A dazzling, stylish biography of a fabled Parisian photographer, adventurer, and pioneer. A recent French biography begins, Who doesn't know Nadar? In France, that's a rhetorical question. Of all of the legendary figures who thrived in mid-19th-century Paris—a cohort that includes Victor Hugo, Baudelaire, Gustave Courbet, and Alexandre Dumas—Nadar was perhaps the most innovative, the most restless, the most modern. The first great portrait photographer, a pioneering balloonist, the first person to take an aerial photograph, and the prime mover behind the first airmail service, Nadar was one of the original celebrity artist-entrepreneurs. A kind of 19th-century Andy Warhol, he knew everyone worth knowing and photographed them all, conferring on posterity psychologically compelling portraits of Manet, Sarah Bernhardt, Delacroix, Daumier and countless others—a priceless panorama of Parisian celebrity. Born Gaspard-Félix Tournachon, he adopted the pseudonym Nadar as a young bohemian, when he was a budding writer and cartoonist. Later he affixed the name Nadar to the façade of his opulent photographic studio in giant script, the illuminated letters ten feet tall, the whole sign fifty feet long, a garish red beacon on the boulevard. Nadar became known to all of Europe and even across the Atlantic when he launched "The Giant," a gas balloon the size of a twelve-story building, the largest of its time. With his daring exploits aboard his humongous balloon (including a catastrophic crash that made headlines around the world), he gave his friend Jules Verne the model for one of his most dynamic heroes. The Great Nadar is a brilliant, lavishly illustrated biography of a larger-than-life figure, a visionary whose outsized talent and canny self-promotion put him way ahead of his time.
Updike is Adam Begley’s masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike—a candid, intimate, and richly detailed look at his life and work. In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing “middleness with all its grits, bumps and anonymities.” Updike explores the stages of the writer’s pilgrim’s progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer’s colleagues, friends, and family, Begley explores how Updike’s fiction was shaped by his tumultuous personal life—including his enduring religious faith, his two marriages, and his first-hand experience of the “adulterous society” he was credited with exposing in the bestselling Couples. With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike’s best-loved works—from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy—and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else’s.
Sometimes all we have is the courage of our convictions. But not all convictions are created equal. In fact, some are downright delusional. And once a foolish notion sinks its teeth into the famous or the powerful, look out–the impact can have profound consequences for the rest of us. So it’s nothing short of gratifying when our most bullheaded and self-righteous leading lights insist on getting their way only to be proven egregiously embarrassingly wrong. From politicians to pontiffs, movie stars to moguls, and artists to inventors, Certitude presents short biographical sketches of notoriously stubborn individuals who were certain they were right–with laughable, disturbing, and often disastrous results. Earning a place among the greatest historical and contemporary bullheads are: •Girolamo Savonarola, the Dominican friar who failed to place his own vanities on the bonfire. •Carry A. Nation, the saloon smasher who didn’t have a temperate bone in her teetotaling body. •Arthur Conan Doyle, author of the Sherlock Holmes series, who lacked the deductive reasoning he bestowed on his own creation. •Joseph Stalin, the hard-line Soviet leader who had a soft spot after all. •Madonna, the queen of pop, who isn’t just a material girl: She’s embraced Kabbalah and the doctrine of reincarnation–in other words, she’ll be back! Informative, irreverent, and brilliantly illustrated by the caricaturist Edward Sorel, Certitude is a book for our time.
From the prizewinning Jewish Lives series, an exuberant biography of the world's greatest escape artist In 1916, the war in Europe having prevented a tour abroad, Harry Houdini wrote a film treatment for a rollicking motion picture. Though the movie was never made, its title, "The Marvelous Adventures of Houdini: The Justly Celebrated Elusive American," provides a succinct summary of the Master Mystifier's life. Born Erik Weisz in Budapest in 1874, Houdini grew up an impoverished Jewish immigrant in the Midwest and became world-famous thanks to talent, industry, and ferocious determination. He concealed as a matter of temperament and professional ethics the secrets of his sensational success. Nobody knows how Houdini performed some of his dazzling, death-defying tricks, and nobody knows, finally, why he felt compelled to punish and imprison himself over and over again. Must a self-liberator also be a self-torturer? Tracking the restless Houdini's wide-ranging exploits, acclaimed biographer Adam Begley asks the essential question: What kind of man was this? About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award. More praise for Jewish Lives: "Excellent." - New York times "Exemplary." - Wall St. Journal "Distinguished." - New Yorker "Superb." - The Guardian
Explore selections from best-selling author Adam Hamilton’s insightful writing on the topics that shape and challenge our faith. With excerpts from Why? Making Sense of God’s Will, Enough: Discovering Joy through Simplicity and Generosity, and Forgiveness: Finding Peace Through Letting Go, these short excerpts will bring hope and inspiration.
Adam speaks The story of Adam and Eve is known throughout the world. It is a tale passed down through the beginning of humanity that is believed by Christians, Jews and Muslims alike. There isn’t much to it other than the creation of man and woman and the loss of paradise attributed to their disobedience in biting an apple from a forbidden tree. This book gives a detailed portrayal of the familiar story from the perspective of Adam. It tells of the relationship Adam had with God before and after Eve was created and before and after the fall as well. As a consequence to Adam’s sin he is doomed to live many lives to witness the effect it has on mankind throughout history to the present day. Adam narrates significant events of history such as the fall of Satan, the first murder, the great flood and the origins of the Jewish, Christian and Muslim nations. Along the way he explains mysteries like creation, evolution, giants, dinosaurs, reincarnation and the spiritual laws that control the universe. As Adam tells his story he produces a scathing diatribe directed at organized religion with the passion only the one and only original man can muster. This story is thought provoking and entertaining and should appeal to fans of fiction and non fiction, believers, non believers and lovers of philosophy.
SON OF MAN I'm known as: Michael - The Chosen One - Ancient of Days - Elect One - Adam As foretold by the scriptures who liveth amongst you now for these last days in this sacred Book of Adam 45 And so it is written, The first man Adam was made a living soul; the last cAdam was made a dquickening spirit 1 Corinthians 15:45
The best of international bestselling author David Adam's writings. Adam demonstrates a unique blend of modern concerns with a distinctively Celtic approach.
A dazzling, stylish biography of a fabled Parisian photographer, adventurer, and pioneer. A recent French biography begins, Who doesn't know Nadar? In France, that's a rhetorical question. Of all of the legendary figures who thrived in mid-19th-century Paris—a cohort that includes Victor Hugo, Baudelaire, Gustave Courbet, and Alexandre Dumas—Nadar was perhaps the most innovative, the most restless, the most modern. The first great portrait photographer, a pioneering balloonist, the first person to take an aerial photograph, and the prime mover behind the first airmail service, Nadar was one of the original celebrity artist-entrepreneurs. A kind of 19th-century Andy Warhol, he knew everyone worth knowing and photographed them all, conferring on posterity psychologically compelling portraits of Manet, Sarah Bernhardt, Delacroix, Daumier and countless others—a priceless panorama of Parisian celebrity. Born Gaspard-Félix Tournachon, he adopted the pseudonym Nadar as a young bohemian, when he was a budding writer and cartoonist. Later he affixed the name Nadar to the façade of his opulent photographic studio in giant script, the illuminated letters ten feet tall, the whole sign fifty feet long, a garish red beacon on the boulevard. Nadar became known to all of Europe and even across the Atlantic when he launched "The Giant," a gas balloon the size of a twelve-story building, the largest of its time. With his daring exploits aboard his humongous balloon (including a catastrophic crash that made headlines around the world), he gave his friend Jules Verne the model for one of his most dynamic heroes. The Great Nadar is a brilliant, lavishly illustrated biography of a larger-than-life figure, a visionary whose outsized talent and canny self-promotion put him way ahead of his time.
From the prizewinning Jewish Lives series, an exuberant biography of the world’s greatest escape artist In 1916, the war in Europe having prevented a tour abroad, Harry Houdini wrote a film treatment for a rollicking motion picture. Though the movie was never made, its title, “The Marvelous Adventures of Houdini: The Justly Celebrated Elusive American,” provides a succinct summary of the Master Mystifier’s life. Born Erik Weisz in Budapest in 1874, Houdini grew up an impoverished Jewish immigrant in the Midwest and became world-famous thanks to talent, industry, and ferocious determination. He concealed as a matter of temperament and professional ethics the secrets of his sensational success. Nobody knows how Houdini performed some of his dazzling, death-defying tricks, and nobody knows, finally, why he felt compelled to punish and imprison himself over and over again. Must a self-liberator also be a self-torturer? Tracking the restless Houdini’s wide-ranging exploits, acclaimed biographer Adam Begley asks the essential question: What kind of man was this?
Sometimes all we have is the courage of our convictions. But not all convictions are created equal. In fact, some are downright delusional. And once a foolish notion sinks its teeth into the famous or the powerful, look out–the impact can have profound consequences for the rest of us. So it’s nothing short of gratifying when our most bullheaded and self-righteous leading lights insist on getting their way only to be proven egregiously embarrassingly wrong. From politicians to pontiffs, movie stars to moguls, and artists to inventors, Certitude presents short biographical sketches of notoriously stubborn individuals who were certain they were right–with laughable, disturbing, and often disastrous results. Earning a place among the greatest historical and contemporary bullheads are: •Girolamo Savonarola, the Dominican friar who failed to place his own vanities on the bonfire. •Carry A. Nation, the saloon smasher who didn’t have a temperate bone in her teetotaling body. •Arthur Conan Doyle, author of the Sherlock Holmes series, who lacked the deductive reasoning he bestowed on his own creation. •Joseph Stalin, the hard-line Soviet leader who had a soft spot after all. •Madonna, the queen of pop, who isn’t just a material girl: She’s embraced Kabbalah and the doctrine of reincarnation–in other words, she’ll be back! Informative, irreverent, and brilliantly illustrated by the caricaturist Edward Sorel, Certitude is a book for our time.
How do works from film and literature—Sister Carrie, Native Son, Meet Me in St. Louis, Halloween, and A History of Violence, for example—imagine, reify, and reproduce Midwestern identity? And what are the repercussions of such regional narratives and images circulating in American culture? In The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism, Adam R. Ochonicky provides a critical overview of the evolution, contestation, and fragmentation of the Midwest's symbolic and often contradictory meanings. Using the frontier writings of Frederick Jackson Turner as a starting point, this book establishes a succession of Midwestern filmic and literary texts stretching from the late-19th century through the beginning of the 21st century and argues that the manifold properties of nostalgia have continually transformed popular understandings and ideological uses of the Midwest's place-identity. Ochonicky identifies three primary modes of nostalgia at play across a set of textual objects: the projection of nostalgia onto physical landscapes and into the cultural sphere (nostalgic spatiality); nostalgia as a cultural force that regulates behaviors, identities, and appearances (nostalgic violence); and the progressive potential of nostalgia to generate an acknowledgment and possible rectification of ways in which the flawed past negatively affects the present (nostalgic atonement). While developing these new conceptions of nostalgia, Ochonicky reveals how an under-examined area of regional study has received critical attention throughout the histories of American film and literature, as well as in related materials and discourses. From the closing of the Western frontier to the polarized political and cultural climate of the 21st century, this book demonstrates how film and literature have been and continue to be vital forums for illuminating the complex interplay of regionalism and nostalgia.
Understanding the Cold War is the story of a man and an epoch. Its telling moves between detailed personal history and an Olympian assessment of the origins, significant events, and outcome of the Cold War. Professor Ulam describes his hometown, family, and early education, as well as his departure, with his brother, for the U.S. just days before the Nazi invasion of Poland would have trapped them. Then follows reminiscences of his college and Harvard years, all rich with anecdote and insight, and his thoughts as an acknowledged expert on Soviet affairs. The volume offers basic antidotes to simplistic explanations. Whether discussing the Kirov assassination or the Moscow Trials of the so-called Trotskyist Bloc, or the nationalist basis of disputes between China and Russia during the Vietnam War period, Ulam avoids the sensational and the speculative in favor of the the empirical and the evidentiary. The core segments of the work review the Cold War from the belly of the Stalinist and later post-Stalinist communist system. And in a section entitled "The Beginning of the End," Ulam discusses the Gorbachev interregnum and the early years of the transition from communism to democracy. He well appreciates how the ease of the transition does not betoken a simple movement to the democratic camp. In contemplating the changing nature of the new political configuration, one could hardly have a better guide to clarity and authenticity than Adam Ulam. Reviewing Understanding the Cold War, Stephen Kotkin, director of Princeton's Russian Studies Program, observed "...And whereas some celebrated analysts, such as John Maynard Keynes, had dismissed Marxism as 'illogical and dull,' Ulam highlighted the doctrine's intricacy and comprehensiveness, which, he argued, explained its attraction not just to peasants, but also to intellectuals.
The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginativ
Who owns your genes? What does climate science imply for policy? Do corporations conduct honest research? Should we teach intelligent design? Humans are creating a new world through science. The kind of world we are creating will not simply be decided by expanding scientific knowledge, but will depend on views about good and bad, right and wrong. These visions, in turn, depend on critical thinking, cogent argument and informed judgement. In this book, Adam Briggle and Carl Mitcham help readers to cultivate these skills. They first introduce ethics and the normative structure of science and then consider the 'society of science' and its norms for the responsible conduct of research and the treatment of human and animal research subjects. Later chapters examine 'science in society' - exploring ethical issues at the interfaces of science, policy, religion, culture and technology. Each chapter features case studies and research questions to stimulate further reflection.
Mendelsohn grew up in a family haunted by the disappearance of six relatives during the Holocaust--an unmentionable subject during his childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939, he embarked on a hunt for the remaining eyewitnesses of his relatives' fates. This is their story.
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