Most books on pronunciation teaching deal extensively with methodology, while giving insufficient attention to the prior questions of the model being used. This book discusses the what rather than the how. It examines critically the kinds of pronunciation model in use in ELT, in particular the Received Pronunciation accent, and shows that they are unsatisfactory in several respects. Various criteria for models are investigated, especially the concepts of intelligibility, identity, and functional load. The importance of features of the phonological system of English is assessed against these criteria, so that priorities are established for pronunciation models. This book is important reading for English language teachers, applied linguists, ELT textbook writers, language planners, speech therapists, and anyone involved in the instruction of the spoken form of English.
REVISED & EXPANDED 2ND EDITION The Queen Chronology is a comprehensive account of the studio and live recording and release history of Freddie Mercury, Brian May, John Deacon and Roger Taylor, who joined forces in 1971 as the classic line-up of the rock band Queen. Years of extensive research have gone into the creation of the Chronology, which covers the very beginnings of band members' careers, their earliest songwriting efforts and recording sessions, through the recording and releasing of Queen's 15 original studio albums with their classic line-up, to the present-day solo careers of Brian May and Roger Taylor. All of this information is presented date by date in chronological order, with detailed descriptions of each song version, including those both released and known to be unreleased. Every Queen and solo album, single, non-album track, edit, remix and extended version is examined, as are known demos or outtakes, pre-Queen recordings and guest appearances.
Immersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny? Beyond Immersive Theatre contextualises these questions by tracing the evolution of neoliberal politics and the experience economy over the past four decades. Through detailed critical analyses of work by Ray Lee, Lundahl & Seitl, Punchdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics – a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre.
The Big Bang is all but dead, and we do not yet know what will replace it. Our universe’s “beginning” is at an end. What does this have to do with us here on Earth? Our lives are about to be dramatically shaken again—as altered as they were with the invention of the clock, the steam engine, the railroad, the radio and the Internet. In The End of the Beginning, Adam Frank explains how the texture of our lives changes along with our understanding of the universe’s origin. Since we awoke to self-consciousness fifty thousand years ago, our lived experience of time—from hunting and gathering to the development of agriculture to the industrial revolution to the invention of Outlook calendars—has been transformed and rebuilt many times. But the latest theories in cosmology— time with no beginning, parallel universes, eternal inflation—are about to send us in a new direction. Time is both our grandest and most intimate conception of the universe. Many books tell the story, recounting the progress of scientific cosmology. Frank tells the story of humanity’s deepest question— when and how did everything begin?—alongside the story of how human beings have experienced time. He looks at the way our engagement with the world— our inventions, our habits and more—has allowed us to discover the nature of the universe and how those discoveries, in turn, inform our daily experience. This astounding book will change the way we think about time and how it affects our lives.
Nearly a thousand years of Darkness have reached a culmination that threatens the very heart of the galaxy! The only hope of peace - of reaching the Eternal Calm - lies in a trio of prophecies, all of which revolve around one being...who no one is certain even exists! Is there hope for the hopeless? Three prophecies...two antagonists...one outcome!
A long time ago in galaxy far, far away a really quite good SF film, a sort of western in space, was launched. The special effects were pretty shoddy but it did have some quite good actors in it. And Mark Hammill. A second and third film that were actually the fifth and sixth films followed and they weren't quite so good but they were still quite fun (especially when the teddies got blasted by the Imperial stormtroopers). Then, the first, second and third films followed and they were actually fairly dreadful though by now the special effects were much better. And the actors were still better than average too. And Mark Hammill was too old to be in it plus his character hadn't been born yet so that was OK. A Gollancz parody was inevitable. And here it is. An epic told in six chapters. An epic of good versus evil. Of dark versus light. Of hairy co-pilots and green gurus. Of bizarre hair styles, steel bras and camp robots. An epic that starts in the middle. And that's the original!
Between 2002 and 2014 MOLA Northampton carried out evaluation and excavation work at the Manor Pit, Baston, Lincolnshire. The site saw significant occupation in the late Bronze Age and Roman periods, with evidence of enclosures in Medieval and Post-Medieval times.
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