A fascinating, lively account of the making of the King James Bible. James VI of Scotland -- now James I of England -- came into his new kingdom in 1603. Trained almost from birth to manage rival political factions, he was determined not only to hold his throne, but to avoid the strife caused by religious groups that was bedevilling most European countries. He would hold his God-appointed position and unify his kingdom. Out of these circumstances, and involving the very people who were engaged in the bitterest controversies, a book of extraordinary grace and lasting literary appeal was created: the King James Bible. 47 scholars from Cambridge, Oxford and London translated the Bible, drawing from many previous versions, and created what many believe to be the greatest prose work ever written in English -- the product of a culture in a peculiarly conflicted era. This was the England of Shakespeare, Marlowe, Jonson and Bacon; but also of extremist Puritans, the Gunpowder plot, the Plague, of slum dwellings and crushing religious confines. Quite how this astonishing translation emerges is the central question of this book. Far more than Shakespeare, this Bible helped to create and shape the language. It is the origin of many of our most familiar phrases, and the foundations of the English-speaking world. It was a generous and deliberate decision to make the Bible available to the common man: not an immediate commercial success, but which later became a bestseller, and has remained one ever since. Adam Nicolson gives a fascinating and dramatic account of the early years of the first Stewart ruler, and the scholars who laboured for seven years to create the world's greatest book; immersing us in a world of ingratiating bishops, a fascinating monarch and London at a time unlike any other.
Adam Nicolson explores the marine life inhabiting seashore rockpools with a scientist’s curiosity and a poet’s wonder in this beautifully illustrated book. The sea is not made of water. Creatures are its genes. Look down as you crouch over the shallows and you will find a periwinkle or a prawn, a claw-displaying crab or a cluster of anemones ready to meet you. No need for binoculars or special stalking skills: go to the rocks and the living will say hello. Inside each rock pool tucked into one of the infinite crevices of the tidal coastline lies a rippling, silent, unknowable universe. Below the stillness of the surface course different currents of endless motion—the ebb and flow of the tide, the steady forward propulsion of the passage of time, and the tiny lifetimes of the rock pool’s creatures, all of which coalesce into the grand narrative of evolution. In Life Between the Tides, Adam Nicolson investigates one of the most revelatory habitats on earth. Under his microscope, we see a prawn’s head become a medieval helmet and a group of “winkles” transform into a Dickensian social scene, with mollusks munching on Stilton and glancing at their pocket watches. Or, rather, is a winkle more like Achilles, an ancient hero, throwing himself toward death for the sake of glory? For Nicolson, who writes “with scientific rigor and a poet’s sense of wonder” (The American Scholar), the world of the rock pools is infinite and as intricate as our own. As Nicolson journeys between the tides, both in the pools he builds along the coast of Scotland and through the timeline of scientific discovery, he is accompanied by great thinkers—no one can escape the pull of the sea. We meet Virginia Woolf and her Waves; a young T. S. Eliot peering into his own rock pool in Massachusetts; even Nicolson’s father-in-law, a classical scholar who would hunt for amethysts along the shoreline, his mind on Heraclitus and the other philosophers of ancient Greece. And, of course, scientists populate the pages; not only their discoveries, but also their doubts and errors, their moments of quiet observation and their thrilling realizations. Everything is within the rock pools, where you can look beyond your own reflection and find the miraculous an inch beneath your nose. “The soul wants to be wet,” Heraclitus said in Ephesus twenty-five hundred years ago. This marvelous book demonstrates why it is so. Includes Color and Black-and-White Photographs
Life itself could never have been sustainable without seabirds. As Adam Nicolson writes: "They are bringers of fertility, the deliverers of life from ocean to land." A global tragedy is unfolding. Even as we are coming to understand them, the number of seabirds on our planet is in freefall, dropping by nearly 70% in the last sixty years, a billion fewer now than there were in 1950. Of the ten birds in this book, seven are in decline, at least in part of their range. Extinction stalks the ocean and there is a danger that the grand cry of the seabird colony, rolling around the bays and headlands of high latitudes, will this century become little but a memory. Seabirds have always entranced the human imagination and NYT best-selling author Adam Nicolson has been in love with them all his life: for their mastery of wind and ocean, their aerial beauty and the unmatched wildness of the coasts and islands where every summer they return to breed. The seabird’s cry comes from an elemental layer in the story of the world. Over the last couple of decades, modern science has begun to understand their epic voyages, their astonishing abilities to navigate for tens of thousands of miles on featureless seas, their ability to smell their way towards fish and home. Only the poets in the past would have thought of seabirds as creatures riding the ripples and currents of the entire planet, but that is what the scientists are seeing now today.
A fascinating account from award-winning author Adam Nicolson on the history of Nicolson's own national treasure, his family home: Sissinghurst. Sissinghurst is world famous as a place of calm and beauty, a garden slipped into the ruins of a rose-pink Elizabethan palace. But is it entirely what its creators intended? Has its success over the last thirty years come at a price? Is Sissinghurst everything it could be? The story of this piece of land, an estate in the Weald of Kent, is told here for the first time from the very beginning. Adam Nicolson, who now lives there, has uncovered remarkable new findings about its history as a medieval manor and great sixteenth-century house, from the days of its decline as an eighteenth-century prison to a flourishing Victorian farm and on to the creation, by his grandparents Vita Sackville-West and Harold Nicolson, of a garden in a weed-strewn wreck. Alongside his recovery of the past, Adam Nicolson wanted something else: for the land at Sissinghurst to live again, to become the landscape of orchards, cattle, fruit and sheep he remembered from his boyhood.Could that living frame of a mixed farm be brought back to what had turned into monochrome fields of chemicalised wheat and oilseed rape? Against the odds, he was going to try. Adam Nicolson has always been a passionate writer about landscape and buildings, but this is different. This is the place he wanted to make good again, reconnecting garden, farm and land. More than just a personal biography of a place, this book is the story of taking an inheritance and steering it in a new direction, just as an entrepreneur might take hold of a company, or just as all of us might want to take our dreams and make them real.
In 1937, Adam Nicolson's father answered a newspaper ad—"Uninhabited islands for sale. Outer Hebrides, 600 acres. . . . Puffins and seals. Apply."—and thus found the Shiants. With a name meaning "holy or enchanted islands," the Shiants for millennia were a haven for those seeking solitude, but their rich, sometimes violent history of human habitation includes much more. When he was twenty-one, Nicolson inherited this almost indescribably beautiful property: a landscape, soaked in centuries-old tales of restless ghosts and Bronze Age gold, that cradles the heritage of a once-vibrant world of farmers and fishermen. In Sea Room, Nicolson describes and relives his love affair with the three tiny islands and their strange and colorful history in passionate, keenly precise prose—sharing with us the greatest gift an island bestows on its inhabitants: a deep engagement with the natural world.
In this passionate, deeply personal book, Adam Nicolson explains why Homer matters--to him, to you, to the world--in a text full of twists, turns and surprises. In a spectacular journey through mythical and modern landscapes, Adam Nicholson explores the places forever haunted by their Homeric heroes. From Sicily, awash with wildflowers shadowed by Italy's largest oil refinery, to Ithaca, southern Spain, and the mountains on the edges of Andalusia and Extremadura, to the deserted, irradiated steppes of Chernobyl, where Homeric warriors still lie under the tumuli, unexcavated. This is a world of springs and drought, seas and cities, with not a tourist in sight. And all sewn together by the poems themselves and their great metaphors of life and suffering. Showing us the real roots of Homeric consciousness, the physical environment that fills the gaps between the words of the poems themselves, Nicholson's is itself a Homeric journey. A wandering meditation on lost worlds, our interconnectedness with our ancestors, and the surroundings we share. This is the original meeting of place and mind, our empathy with the past, our landscape as our drama. Following the acclaimed Gentry, which established him as one of the great landscape writers working today, Nicholson takes Homer's poems back to their source: beneath the distant, god-inhabited mountains, on the Trojan plains above the graves of the heroic dead, we find afresh the foundation level of human experience on Earth"--
A fascinating depiction from award-winning author, Adam Nicolson, of a family and a country on the hinge of modernisation. Was our country once a better place? Has modernisation destroyed as much as it has improved? And can we see in an earlier Britain a way of living, an Arcadia, which now seems both ideal and remote? Through 16th- and 17th-century England, the changes of an approaching modernity accelerated. With the growing power of the state, the disruption of the traditional bonds of society, the breaking of communities and the marginalisation of the great families who had once balanced the power of the crown, the new mercantile, individualist world increasingly clashed with the communal and chivalric ideals of the old. To tell this story from the 1520s to the 1640s, Adam Nicolson takes a single great family, the Earls of Pembroke, their wives, children, estates, tenants and allies, and follows their high and glamorous trajectory across three generations of change, nostalgia, ambition, resistance and war.'Arcadia' is a rich and detailed evocation of England on the hinge of medieval and modern, and in this wide-ranging book Adam Nicolson explores a world in transition, moving from the intrigues, alliances and vendettas of the court to the intricate, everyday business of rural communities managing their affairs in times of stress. It was an England caught up in its first taste of modernity, yet divided over how to react to it, split between the old and the new, the moment at which the world we have lost turned into the world it has now become.
Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.
The full story of seabirds from one of the greatest nature writers. The book looks at the pattern of their lives, their habitats, the threats they face and the passions they inspire - beautifully illustrated by Kate Boxer. WINNER OF THE WAINWRIGHT PRIZE 2018 SHORTLISTED FOR THE JEFFERIES AWARD FOR NATURE WRITING 2017 Seabirds are master navigators, thriving in the most demanding environment on earth. In this masterly book, drawing on all the most recent research, Adam Nicolson follows them to the coasts and islands of Scotland, Ireland, Iceland, Norway, and the Americas. Beautifully illustrated by Kate Boxer, The Seabird's Cry is a celebration of the wonders of the only creatures at home in the air, on land and on the sea. It also carries a warning: the number of seabirds has dropped by two-thirds since 1950. Extinction stalks the ocean and there is a danger that the grand cry of a seabird colony will this century become little but a memory.
A network of complex currents flowed across Jacobean England. This was the England of Shakespeare, Jonson, and Bacon; the era of the Gunpowder Plot and the worst outbreak of the plague. Jacobean England was both more godly and less godly than the country had ever been, and the entire culture was drawn taut between these polarities. This was the world that created the King James Bible. It is the greatest work of English prose ever written, and it is no coincidence that the translation was made at the moment "Englishness," specifically the English language itself, had come into its first passionate maturity. The English of Jacobean England has a more encompassing idea of its own scope than any form of the language before or since. It drips with potency and sensitivity. The age, with all its conflicts, explains the book. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
The Smell of Summer Grass' is based partly on the long out of print 'Perch Hill'. It is the story of the years spent in finding and building a personal Arcadia, sometimes a dream, sometimes a nightmare, by writer Adam Nicolson and his wife, cook and gardener, Sarah Raven.
A remarkable and powerful book, the rarest of things ... Nicolson is unique as a writer ... I loved it' EDMUND DE WAAL 'Miraculous ... An utterly fascinating glimpse of a watery world we only thought we knew' PHILIP HOARE Few places are as familiar as the shore - and few as full of mystery and surprise.
“A charming portrait of an ancient and beautiful house in Kent [and] a poignant and amusing portrait of the English class system.” —Simon Winchester From lavish palace for Elizabethan nobles to dreary jailhouse for eighteenth-century prisoners of war, from well-manicured country house for a string of landed families to weed-choked ruin, Sissinghurst, in Kent, has become one of the most illustrious estates in England—and its future may prove to be just as intriguing as its past. In the 1930s, English poet Vita Sackville-West and her husband, Harold Nicolson, acquired land that had once been owned by Vita’s ancestors. Together they created elaborate gardens filled with roses, apple trees, vivid flowers, and scenic paths lined with hedges and pink brick walls. Vita, a gardening correspondent for the Observer and a close friend of Virginia Woolf, opened Sissinghurst to the public. But the thriving working farm began to change after her death. Her son Nigel instituted sweeping changes, including transferring ownership of the estate to Britain’s National Trust in 1967 to avoid extensive taxation. For author Adam Nicolson, the grandson of Harold and Vita, Sissinghurst was always more than a tourist attraction; it was his home. As a boy, Nicolson hiked the same trails that Roman conquerors walked centuries before. With wistful imagination, fascination with natural beauty, and connection to the land, Nicolson has returned home to restore Sissinghurst’s glory. His journey to recreate a sustainable and functioning farm, despite resistance from the National Trust, makes for a compelling memoir of family, history, and the powerful relationship between people and nature.
“Strikingly original. . . . Nicolson brings to life superbly the horror, devastation, and gore of Trafalgar.” —The Economist Adam Nicolson takes the great naval battle of Trafalgar, fought between the British and Franco-Spanish fleets, and uses it to examine our idea of heroism and the heroic. A story rich with modern resonance, Seize the Fire reveals the economic impact of the battle as a victorious Great Britain emerged as a global commercial empire. In October 1805 Lord Horatio Nelson, the most brilliant sea commander who ever lived, led the British Royal Navy to a devastating victory over the Franco-Spanish fleets at the great battle of Trafalgar. It was the foundation of Britain's nineteenth-century world-dominating empire. Seize the Fire is not only a close and revealing portrait of a legendary hero in his final action but also a vivid account of the brutal realities of battle; it asks the questions: Why did the winners win? What was it about the British, their commanders and their men, their beliefs and their ambitions, that took them to such overwhelming victory? His masterful history is a portrait of a moment, a close and passionately engaged depiction of a frame of mind at a turning point in world history.
The joy of traveling steps right off the pages as Adam Nicolson invites readers to walk with him through 26 places too interesting to experience any other way. With wit, energy, and a contagious taste for adventure, this marvelous writer celebrates the original form of travel and the leisurely discoveries it affords. 80 illustrations; 25 maps.
Spanning the most turbulent and dramatic years of English history—from the 1520s through 1650—Quarrel with the King tells the remarkable saga of one of the greatest families in English history, the Pembrokes, following their glamorous trajectory across three generations of change, ambition, resistance, and war. With vivid color and fascinating detail, acclaimed historian Adam Nicolson recounts the story of a century-long power struggle between England's richest family and the English Crown—a fascinating study of divided loyalties, corruption, rights and privilege, and all the ambiguities involved in the exercise and maintenance of power and status.
It is the gentry that have made England what it was and, to a degree, still is. England was a country dominated by its middling families, rooted on their land, in their locality, with a healthy interest in turning a profit from their property and a deep distrust of the centralised state. This riveting new book concentrates on fourteen families with a time-span from 1400 to the present day; The Gentry presents a convincing argument on what has created the distinctive English character but with the sheer readability of an epic novel.
This ebook does not include illustrations. A fascinating depiction from award-winning author, Adam Nicolson, of a family and a country on the hinge of modernisation.
From Land's End to Cape Clear, past Roaringwater Bay and Cod's Head, on past Inishvickillane and Inishtooskert, up through the Hebrides, to Orkney and on to the Faeroes stretches the richest and wildest coastline in Europe. Adam Nicolson decided to sail this coast in the Auk, a 42-foot wooden ketch, embarking on a 1,500-mile voyage through what he hoped would be a sequence of revelatory landscapes. He was not disappointed. Seamanship is more than a travel journal. It describes an inner journey as much as an outer one—disasters and discoveries, powerful landscapes and modern visionaries, and encounters with the animals living on the wild edge of the Atlantic. Above all, it is about the gaps that open up between those who go and those who stay at home. Seamanship, in the end, is not about the sea. It's about being alive.
Bevat de briefwisseling tussen vader en zoon, waarin zij hun ervaringen tijdens hun gelijktijdige, langs verschillende routes voerende, reis door Amerika beschrijven.
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