How and when did forensic science originate in the UK? This question demands our attention because our understanding of present-day forensic science is vastly enriched through gaining an appreciation of what went before. A History of Forensic Science is the first book to consider the wide spectrum of influences which went into creating the discipline in Britain in the first part of the twentieth century. This book offers a history of the development of forensic sciences, centred on the UK, but with consideration of continental and colonial influences, from around 1880 to approximately 1940. This period was central to the formation of a separate discipline of forensic science with a distinct professional identity and this book charts the strategies of the new forensic scientists to gain an authoritative voice in the courtroom and to forge a professional identity in the space between forensic medicine, scientific policing, and independent expert witnessing. In so doing, it improves our understanding of how forensic science developed as it did. This book is essential reading for academics and students engaged in the study of criminology, the history of forensic science, science and technology studies and the history of policing.
Twelve-year-old Elwood McGee never asked to have “ghost-sight,” and it involves a lot more drool-dodging than he expected. Ghosts are the WORST—and they're all over the place in this sharp-witted middle grade debut novel. Did you know that ghosts love coffee? They’re not trying to be scary. They’re just deprived of an appropriate amount of caffeine! They also bump into things by accident, are occasionally nosy, and get a little nervous when they’re seen by the living. Elwood McGee knows these ghost facts because he’s one of those rare people with the gift of ghost-sight. And it turns out ghosts are everywhere! Especially in the small Tennessee town where Elwood and his family had to move following the death of his big brother Noah, which Elwood thinks was his fault. Once Elwood figures out he can see ghosts, he becomes single-mindedly determined to use his powers to see Noah and talk to him once last time. With the help of two girls who live on his street, Elwood embarks on a journey through the surprisingly funny world of ghosts and faces the realities of letting go. At once hilarious and heart wrenching, Adam Rosenbaum makes his middle grade debut with a supernaturalish novel about grief that’s perfect for fans of Gordon Korman and Dan Gutman. A Junior Library Guild Gold Standard Selection
In this engaging and nuanced political history of Northern communities in the Civil War era, Adam I. P. Smith offers a new interpretation of the familiar story of the path to war and ultimate victory. Smith looks beyond the political divisions between abolitionist Republicans and Copperhead Democrats to consider the everyday conservatism that characterized the majority of Northern voters. A sense of ongoing crisis in these Northern states created anxiety and instability, which manifested in a range of social and political tensions in individual communities. In the face of such realities, Smith argues that a conservative impulse was more than just a historical or nostalgic tendency; it was fundamental to charting a path to the future. At stake for Northerners was their conception of the Union as the vanguard in a global struggle between democracy and despotism, and their ability to navigate their freedoms through the stormy waters of modernity. As a result, the language of conservatism was peculiarly, and revealingly, prominent in Northern politics during these years. The story this book tells is of conservative people coming, in the end, to accept radical change.
Arm yourself with the Superfoot advantage to excel in competition! For the first time in print, Adam Gibson and Bill "Superfoot" Wallace present the system that made Wallace a martial arts legend. Gibson and Wallace begin by teaching the seven primary techniques of the Superfoot System. They then present the best attacks and countermaneuvers for you to apply in a variety of fight situations. Drawing and luring techniques show you how to set up opponents, opening them to your attacks. Evasive maneuvers and blocking techniques help you fend off their best attacks. Specific strategies highlight your personal strengths and exploit your opponents' weaknesses. Training and sparring programs will build the speed, power, flexibility, stamina, and mental toughness that are essential for success in competition. Gibson and Wallace know what it takes to be a champion. Master the Superfoot System, and master your opponent in each match!
Celebrate the centurys' finest movies in The Rough Guide to 21st Century Cinema, a lavishly illustrated homage to the world's best movies of this new era of cinema. The best 101 films: a run down of the finest films of the millenium from Hollywood blockbusters to indie gems. The hottest stars: features on the up and coming actors and actresses who have made a mark. The winning genres: best-in-class features on drama, comedy, horror, sci-fi, animation, documentary, superhero movies and all the genre-mash ups in between. The unsung heroes: the finest talent behind the camera, including directors, cinematographers, set designers and special effects specialists. The Rough Guide to 21st Century Cinema is the essential companion to movies of the moment. Now available in ePub format.
THE NEW YORK TIMES BESTSELLER “The book is a visual feast, full of drafts, sketches, and scribbled notebook pages. Every page shows how an idea becomes a finished design.” —Ari Shapiro, All Things Considered From former editor of New York magazine Adam Moss, a collection of illuminating conversations examining the very personal, rigorous, complex, and elusive work of making art What is the work of art? In this guided tour inside the artist’s head, Adam Moss traces the evolution of transcendent novels, paintings, jokes, movies, songs, and more. Weaving conversations with some of the most accomplished artists of our time together with the journal entries, napkin doodles, and sketches that were their tools, Moss breaks down the work—the tortuous paths and artistic decisions—that led to great art. From first glimmers to second thoughts, roads not taken, crises, breakthroughs, on to one triumphant finish after another. Featuring: Kara Walker, Tony Kushner, Roz Chast, Michael Cunningham, Moses Sumney, Sofia Coppola, Stephen Sondheim, Susan Meiselas, Louise Glück, Maria de Los Angeles, Nico Muhly, Thomas Bartlett, Twyla Tharp, John Derian, Barbara Kruger, David Mandel, Gregory Crewdson, Marie Howe, Gay Talese, Cheryl Pope, Samin Nosrat, Joanna Quinn & Les Mills, Wesley Morris, Amy Sillman, Andrew Jarecki, Rostam, Ira Glass, Simphiwe Ndzube, Dean Baquet & Tom Bodkin, Max Porter, Elizabeth Diller, Ian Adelman / Calvin Seibert, Tyler Hobbs, Marc Jacobs, Grady West (Dina Martina), Will Shortz, Sheila Heti, Gerald Lovell, Jody Williams & Rita Sodi, Taylor Mac & Machine Dazzle, David Simon, George Saunders, Suzan-Lori Parks
Lionel Trilling, regarded at the time of his death in 1975 as America's preeminent literary critic, is today often seen as a relic of a vanished era. His was an age when literary criticism and ideas seemed to matter profoundly in the intellectual life of the country. In this eloquent book, Adam Kirsch shows that Trilling, far from being obsolete, is essential to understanding our current crisis of literary confidence--and to overcoming it.By reading Trilling primarily as a writer and thinker, Kirsch demonstrates how Trilling's original and moving work continues to provide an inspiring example of a mind creating itself through its encounters with texts. "Why Trilling Matters" introduces all of Trilling's major writings and situates him in the intellectual landscape of his century, from Communism in the 1930s to neoconservatism in the 1970s. But Kirsch goes deeper, addressing today's concerns about the decline of literature, reading, and even the book itself, and finds that Trilling has more to teach us now than ever before. As Kirsch writes, "Trilling's essays are not exactly literary criticism" but, like all literature, "ends in themselves.
Presents a look at the science of alcohol production and consumption, from the principles behind the fermentation, distillation, and aging of alcoholic beverages, to the psychology and neurobiology of what happens after it is consumed.
A unique study of the growth and development of the Indonesian press and its influence on the birth of a modern Indonesian socioeconomic and political consciousness. It details the evolution of the vernacular press and its resulting conflicts with colonial forces. It also examines the development of modern Indonesian society.
A Telic Theory of Trust approaches trust as a kind of aimed performance, capable of not only success but also of competence and aptness. J. Adam Carter shows how this illuminate the nature of trust, the difference between good and bad trusting, and practices of cooperation in general.
Approaches to the Study of Intercultural Transfer" presents a collection of compelling case studies in the areas of social reform, museums, philanthropy, football, nonviolent resistance and holiday rituals such as Christmas that demonstrate key mechanisms of intercultural transfers. Each chapter provides the application of the intercultural transfer studies paradigm to a specific and distinct historical phenomenon. The chapters not only illustrate the presence or even the depth and frequency of intercultural transfer, but also reveal specific aspects of the intercultural transfer of phenomena, the role of agents of intercultural transfer and the transformations of ideas transferred between cultures thereby contributing to our understanding of the mechanisms of intercultural transfers.
In approaching the debate surrounding the opponents in Colossians from a methodological standpoint, Copenhaver contends that Paul was not actually confronting active opponents when he wrote the letter. Rather, Copenhaver takes the view that Paul's letter was written to the churches in the Lycus Valley, in a desire to develop their identity as a new people in Christ and to appeal to them to live a new kind of life. His warnings in Colossians 2 function as oppositional rhetoric, contrasting the religious practices of the Lycus Valley with this new belief. Paul's warnings are therefore broadly representative of the ancient world, while at the same time focused especially on two threads of historical referents, Judaism and pagan religions. Development of the above argument demonstrates that the challenge of reconstructing a singular opponent arises not only from the limitations of textual and historical evidence, but also from the assumptions and methodologies inherent in historical approaches to the text. By modifying these assumptions and adjusting the methodology, Copenhaver can show how Paul's letter takes on a new relationship to its historical context.
Immersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny? Beyond Immersive Theatre contextualises these questions by tracing the evolution of neoliberal politics and the experience economy over the past four decades. Through detailed critical analyses of work by Ray Lee, Lundahl & Seitl, Punchdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics – a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre.
Suddenly culture seems to explain everything, from civil wars to financial crises and divorce rates. But when we speak of culture, what, precisely, do we mean? Adam Kuper pursues the concept of culture from the early twentieth century debates to its adoption by American social science under the tutelage of Talcott Parsons. What follows is the story of how the idea fared within American anthropology, the discipline that took on culture as its special subject. Here we see the influence of such prominent thinkers as Clifford Geertz, David Schneider, Marshall Sahlins, and their successors, who represent the mainstream of American cultural anthropology in the second half of the twentieth century--the leading tradition in world anthropology in our day. These anthropologists put the idea of culture to the ultimate test--in detailed, empirical ethnographic studies--and Kuper's account shows how the results raise more questions than they answer about the possibilities and validity of cultural analysis. Written with passion and wit, Culture clarifies a crucial chapter in recent intellectual history. Adam Kuper makes the case against cultural determinism and argues that political and economic forces, social institutions, and biological processes must take their place in any complete explanation of why people think and behave as they do.
In critical yet appreciative dialogue with four different art critics who demonstrated theological sensitivities, Adam Edward Carnehl traces an ongoing religious conversation that ran through nineteenth-century aesthetics. In Carnehl's estimation, this critical conversation between the John Ruskin, Walter Pater, and Oscar Wilde, culminated in the brilliant approach of G. K. Chesterton, who began his journalistic career with a series of insightful works of art criticism. By conducting a close reading of these largely neglected works, Carnehl demonstrates that Chesterton developed a theological aesthetic that focuses us on the revelation of God's image in every human being. In Chesterton's eyes, only those made in God's image can produce images themselves, and only those who receive a revelation of truth are able to reveal truths for others. Art is therefore a rich and symbolic unveiling of the truth of humanity which finds its origin and purpose in God the Divine Artist.
Utah Politics and Government covers Utah's religious heritage and territorial history, its central political institutions, and its political culture, while situating Utah within the broader American political setting"--
Welcome to Mercy House, a state-of-the-art retirement home that appears perfectly crisp, clean, and orderly . . . but nothing could be farther from the truth. In Adam Cesare’s thrilling novel, the residents will find little mercy—only a shocking eruption of unfathomable horror. Harriet Laurel notices the odor at Mercy House as soon as she sets foot inside, brought there against her will by her son, Don, and his wife, Nikki. In the early stages of dementia, Harriet has grown resentful of Nikki, blaming her daughter-in-law for failing to supply grandchildren. Yet even Harriet must admit that her mind becomes clearer as soon as she crosses the threshold. If it wasn’t for that annoying smell. Arnold Piper is an eighty-five-year-old ex-Marine, a proud man who has cared for himself his whole life. But no longer. Betrayed by his aging body, Arnold is learning that the trials he survived long ago in war-torn Korea pale beside the daily indignities of growing old. Little does he know that his greatest nightmares are still ahead of him. Sarah Campbell is an idealistic nurse whose compassion has been stretched to the breaking point at the chronically understaffed facility that is Mercy House. But now Sarah’s list of unpleasant duties is about to take a terrifying turn. For something wicked is brewing in Mercy House. Something dark and rotten . . . and deadly. Praise for Mercy House “Mercy House is the kind of novel you sprint through, eating up the pages as fast as you can turn them, and yet it lingers in the mind like a haunting memory, or the ghost of a smell. Cesare is poised to take the reins of the new generation. Looking for the new face of horror? This is it right here.”—Joe McKinney, Bram Stoker Award–winning author of The Dead Won’t Die and Dead City “Mercy House is 100% distilled nightmare juice. Adam Cesare notches up the horror to nigh-unbearable levels. Even my skin was screaming by the end of this book.”—Nick Cutter, author of The Troop “Adam Cesare makes his presence felt with Mercy House. A no-holds-barred combo of survival horror and the occult.”—Laird Barron, author of The Beautiful Thing That Awaits Us All “This is extreme horror at its best, so don’t step into this book with an uneasy stomach. You must wait sixty minutes after eating before opening up Mercy House.”—LitReactor “Mercy House is the kind of no-holds-barred thrill ride that horror junkies like us love to find.”—The October Country “What would happen if you took Bubba Ho-Tep with its old folks home backdrop, then replaced the oddball comedy with the most hair-raising, blood-curdling moments of The Evil Dead? Well, you might wind up with Mercy House. . . . If visceral, unvarnished horror is your preferred reading experience, you’ve got a good one here.”—Wag the Fox “[Cesare] has implemented a style that is highly cinematic, merciless in its execution and leaves you hanging on for dear life wondering what he'll do next.”—Horror Talk “Mercy House is a title those into gory horror tales will savor from beginning to end.”—The Horror Fiction Review
In 1500 CE, the Inca empire covered most of South America's Andean region. The empire's leaders first met Europeans on November 15, 1532, when a large Inca army confronted Francisco Pizarro's band of adventurers in the highland Andean valley of Cajamarca, Peru. At few other times in its history would the Inca royal leadership so aggressively showcase its moral authority and political power. Glittering and truculent, what Europeans witnessed at Inca Cajamarca compels revised understandings of pre-contact Inca visual art, spatial practice, and bodily expression. This book takes a fresh look at the encounter at Cajamarca, using the episode to offer a new, art-historical interpretation of pre-contact Inca culture and power. Adam Herring's study offers close readings of Inca and Andean art in a variety of media: architecture and landscape, geoglyphs, sculpture, textiles, ceramics, featherwork and metalwork. The volume is richly illustrated with over sixty color images.
Drugs and the Neuroscience of Behavior presents an introduction to the rapidly advancing field of psychopharmacology by examining how drug actions in the brain affect psychological processes. Author Adam Prus provides historical background to give readers an appreciation for the development of drug treatments and neuroscience over time, covering major topics in psychopharmacology including new drugs and recent trends in drug use. Empirically supported pedagogical features offer students the opportunity to reflect on what they read to ensure understanding before progressing to new content. The Third Edition includes a new chapter on depressants and discussions of major topics such as the opioid epidemic, the risks associated with vaping, and MDMA-assisted psychotherapy for PTSD. Included with this title: The password-protected Instructor Resource Site (formally known as SAGE Edge) offers access to all text-specific resources, including a test bank and editable, chapter-specific PowerPoint® slides.
Creating Prehistory deals even-handedly and sympatheticallywith the creation of several different sorts of prehistory duringthe volatile period between the two World Wars. Investigates the origins of professional archaeology in Britainduring the inter-war period Brings to life many fascinating and controversial personalitiesand their creeds, including the archaeologists O. G. S. Crawford,Mortimer Wheeler and Gordon Childe; Grafton Elliot Smith and W. H.R. Rivers (of ‘Regeneration’ fame); Alfred Watkins andThe Old Straight Track; and the thunderous George Watson MacgregorReid, who brought the Druids back to Stonehenge Examines the production of archaeological knowledge as a socialprocess, and the relationship between personalities, institutions,ideology, and power Addresses the ongoing debates of the significance of sites suchas Stonehenge, Avebury, and Maiden Castle
Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.
A Promised Land illuminates the key role that Jewish Americans and Judaism played in the country's founding, engaging the larger question of guaranteeing religious freedom at a critical juncture in American history.
Taking the Fight to the Enemy: Neoconservatism and the Age of Ideology looks at six "neoconservative" intellectuals and the influences on their thinking about the defects of communism, fascism, progressivism, the dominant American culture, and even capitalism itself. Adam L. Fuller examines the gestation of political criticism within the pages of the neoconservatives' own writing as well as the books they read and learned from in order to demonstrate how the neoconservative political strategy is to "take the fight to the enemy.
As a teacher of Plato in Oxford's Literae Humaniores, Walter Pater was informed by philosophy from his earliest essays to his last book. The Platonism of Walter Pater examines Pater's deep engagement with Platonism throughout his career. It overturns his reputation as a superficial aesthete known mainly for his 'Conclusion' to The Renaissance to reposition his contribution to literature and the history of ideas. In his criticism and fiction, including his studies on myth, Pater was influenced by several of Plato's dialogues. Phaedrus, Symposium, Theaetetus, Cratylus, and The Republic informed his philosophy of beauty, history, myth, knowledge, ethics, language, and style. As a philosopher, critic, and artist, Plato embodied what it meant to be an author to Pater, who imitated his creative practice from vision to expression. For Pater Platonism was also a point of contact with his contemporaries, including Matthew Arnold and Oscar Wilde, offering a means to take new measure of their literary relationships. Using the interdisciplinary critical tools of Pater's own educational milieu which combined literature, philosophy, and classics, The Platonism of Walter Pater repositions the importance Pater's contribution to literature and the history of ideas.
Do you know America? No, I mean, do you REALLY know America? Would you recognize John Adams in a lineup? Can you identify any presidents between Lincoln and Roosevelt? Hmmm. I thought so. Well, you really need this book. Not only will it improve your sorry historical knowledge, it will crack you up, and give you material to throw your teachers off-balance for entire class periods. Identify their lies! Point out their half-truths! And possibly, just possibly, gain some extra credit for yourself.
When Jim Martin, an outcast chemist at Hamilton Pharmaceuticals, finds his true love in the arms of another man, his mind cracks, bringing forth Hephaestus, the Greek God of fire. Like Jim, Hephaestus once found his Aphrodite in the arms of Ares. Enraged, Jim surrenders to Hephaestus, the only one who truly understands him. Through Jim's creations Hephaestus punishes those that violated them, bringing death and destruction to those who get in their way. Jason Roberts is the lead detective in the Hephaestus murders, some of the most brutal murders that have ever occurred in River Valley. A small smith's hammer branded on the only remaining skin of the victims is the only clue Jason has to go on, and time is running out. With the Hephaestus murders multiplying, Jason is becoming increasingly overwhelmed, and could meet his own sticky end before this brutal psychotic is stopped. Cindi Sullivan has been dating Jason for years now, but lately he has been strangely distant. When she meets a nice man at a party she decides to keep her options open, despite the strange behavior of her suitor. He seems fascinated with her looks, and obsessed with Greek mythology. Will Jason be able to catch the Hephaestus killer and keep Cindi from becoming a mortal Aphrodite? Will Jim be able to come to grips with reality? And how many more will have to die to satisfy the vengeance of Hephaestus?
Applied Musicology explores and demonstrates how musicology can influence and inform the psychological study of music. Including chapters on a range of topics including, perfect pitch, music and autistic savants, and anticipatory processes in music, the book establishes and lays the foundations for a new field of enquiry
The Second Intermediate Period designates the 250 year period (18001550 BC) which separates the two glorious periods of the Middle Kingdom and the New Kingdom. During the 19th century BC, an invasion by Caanite tribes into the Delta took place. Around 1800 BC these people proclaimed their own king and the Delta thus became independent from the rest of Egypt. Egypt remained split between the Canaanitic rulers in North and the native Egyptian Kings in the South for the rest of the Second Intermediate Period. The division of Egypt brought about an economic decline, and the entire period is characterized by a lack of royal monuments. This circumstance has greatly hampered any attempts to establish a chronology of the period, and as a consequence it has been very difficult to date many sources which are relevant for the social and political situation of the period. The Second Intermediate Period has therefore remained one of the most obscure periods of Egypt's ancient history. The dissertation is a new attempt to establish a chronology for the Second Intermediate Period and define the different kingdoms, their territories and political relations. The study consists of four main chapters, three appendixes, a catalogue of sources, bibliography and indices. Included is a catalogue of all the historical sources, about 1500, known to certify the names of the Egyptian kings of the Second Intermediate Period. Each source is described in terms of type, origin and present location, followed by bibliographical references.
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