The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it's time for a good, hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn't Suck argues that Showgirls is much smarter and deeper than it is given credit for. In an accessible and entertaining voice, the book encourages a shift in critical perspective on Paul Verhoeven's Showgirls, analyzing the film, its reception, and rehabilitation. This in-depth study of a much-reviled movie is a must read for lovers and haters of the 1995 Razzie winner for Worst Picture.
An illustrated mid-career monograph exploring the 30-year creative journey of the 8-time Academy Award–nominated writer and director Paul Thomas Anderson has been described as "one of American film's modern masters" and "the foremost filmmaking talent of his generation." Anderson's ï¬?lms have received 25 Academy Award nominations, and he has worked closely with many of the most accomplished actors of our time, including Lesley Ann Manville, Julianne Moore, Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman. In Paul Thomas Anderson: Masterworks, Anderson’s entire career—from Hard Eight (1996), Boogie Nights (1997), Magnolia (1999), Punch Drunk Love (2002), There Will Be Blood (2007), The Master (2012), Inherent Vice (2014), and Phantom Thread (2017) to his music videos for Radiohead to his early short ï¬?lms—is examined in illustrated detail for the ï¬?rst time. Anderson’s influences, his style, and the recurring themes of alienation, reinvention, ambition, and destiny that course through his movies are analyzed and supplemented by ï¬?rsthand interviews with Anderson’s closest collaborators—including producer JoAnne Sellar, actor Vicky Krieps, and composer Jonny Greenwood—and illuminated by ï¬?lm stills, archival photos, original illustrations, and an appropriately psychedelic design aesthetic. Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world.
David Fincher: Mind Games is the definitive critical and visual survey of the Academy Award– and Golden Globe–nominated works of director David Fincher. From feature films Alien 3, Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network, The Girl With the Dragon Tattoo, Gone Girl, and Mank through his MTV clips for Madonna and the Rolling Stones and the Netflix series House of Cards and Mindhunter, each chapter weaves production history with original critical analysis, as well as with behind the scenes photography, still-frames, and original illustrations from Little White Lies' international team of artists and graphic designers. Mind Games also features interviews with Fincher's frequent collaborators, including Jeff Cronenweth, Angus Wall, Laray Mayfield, Holt McCallany, Howard Shore and Erik Messerschmidt. Grouping Fincher's work around themes of procedure, imprisonment, paranoia, prestige and relationship dynamics, Mind Games is styled as an investigation into a filmmaker obsessed with investigation, and the design will shift to echo case files within a larger psychological profile.
Fans of Fargo, The Big Lebowski, No Country for Old Men, and other modern classics will enjoy this “definitive history of the Coen brothers oeuvre” (Indiewire). From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” With a combination of biography, close analysis, and enlightening interviews with key Coen collaborators, this book honors the films’ singular mix of darkness and levity, and is the definitive exploration of the Coen brothers’ oeuvre.
The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it's time for a good, hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn't Suck argues that Showgirls is much smarter and deeper than it is given credit for. In an accessible and entertaining voice, the book encourages a shift in critical perspective on Paul Verhoeven's Showgirls, analyzing the film, its reception, and rehabilitation. This in-depth study of a much-reviled movie is a must read for lovers and haters of the 1995 Razzie winner for Worst Picture.
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.
An illustrated mid-career monograph exploring the 30-year creative journey of the 8-time Academy Award–nominated writer and director Paul Thomas Anderson has been described as "one of American film's modern masters" and "the foremost filmmaking talent of his generation." Anderson's ï¬?lms have received 25 Academy Award nominations, and he has worked closely with many of the most accomplished actors of our time, including Lesley Ann Manville, Julianne Moore, Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman. In Paul Thomas Anderson: Masterworks, Anderson’s entire career—from Hard Eight (1996), Boogie Nights (1997), Magnolia (1999), Punch Drunk Love (2002), There Will Be Blood (2007), The Master (2012), Inherent Vice (2014), and Phantom Thread (2017) to his music videos for Radiohead to his early short ï¬?lms—is examined in illustrated detail for the ï¬?rst time. Anderson’s influences, his style, and the recurring themes of alienation, reinvention, ambition, and destiny that course through his movies are analyzed and supplemented by ï¬?rsthand interviews with Anderson’s closest collaborators—including producer JoAnne Sellar, actor Vicky Krieps, and composer Jonny Greenwood—and illuminated by ï¬?lm stills, archival photos, original illustrations, and an appropriately psychedelic design aesthetic. Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world.
David Fincher: Mind Games is the definitive critical and visual survey of the Academy Award– and Golden Globe–nominated works of director David Fincher. From feature films Alien 3, Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network, The Girl With the Dragon Tattoo, Gone Girl, and Mank through his MTV clips for Madonna and the Rolling Stones and the Netflix series House of Cards and Mindhunter, each chapter weaves production history with original critical analysis, as well as with behind the scenes photography, still-frames, and original illustrations from Little White Lies' international team of artists and graphic designers. Mind Games also features interviews with Fincher's frequent collaborators, including Jeff Cronenweth, Angus Wall, Laray Mayfield, Holt McCallany, Howard Shore and Erik Messerschmidt. Grouping Fincher's work around themes of procedure, imprisonment, paranoia, prestige and relationship dynamics, Mind Games is styled as an investigation into a filmmaker obsessed with investigation, and the design will shift to echo case files within a larger psychological profile.
SON OF MAN I'm known as: Michael - The Chosen One - Ancient of Days - Elect One - Adam As foretold by the scriptures who liveth amongst you now for these last days in this sacred Book of Adam 45 And so it is written, The first man Adam was made a living soul; the last cAdam was made a dquickening spirit 1 Corinthians 15:45
There are 7 Kingdoms that are inside the Telestial Kingdom. Adam of the Old Testament breaks this sacred information in the last days. This translation was orginally written in Hebrew. Ben Adam translates it to perfect English. The seven kingdoms are from top to bottom. When one arrives after the 1000 year millenium and after Christ's final judgement, if assigned to this kingdom you start at what Adam calls "Telestial 0". There are 3 kingdoms below Telestial zero and 3 above. Adam says they surpass all understanding and comprehension but gives us the first real indepth look of each kingdom which are all found here: sites.google.com/view/lawsofthetelestialkingdom/ The 3 Kingdom's above are "beyond imagination" but explained in detail The 3 Kingdom's below are "from similarities to earth life with a real purge to take place yearly, however since the body is resurrected, one cannot die". -Adam, Prophet of the Old Testament and first born with Eve
The best of international bestselling author David Adam's writings. Adam demonstrates a unique blend of modern concerns with a distinctively Celtic approach.
ABOUT THE BOOK While experts have roundly debunked the popular notion that we feeble humans only utilize 10 percent of our brains, most of us still find ourselves secretly believing (or wishing) that there is uncharted territory upstairs to explore. As we get older, our brains – well, I don’t want to speak for you, so I’ll say my brain – increasingly fills with useless detritus; I will thus forget to buy a necessary item at the store, but will be able to sing along lyric-for-lyric with some old Def Leppard song during the drive home. Self-help books that promise to unlock your secret brainpower will mostly peddle you the same old platitudes. Where to turn when you want to take a serious tour through your own thought process? Daniel Kahneman’s Thinking, Fast and Slow hit the bulls-eye for me. While not a self-help book by any traditional definition, Kahneman’s work offers actionable insights about decision-making and gut reactions that did indeed help me to help myself. By breaking the brain into two separate – and sometimes competing – components (“System 1” and “System 2”), the author helps the reader recognize some very common pratfalls. MEET THE AUTHOR Adam McKibbin's work has appeared in a wide variety of magazines and websites, including The Nation, the Chicago Tribune, AlterNet, Paste and Punk Planet. He studied creative writing at the University of Wisconsin and received the Award for Academic Excellence for his collected fiction. Adam lives in Los Angeles with his wife and daughter, and can be found on Twitter at @TheRedAlert. EXCERPT FROM THE BOOK In one example, the reader is asked to picture a passenger on the New York subway reading the Times, and to guess whether the person has a PhD or didn’t go to college at all. The common gut reaction is to pick the PhD, even though there are far fewer PhDs on the subway at a given time than passengers without college degrees. Not just taking a situation at its face value, even statistically speaking, runs counter to how System 1 is programmed to operate. Kahneman sprinkles some academic autobiography through the book as well. Part 2 includes a section on what he calls “the best-known and most controversial” of his experiments with Amos Tversky: a seemingly simple question about a young woman named Linda. Linda is introduced to the crowd as a young woman who majored in philosophy and kept active with various social causes. Kahneman’s audience then had to choose the most likely outcome for Linda. Was she a bank teller or a bank teller who was active in the feminist movement? Although the former is the smarter choice, an overwhelming number of undergraduates chose the latter due to the associations they were making about “Linda.” Even renowned scientist Stephen Jay Gould fell into the trap... Buy a copy to keep reading!
Summary Of The Subtle Art Of Not Giving A F*ck: A Counterintuitive Approach to Living a Good Life By Mark Manson. Mark Manson's The Subtle Art of Not Giving a F*ck is a publication that lies in the Inspirational Books bracket. The author has, however, approached the subject differently compared to other author in the field--in as much as he wants to encourage the audience, he strongly upholds honesty and truth because he believes that only the latter can set us free. The central point that distinguishes him from most of other traditional speakers is his key emphasis on the need to admit our inability to handle all the encounters that life brings across, and therefore being pessimistic at times is pretty OKAY. He warns that doing the contrary would make us distressed for no apparent reason! Besides, he continually reminds us to anticipate challenges and failures because they are inseparable from life! In their advent, he suggests that we embrace only the issues we subscribe to most and ignore the things with minimal impact on our lives. Moreover, he urges the audience to realize the value of life as early as possible and maximize every opportunity that it brings along. Generally, it's a book founded on a strong set of the facts we ought to understand for us to live happy, meaningful and impactful lives. If you are tight have a tight schedule and have no time to read the full book, this summary will do the trick. Here is what you will get from this short summary of the subtle art of not giving a fuck: A chapter by chapter summary of Mark Manson's bestselling book. Key takeaways at end of each chapter Important ideas to put into practice instantly The exact same tips and tricks the author used to find more purpose , joy and love in his life. And best of all, you can get all this in less than 1 hour! Grab your copy of the Subtle Art of Not Giving a Fuck Summary and learn to embrace and accept who you really are and watch the magic take over your life!
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