The career of Erasmus Darwin (1731-1802) affords an extraordinary glimpse into the intellectual ferment of late-eighteenth- and early-nineteenth-century Britain. As a popular poet, practicing physician, inventor of speaking machines and mechanical birds, essayer of natural history from geology to meteorology, and proponent of an evolutionary theory that inspired his famous grandson Charles, he left a lasting impression on almost every branch of knowledge. His magnum opus, and the synthesis of his myriad interests, is The Botanic Garden (1792) — an epic poem that aims to "enlist the Imagination under the banner of Science." Part I, The Economy of Vegetation, sings the praises of British industry as a dance of supernatural creatures while part II, The Loves of the Plants, wittily employs metaphors of human courtship to describe the reproductive cycles of hundreds of flowers. Darwin supplements his accomplished verses with (often much longer) "philosophical notes" that offer his idiosyncratic perspective on the scholarly controversies of the day. Despite a recent surge of academic interest in Darwin, however, no authoritative critical edition of The Botanic Garden exists, presenting a barrier to further scholarship. This two volume set comprises a complete, meticulously transcribed, reading text — including all the poetry, prose apparatus, and illustrations — along with extensive commentary that situates Darwin within contemporary debates about the natural sciences. This set will be of interest to readers as the definitive reference edition of The Botanic Garden and due to its efforts to make the work more practically and intellectually accessible to seasoned and novice readers alike. The first volume presents a wide ranging and authoritative introduction to The Botanic Garden, detailing the background to the work and the various contexts in which it should be understood. These include: aesthetic theory and practice, the science of the mind, love and sexuality, politics, spirituality, the natural sciences, and evolutionary theory and the two Darwins. The full text of Part I of the The Botanic Garden, The Economy of Vegetation, then follows accompanied by the editors’ annotations, discussion of illustrations and textual notes.
A comprehensive examination that breathes new life into Wordsworth and the ethical concerns that were vital to his nineteenth-century readers. Why read Wordsworth’s poetry—indeed, why read poetry at all? Beyond any pleasure it might give, can it make one a better or more flourishing person? These questions were never far from William Wordsworth’s thoughts. He responded in rich and varied ways, in verse and in prose, in both well-known and more obscure writings. Wordsworth's Ethics is a comprehensive examination of the Romantic poet’s work, delving into his desire to understand the source and scope of our ethical obligations. Adam Potkay finds that Wordsworth consistently rejects the kind of impersonal utilitarianism that was espoused by his contemporaries James Mill and Jeremy Bentham in favor of a view of ethics founded in relationships with particular persons and things. The discussion proceeds chronologically through Wordsworth’s career as a writer—from his juvenilia through his poems of the 1830s and '40s—providing a valuable introduction to the poet’s work. The book will appeal to readers interested in the vital connection between literature and moral philosophy.
A young adult adaptation of the national bestseller that details the true story of two Navy pilots from divergent racial and economic backgrounds who forge a deep friendship during the Korean War as they face extraordinary circumstances. Soon to be major motion picture starring Jonathan Majors and Glen Powell, with a supporting cast including Joe Jonas! Lieutenant Tom Hudner and Ensign Jesse Brown, both Navy pilots during the Korean War in 1950, come from different backgrounds: Hudner is a white New Englander, a son of privilege; Brown is an African American son of a sharecropper from Mississippi. When the two men join forces in Fighter Squadron 32, they forge a deep friendship at a time when racial inequality was prevalent in America. An unwavering commitment binds Tom and Jesse to each other as well as to their comrades. The two fly to save a division of US Marines cornered during the battle at Chosin Reservoir, but catastrophe strikes when one of them is shot down behind enemy lines and trapped in the wreckage of his plane. The other will face an unthinkable choice: watch their friend die, or attempt one of history’s most audacious one-man rescue missions. What transpires is harrowing and heartbreaking, an inspirational story for all time.
The Romantic age, though often associated with free erotic expression, was ambivalent about what if anything sex had to do with the public sphere. Late-eighteenth- and early-nineteenth-century British texts often repressed the very sexual energies they claimed to be bringing into the open. The delineation of what could and could not be said and done in the name of physical pleasure was of a piece with the capitalist consecration of the social trust to the individual profit-motive. Both these practices, moreover, presupposed a determinate self with sovereignty over its own interests. Writings from and about some nominally public institutions were thus characterized by privatism—a sexual, economic and ontological withdrawal from otherness. Sexual Privatism in British Romantic Writing: A Public of One explores how this threefold ideology was both propagated and resisted, wittingly and unwittingly, successfully and unsuccessfully, in such Romantic "publics" as rape-law, sodomy-law, adultery-law, high-profile scandals, the population debates, and club-culture. It includes readings of imaginative literature by William Beckford, William Blake, Erasmus Darwin, Mary Hays, Percy Shelley and Mary Wollstonecraft; works of political economy by Jeremy Bentham, William Cobbett, William Godwin, William Hazlitt and Thomas Robert Malthus; as well as contemporary legal treatises, popular journalism and satirical pamphlets.
James Boswell's "The Life of Samuel Johnson" is the most celebrated of all biographies, acknowledged as one of the greatest and most entertaining books in the English language. Yet Boswell himself has generally been considered little more than an idiot and condemned by posterity as a lecher and drunk. How could such a fool have written such a book? With great wit, Adam Sisman here tells the story of Boswell's presumptuous task-the making of the greatest biography of all time. Sisman traces the friendship between Boswell and Samuel Johnson, his great mentor, and provides a fascinating account of Boswell's seven-year struggle to write "The Life of Samuel Johnson.
In a future one thousand years from now, an echo of the Victorian past thrives. A future terraformed Venus sees our era of high technology as one of innumerable dangers. Dominated by the most advanced technological society on the planet, New Berlin, the nation and city-states of Venus deliberately imitate both the technology and culture of the Victorian Era. As nations chafe under the yoke of New Berlin, war breaks out--driving this culture so much like our past into a future entirely unlike our own. This short-story anthology explores the regions and cultures of Victorian Venus, from the metropolis of New Berlin, to the tropics, to the Arctic Circle. The war between New Berlin and two rebelling nations forms the backdrop of most of the tales.
The best of international bestselling author David Adam's writings. Adam demonstrates a unique blend of modern concerns with a distinctively Celtic approach.
In a series of forty meditations, one for each day of Lent David Adam reflects on the life of Moses in the book of Exodus. The story of this great leader provides inspiration for us to follow the Israelites' example - to launch out into new adventures, freeing others and ourselves from slavery and seeking God's Promised Land. We are encouraged to step out of the familiar and to risk the desert; to leave that which captivates us and to move forward. Containing a Scripture reading, a short meditation, and a prayer for each day of Lent, thisis a book to challenge our relationship to the world, to each other and to our God. It will stretch our vision and ourselves so that we may positively reach forward to freedom.
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