Adelaide Anne Procter was born at 25 Bedford Square in Bloomsbury, on October 30th, 1825. An early voracious reader she began her literary career as a teenager; her poems were primarily published in Charles Dickens's periodicals Household Words and All the Year Round and later published in book form. Her charity work and her conversion to Roman Catholicism in 1851 seems to have been a strong influence on her poetry and her desire to help the homeless and unemployed women as well as work with feminist groups and various journals. Adelaide was a favourite poet of Queen Victoria and fellow poet Coventry Patmore called her "the most popular poet of the day after Alfred Lord Tennyson". Many of her poems were set to music and published in England, Germany and the United States. Adelaide never married and this has given rise to questions about her sexuality. Her poems do reveal how Victorian women expressed repressed feelings but for many years now her work has to been given the attention it really deserves. Here we publish volume 2 of her poems so her work can now be seen for the great talent that she is. Adelaide Anne Proctor died on February 2nd 1864, from tuberculosis, at the age of only 38.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Adelaide Anne Procter (1825-1864) was an English poet. She was the eldest daughter of the poet Bryan Procter. She took much interest in social questions affecting women. She wrote the well-known songs Cleansing Fires and The Lost Chord, and among her many hymns are I do not ask, O Lord, that Life may be, and My God, I thank Thee who hast made. She began to contribute to Household Words in 1853 and adopted the name of "Mary Berwick, " so that the editor, Charles Dickens, should not be prejudiced by his friendship for the Procters. Many of her poems were first published in Household Words and All the Year Round and afterwards collected under the title of Legends and Lyrics (1858-1861), which was considered as her principal work. Her unambitious verses dealing with simple emotional themes in a simple manner have a charm which is scarcely explicable on the ground of high literary merit, but which is due rather to the fact that they are the cultured expression of an earnest and beneficent life.
Comforter" is a heartfelt poem penned by Adelaide Anne Procter, a compassionate English poet and philanthropist of the 19th century. Born in 1825, Procter's poetry often carried a moral and empathetic tone, addressing social issues and advocating for the less fortunate. In "Comforter," Procter explores the theme of solace and reassurance. The title suggests a nurturing and consoling presence, and the poem unfolds as an expression of comfort in times of difficulty or distress. Procter's poetic style combines emotional depth with a desire for social change. As the daughter of Bryan Procter, a respected poet of his era, Adelaide Anne Procter was immersed in literary circles and developed her own distinctive voice. Her works, including "Comforter," contribute to the Victorian literary landscape and showcase her commitment to both literary expression and social consciousness. To fully grasp the nuances of "Comforter" and appreciate Procter's broader contribution to poetry, one can explore her complete collection of poems. Her writings, characterized by a keen sense of empathy and a deep understanding of the human experience, continue to resonate with readers interested in Victorian literature. "Comforter" offers readers a glimpse into Procter's ability to convey emotional support through her poetic verses. Copies of her poetry collections, where "Comforter" can be found, are available in libraries or accessible through online platforms dedicated to classic literature.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Comforter" is a heartfelt poem penned by Adelaide Anne Procter, a compassionate English poet and philanthropist of the 19th century. Born in 1825, Procter's poetry often carried a moral and empathetic tone, addressing social issues and advocating for the less fortunate. In "Comforter," Procter explores the theme of solace and reassurance. The title suggests a nurturing and consoling presence, and the poem unfolds as an expression of comfort in times of difficulty or distress. Procter's poetic style combines emotional depth with a desire for social change. As the daughter of Bryan Procter, a respected poet of his era, Adelaide Anne Procter was immersed in literary circles and developed her own distinctive voice. Her works, including "Comforter," contribute to the Victorian literary landscape and showcase her commitment to both literary expression and social consciousness. To fully grasp the nuances of "Comforter" and appreciate Procter's broader contribution to poetry, one can explore her complete collection of poems. Her writings, characterized by a keen sense of empathy and a deep understanding of the human experience, continue to resonate with readers interested in Victorian literature. "Comforter" offers readers a glimpse into Procter's ability to convey emotional support through her poetic verses. Copies of her poetry collections, where "Comforter" can be found, are available in libraries or accessible through online platforms dedicated to classic literature.
Chant" is a reflective poem written by Adelaide Anne Procter, an English poet and philanthropist of the 19th century. Born in 1825, Procter was known for her works that often addressed social issues and displayed a deep empathy for the less fortunate. In "Chant," Procter likely presents a meditative and contemplative piece, as the term "chant" suggests a rhythmic and melodic quality to the verses. The poem might encompass themes such as introspection, spirituality, or reflections on the human condition. Adelaide Anne Procter's poetry often carried a moral and humanitarian tone, reflecting her commitment to social causes. As the daughter of Bryan Procter, a notable poet of his time, she was immersed in literary circles and became a respected voice in her own right. To fully appreciate "Chant" and Procter's body of work, one may explore her broader collection of poems. Her writing, characterized by its emotional depth and social consciousness, contributes to the rich landscape of Victorian poetry.
Varla Ventura, Coast to Coast favorite, Weird News blogger on Huffington Post, and author of The Book of the Bizarre and Beyond Bizarre, introduces Weiser Books’ new Collection of forgotten occult classics. Paranormal Parlor is an eerie assemblage of affordable digital editions, curated with Varla’s sixth sense for tales of the weird and unusual. The fourth story in Dickens' Haunted House collection written by Queen Victoria's favorite poet, Adelaide Anne Procter, is a true tale of terror, in verse!
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