Jacques Brel, Georges Brassens and Léo Ferré are three emblematic figures of post-war French popular music who have been constantly associated with each other by the public and the media. They have been described as the epitome of chanson, and of 'Frenchness'. But there is more to the trio than a musical trinity: this new study examines the factors of cultural and national identity that have held together the myth of the trio since its creation. This book identifies the combination of cultural and historical circumstances from which the works of these three singers emerged. It presents an innovative analysis of the correlation between this iconic trio and the evolution of national myths that nurtured the cultural aspirations of post-war French society. It explores the ways in which Brel, Brassens and Ferré embody the myth of the left-wing intellectual and of the authentic 'Gaul' spirit, and it discusses the ambiguous attitude of post-war French society towards gender relations. The book takes an original look at the trio by demonstrating how it illustrates the popular representation of a key issue of French national identity: the paradoxical aspiration to both revolution and the maintenance of the status quo.
This book sheds new light on the women in the Fourth Gospel. Unlike most works that approach the topic from a historical-critical perspective, this book approaches the topic from a historical-literary perspective and attempts to illustrate for the modern reader how a first-century reader would have understood the characterizations of the women, given first-century cultural and literary norms and the theology of the implied author. The thesis of this book is that the primary purpose of the women in the Fourth Gospel is to support the portrayal of Jesus as the Messianic Bridegroom and further the plot of Jesus' giving the people the power to become children of God (John 1:12). This historical-literary analysis exposes a highly androcentric and patriarchal text, which leads the author in the end to question current assumptions that behind the text exists a community or school whose egalitarianism extended to women.
The Decision of a Loving Son By: Adeline Marie Howell When Tempy and Taylor’s parents forbid their budding romance, they are forced to love one another in secret. Can they find happiness when the world seems determined to keep them apart? Adeline Marie Howell was inspired to write this story after the loss of her best friend. Parents, let your children make up their own minds about who to love.
This narrative documentary portrays the life of a thirteen-year-old girl who breaks out of an abusive environment by escaping the grasp of a tyrannical stepmother who had victimized her and seven of her siblings for many years. Except for the people who made her escape possible, she was essentially on her own as she worked her way through high school. After working for a year as a private secretary in a civil service position, she was encouraged to apply for a scholarship to the University of Illinois. A second scholarship and a secretarial position at the university made it possible for her to acquire a bachelors degree in speech pathology and to graduate debt free in four years. She continued her education during a busy career and earned a masters degree in speech and language pathology from Northwestern University. By rising above what she considered to be a lost childhood, she manages to have a successful career along with marriage and a family. It appears that this author never looked down after leaving a childhood of abuse, compounded by the problems of the Great Depression. Those who encouraged her along the way are acknowledged as the angels in her life. Through these special mentors she meets movie stars and Hollywood moguls in the west and through her marriage to a naval officer she meets military and foreign dignitaries in Washington, D.C. Throughout this story, success and happiness in this family are often eclipsed by poignant periods of sadness, but only to rise again as their upbeat spirits prevail. Although the author is the central figure in this memoir, her eight siblings contribute immensely to the central theme of this story the will to survive and succeed. They beat the odds against the oft-quoted premise that growing up in violence will perpetuate violence. This story was written to provide insight into the problem of child abuse. Along with this moving commentary and narration, helpful information is provided for everyone working with children and young adults laymen and professionals alike.
The Tanzania Private Health Sector Assessment provides information on the size, location and characteristics of non-state health service providers in Tanzania. It also identifies challenges and opportunities for the Government of Tanzania and International Community to leverage the potential of these providers to achieve
The story of Wolfgang Amadeus Mozart’s precocity is so familiar as to be taken for granted. In scholarship and popular culture, Mozart the Wunderkind is often seen as belonging to a category of childhood all by himself. But treating the young composer as an anomaly risks minimizing his impact. In this book, Adeline Mueller examines how Mozart shaped the social and cultural reevaluation of childhood during the Austrian Enlightenment. Whether in a juvenile sonata printed with his age on the title page, a concerto for a father and daughter, a lullaby, a musical dice game, or a mass for the consecration of an orphanage church, Mozart’s music and persona transformed attitudes toward children’s agency, intellectual capacity, relationships with family and friends, political and economic value, work, school, and leisure time. Thousands of children across the Habsburg Monarchy were affected by the Salzburg prodigy and the idea he embodied: that childhood itself could be packaged, consumed, deployed, “performed”—in short, mediated—through music. This book builds upon a new understanding of the history of childhood as dynamic and reciprocal, rather than a mere projection or fantasy—as something mediated not just through texts, images, and objects but also through actions. Drawing on a range of evidence, from children’s periodicals to Habsburg court edicts and spurious Mozart prints, Mueller shows that while we need the history of childhood to help us understand Mozart, we also need Mozart to help us understand the history of childhood.
Private standards are set by the food producing industry and retailers, mainly to assure food safety and good agricultural practice. This title presents research and analysis to explore the issues surrounding smallholders, private standards, and exports from Africa.
Stealing Man’s Greatest Blessing is both a spiritual revelatory and educational manual aimed at enlightening humanity of the spiritual atmosphere around us in relation to man’s behavior. Revealing the beauties of God’s blessings, at the time exposing the invisible hand of the devil in our lives, our children, our families, and our homes which resulting from how we treat the temple of God, our bodies. The awareness and prevention of such practices gives no room for the devil. How This is revealed as we proceed to turn the pages in this book.
These new and classic essays, researched and written over a 25-year period, are driven and enriched by the enthusiasm, curiosity, and passion of a scholar still making discoveries about a subject of lifelong fascination. Essays at the center of the collection explore Wharton's textual relationships with authors whom she knew well--especially Henry James but also Paul Bourget, F. Marion Crawford, and Vivienne de Watteville.
Faking her own death to escape her murderous husband, Rainie Hall takes refuge in the rural community of Crystal Falls, where she finds work as a bookkeeper on a horse ranch run by dangerously good-looking Parker Harrigan. But as their initial attraction blossoms, Rainie fears she can never escape retribution from the man who has sworn to kill her - and that her mere presence could jeopardize everything the Harrigan family holds dear.
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