaping of femininity and masculinity. It provides a fresh insight into a period of great significance in the making of twentieth century gender identities, when women and men were coming to terms with the upheavals of the Great War, the arrival of democracy, and rapid social change. The book also deepens our understanding of the development of the modern media by showing how newspaper editors, in the fierce competition for readers, developed a template for the popular press that is still influential today.
Riotous Assemblies examines eighteenth- and early nineteenth-century England through the lens of popular disorder. Adrian Randall shows how conflicts and tensions in 'high' politics contributed to a potent national sense of freedom and right, giving ordinary people the confidence to respond vigorously to any threat to their customary liberties. He demonstrates how the rulers of eighteenth-century England were forced to manage disorder through a mixture of judicious theatre and periodic repression, and how economic and social transformation led to fundamental changes in the nature of popular protest.
From the sharpshooters of the American Revolution to the Marine snipers who dominated the streets of Mogadishu, a famed military historian puts you behind the crosshairs of the most adept killers in history. A sniper is more than a crack shot. He's a calm professional with the instincts and patients of a master huntsman. Intensive training leaves snipers razor-sharp, able to creep undetected within arm's reach of the enemy. The finest marksmen in the world, a sniper can place a bullet in an enemy's heart from a thousand yards away. Stalk and Kill puts you on the battlefield for the most daring missions in history. You'll duel a Nazi "super sniper" in Stalingrad, outfox the Viet Cong in Southeast Asia, and silence the enemies of U.S. troops in Beirut. And you'll never cease to marvel at the sniper's iron nerve and lethal precision. A main selection of the military book club with eight pages of fascinating photos!
Pyrrhonism is commonly confused with scepticism in Western philosophy. Unlike sceptics, who believe there are no true beliefs, Pyrrhonists suspend judgment about all beliefs, including the belief that there are no true beliefs. Pyrrhonism was developed by a line of ancient Greek philosophers, from its founder Pyrrho of Elis in the fourth century BCE through Sextus Empiricus in the second century CE. Pyrrhonists offer no view, theory, or knowledge about the world, but recommend instead a practice, a distinct way of life, designed to suspend beliefs and ease suffering. Adrian Kuzminski examines Pyrrhonism in terms of its striking similarity to some Eastern non-dogmatic soteriological traditions-particularly Madhyamaka Buddhism. He argues that its origin can plausibly be traced to the contacts between Pyrrho and the sages he encountered in India, where he traveled with Alexander the Great. Although Pyrrhonism has not been practiced in the West since ancient times, its insights have occasionally been independently recovered, most recently in the work of Ludwig Wittgenstein. Kuzminski shows that Pyrrhonism remains relevant perhaps more than ever as an antidote to today's cultures of belief.
Even in an age of emerging nationhood, English men and women still thought very much in terms of their parishes, towns, and counties. This book examines the vitality of early modern local consciousness and its deployment by writers to mediate the larger political, religious, and cultural changes of the sixteenth and seventeenth centuries.
As an industrial process, construction is unique. The procurement processes used to achieve the successful completion of built assets requires a different approach to that adopted in most other industries, due to the design of buildings being bespoke and the sites being geographically varied. The procurement process is central to the success of any construction project and many of the problems which impact construction projects can be traced back to the procurement phase, so a good understanding of the methods of procurement, the development of a procurement strategy and the influence it has on project success is essential for all those working in the industry. Much has changed in the global construction industry since publication of the second edition of Building Procurement, for example the increase in debt burden of many major economies, widespread adoption of Building Information Modelling (BIM) Technology in the industry and the United Kingdom's exit from the European Union. This new edition has been rewritten to take account of these significant developments, but at its core it continues to provide a critical examination and review of current procurement practices in the UK, continental Europe (including EU procurement procedures), China, Middle East and Sub-Saharan Africa and the USA. It retains its original strong emphasis on the need for clients to establish achievable objectives which reflect the project business case and focuses on development of suitable strategies and management structures to meet those objectives in the current construction climate. Building Procurement will be essential reading for senior undergraduate and postgraduate students of construction management and practitioners working in all areas of construction management.
A hilarious diary of a young American soccer fan, who supports Malcolm Glazer's new Manchester Buccaneers 'My name is Roswell P. Shambling. I'm a 12-year-old Tampa Bay Buccaneers fan. I saw Malcolm Glazer bought EPL soccer side Manchester and they are now my favourite franchise. Manchester rules, man!' Roswell is an American youngster who likes Malcolm Glazer and has decided to support Manchester United (or Manchester as he calls them). From his home in Tampa, he follows all the latest developments of his new team, commenting on what he believes Sir Ferguson should do, worrying about Ferdinand Rio getting into a bar brawl in the northern English town of Sweden (and why would he be there when Manchester is in the south?), sadly watching his beloved Roy Keano leave and questioning why he never played for England, delighting in watching Manchester take on the Russian side London Chelseas and seeing the Roonaldo brothers succeed ... Roswell attempts to spread the word about Manchester and their successes and failures against teams such as Tott Nam, made up predominantly of young Vietnamese players, through his website, but unfortunately his thoughts are now always well received, with hilarious consequences...
Conducting a Lacanian-inspired psychoanalysis of some of the most candid interview materials ever gathered from former IRA members and loyalists, the author demonstrates through a careful examination of their slips of the tongue, jokes, rationalisations and contradictions, that it is the unconscious dynamics of socio-ideological fantasy, i.e. the unconscious pleasure people find in suffering, domination, submission, ignorance, failure and rivalry over jouissance, that lead to the reproduction of antagonism between the Catholic and Protestant communities in Northern Ireland. In the light of this, he concludes that traditional approaches to conflict resolution which overlook the unconscious are doomed to failure and that a Lacanian psychoanalytic understanding of socio-ideological fantasy has great potential for informing the way we understand and study all inter-religious and ethnic conflicts. Whether you find yourself agreeing with the arguments in this book or not, you are sure to find it a welcome change from both the existing, mainly conservative, analyses of the Northern Ireland conflict and traditional approaches to conflict resolution.
In the 1830s, decades before Darwin published the Origin of Species, a museum of evolution flourished in London. Reign of the Beast pieces together the extraordinary story of this lost working-man's institution and its enigmatic owner, the wine merchant W. D. Saull. A financial backer of the anti-clerical Richard Carlile, the ‘Devil's Chaplain’ Robert Taylor, and socialist Robert Owen, Saull outraged polite society by putting humanity’s ape ancestry on display. He weaponized his museum fossils and empowered artisans with a knowledge of deep geological time that undermined the Creationist base of the Anglican state. His geology museum, called the biggest in Britain, housed over 20,000 fossils, including famous dinosaurs. Saull was indicted for blasphemy and reviled during his lifetime. After his death in 1855, his museum was demolished and he was expunged from the collective memory. Now multi-award-winning author Adrian Desmond undertakes a thorough reading of Home Office spy reports and subversive street prints to re-establish Saull's pivotal place at the intersection of the history of geology, atheism, socialism, and working-class radicalism.
This book is not an encyclopaedia of the British musical in the twentieth century, but an examination of its progress as it struggled to find an identity. It shows how the British musical has reacted to social and cultural forces, suggesting that some of its leading composers such as Lionel Bart and Julian Slade contributed much more to the genre than has previously been acknowledged. As the British musical veered between opera, light opera, operetta, spectacle with music, kitchen-sink musical, recherché musical, adaptations of classic novels, socially conscious musicals et al., this fresh assessment of the writers and their work offers a new understanding of the art -- publisher description.
An extraordinarily new business slant on how companies can generate greater profits in 23 compact lessons with ongoing tutorials between two fictitious individuals. In the past, companies taught their employees about quality. In today's unstable economy, employers must stress the importance of profitability. Now with scores of examples from the global marketplace, the bestselling coauthor of The Profit Zone and Profit Patterns takes you to a higher level in the art of business. Each of the twenty-three chapters in this concise, challenging book presents a different, powerful business model...and a provocative dialogue between an extraordinary teacher called David Zhao and his young protégé. Revealed are the invisible but significant governing principles that allow businesses to survive and prosper in any economic climate. By participating in each session with the exuberant, challenging master, you too will learn how your company and your competitors generate profit...what approach best applies to your profit-making strategy...what specific actions your organization can take in the next ninety days to improve its bottom line...and more.
Martyrs' Mirror examines the folklore of martyrdom among seventeenth-century New England Protestants, exploring how they imagined themselves within biblical and historical narratives of persecution. Memories of martyrdom, especially stories of the Protestants killed during the reign of Queen Mary in the mid-sixteenth century, were central to a model of holiness and political legitimacy. The colonists of early New England drew on this historical imagination in order to strengthen their authority in matters of religion during times of distress. By examining how the notions of persecution and martyrdom move in and out of the writing of the period, Adrian Chastain Weimer finds that the idea of the true church as a persecuted church infused colonial identity. Though contested, the martyrs formed a shared heritage, and fear of being labeled a persecutor, or even admiration for a cheerful sufferer, could serve to inspire religious tolerance. The sense of being persecuted also allowed colonists to avoid responsibility for aggression against Algonquian tribes. Surprisingly, those wishing to defend maltreated Christian Algonquians wrote their history as a continuation of the persecutions of the true church. This examination of the historical imagination of martyrdom contributes to our understanding of the meaning of suffering and holiness in English Protestant culture, of the significance of religious models to debates over political legitimacy, and of the cultural history of persecution and tolerance.
A comprehensive reassessment of British musical films 1946-1972 including King's Rhapsody, Beat Girl, The Tommy Steele Story, Rock You Sinners, The Golden Disc, and Oliver! Acting as a sequel to Adrian Wright's Cheer Up! British Musical Films, 1929-1945 (Boydell, 2020), Melody in the Dark offers the first major reassessment of the British musical film from the end of Second World War up to the beginning of the 1970s. In the immediate post-war world, British studios sought to reflect fast-changing social attitudes as they struggled to create inventive diversions in an effort to rival American competition. Hollywood stars Errol Flynn, Vera-Ellen, Jayne Mansfield and Judy Garland were among those brought in to provide Hollywood glamour. Embedded in the British consciousness, the operettas of Gilbert and Sullivan were represented in three productions. Studios occasionally attempted adaptations of British stage musicals, among them King's Rhapsody and Expresso Bongo, and sexploitation movies turned musical via Secrets of a Windmill Girl and Beat Girl. It was left to minor studios to acknowledge the impact of rock'n'roll on social change in three early films, The Tommy Steele Story, Rock You Sinners and the iconic The Golden Disc. Through the sixties, British cinema seemed intent on flooding the market with entertainments promoting pop singers and rock groups such as Cliff Richard, Billy Fury and The Beatles. Towards the end of the period, it aspired to more grandiose projects such as Oliver! and Oh! What a Lovely War.
Dans une étude récente, l'écrivain américain Paul Auster évoque "la prose originale et délicate" de Nathaniel Hawthorne, "sa capacité d'allier la complexité d'une observation psychologique pénétrante avec un souci moral et philosophique d'ordre général" : "Hawthorne, le créateur d'allégories, Hawthorne le fabuliste romantique, Hawthorne le chroniqueur de la Nouvelle-Angleterre coloniale au XVIIe siècle, et surtout, le Hawthorne réinventé par Borgès (le précurseur de Kafka)." L'œuvre de Nathaniel Hawthorne, sous toutes ses formes, se prête au jeu de lectures plurielles et sa rencontre avec les approches critiques contemporaines est des plus productives. Comme l'écrit encore Paul Auster, Hawthorne n'est pas seulement une "figure vénérable du passé littéraire", mais aussi un contemporain, un "homme dont le temps est encore le présent". Animés de semblables convictions, nous avons souhaité publier ce recueil d'essais issus des travaux d'un colloque international, organisé en novembre 2001, dans le cadre d'un cycle d'études intitulé "Ethique et Esthétique" à l'Université de Provence. Nous sommes particulièrement reconnaissants envers Millicent Bell, critique littéraire et ancienne présidente de la société Hawthorne ("Nathaniel Hawthorne Society"), de nous avoir apporté son concours, et à Professor Marc Monthéard, Doyen Académique de The American University of Paris, qui a permis la publication de cet ouvrage. Annick Duperray, Université de Provence
This volume provides a balanced and even-handed review of the evidence and assesses the claims of both advocates and critics of complementary medicine. It draws the empirical literature together and examines the effectiveness of complementary medicine for both patients and practitioners by providing an overview of the major alternative therapies, together with their methods and philosophies; explaining the appeal of complementary medicine to patients; investigating its relationship with the medical profession; analysing methods of evaluation and the role of placebo effects; reviewing the evidence for each of the major therapies; and seeking out a research agenda for the future.
Simon de Montfort, the leader of the English barons, was the first leader of a political movement to seize power from a reigning monarch. The charismatic de Montfort and his forces had captured most of south-eastern England by 1263 and at the battle of Lewes in 1264 King Henry III was defeated and taken prisoner. De Montfort became de facto ruler of England and the short period which followed was the closest England was to come to complete abolition of the monarchy until Oliver Cromwell's Commonwealth. The Parliament of 1265 - known as De Montfort's Parliament - was the first English parliament to have elected representatives. Only fifteen months later de Montfort's gains were reversed when Prince Edward escaped captivity and defeated the rebels at the Battle of Evesham. Simon de Montfort was killed. Following this victory savage retribution was exacted on the rebels and authority was restored to Henry III. Adrian Jobson captures the intensity of de Montfort's radical crusade through these most revolutionary years in English history in this spirited and dramatic narrative.
This commemorative history of the railways of the beautiful Oxfordshire district 'Vale of the White Horse', running twenty-seven miles from Steventon to Wootton Bassett, covers the route from the opening in 1840 until 1965, when British Rail withdrew all the local passenger services between Didcot and Swindon and all the intermediate stations were closed. With personal insight and images from railway historian Adrian Vaughan, the book covers the Great Western Railway's development of the route, as part of Brunel's 'Bristol Railway' and shows the original correspondence between Brunel and his staff. Fully illustrated with hundreds of historical photographs and detailed track diagrams, Railways Through the Vale of the White Horse is an ideal resource for anyone with an interest in this scenic railway route and a nostalgia for the early days of railways in Britain. Includes: the building and progression of all the stations from Steventon to Wootton Bassett; station staff, passenger statistics and goods income reports; the signal boxes, introduced in 1874, through to their abolition between 1965 and 1968. Fully illustrated with 200 black & white images and 37 diagrams of the track layouts.
The study also examines many other facets of Quakerism - from the literacy rates of Quakers, and the level of persecution suffered by followers to the reasons for the sect's decline - and concludes with a survey of the changes that had overcome the movement since the heady days of birth."--Jacket.
This book reviews research evidence, drawing on a study of residential services in Wales and a literature review of US and UK findings, and identifies the significant elements that will lead to a successful strategy for residential child care across the UK.
The Modern Law of Evidence' is essential for students studying the contemporary law of evidence. It examines the theory behind the law of evidence as well as its practical application, with emphasis on current debates.
Social Exclusion and the Way Out focuses on the key issues which promote an understanding of the development of integrative models of care and resettlement. Consideration is given to the role of statutory and non-statutory agencies in facilitating the development of the individual to become included in the community. Practical insights into the management and development of opportunities for individuals draws on best practice from examples of vulnerable groups.
The extraordinary inside story of Osama bin Laden and Al Qaeda in the years after 9/11. Following the attacks on the Twin Towers, Osama bin Laden, the most wanted man in the world, eluded intelligence services and Special Forces units for almost a decade. Using remarkable, first-person testimony from bin Laden's family and closest aides, The Exile chronicles this astonishing tale of evasion, collusion and isolation. In intimate detail, The Exile reveals not only the frantic attack on Afghanistan by the United States in their hunt for bin Laden but also how and why, when they found his family soon after, the Bush administration rejected the chance to seize them. It charts the formation of ISIS, and uncovers the wasted opportunity to kill its Al Qaeda-sponsored founder; it explores the development of the CIA's torture programme; it details Iran's secret shelter for bin Laden's family and Al Qaeda's military council; and it captures the power struggles, paranoia and claustrophobia within the Abbottabad house prior to the raid. A landmark work of investigation and reportage, The Exile is as authoritative as it is compelling, and essential reading for anyone concerned with history, security and future relations with the Islamic world.
What happens when you take three award-winning improvisational comedians, (Illustrated Men) and with the use of improvisational methods have them create a wild assortment of hilarious tales involving out of work hotel managers, political impersonators and blind musicians, flying dragons and dancing bears, dashed Olympic dreams and mass alien abductions, all wrapped together in the form or funny letters and their corresponding materials? Read along through these streams of storytelling as David Huband, Adrian Truss, and Bruce Hunter weave an alternative reality that keeps you laughing and on your toes. As you read you realize you are in the moment like the characters themselves and especially the writers, who have no idea where the situations are going to go. But because of the Men's ability to move like water, in the final malaise, Illustrated Men bring all the stories together for a glorious and hysterical finale. Note: Trump is only mentioned once. You're welcome.
Focusing on Portuguese, British and French colonial spaces, this book traces changing concepts of mixed-race identity in early colonial India. Starting in the sixteenth century, it discusses how the emergence of race was always shaped by affiliations based on religion, class, national identity, gender and citizenship across empires. In the context of increasing British power, the book looks at the Anglo-French tensions of the eighteenth century to consider the relationship between modernity and race-making. Arguing that different forms of modernity produced divergent categories of hybridity, it considers the impact of changing political structures on mixed-race communities. With its emphasis on specificity, the book situates current and past debates on the mixed-race experience and the politics of whiteness in broader historical and global contexts. By contributing to the understanding of race-making as an aspect of colonial governance, the book illuminates some margins of colonial India that are often lost in the shadows of the British regime. It is of interest to academics of world history, postcolonial studies, South Asian imperial history and critical mixed-race studies.
Ever since Arthur M. Schlesinger Jr. used "imperial presidency" as a book title, the term has become central to the debate about the balance of power in the U.S. government. Since the presidency of George W. Bush, when advocates of executive power such as Dick Cheney gained ascendancy, the argument has blazed hotter than ever. Many argue the Constitution itself is in grave danger. What is to be done? The answer, according to legal scholars Eric Posner and Adrian Vermeule, is nothing. In The Executive Unbound, they provide a bracing challenge to conventional wisdom, arguing that a strong presidency is inevitable in the modern world. Most scholars, they note, object to today's level of executive power because it varies so dramatically from the vision of the framers. But there is nothing in our system of checks and balances that intrinsically generates order or promotes positive arrangements. In fact, the greater complexity of the modern world produces a concentration of power, particularly in the White House. The authors chart the rise of executive authority straight through to the Obama presidency. Political, cultural and social restraints, they argue, have been more effective in preventing dictatorship than any law. The executive-centered state tends to generate political checks that substitute for the legal checks of the Madisonian constitution.
Dr Adrian Massey has worked at the intersection of medicine and society for decades. He argues compellingly that our hyper-medicalized society has falsely equated sickness with illness, and sickness with unfitness to work--whereas sickness is primarily a social problem requiring social, not medical, solutions. Sick-Note Britain lays bare Britain's gross error: when doctors cannot 'fix' anxiety or chronic pain, workplace attendance is still treated as a matter for arbitration by our strained primary care service. What is needed is a tailored, employer-employee contractual solution, but obstacles block this approach: excessively complex employment law constraining both sides; an outdated benefits system that overburdens doctors and traumatizes the vulnerable; and a workplace culture that is too inflexible to keep sick employees in work. This is a blistering condemnation of a sham system that works for nobody, and an urgent call to rethink how we manage sickness--for the sake of our economy, our wellbeing, and our health service.
Espying Heaven presents the first full-scale and full-colour survey of the achievement of Charles Eamer Kempe (1837-1907), the outstanding stained-glass designer of his era, and his Studio. From the start, Kempe gathered around him a close-knit team of artists and craftsmen who together developed his vision of a distinctive aesthetic setting for worship based on late medieval art, especially the stained glass of northern Europe. Espying Heaven illustrates the evolution of the 'Kempe style' and allows readers to judge for themselves the extent to which the later firm of C.E. Kempe & Co. (1907- 1934), set up by Kempe himself, succeeded in working within the tradition established by his founding artists. This book is meant to be a companion to Adrian Barlow's biographical study, Kempe: the Life, Art and Legacy of Charles Eamer Kempe (2018). In its own right, Espying Heaven both documents and celebrates a style of church art and decoration that has had a defining influence upon the Anglican Church worldwide. It highlights key features of Kempe glass, exploring questions of representation, symbolism and technique and suggesting new ways of 'reading' a Kempe window.
The voluntary sector contains over 50,000 organizations, 320,000 paid staff, and 3 million volunteers. The accounting and financial management of organizations in this sector poses as many difficulties as that of major for-profit organizations, if not more so, given the absence of the profit motive upon which much traditional accounting, finance practice and theory has been developed. This book explores the unique environmental, managerial and philosophical aspects of voluntary organizations as well as the technical specialist characteristics of financial accounting, auditing and taxation that differentiate their role. Introducing and providing descriptions of the main applications of accounting and finance applicable to the role of financial manager, this book uses real life case studies and examines the debates presented by other writers in the field. This key book helps readers make their own critical judgements, and contributes to their understanding of the distinctiveness of voluntary sector accounting and financial management.
This collection of some 32 articles and essays by Adrian Rifkin were written over a period of forty years. It contains innovative and influential studies of the archives of art, urbanism, music and popular life in France and Britain during the nineteenth and twentieth centuries. Arranged around a number of studies of the representation of the Paris Commune, the book also contains chapters on Edith Piaf’s role in French culture, histories of art education, opera and queer life in the city as well as analytical accounts of the commodity and cultural theory in Adorno and Benjamin. An extended introduction by Steve Edwards works over the questions of uneven time in Marxist cultural theory and the disciplinary formations that underpin many of Rifkin’s essays.
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