A spellbinding exploration of the human capacity to imagine the future Our ability to think about the future is one of the most powerful tools at our disposal. In The Invention of Tomorrow, cognitive scientists Thomas Suddendorf, Jonathan Redshaw, and Adam Bulley argue that its emergence transformed humans from unremarkable primates to creatures that hold the destiny of the planet in their hands. Drawing on their own cutting-edge research, the authors break down the science of foresight, showing us where it comes from, how it works, and how it made our world. Journeying through biology, psychology, history, and culture, they show that thinking ahead is at the heart of human nature—even if we often get it terribly wrong. Incisive and expansive, The Invention of Tomorrow offers a fresh perspective on the human tale that shows how our species clawed its way to control the future.
This collection is concerned with the articulation, mediation and reception of authority; the preoccupations and aspirations of both governors and governed in early modern England. It explores the nature of authority and the cultural and social experiences of all social groups, especially insubordinates. These essays probe in depth the ways in which young people responded to adults, women to men, workers to masters, and the 'common sort' to their 'betters'. Early modern people were not passive receptacles of principles of authority as communicated in, for example, sermons, statutes and legal process. They actively contributed to the process of government, thereby exposing its strengths, weaknesses and ambiguities. In discussing these issues the contributors provide fresh points of entry to a period of significant cultural and socio-economic change.
This book explores the varied vernacular forms and rich oral traditions which were such a part of popular culture in early modern England. It focuses, in particular, upon dialect speech and proverbial wisdom, "old wives' tales" and children's lore, historical legends and local customs, scurrilous versifying and scandalous rumour-mongering. Adam Fox argues that while the spoken word provides the most vivid insight into the mental world of the majority in this semi-literate society, it was by no means untouched by written influences. Even at the beginning of the period, centuries of reciprocal infusion between complementary media had created a cultural repertoire which had long ceased to be purely oral. Thereafter, the expansion of literacy together with the proliferation of texts both in manuscript and print saw the rapid acceleration and elaboration of this process. By 1700 popular traditions and modes of expression were the product of a fundamentally literate environment to a much greater extent than has yet been appreciated.
Cleanness, both in the sense of a neoclassical stylistic purity and of an individual moral and political probity, was centrally important to Walter Savage Landor's writing, both in his prose and poetry. At the same time, this commitment to purity was contaminated in a variety of eloquent and complicating uncleannesses: his own fiery temper and frequent rages; his sometimes scurrilous and sexually explicit Latin poems; and the innovative, compacted, proto-Modernist verse style of works such as his epic Gebir, as stylistically-tangled and potent a poem ever produced in the Romantic era. The present study, the first comprehensive study of Landor's writing for nearly half a century, addresses the whole of Landor's prodigious output over the seven decades of his writing life, in verse, prose, and drama, in English and Latin: from the brief lyrics by which (if at all) he is remembered today up to his idylls, tragedies, and epics; from his pamphlets and essays to historical novels like Pericles and Aspasia and the textual colossus of the Imaginary Conversations. 'Cleanness' becomes the organising principle by which this heterogeneous and multivocal body of work is read. At once a survey of Landor's output and life, a critically engaged reading of his work and an interrogation of the principles of poetry itself, Landor's Cleanness seeks to reconfigure the map of Romantic and Victorian writing, and move Landor's reputation at least some way in the direction of the eminence he once enjoyed: as a major writer of his time, both intensely characteristic of the nineteenth-century and startlingly relevant to the twenty-first.
A spellbinding exploration of the human capacity to imagine the future Our ability to think about the future is one of the most powerful tools at our disposal. In The Invention of Tomorrow, cognitive scientists Thomas Suddendorf, Jonathan Redshaw, and Adam Bulley argue that its emergence transformed humans from unremarkable primates to creatures that hold the destiny of the planet in their hands. Drawing on their own cutting-edge research, the authors break down the science of foresight, showing us where it comes from, how it works, and how it made our world. Journeying through biology, psychology, history, and culture, they show that thinking ahead is at the heart of human nature—even if we often get it terribly wrong. Incisive and expansive, The Invention of Tomorrow offers a fresh perspective on the human tale that shows how our species clawed its way to control the future.
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