The most comprehensive and practical guide available for caregivers of children who have seizures and epilepsy, now completely updated. For more than 30 years, parents, caregivers, and health care providers have trusted Seizures and Epilepsy in Children to provide comprehensive, science-based information and practical answers to the most common questions about these conditions. In this new edition, completely revised and updated, a team of experts from Johns Hopkins Medicine offers guidance on: • diagnostic testing and the latest treatments • recommendations for the best devices, apps, and websites • driving, health insurance, and playing sports • navigating school and other environments • mental health issues and counseling • coping with disability • side effects from medications This new edition also features dedicated chapters on diet, complementary and alternative medicine, and rescue medicines. Seizures and Epilepsy in Children is the go-to resource for caregivers and families with children who have epilepsy and seizures.
We elaborate a general workflow of weighting-based survey inference, decomposing it into two main tasks. The first is the estimation of population targets from one or more sources of auxiliary information. The second is the construction of weights that calibrate the survey sample to the population targets. We emphasize that these tasks are predicated on models of the measurement, sampling, and nonresponse process whose assumptions cannot be fully tested. After describing this workflow in abstract terms, we then describe in detail how it can be applied to the analysis of historical and contemporary opinion polls. We also discuss extensions of the basic workflow, particularly inference for causal quantities and multilevel regression and poststratification.
Hitting the charts only once isn't just unfortunate...it's a crime. Over the decades, tons of musical artists and groups have had a hit song that has lived on long after the tune topped the charts and is often looked upon fondly for decades to come. For some musicians, this may be the only the song they're ever known for and they fade into obscurity soon thereafter. These are affectionately known as "one-hit wonders," and are much celebrated by fans and music publications, particularly on September 25th each year on One-Hit Wonder Day. 12 of today's best short story authors have taken their favorite one-hit wonders and reimagined them as the influence for some pretty heinous crimes. (I Just) Died in Your Arms features a decades-spanning collection of immediately recognizable hit songs turned into stories from the amazing talents of Vinnie Hansen, Jeanne DuBois, Josh Pachter, J.M. Taylor, Christine Verstraete, Sandra Murphy, Joseph S. Walker, Wendy Harrison, Bev Vincent, Leone Ciporin, Adam Gorgoni and Barb Goffman.
Adam speaks The story of Adam and Eve is known throughout the world. It is a tale passed down through the beginning of humanity that is believed by Christians, Jews and Muslims alike. There isn’t much to it other than the creation of man and woman and the loss of paradise attributed to their disobedience in biting an apple from a forbidden tree. This book gives a detailed portrayal of the familiar story from the perspective of Adam. It tells of the relationship Adam had with God before and after Eve was created and before and after the fall as well. As a consequence to Adam’s sin he is doomed to live many lives to witness the effect it has on mankind throughout history to the present day. Adam narrates significant events of history such as the fall of Satan, the first murder, the great flood and the origins of the Jewish, Christian and Muslim nations. Along the way he explains mysteries like creation, evolution, giants, dinosaurs, reincarnation and the spiritual laws that control the universe. As Adam tells his story he produces a scathing diatribe directed at organized religion with the passion only the one and only original man can muster. This story is thought provoking and entertaining and should appeal to fans of fiction and non fiction, believers, non believers and lovers of philosophy.
David Carter hates the cheap, paper-thin, blue-green swath of inadequacy better known as his carpet; he is disappointed in what it says about him as a man. A disgruntled architect, frustrated husband, and debt-ridden homeowner, David is a man of many unfulfilled ambitions—until he discovers a brilliant portrait hidden within the superstructure of his suburban home. While the portrait awakens David to a world of artistic potential, it also contains a cryptic message that encourages him to fanatically search his house for more art. But as he topples one wall of his house after the other, his life begins to fall apart around him. After his wife files for divorce and he is fired from his job, David realizes his mistakes have compounded into a self-destructive and colossal supernova. But he doesn’t care; he is more determined than ever to unearth the final portrait and find the artist who prompted his life-changing transformation. Love and Other Chemical Imbalances is the compelling story of one man’s unpredictable journey as he obsessively attempts to create something extraordinary out of his ordinary life.
In this masterful experiment in truly comparative literary criticism, Alfred J. Mac Adam establishes Latin America's place in the Western literary tradition. By juxtaposing Latin American and Anglo-American texts, he shows how Latin American literature has gone beyond the context of Hispanic letters to borrow from, exploit, and finally extend the Western tradition. Mac Adam describes the changes that have taken place in Latin American literature since the time of Modernismo (roughly 1880-1920), when Spanish American writers tried to update their literary language by imitating foreign, mostly French, literature. Since then, as he demonstrates, Latin American writing has achieved a pioneering status by means of a different kind of imitation—parody—whereby it gives back to the former centers of Western culture their own writing, now distorted and reshaped into something new.
The secular world may have thought it was done with theology, but theology was not done with it. Recent decades have seen a resurgence of religion on the social and political scene, which have driven thinkers across many disciplines to grapple with the Christian theological inheritance of the modern world. Adam Kotsko provides a unique guide to this fraught terrain. The title essay establishes a fresh and unexpected redefinition of theology and its complex and often polemical relationship with its sister discipline of philosophy. Subsequent essays build on this framework from three different perspectives. In the first part, Kotsko demonstrates the continued vibrancy of Christian theology as a creative and constructive pursuit outside the walls of the church, showing that theological concepts can underwrite a powerful critique of the modern world. The second approaches Christian theology from the perspective of a range of contemporary philosophers, showing how philosophical thought is drawn to theology even despite itself. The concluding section is devoted to the unexpected theological roots of the modern world-system, making a case that the interplay of state and economy and the structure of modern racial oppression both build on theological patterns of thought. Kotsko’s book ultimately shows that theology is not a scholarly game or an edifying spiritual discipline, but a world-shaping force of great power. Lives are at stake when we do theology—and if we don’t do it, someone else will.
Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.
Saluting the unsung heroes of the entertainment industry, this guide identifies "famous" character actors and actresses. It includes a full-color photo section for easy identification and an informative--and irreverent--biography.
Quiller's survival skills have never been so crucial as in this eerily prophetic mission torn from today's headlines. Standing over the smoldering corpse of the agent he had sworn to protect, Quiller vows to make things right. The killer's trail leads to a terrorist network targeting the next American flight out of Berlin. But what are their plans for this flight, and why are they trying so desperately to get their hands on a nuclear weapon…?
The Fence and the Neighbor traces the contours of two thinkers, Emmanuel Levinas and Yeshayahu Leibowitz, who crossed the divide between Talmud and philosophy "proper." Adam Zachary Newton shows how the question of nationalism that has so long haunted Western philosophy—the question of who belongs within its "fence," and who outside—has long been the concern of Jewish thought and its preoccupation with law, limits, and the place of Israel among the nations. To those unfamiliar with Talmudic thought Newton shows how deeply its language and concerns shape Levinas. He also offers an introduction to Leibowitz, a conservative religious thinker who was an outspoken gadfly and radically critical voice in the Israeli political scene. Together, their common origin in Jewish Eastern Europe, a common concern with national allegiance, and the common fence of religious Judaism that makes them intellectual neighbors are voiced in penetrating and original dialogue.
The qaṣīdah and the qiṭʿah are well known to scholars of classical Arabic literature, but the maqṭūʿ, a form of poetry that emerged in the thirteenth century and soon became ubiquitous, is as obscure today as it was once popular. These poems circulated across the Arabo-Islamic world for some six centuries in speech, letters, inscriptions, and, above all, anthologies. Drawing on more than a hundred unpublished and published works, How Do You Say “Epigram” in Arabic? is the first study of this highly popular and adaptable genre of Arabic poetry. By addressing this lacuna, the book models an alternative comparative literature, one in which the history of Arabic poetry has as much to tell us about epigrams as does Greek.
This study challenges the conventional view of scholars like E. P. Sanders that Late Second Temple Judaism was theologically nationalistic, offering in its place a theory which argues that the intertestamental writings do not anticipate the salvation of all Jews but only of a faithful remnant within Israel. Working carefully with the major books of the pseudepigrapha and the Dead Sea Scrolls, Mark Adam Elliott shows that the authors of such works anticipated an imminent - and scathing - judgment of Israel that would exclude many, or even most, Israelites from the saved community. This provocative finding not only confronts accepted perspectives on Late Second Temple Judaism but also suggests important implications for our reading of Paul and the New Testament.
The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginativ
The untold story of the unique fifty-year friendship between two American icons: John Glenn, the unassailable pioneer of space exploration and Ted Williams, indisputably the greatest hitter in baseball history. It was 1953, the Korean War in full throttle, when two men—already experts in their fields—crossed the fabled 38th Parallel into Communist airspace aboard matching Panther jets. John Glenn was an ambitious operations officer with fifty-nine World War II combat missions under his belt. His wingman was Ted Williams, the two-time American League Triple Crown winner who, at the pinnacle of his career, was inexplicably recalled to active service in the United States Marine Corps. Together, the affable flier and the notoriously tempestuous left fielder soared into North Korea, creating a death-defying bond. Although, over the next half century, their contrasting lives were challenged by exhilarating highs and devastating lows, that bond would endure. Through unpublished letters, unit diaries, declassified military records, manuscripts, and new and illuminating interviews, The Wingmen reveals an epic and intimate portrait of two heroes—larger-than-life and yet ineffably human, ordinary men who accomplished the extraordinary. At its heart, this was a conflicted friendship that found commonality in mutual respect—throughout the perils of war, sports dominance, scientific innovation, cutthroat national politics, the burden of celebrity, and the meaning of bravery. Now, author Adam Lazaraus sheds light on a largely forgotten chapter in these legends’ lives—as singular individuals, inspiring patriots, and eventually, however improbable, profoundly close friends.
How is decadence being staged today as a practice, issue, pejorative, and as a site of pleasure? Where might we find it, why might we look for it, and who is decadence for? This book is the first monographic study of decadence in theatre and performance. Adam Alston makes a passionate case for the contemporary relevance of decadence in the thick of a resurgent culture war by focusing on its antithetical relationship to capitalist-led growth, progress, and intensified productivity. He argues that the qualities used to disparage the study and practice of theatre and performance are the very things we should embrace in celebrating their value namely, their spectacular uselessness, wastefulness, outmodedness, and abundant potential for producing forms of creativity that flow away from the ends and excesses of capitalism. Alston covers an eclectic range of examples by Julia Bardsley (UK), Hasard Le Sin (Finland), jaamil olawale kosoko (USA), Toco Nikaido (Japan), Martin O'Brien (UK), Toshiki Okada (Japan), Marcel·lí Antúnez Roca (Spain), Normandy Sherwood (USA), The Uhuruverse (USA), Nia O. Witherspoon (USA), and Wunderbaum (Netherlands). Expect ruminations on monstrous scenographies, catatonic choreographies, turbo-charged freneticism, visions of the apocalypse and what might lie in its wake.
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