Image and Identity examines the unique qualities of Canadian cinema, situating it within the broader spectrum of Canadian culture as a whole. Taking a genetic approach toward uncovering an answer to the ever-pressing Canadian question, “In reality, who are we?” Bruce Elder explores the essential features of Canadian thought and the distinctive Canadian philosophical traditions that developed in response to our particular historical and geographical circumstances. Arguing that this rich yet largely neglected tradition is still reflected in much of our current artistic practice, Elder examines the Canadian documentary tradition, English-Canadian narrative filmmaking, and the works of our cinematic avant-garde. Focusing on the particular strengths of the avant-garde cinema, and providing in-depth analyses of the works of Michael Snow, Jack Chambers, David Rimmer, and many others, he demonstrates why these internationally celebrated Canadian artists have been at the forefront of the transition from modernist to postmodernist practices.
A systematic overview of the advances made by antisecular religious movements over the past twenty-five years and show[ing] the impact these movements have had on human relations, education, women's rights, and scientific research'. - Publisher.
Beginning by dispelling some of the myths about services, this provocative volume examines the growth in services, the way technology has shaped this growth, and the consequences for the American economy. Chapters discuss such topics as the effects of technology on employment patterns and wages, international trade in services, and the relationship between services and the traditional manufacturing industries.
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