The untold story of the unique fifty-year friendship between two American icons: John Glenn, the unassailable pioneer of space exploration and Ted Williams, indisputably the greatest hitter in baseball history. It was 1953, the Korean War in full throttle, when two men—already experts in their fields—crossed the fabled 38th Parallel into Communist airspace aboard matching Panther jets. John Glenn was an ambitious operations officer with fifty-nine World War II combat missions under his belt. His wingman was Ted Williams, the two-time American League Triple Crown winner who, at the pinnacle of his career, was inexplicably recalled to active service in the United States Marine Corps. Together, the affable flier and the notoriously tempestuous left fielder soared into North Korea, creating a death-defying bond. Although, over the next half century, their contrasting lives were challenged by exhilarating highs and devastating lows, that bond would endure. Through unpublished letters, unit diaries, declassified military records, manuscripts, and new and illuminating interviews, The Wingmen reveals an epic and intimate portrait of two heroes—larger-than-life and yet ineffably human, ordinary men who accomplished the extraordinary. At its heart, this was a conflicted friendship that found commonality in mutual respect—throughout the perils of war, sports dominance, scientific innovation, cutthroat national politics, the burden of celebrity, and the meaning of bravery. Now, author Adam Lazaraus sheds light on a largely forgotten chapter in these legends’ lives—as singular individuals, inspiring patriots, and eventually, however improbable, profoundly close friends.
We often think of the mind as an inner world. Once, this inner world might have been a spirit or soul - a "ghost in the machine", in Gilbert Ryle's memorable phrase. Nowadays, we are told it will be found in the brain. Adam Toon argues that this is a mistake. In fact, our concept of mind is fundamentally metaphorical: we project the 'outer world' of human culture onto the 'inner world' of the mind. This is an enormously powerful way of making sense of people and their behaviour. But we must not forget that this inner world is only a useful fiction. Mind as Metaphor develops this idea to offer a radical new approach to the mind, known as mental fictionalism. Toon shows that mental fictionalism can make sense of our ordinary concept of mind (or folk psychology), while avoiding the difficulties faced by alternative approaches, such as behaviourism or instrumentalism. In doing so, Mind as Metaphor sheds new light on a range of issues, from the mind's capacity to represent the world (or intentionality) to the way in which new tools and practices expand the limits of inquiry. Written in a concise, engaging, and accessible style, Mind as Metaphor is essential reading for anyone interested in the nature of the mind and its relationship to human culture
This book offers a major reassessment of John Clare’s poetry and his position in the Romantic canon. Alert to Clare’s knowledge of the work of his Romantic contemporaries and near contemporaries, it puts forward the first extended series of comparisons of Clare’s poetry with texts we now think of as defining the period – in particular poems by Robert Burns, William Wordsworth, Lord Byron, and John Keats. It makes fully evident Clare’s original contribution to the aesthetic culture of the age by analysing how he explores a wide range of concerns and preoccupations which are central to, and especially privileged in, Romantic-period poetics, including ‘fancy’, the sublime, childhood, ruins, joy, ‘poesy’, and a love lyric marked by a peculiar self-consciousness about sincere expression. At the heart of this book is the claim that the hitherto under-scrutinised subjective stances, transcendent modes, and abstract qualities of Clare’s lyric poetry situate him firmly within, and as fundamentally part of, Romanticism, at the same time as his writing constitutes a distinctive contribution to one of the most fascinating eras of English literature.
Veiling Esther, Unveiling Her Story: The Reception of a Biblical Book in Islamic Lands examines the ways in which the Biblical Book of Esther was read, understood, and used in Muslim lands, from ancient to modern times. It focuses on case studies covering works from various periods and regions of the Muslim world, including the Qur'an, pre-modern historical chronicles and literary works, the writings of a nineteenth-century Shia feminist, a twentieth-century Iranian encyclopaedia, and others. These case studies demonstrate that Muslim sources contain valuable materials on Esther, which shed light both on the Esther story itself and on the Muslim peoples and cultures that received it. Adam J. Silverstein argues that Muslim sources preserve important pre-Islamic materials on Esther that have not survived elsewhere, some of which offer answers to ancient questions about Esther, such as the meaning of Haman's epithet in the Greek versions of the story, the reason why Mordecai refused to prostrate before Haman, and the literary context of the 'plot of the eunuchs' to kill the Persian king. Throughout the book, Silverstein shows how each author's cultural and religious background influenced his or her understanding and retelling of the Esther story. In particular, he highlights that Persian Muslims (and Jews) were often forced to reconcile or choose between the conflicting historical narratives provided by their religious and cultural heritages respectively.
Using the Socratic Method in Counseling shows counselors how to use the Socratic method to help clients solve life problems using knowledge they may not realize they have. Coauthored by two experts from the fields of philosophy and counseling, the book presents theory and techniques that give counselors a client-centered and contextually bound method for better addressing issues of ethnicities, genders, cultures. Readers will find that Using the Socratic Method in Counseling is a thorough and useful text on a new theoretical orientation grounded in ancient philosophy.
The Importance of Being Understood is an innovative and thought-provoking exploration of the links between the way we think about each other's mental states and the fundamentally cooperative nature of everyday life. Adam Morton begins with a consideration of 'folk psychology', the tendency to attribute emotions, desires, beliefs and thoughts to human minds. He takes the view that it is precisely this tendency that enables us to understand, predict and explain the actions of others, which in turn helps us to decide on our own course of action. This relection suggests, claims Morton, that certain types of cooperative activity are dependent on everyday psychological understanding conversely, that we act in such a way as to make our actions easily intelligible to others so that we can benefit from being understood. This idea of 'beneficial circularities' is at the core of Morton's investigation of the interdependencies between folk psychology and social behaviour: we understand each other because we have learned to make ourselves intelligible. Using examples of cooperative activities such as car driving and playing tennis, Adam Morton analyses the concepts of belief and simulation, the idea of explanation by motive, and the causal force of psychological explanation. In addition to argument and analysis, Morton also includes more speculative explorations of topics such as moral progress and presents a new point of view on how and why cultures differ. The Importance of Being Understood forges new links between ethics and the philosophy of mind and will be of interest to anyone in either field, as well as developmental psychologists.
The Press and the People is the first full-length study of cheap print in early modern Scotland. It traces the production and distribution of ephemeral publications from the nation's first presses in the early sixteenth century through to the age of Burns in the late eighteenth. It explores the development of the Scottish book trade in general and the production of slight and popular texts in particular. Focusing on the means by which these works reached a wide audience, it illuminates the nature of their circulation in both urban and rural contexts. Specific chapters examine single-sheet imprints such as ballads and gallows speeches, newssheets and advertisements, as well as the little pamphlets that contained almanacs and devotional works, stories and songs. The study demonstrates just how much more of this literature was once printed than now survives and argues that Scotland had a much larger market for such material than has been appreciated hitherto. By illustrating the ways in which Scottish printers combined well-known titles from England with a distinctive repertoire of their own, The Press and the People transforms our understanding of popular culture in early modern Scotland and Britain more widely.
A critical overview of the evolution, contestation, and fragmentation of the Midwest’s symbolic (and often contradictory) meanings in American culture. How do works from film and literature—Sister Carrie, Native Son, Meet Me in St. Louis, Halloween, and A History of Violence, for example—imagine, reify, and reproduce Midwestern identity? And what are the repercussions of such regional narratives and images circulating in American culture? In The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism, Adam R. Ochonicky provides a critical overview of the evolution, contestation, and fragmentation of the Midwest’s symbolic and often contradictory meanings. Using the frontier writings of Frederick Jackson Turner as a starting point, this book establishes a succession of Midwestern filmic and literary texts stretching from the late-19th century through the beginning of the 21st century and argues that the manifold properties of nostalgia have continually transformed popular understandings and ideological uses of the Midwest’s place-identity. Ochonicky identifies three primary modes of nostalgia at play across a set of textual objects: the projection of nostalgia onto physical landscapes and into the cultural sphere (nostalgic spatiality); nostalgia as a cultural force that regulates behaviors, identities, and appearances (nostalgic violence); and the progressive potential of nostalgia to generate an acknowledgment and possible rectification of ways in which the flawed past negatively affects the present (nostalgic atonement). While developing these new conceptions of nostalgia, Ochonicky reveals how an under-examined area of regional study has received critical attention throughout the histories of American film and literature, as well as in related materials and discourses. From the closing of the Western frontier to the polarized political and cultural climate of the 21st century, this book demonstrates how film and literature have been and continue to be vital forums for illuminating the complex interplay of regionalism and nostalgia. “Ochonicky presents an important reading of how nostalgia shapes the Midwest in the American imagination as a place of identity and violence. Past and present slip in this compelling and well-researched approach to the workings of contemporary culture.” —Vera Dika, author of Recycled Culture in Contemporary Art and Film: The Use of Nostalgia “By centering the concept of region, Adam Ochonicky provides an insightful and refreshing reading of American popular culture. In texts ranging from Richard Wright’s Native Son to John Carpenter’s Halloween, Ochonicky demonstrates the complex terrain of the Midwest in our cultural imaginary and the diverse memories and meanings we project upon it.” —Kendall R. Phillips, author of A Place of Darkness: The Rhetoric of Horror in Early American Cinema, Syracuse University
Explores the issue of Australia's ongoing difficulties in establishing an independent national identity. He then traces these difficulties to what he identifies as 'unresolved issues' in Australian society inherited from the colonial days, including the 'hybrid' political system, a hostility to non-Europeans, resistance to reconciliation, the rejection of multiculturalism, the ongoing degradation of the natural environment, and a lack of serious engagement with Asian and Pacific countries despite our geographic proximity.
A spellbinding exploration of the human capacity to imagine the future Our ability to think about the future is one of the most powerful tools at our disposal. In The Invention of Tomorrow, cognitive scientists Thomas Suddendorf, Jonathan Redshaw, and Adam Bulley argue that its emergence transformed humans from unremarkable primates to creatures that hold the destiny of the planet in their hands. Drawing on their own cutting-edge research, the authors break down the science of foresight, showing us where it comes from, how it works, and how it made our world. Journeying through biology, psychology, history, and culture, they show that thinking ahead is at the heart of human nature—even if we often get it terribly wrong. Incisive and expansive, The Invention of Tomorrow offers a fresh perspective on the human tale that shows how our species clawed its way to control the future.
This book examines grammatical changes during the transition from Latin to the Romance languages and the factors proposed to explain them. It challenges orthodoxy, presents new perspectives on language change, structure, and variation, and will appeal equally to Romance linguists, Latinists, philologists, and historical linguists of all persuasions.
Ninety percent of the world's youth live in Africa, Latin America and the developing countries of Asia. Despite this, the field of Youth Studies, like many others, is dominated by the knowledge economy of the Global North. To address these geo-political inequalities of knowledge, The Oxford Handbook of Global South Youth Studies offers a contribution from Southern scholars to remake Youth Studies from its current state, that universalises Northern perspectives, into a truly Global Youth Studies. Contributors from across various regions of the Global South, including from the Diaspora, Indigenous and Aboriginal communities, locate and define the Global South, articulate the necessity of studying Southern lives to enrich, re-interpret, legitimate and offer symmetry to Youth Studies, and utilize and innovate Southern theory to do so. Eleven concepts are re-imagined and re-presented throughout the Handbook--personhood, intersectionality, violences, de- and post-coloniality, consciousness, precarity, fluid modernities, ontological insecurity, navigational capacities, collective agency and emancipation. The outcome is a series of everyday practices such as hustling, navigating, fixing, waiting, being on standby, silence, and life-writing, that demonstrate how youth living in adversity experiment with and push back against routine and conformity, and how research may support them in these endeavors and, simultaneously, redefine the relationships between knowledge, practice and politics-what the volume editors term epistepraxis. The Handbook concludes with a nascent charter for a Global Youth Studies of benefit to the world, that no longer excludes, assumes or elides but rather includes new possibilities for representing youth, researching amongst them, and devising policies and interventions to better serve them. This volume is a critical addition to the field of Youth Studies and one that should be of interest to scholars, researchers, and students working in this area in both the Global North and South.
In the caves below the ancient Earth a young girl is running from an evil enemy. Her name is Donia, and her enemies are called the Deros. Little does Donia know she's about to meet Kory Kinyonga-a shape-shifting, time-traveling android. He's just as scared as she is, but they're about to start a marvelous adventure together... KINYONGA TALES takes the reader from the dawn of history to its end, from one end of the universe to another, as Kory and Donia journey around the cosmos righting wrongs and learning about what it means to be human. Even if it brings them to the edge of Apocalypse itself. Featuring awesome cover art by James Bezecny, this most recent volume from Odd Tales Productions is an experience you won't forget. See more from Odd Tales Productions: http: //oddtalesofwonder.wixsite.com/oddtales
John William Salter (1820-1869) was an English naturalist and geologist, best known for his work as palaeontologist to the Geological Survey of Great Britain. This is a complete catalogue of the Cambrian and Silurian fossils in the Geological Museum at the University of Cambridge. Preceded by a detailed introductory section on the Pal'ozoic system, the catalogue is arranged by geological strata, covering the various groups of Cambrian and Silurian fossils. The entries include detailed illustrations, along with references to the location of each fossil in the collection, its name and details of its place of origin. Revised by staff of the University and published posthumously in 1873, the catalogue also contains a substantial preface by Adam Sedgwick, famous for his role in the development of modern geology,which provides fascinating insights into the geological advances of the Victorian era.
Historians of the intellectual and literary culture of the Enlightenment have recognised the importance of Andrew Millar (1705-68). His publisher's imprint adorned the title-pages of the most important works of the eighteenth century, in fiction, poetry, drama, medicine, and philosophy. This is the first extended study of Millar's commercial and social role in the commissioning, production, circulation, and consumption of Enlightenment literature in Britain. Providing a new intervention on the culture of Enlightenment this study shows how and why Millar provoked major controversies through his role as friend, patron, and publisher to great rivals in the republic of letters. An unprecedent analysis of publishing and authorship at the intersection of politics, business, visual arts, moral debate, and literary self-fashioning, this study of Andrew Millar also shows the degree to which Scottish identity shaped a professional career within London's rise as the cosmopolitan centre of learning and trade at the heart of the British empire. This volume presents hundreds of previously unpublished letters that passed between Millar and his literary network, and includes the 52 letters that passed between Millar and David Hume, the majority of which have been edited for the first time since 1931. This is a major contribution to the material and intellectual worlds that defined the culture of Enlightenment in Britain during the eighteenth century, casting new light in the history of publishing and authorship.
Written by leading experts in the field, Stellar Spectral Classification is the only book to comprehensively discuss both the foundations and most up-to-date techniques of MK and other spectral classification systems. Definitive and encyclopedic, the book introduces the astrophysics of spectroscopy, reviews the entire field of stellar astronomy, and shows how the well-tested methods of spectral classification are a powerful discovery tool for graduate students and researchers working in astronomy and astrophysics. The book begins with a historical survey, followed by chapters discussing the entire range of stellar phenomena, from brown dwarfs to supernovae. The authors account for advances in the field, including the addition of the L and T dwarf classes; the revision of the carbon star, Wolf-Rayet, and white dwarf classification schemes; and the application of neural nets to spectral classification. Copious figures illustrate the morphology of stellar spectra, and the book incorporates recent discoveries from earth-based and satellite data. Many examples of spectra are given in the red, ultraviolet, and infrared regions, as well as in the traditional blue-violet optical region, all of which are useful for researchers identifying stellar and galactic spectra. This essential reference includes a glossary, handy appendixes and tables, an index, and a Web-based resource of spectra. In addition to the authors, the contributors are Adam J. Burgasser, Margaret M. Hanson, J. Davy Kirkpatrick, and Nolan R. Walborn.
This book explores the global connections between Chilean landscapes and Northern consumers embodied by the Forest Stewardship Council logo, the green seal of approval for certified sustainably-produced "good wood." How do we decide what makes good forestry? What knowledges and values are expressed or silenced when "good" is defined with a market mechanism like certification? Henne's ethnographic study documents the new forms of labor and the new expectations about sustainability and responsibility that certification generates, in the context of the competing ideas about how to manage a forest – or even what a forest is – that constitute forest certification in Chile. A critical analysis of certification’s practices helps understand the role of ethical trade initiatives in creating sustainable, survivable global futures.
Bounded Thinking offers a new account of the virtues of limitation management: intellectual virtues of adapting to the fact that we cannot solve many problems that we can easily describe. Adam Morton argues that we do give one another guidance on managing our limitations, but that this has to be in terms of virtues and not of rules, and in terms of success—knowledge and accomplishment—rather than rationality. He establishes a taxonomy of intellectual virtues, which includes 'paradoxical virtues' that sound like vices, such as the virtue of ignoring evidence and the virtue of not thinking too hard. There are also virtues of not planning ahead, in that some forms of such planning require present knowledge of one's future knowledge that is arguably impossible. A person's best response to many problems depends not on the most rationally promising solution to solving them but on the most likely route to success given the profile of intellectual virtues that the person has and lacks. Morton illustrates his argument with discussions of several paradoxes and conundra. He closes the book with a discussion of intelligence and rationality, and argues that both have very limited usefulness in the evaluation of who will make progress on which problems.
Explores life-writing forms - almanacs, financial accounts, commonplace books and parish registers - which emerged during the sixteenth and seventeenth centuries.
In recent years many historians have argued that the Reformation did not - as previously thought - hamper the development of Northern European visual culture, but rather gave new impetus to the production, diffusion and reception of visual materials in both Catholic and Protestant milieus. This book investigates the crosscurrents of exchange in the realm of illustrated religious literature within and beyond confessional and national borders, and against the background of recent insights into the importance of, on the one hand material, as well as on the other hand, sensual and emotional aspects of early modern culture. Each chapter in the volume helps illuminate early modern religious culture from the perspective of the production of illustrated religious texts - to see the book as object, a point at which various vectors of early modern society met. Case studies, together with theoretical contributions, shed light on the ways in which illustrated religious books functioned in evolving societies, by analysing the use, re-use and sharing of illustrated religious texts in England, France, the Low Countries, the German States, and Switzerland. Interpretations based on points of material interaction show us how the most basic binaries of the early modern world - Catholic and Protestant, word and image, public and private - were disrupted and negotiated in the realm of the illustrated religious book. Through this approach, the volume expands the historical appreciation of the place of imagery in post-Reformation Europe.
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