As an essayist, Adam Phillips combines the best of two worlds: a mastery of psychotherapy as both practitioner and theorist, and a reputation as one of the best literary writers around. In this collection of essays, he brings these two gifts to bear upon each other, speculating on the relative merits of psychoanalysis and literature and on the connections between them. In his quirky, epigrammatic style, Phillips shows us how psychoanalysis and literature at their best share the goal of shedding light on human character, the most fascinating of disorders. Promises, Promises reveals Phillips as a virtuoso performer able to reach far beyond the borders of psychoanalytic discourse, into art, novels, poetry, and history. This collection gives us insights into Martin Amis's Night Train, Nijinsky's diary, Tom Stoppard and A. E. Housman, Amy Clampitt, the effect of the Blitz on Londoners, and a case history of clutter. It confirms Phillips as a writer whose work, in the words of the Guardian, "hovers in a strange and haunting borderland between rigour and delight.
A landmark study of the illustrations that originally accompanied now-classic works of American literary realism Though today we commonly read major works of nineteenth-century American literature in unillustrated paperbacks or anthologies, many of them first appeared as magazine serials, accompanied by ample illustrations that sometimes made their way into the serials’ first printings as books. The graphic artists creating these illustrations often visually addressed questions that the authors had left for the reader to interpret, such as the complexions of racially ambiguous characters in Uncle Tom’s Cabin. The artists created illustrations that depicted what outsiders saw in Huck and Jim in Adventures of Huckleberry Finn, rather than what Huck and Jim learned to see in one another. These artists even worked against the texts on occasion—for instance, when the illustrators reinforced the same racial stereotypes that writers such as Paul Laurence Dunbar had intended to subvert in their works. Authors of American realism commonly submitted their writing to editors who allowed them little control over the aesthetic appearance of their work. In his groundbreaking Artistic Liberties, Adam Sonstegard studies the illustrations from these works in detail and finds that the editors employed illustrators who were often unfamiliar with the authors’ intentions and who themselves selected the literary material they wished to illustrate, thereby taking artistic liberties through the tableaux they created. Sonstegard examines the key role that the appointed artists played in visually shaping narratives—among them Mark Twain’s Pudd’nhead Wilson, Stephen Crane’s The Monster, and Edith Wharton’s The House of Mirth—as audiences tended to accept their illustrations as guidelines for understanding the texts. In viewing these works as originally published, received, and interpreted, Sonstegard offers a deeper knowledge not only of the works, but also of the realities surrounding publication during this formative period in American literature.
Planning is an important management function and its effective execution is crucial to ensure the success of any project. This second edition of Thomas Uher’s and Adam Zantis' textbook maintains its focus on operational rather than strategic aspects of programming and scheduling of projects, providing the reader with the practical planning skills needed to be successful. Unlike most other textbooks that largely focus on the critical path method, Programming and Scheduling Techniques includes a comprehensive review of a range of practices used around the world. Topics covered in this thoroughly revised edition include: deterministic scheduling techniques including the bar chart, the critical path method, the critical chain method, the multiple activity chart and the line of balance a comparison of the critical path and critical chain scheduling techniques options for computer-based scheduling stochastic scheduling techniques including the critical path method based on Monte Carlo simulation and the Program Evaluation and Review Technique (PERT) risk in scheduling work study. By covering a broad range of scheduling techniques this book is suitable for those planning projects in any industry, particularly in interdisciplinary or international contexts. Written for students studying undergraduate and postgraduate architecture, building, construction/project management, quantity surveying, property development and civil engineering programs.
Barbados Directions fits neatly in your pocket and won''t weigh you down on a visit to this dazzling island. The guide provides the perfect partner on a visit to Barbados, brimming with ideas for making the most of your time. In the opening "Ideas" section, 28 full-colour spreads cover a wide range of attractions from hidden beaches and outdoor activities to indulgent cocktails and remote sunset look-outs. The "Places" section of the guide gives complete coverage of each area of the island, with opinionated listings picking out the best museums, restaurants, bars, beaches, rum shops, wildlife and craft shops. Throughout the "Places" section there are specially commissioned photos illustrating the listings and maps pin-pointing their location. The entire text of the guide is digitally stored on an e-book CD included with the book. The CD can be read by PCs, Macs and all hand-held devices and contains weblinks to hundreds of sites, from hotels to local tour organisers.
This guide to Barbados provides practical travel information, candid reviews and historical and cultural details. There are tips on finding the best beaches, features on the island's history, its rum distilleries, and cricket. There is a strong section on sport, including hiking/walking routes.
Exploring Toronto’s history through the stories of its most fascinating and shadowy deaths. If these streets could talk... With morbid tales of war and plague, duels and executions, suicides and séances, Toronto’s past is filled with stories whose endings were anything but peaceful. The Toronto Book of the Dead delves into these: from ancient First Nations burial mounds to the grisly murder of Toronto’s first lighthouse keeper; from the rise and fall of the city’s greatest Victorian baseball star to the final days of the world’s most notorious anarchist. Toronto has witnessed countless lives lived and lost as it grew from a muddy little frontier town into a booming metropolis of concrete and glass. The Toronto Book of the Dead tells the tale of the ever-changing city through the lives and deaths of those who made it their final resting place.
The ethics of literature, formalists have insisted, resides in the moral quality of a character, a story, perhaps the relation between author and reader. But in the wake of deconstruction and various forms of criticism focusing on difference, the ethical question has been freshly negotiated by literary studies, and to this approach Adam Newton brings a startling new thrust. His book makes a compelling case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, Newton explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader in the process. He treats these relations as defining properties of prose fiction, of particular import in nineteenth- and twentieth-century texts. Newton's fresh and nuanced readings cover a wide range of authors and periods, from Charles Dickens to Kazuo Ishiguro and Julian Barnes, from Herman Melville to Richard Wright, from Joseph Conrad and Henry James to Sherwood Anderson and Stephen Crane. An original work of theory as well as a deft critical performance, Narrative Ethics also stakes a claim for itself as moral inquiry. To that end, Newton braids together the ethical-philosophical projects of Emmanuel Levinas, Stanley Cavell, and Mikhail Bakhtin as a kind of chorus for his textual analyses--an elegant bridge between philosophy's ear and literary criticism's voice. His work will generate enormous interest among scholars and students of English and American literature, as well as specialists in narrative and literary theory, hermeneutics, and contemporary philosophy. Table of Contents: Acknowledgments Abbreviations Narrative as Ethics Toward a Narrative Ethics We Die in a Last Word: Conrad's Lord Jimand Anderson's Winesburg, Ohio Lessons of (for) the Master: Short Fiction by Henry James Creating the Uncreated Features of His Face: Monstration in Crane, Melville, and Wright Telling Others: Secrecy and Recognition in Dickens, Barnes, and Ishiguro Conclusion Notes Index Reviews of this book: Newton's book will become a pivotal text in our discussions of the ethical implications of reading. He has taken into account a great deal of prior work, and written with judgment and wisdom. --Daniel Schwartz, Narrative Reviews of this book: Newton offers elegant, provocative readings of texts ranging from The Rime of the Ancient Mariner to Winesburg, Ohio, The Remains of the Day, and Bleak House...Newton's book is a rich vein of critical ore that can be mined profitably. --Choice Reading Narrative Ethics is a powerful experience, for it engages not just the intellect, but the emotions, and dare I say, the spirit. It stands apart from recent books on ethics in literature by virtue of its severe insistence o its allegiance to an alternative ethical tradition. This alternative way of thinking--and living--has its roots in the work of the Jewish philosopher Emmanuel Levinas and finds support in the writings of Mikhail Bakhtin and Stanley Cavell...Stories, Newton asserts, are not ethical because of their morals or because of their normative logic. They are ethical because of the work they perform, in the social world, of binding teller, listener, witness, and reader to one another...This is a work of passion, integrity, commitment, and mission. --Jay Clayton, Vanderbilt University Newton probes with admirable subtlety the key question: what do we gain--and what dangers do we run--when we fully enter the life of an 'other' through that 'other's' story? We have here a rare combination of deep and learned critical acumen with passionate love for literature and sensitivity to its nuances. --Wayne C. Booth, University of Chicago Adam Zachary Newton writes with illuminating passion. Drawing on writers as diverse as Conrad and Henry James, Melville and Sherwood Anderson, Bakhtin and Levinas, he asks what it is to turn one's life into a story for another, and what it is to respond to, or avoid the claim of, another person's narration. He has written a wonderful, important book. --Martha Nussbaum, University of Chicago
This definitive biography of the charismatic Alexander Meiklejohn tracks his turbulent career as an educational innovator at Brown University, Amherst College, and Wisconsin’s “Experimental College” in the early twentieth century and his later work as a civil libertarian in the Joe McCarthy era. The central question Meiklejohn asked throughout his life’s work remains essential today: How can education teach citizens to be free?
A finalist for the 2016 Philip K. Dick Award, Windswept is the gonzo noir you didn't know you needed until now. Newly reissued, this Author’s Preferred Edition features essays, stories, and, for the first time, a mouth-watering recipe for chicken tacos. Two-fisted labor organizer Padma Mehta is on the edge of space and the edge of burnout. All she wants is to retire, buy a rum distillery, and spend the rest of her life on the beach. To do that, she has to recruit five hundred people to the Union, and she’s thirty-three short. When a small-time scam artist tells her about forty people ready to tumble down the space elevator to break free from her old bosses, Padma checks it out. Now Padma’s up to her eyeballs in trouble as everyone around her starts turning up dead. Can she fight her way through the city’s warehouses, sewage plants, and up the elevator itself to save her job, her planet, and her sanity? And can she do it all before Happy Hour? Praise for Windswept: “This twisty David-and-Goliath tale is clever, fast-paced, and frequently funny, taking plenty of well-deserved potshots at corporate greed.” – Publishers Weekly “Adam Rakunas is one funny SOB, and now everyone’s going to know it. Windswept is a zippy, zany ride, with more fast turns than a Wild Mouse rollercoaster. There’s more witty banter and laughs per page than anything I’ve read in years, making this, my friends, the rarest kind of science-fiction-comedy novel: one that’s actually funny. Buckle the hell up.” – Daryl Gregory, award-winning author of We Are All Completely Fine “Windswept is a classic noir story shot full of space-rum and rocketed into the future.” – The Seattle Review of Books “Part action-adventure, part space opera, part farce... Recommended for Star Trek fans who loved stories like ‘The Bell Riots’.” – Dark Matter Zine “This mélange of fast-paced action, character study, social study and witty dialogue makes up a thoroughly enjoyable narrative treat.” – Sci-Fi and Fantasy Reviews “I loved the worldbuilding of Windswept... Seriously, this book is just plain funny. Even so, it manages to present an interesting perspective on politics, consumerism, and unionizations.” – Bookaneer
The history is well known: On June 12, 1963, Mississippi's courageous NAACP chief, Medgar Evers, was gunned down by white supremacist Byron de la Beckwith. Tried twice by all-white juries, Beckwith escaped conviction for three decades. But then Mississippi began to confront its tormented past. And in the 1990s, when Beckwith was sent to jail by a crusading young prosecutor, the family of Medgar Evers finally got justice. Hailed as a New York Times Notable Book of the Year and a finalist for the Lillian Smith Award, Of Long Memory reveals how this remarkable reversal took place. Nossiter uses the tools of memory, history, and reportage—and the clear vantage point of an outsider, a Northerner—to portray an entire state quite literally summoning up its ghosts. A new epilogue discusses other civil rights cases now being reconsidered, and skillfully shows how the South is finding a way to create justice where none had existed before.
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