Prepping songs for Musical Theatre auditions can be more stressful and confusing than a bad production of Sweeney Todd... but this book can help. How do you find the right songs, and in all the various genres? Where do you get the sheet music? How do you edit it down to make your 16- or 32-bar cut? What even is a 16-bar cut?! Relax, diva: Your Rep Book has the answers to all these questions and so many more. Adam Wachter has taught courses on audition repertoire selection at top conservatories in the US and UK and spent years accompanying and sitting behind the table in auditions for everything from university programs to Broadway shows. This friendly and accessible guide is designed to answer all your questions and help you stock that rep book with tight cuts of great songs so you can walk into your next audition and totally nail it. Including a foreword by Broadway casting director Rachel Hoffman and an afterword by Broadway and West End star Caissie Levy, Your Rep Book takes its readers step-by-step through the strangely mysterious process of building your audition repertoire portfolio (or rep book in industry jargon). Leaving no stone or showtune unturned, it helps you identify what songs you need in which categories and explains where to find them, how to source and cut the sheet music, and even how to communicate effectively with the accompanist and act your song. Whether you're a high school student auditioning for college MT programs or the ink is still wet on your recent BFA, or even if you're a seasoned pro dusting off those old charts, Your Rep Book is here to help!
“The Light in the Piazza beautifully captures the eternal allure of Italy. . . . The story wraps itself around your heart.”—Chicago Sun-Times “Guettel’s music and lyrics take nothing from the razzle-dazzle bargain basement of feeling; they represent, instead, a genuine expense of spirit. . . . The Light in the Piazza doesn’t want to make theatre-goers feel good; it wants to make them feel deeply.”—The New Yorker “With Adam Guettel’s gorgeous melodies, a compelling narrative hook from Craig Lucas, and moving themes about happiness and risk, there’s no question that The Light in the Piazza is Broadway worthy.”—Daily Variety Composer Adam Guettel, best known for his Floyd Collins, has teamed with Prelude to a Kiss playwright Craig Lucas to create a passionate and soaring new musical based on Elizabeth Spencer’s 1960 novella, which was first published as an entire issue of The New Yorker. It is the story of an American ingénue abroad, whose chance meeting of a charming young Italian in a Florentine piazza sets off a whirlwind romance—with an unsettling revelation. The Light in the Piazza opens on Broadway at the Lincoln Center Theater this spring after major productions already in Seattle and Chicago. Adam Guettel wrote music and lyrics for Floyd Collins, produced across the country and in London. His other works include Love’s Fire, a collaboration with John Guare, and Saturn Returns, a concert at The Public Theater/New York Shakespeare Festival that was recorded by Nonesuch Records under the title Myths and Hymns. Craig Lucas won this year’s Obie Award for Best American Play for Small Tragedy and the New York Film Critics Award for Best Screenplay for The Secret Lives of Dentists. His other plays include Reckless, Blue Window, Prelude to a Kiss, God’s Heart, The Dying Gaul, Missing Persons, Stranger, and Singing Forest.
At the turn of the twentieth century, depictions of the colonized world were prevalent throughout the German metropole. Tobacco advertisements catered to the erotic gaze of imperial enthusiasts with images of Ovaherero girls, and youth magazines allowed children to escape into “exotic domains” where their imaginations could wander freely. While racist beliefs framed such narratives, the abundance of colonial imaginaries nevertheless compelled German citizens and settlers to contemplate the world beyond Europe as a part of their daily lives. An Imperial Homeland reorients our understanding of the relationship between imperial Germany and its empire in Southwest Africa (present-day Namibia). Colonialism had an especially significant effect on shared interpretations of the Heimat (home/homeland) ideal, a historically elusive perception that conveyed among Germans a sense of place through national peculiarities and local landmarks. Focusing on colonial encounters that took place between 1842 and 1915, Adam A. Blackler reveals how Africans confronted foreign rule and altered German national identity. As Blackler shows, once the façade of imperial fantasy gave way to colonial reality, German metropolitans and white settlers increasingly sought to fortify their presence in Africa using juridical and physical acts of violence, culminating in the first genocide of the twentieth century. Grounded in extensive archival research, An Imperial Homeland enriches our understanding of German identity, allowing us to see how a distant colony with diverse ecologies, peoples, and social dynamics grew into an extension of German memory and tradition. It will be of interest to German Studies scholars, particularly those interested in colonial Africa.
Prepping songs for Musical Theatre auditions can be more stressful and confusing than a bad production of Sweeney Todd... but this book can help. How do you find the right songs, and in all the various genres? Where do you get the sheet music? How do you edit it down to make your 16- or 32-bar cut? What even is a 16-bar cut?! Relax, diva: Your Rep Book has the answers to all these questions and so many more. Adam Wachter has taught courses on audition repertoire selection at top conservatories in the US and UK and spent years accompanying and sitting behind the table in auditions for everything from university programs to Broadway shows. This friendly and accessible guide is designed to answer all your questions and help you stock that rep book with tight cuts of great songs so you can walk into your next audition and totally nail it. Including a foreword by Broadway casting director Rachel Hoffman and an afterword by Broadway and West End star Caissie Levy, Your Rep Book takes its readers step-by-step through the strangely mysterious process of building your audition repertoire portfolio (or rep book in industry jargon). Leaving no stone or showtune unturned, it helps you identify what songs you need in which categories and explains where to find them, how to source and cut the sheet music, and even how to communicate effectively with the accompanist and act your song. Whether you're a high school student auditioning for college MT programs or the ink is still wet on your recent BFA, or even if you're a seasoned pro dusting off those old charts, Your Rep Book is here to help!
Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic 'histories', Millie Taylor and Adam Rush take readers on a series of journeys that include the art form's European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media in the 21st century. Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium. Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.
In the second volume of his planned trilogy that will recast the history of the university in a fresh and surprising light, Adam R. Nelson aims to show how knowledge, which had been commodified starting in the late eighteenth century, became industrialized in the nineteenth century. Nelson explains how the idea of the modern university arose from a set of institutional and ideological reforms designed to foster the mass production and mass consumption of knowledge--that is, the industrialization of ideas. Fusing the history of higher education with the history of capitalism, Nelson suggests that this "marketization" of knowledge propelled the institutionalization of the university, far earlier than previously understood"--
Genocide: A Comprehensive Introduction is the most wide-ranging textbook on genocide yet published. The book is designed as a text for upper-undergraduate and graduate students, as well as a primer for non-specialists and general readers interested in learning about one of humanity’s enduring blights. Fully updated to reflect the latest thinking in this rapidly developing field, this unique book: Provides an introduction to genocide as both a historical phenomenon and an analytical-legal concept, including the concept of genocidal intent, and the dynamism and contingency of genocidal processes. Discusses the role of state-building, imperialism, war, and social revolution in fuelling genocide. Supplies a wide range of full-length case studies of genocides worldwide, each with a supplementary study. Explores perspectives on genocide from the social sciences, including psychology, sociology, anthropology, political science/international relations, and gender studies. Considers "The Future of Genocide," with attention to historical memory and genocide denial; initiatives for truth, justice, and redress; and strategies of intervention and prevention. Highlights of the new edition include: Nigeria/Biafra as a "contested case" of genocide Extensive new material on the Kurds, Islamic State/ISIS, and the civil wars/genocide in Iraq and Syria. Conflict and atrocities in the world’s newest state, South Sudan. The role, activities, and constraints of the United Nations Office of Genocide Prevention. Many new testimonies from genocide victims, survivors, witnesses—and perpetrators. Dozens of new images, including a special photographic essay. Written in clear and lively prose with over 240 illustrations and maps, Genocide: A Comprehensive Introduction remains the indispensable text for new generations of genocide study and scholarship. An accompanying website (www.genocidetext.net) features a broad selection of supplementary materials, teaching aids, and Internet resources.
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