Responsibility is political. As the international community has called for more responsible environmental, social, and governance performance, the politics of commodities has become more fraught. Commodity Politics cuts through the new rhetoric of responsibility and presents innovative research from Cameroon to provide a better understanding of the political complexity surrounding commodity production and trade in the twenty-first century. Assessing the perspectives of businesses, international organizations, governments, and civil society groups, the authors offer insights gleaned from years of field research in a commodity-dependent country. Commodity Politics presents case studies of sugar, palm oil, cocoa, and the Chad-Cameroon pipeline project. These cases uncover a problematic politics that is much broader than the implications of corporate social responsibility codes for people and the planet, delivering solid rationales for policy-makers and commodity stakeholders to think more deeply about investor-driven approaches to improving environmental, social, and governance conduct. This book trains students and scholars to better recognize political intricacies and consequential flash points. Immersing its readers in timely debates over the meaning and intent of responsibility, Commodity Politics breaks new ground in the political analysis of development.
In this concise volume, Adam Sneyd argues that it is imperative to understand the sub-field of development politics. He shows how the hard skill of careful political analysis can shed new light on some of today's most intractable development challenges.
Responsibility is political. As the international community has called for more responsible environmental, social, and governance performance, the politics of commodities has become more fraught. Commodity Politics cuts through the new rhetoric of responsibility and presents innovative research from Cameroon to provide a better understanding of the political complexity surrounding commodity production and trade in the twenty-first century. Assessing the perspectives of businesses, international organizations, governments, and civil society groups, the authors offer insights gleaned from years of field research in a commodity-dependent country. Commodity Politics presents case studies of sugar, palm oil, cocoa, and the Chad-Cameroon pipeline project. These cases uncover a problematic politics that is much broader than the implications of corporate social responsibility codes for people and the planet, delivering solid rationales for policy-makers and commodity stakeholders to think more deeply about investor-driven approaches to improving environmental, social, and governance conduct. This book trains students and scholars to better recognize political intricacies and consequential flash points. Immersing its readers in timely debates over the meaning and intent of responsibility, Commodity Politics breaks new ground in the political analysis of development.
Whether we are out on the streets or between the sheets, cotton is our constant companion. But behind this ubiquitous fibre prized for its softness lies a darker story of exploitation and hardship. In this penetrating analysis, Adam Sneyd explores the power politics that envelop cotton as major corporate players and countries across Africa, Asia and the Americas compete to control it. In the aftermath of sweatshop scandal exposés and factory collapse disasters, merchants and retailers have called for 'better' cotton farming practices. But in seeking to prevent the next transnational media circus, will companies simply end up cementing business-as-usual? Corporate public relations strategy now competes directly with the voices of an alternative global community that seeks to fundamentally transform the way that cotton is farmed. Yet these demands for cotton to work better for people and the planet have flown under the radar as media attention has focused instead on farmer subsidies and prices. From the local to the global, this book takes the reader on an illuminating journey through the multifaceted and often grubby politics of the fluffy white stuff in the world economy. The pile of political laundry it uncovers is voluminous but, as Sneyd argues, must be aired in the interests of sustainability and development.
This book analyzes the politics of the UN Sustainable Development Goals (SDGs). The conventional wisdom is that efforts to achieve the SDGs, or Global Goals, will contribute to building a more inclusive, sustainable and peaceful world. Adam Sneyd’s analysis counters this orthodox and unduly utopian point of view, uncovering the hidden politics of the SDG project and showing why the SDGs are not an ambitious package of progressive reforms. Sneyd’s analysis of each of the seventeen goals reveals how the SDGs are infused with minimalist intentions and a political orientation that sharply contrasts with the world-changing aspirations typically associated with the goals. He argues that the SDGs do more to bolster the legitimacy of the liberal international economic order and advance capitalist interests than to address pressing global challenges. This book analyzes the politics of the United Nation’s Sustainable Development Goals (SDGs). The conventional wisdom is that efforts to achieve the SDGs, or Global Goals, will contribute to building a more inclusive, sustainable and peaceful world. Adam Sneyd’s analysis counters this orthodox and unduly utopian point of view, uncovering the hidden politics of the SDG project and showing why the SDGs are not an ambitious package of progressive reforms. Sneyd’s analysis of each of the seventeen goals reveals how the SDGs are infused with minimalist intentions and a political orientation that sharply contrasts with the world-changing aspirations typically associated with the goals. He argues that the SDGs do more to bolster the legitimacy of the liberal international economic order and advance capitalist interests than to address pressing global challenges.
This fascinating new look at the artistic legacy of the Tudors reveals the dynasty’s enduring influence on the arts of Renaissance England and beyond. Ruling successively from 1485 through 1603, the five Tudor monarchs brought seismic changes to England that reverberated throughout Europe. They used the arts to legitimize and glorify their tumultuous rule, from Henry VII’s bloody rise to power, through Henry VIII’s breach with the Roman Catholic Church, to the reign of the “Virgin Queen” Elizabeth I. With incisive scholarship and sumptuous new photography, this book explores the extreme politics and outsize personalities of the Tudors, and how they used art in their diplomacy at home and abroad. Tudor courts were truly cosmopolitan, attracting top artists and artisans from across Europe. At the same time, the Tudors nurtured local talent and gave rise to a distinctly English aesthetic, one that is forever connected to the myth and visual legacy of their dynasty. The Tudors reveals the true history behind a family that has long captured the public imagination, bringing to life their extravagant and politically precarious world through the exquisite paintings, lush textiles, gleaming metalwork, and countless luxury objects that adorned their spectacular courts.
The Romantic age, though often associated with free erotic expression, was ambivalent about what if anything sex had to do with the public sphere. Late-eighteenth- and early-nineteenth-century British texts often repressed the very sexual energies they claimed to be bringing into the open. The delineation of what could and could not be said and done in the name of physical pleasure was of a piece with the capitalist consecration of the social trust to the individual profit-motive. Both these practices, moreover, presupposed a determinate self with sovereignty over its own interests. Writings from and about some nominally public institutions were thus characterized by privatism—a sexual, economic and ontological withdrawal from otherness. Sexual Privatism in British Romantic Writing: A Public of One explores how this threefold ideology was both propagated and resisted, wittingly and unwittingly, successfully and unsuccessfully, in such Romantic "publics" as rape-law, sodomy-law, adultery-law, high-profile scandals, the population debates, and club-culture. It includes readings of imaginative literature by William Beckford, William Blake, Erasmus Darwin, Mary Hays, Percy Shelley and Mary Wollstonecraft; works of political economy by Jeremy Bentham, William Cobbett, William Godwin, William Hazlitt and Thomas Robert Malthus; as well as contemporary legal treatises, popular journalism and satirical pamphlets.
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