Adam Rounce presents a colourful and unusual history of eighteenth-century British literature, exploring ideas of fame through writers who failed to achieve the literary success they so desired. Recounting the experiences of less canonical writers, including Richard Savage, Anna Seward and Percival Stockdale, Rounce discusses the inefficacy of apparent literary success, the forms of vanity and folly often found in failed authorship, and the changing perception of literary reputation from the beginning of the eighteenth century to the emergence of Romanticism. The book opens up new ways of thinking about the nature of literary success and failure, given the post-Romantic idea of the doomed creative genius, and provides an alternative narrative to critical accounts of the famous and successful.
Adam Rounce presents a colourful and unusual history of eighteenth-century British literature, exploring ideas of fame through writers who failed to achieve the literary success they so desired. Recounting the experiences of less canonical writers, including Richard Savage, Anna Seward and Percival Stockdale, Rounce discusses the inefficacy of apparent literary success, the forms of vanity and folly often found in failed authorship, and the changing perception of literary reputation from the beginning of the eighteenth century to the emergence of Romanticism. The book opens up new ways of thinking about the nature of literary success and failure, given the post-Romantic idea of the doomed creative genius, and provides an alternative narrative to critical accounts of the famous and successful.
During the last half of the eighteenth century, sensibility and its less celebrated corollary sense were subject to constant variation, critique, and contestation in ways that raise profound questions about the formation of moral identities and communities. Beyond Sense and Sensibility addresses those questions. What authority does reason retain as a moral faculty in an age of sensibility? How reliable or desirable is feeling as a moral guide or a test of character? How does such a focus contribute to moral isolation and elitism or, conversely, social connectedness and inclusion? How can we distinguish between that connectedness and a disciplinary socialization? How do insensible processes contribute to our moral formation and action? What alternatives lie beyond the anthropomorphism implied by sense and sensibility? Drawing extensively on philosophical thought from the eighteenth century as well as conceptual frameworks developed in the twenty-first century, this volume of essays examines moral formation represented in or implicitly produced by a range of texts, including Boswell’s literary criticism, Fergusson’s poetry, Burney’s novels, Doddridge’s biography, Smollett’s novels, Charlotte Smith’s children’s books, Johnson’s essays, Gibbon’s history, and Wordsworth’s poetry. The distinctive conceptual and textual breadth of Beyond Sense and Sensibility yields a rich reassessment and augmentation of the two perspectives summarized by the terms sense and sensibility in later eighteenth-century Britain.
Adam Rounce presents a colourful and unusual history of eighteenth-century British literature, exploring ideas of fame through writers who failed to achieve the literary success they so desired. Recounting the experiences of less canonical writers, including Richard Savage, Anna Seward and Percival Stockdale, Rounce discusses the inefficacy of apparent literary success, the forms of vanity and folly often found in failed authorship, and the changing perception of literary reputation from the beginning of the eighteenth century to the emergence of Romanticism. The book opens up new ways of thinking about the nature of literary success and failure, given the post-Romantic idea of the doomed creative genius, and provides an alternative narrative to critical accounts of the famous and successful.
From 'shotclog', a Yorkshire term for a companion only tolerated because he is paying for the drinks, to Albanian having 29 words to describe different kinds of eyebrows, the languages of the world are full of amazing, amusing and illuminating words and expressions that will improve absolutely everybody's quality of life. All they need is this book! This bumper volume gathers all three of Adam Jacot de Boinod's acclaimed books about language - The Wonder of Whiffling, The Meaning of Tingo and Toujours Tingo (their fans include everyone from Stephen Fry to Michael Palin) - into one highly entertaining, keenly priced compendium. As Mariella Frostup said 'You'll never be lost for words again!
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.
Shakespeare Unlearned dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise.
The Wonder of Whiffling is a hugely enjoyable, surprising and rewarding tour of English around the globe (with fine coinages from our English-speaking cousins across the pond, Down Under and elsewhere).Discover all sorts of words you've always wished existed but never knew, such as fornale, to spend one's money before it has been earned; cagg, a solemn vow or resolution not to get drunk for a certain time; and petrichor, the pleasant smell that accompanies the first rain after a dry spell. Delving passionately into the English language, Adam Jacot de Boinod also discovers why it is you wouldn't want to have dinner with a vice admiral of the narrow seas, why Jacobites toasted the little gentleman in black velvet, and why a Nottingham Goodnight is better than one from anywhere else.
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