This book traces the history of the idea that the king and later the messiah is Son of God, from its origins in ancient Near Eastern royal ideology to its Christian appropriation in the New Testament. Both highly regarded scholars, Adela Yarbro Collins and John J. Collins argue that Jesus was called "the Son of God" precisely because he was believed to be the messianic king. This belief and tradition, they contend, led to the identification of Jesus as preexistent, personified Wisdom, or a heavenly being in the New Testament canon. However, the titles Jesus is given are historical titles tracing back to Egyptian New Kingdom ideology. Therefore the title "Son of God" is likely solely messianic and not literal. King and Messiah as Son of God is distinctive in its range, spanning both Testaments and informed by ancient Near Eastern literature and Jewish noncanonical literature.
Explores the wide-ranging impact of the Mexican Revolution on global cinema and Western intellectual thought. The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution. “The Mexican Revolution on the World Stage is a first-rate, thoroughly researched work that opens a new area of inquiry in the field. It reveals how the visual archive of the revolution has been locally and globally used and abused to either ascertain or contest the significance of the revolution in differing contexts and periods by delving into the ideological complexities, even paradoxes, of cultural production.” — Zuzana M. Pick, author of Constructing the Image of the Mexican Revolution: Cinema and the Archive “This book is a vital and compelling historical analysis of the contexts and contribution international filmmakers have made to the construction of the Mexican Revolution on film. The archival research is impressive and wide-ranging.” — Niamh Thornton, author of Revolution and Rebellion in Mexican Film
We tend to feel that works of fiction give us special access to lived experience. But how do novels cultivate that feeling? Where exactly does experience reside? The Location of Experience argues that, paradoxically, novels create experience for us not by bringing reality up close, but by engineering environments in which we feel constrained from acting. By excavating the history of the rise of experience as an important category of Victorian intellectual life, this book reveals how experience was surprisingly tied to emotions of remorse and regret for some of the era’s great women novelists: the Brontës, George Eliot, Margaret Oliphant, and Elizabeth Gaskell. It shows how these writers passed ideas about experience—and experiences themselves—among each other. Drawing on intellectual history, psychology, and moral philosophy, The Location of Experience shows that, through manipulating the psychological dimensions of fiction’s formal features, Victorian women novelists produced a philosophical account of experience that rivaled and complemented that of the male philosophers of the period.
First published in 1962, this is the biography of American journalist, novelist and screenwriter Adela Rogers St. Johns’ father, Earl Rogers, a renowned Los Angeles criminal defense lawyer in the early 20th century. St. Johns draws on a succession of her father’s well-known court trials, including the trial that centered on perhaps the most famous lawyer-client disagreements recorded in legal history: those that developed between Clarence Darrow, indicted for attempted jury bribery in Los Angeles in 1912, and Earl Rogers himself. St. Johns’ fascinating book was adapted for a TNT television film of the same name in 1991, starring Treat Williams as Earl Rogers and Olivia Burnette as the young Adela Rogers St. Johns.
Much exciting work remains to be done from perspectives of the history of religions and tradition-history. Collins's assessment of Mark in its historical context sheds light on important literary and historical issues. Both scholars and students of the Bible will appreciate this informative and clearly written work.
The essays gathered here provide a panoramic view of current thinking on biblical texts that play important roles in contemporary struggles for social justice – either as inspiration or impediment. Here, from the hands of an ecumenical array of leading biblical scholars, are fresh and compelling resources for thinking biblically about what justice is and what it demands. Individual essays treat key debates, themes, and texts, locating each within its historical and cultural settings while also linking them to the most pressing justice concerns of the twenty-first century. The volume aims to challenge academic and ecclesiastical complacency and highlight key avenues for future scholarship and action.
The shocking truth behind the death of an American icon—and the conspiracies that kept it secret for decades—in “the best autopsy of Marilyn Monroe” (Cyril H. Wecht, MD, JD) In her tragically short life, Marilyn Monroe embodied American womanhood, innocence, and lust—both as a Hollywood star and in the shadows of her tormented soul. But when she was found naked and dead on the morning of August 5, 1962, she became the subject of a mystery that has perplexed the world for generations. Was her death an accident? Suicide? Or murder? In Crypt 33, two Los Angeles private investigators recount the startling evidence that may solve the case once and for all, finally revealing the truth about: Monroe’s affairs with JFK and Robert Kennedy . . . The identity of the friend who allowed Monroe’s killers into her home . . . Evidence of the deadly drugs and how they were administered to the starlet . . . The rumors of an assassination plot masterminded by the Cosa Nostra and high-ranking government officials . . . The tangled web of wiretaps in Monroe’s home—and what happened to the audio tape recording of her murder . . . Now, at last, the truth of Monroe’s shocking death can be told in a book that “makes the hardest case yet that Marilyn was the victim of foul play” (Kirkus Reviews). “Well and sympathetically told . . . Speriglio and Gregory are fluent, convincing writers.” —Publishers Weekly
In an ageing world, a better and deeper understanding of the senior segment is crucial. This thesis focuses in the study of the senior tourism, a topic that has been receiving increasing attention in literature due to its growth potential and the specificities that seniors can present in their way of consuming tourism and leisure travelling. The first few years of the 21st millennium have brought extraordinary change and transformation in destination planning and management. It is obvious that the increasing importance of the tourism industry needs an improvement in knowledge for this important segment so as to be able to tailor offerings to senior cohort groups. The overall aim of this study is to understand how seniors want to travel, and to determine the trends, forces in play and key preferences that may affect the way that seniors will consume tourism in the future. The tourism industry must be attentive to the senior market because of the rapid increase in this market’s size in an ageing society and the changes in the way they are consuming products and services. Sophistication should be further explored, and opportunities provided to better anticipate, maximize and genuinely understand the needs, wants, concerns, preferences and insights of this heterogeneous segment of the population.
Complete with top tips for getting in, advice on how the industry is changing and is likely to change, useful names, addresses, web sites and contact points, this book is the ideal starting point for a successful career in this exciting field.
This comprehensive work covers many different Jewish and Christian apocalyptic texts and movements from the second century BCE through the fourth century CE. It focuses on two major themes, cosmology which studies the structure of the universe, including its religious function and eschatology, which interprets history and the future. The relevant Jewish texts and history are discussed thoroughly in their own right. The Christian material is approached in a way that shows both its continuity with Jewish tradition and its distinctiveness.
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