For young Dierdre, pregnancy is the end of hope. Abandoned by her lover, she cannot imagine having a baby alone while in law school. For Treva, pregnancy is a miracle, but one that her high blood pressure makes extremely dangerous. For Pepper, it is a mistake--the man she loves is not the baby's father. The decision each ofr these women must make is one that confronts thousands of women every day. The choise is not simple or easy, and it affects not only the women but also their families and their men. And the repercussions from their decisions will echo throughout the rest of their lives. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The fashion business means long hours and high pressure, but there are billions of dollars in fashion--if you do it right. For a long time, Lou's done it right. That's meant taking credit for other people's ideas, shifting blame to his subordinates, and especially, controlling the women around him. They dress the way he wants, cut their hair the way he wants, even have sex with him...if they want to keep their jobs. Cilla is a prime example. Nearly fifty, she's been having sex with Lou for years. Now she's fallen in love with a man two decades her junior. She wants Lou out of her bed--but Lou's told Cilla that if she speaks up, he'll claim the sex was consensual and the other executives will take his word over hers. She'll be out of a job, with no prospects in their youth-oriented industry. Troubled, Cilla can't protect her new assistant, Karyn, from Lou's advances. At first, Karyn thinks she must have led him on, even though a new relationship is the last thing on her mind--she's too busy getting over a divorce and getting her daughter settled in a new town. But when Lou keeps touching her and making lewd suggestions, even after she's told him "No," Karyn gets frightened. Then she gets mad. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In 1990s Albuquerque, Trudy and her husband plan to have a baby-until he gets killed in a drug-related drive-by shooting. In New York's Catskill Mountains, Chayse, her former neighbor, already motherless, is left totally alone when she loses her father and sister within a week. Two thousand miles apart, these hometown neighbors/victims of death and drug traffickers seek to assuage their grief by working and helping others. At first, their efforts turn on them: Chayse, still grieving and vulnerable, follows boyfriend guitarist Bryan to New York. There, he gets a gig for his Wildcatz Band. Unfortunately, it's through Pagano, leader of Los Grandes, a Godless drug dealing gang that's been terrorizing a city neighborhood. Trying to rise above her grief, Trudy becomes a caring Home Health Aide and hospital nurse technician. She experiences a growing fury and desire for revenge against drug pushers. When neighbors elect her Block Captain she comes into close contact with both victims and law enforcement. Trudy's healing journey leads her back to New York where she and Chayse reunite. Will they each find their destiny and gain the peace they are searching for? Citizen Trudy and the Crackdown tells their powerful story; it's a cautionary tale of the times!
Notebook/Journal 120 Pages Lined 6x9 Inches Softcover Do you love llamas? Are you looking for a cool llama notebook? If yes, then this journal that says Llama Mia Here I Go Again is perfect for you. A great gift for alpaca fans and llama lovers celebrating National Llama Day.
Notebook/Journal 120 Pages Lined 6x9 Inches Softcover Do you love llamas? Are you looking for a cool llama notebook? If yes, then this journal that says No Drama Llama is perfect for you. A great gift for alpaca fans and llama lovers celebrating National Llama Day.
Notebook/Journal 120 Pages Lined 6x9 Inches Softcover Do you love llamas? Are you looking for a cool llama notebook? If yes, then this journal that says Llama Squad is perfect for you. A great gift for alpaca fans and llama lovers celebrating National Llama Day.
In 1807, a young, Philadelphia woman of special gifts is accused by the religious authorities of practicing the black arts. Although the investigators can find no evidence that she has ever used her talents to harm anyone, they proceed to attempt to apprehend her to stand trial. She anticipates them – which is her way – and flees to the frontier which, in 1807, is the sleepy fishing village of Erie, Pennsylvania. It is now five years later. 1812. The sleepy fishing village of 400 souls finds itself on the front lines of a war against the British Empire. Among them walks a young woman of special gifts. The Brits have no idea what they are up against!
Agatha Award-winning author, Abigail Padget returns with Book No.2 of the Blue McCarron Mystery series. When two prominent female politicians die in San Diego of cerebral hemorrhages within days of each other, social psychologist Blue McCarron knows that their deaths are a statistical impossibility—they simply cannot be from natural causes. Within hours, a female evangelist almost dies, and threats from a religious fanatic, illustrated with blue willow plates, tie the three victims together. Blue and her lover, Roxanne, a criminal psychiatrist, are hired by the police as consultants and trace the three women to a posh plastic surgery clinic. As Blue and Rox investigate the clinic, the killer turns his attention on Blue, a strong, nontraditional woman who offends his ultraconservative religious beliefs. When Blue finds a blue willow plate on the doorstep of her isolated desert home, she knows the hunt has become a deadly game and that the unknown killer has every advantage.
Since they were first established in the 1880s, children’s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they serve? How did they change over time? What factors influenced their design? To answer these and many other questions, Abigail A. Van Slyck trains an informed eye on the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children. Following a fascinating history of summer camps and a wide-ranging overview of the factors that led to their creation, Van Slyck examines the intersections of the natural landscape with human-built forms and social activities. In particular, she addresses changing attitudes toward such subjects as children’s health, sanitation, play, relationships between the sexes, Native American culture, and evolving ideas about childhood. Generously illustrated with period photographs, maps, plans, and promotional images of camps throughout North America, A Manufactured Wilderness is the first book to offer a thorough consideration of the summer camp environment.
A new history of the First Barbary War, a conflict that helped plant the seeds for the United States' ascent to a global superpower. After the American Revolution, maritime traders of the United States lost the protection of Britain's navy, leading privateers from the Barbary States—Algiers, Tunis, Tripoli, and the Sultanate of Morocco—to prey on American shipping in the Mediterranean, kidnapping and enslaving American sailors. While most European countries made treaties to circumvent this predation, this option was fiscally untenable for the young nation, and on May 14, 1801, Tripoli declared war on the United States. In To Fix a National Character, Abigail G. Mullen argues that the First Barbary War represented much more than the military defeat of an irritating minor power. The United States sought a much more ambitious goal: entrance to the Mediterranean community, as well as respect and recognition as an equal member of the European Atlantic World. Without land bases in the region, good relations with European powers were critical to the United States' success in the war. And because the federal government was barely involved in the distant conflict, this diplomacy fell to a series of consuls and commodores whose goals, as well as diplomatic skills, varied greatly. Drawing on naval records, consular documents, and personal correspondences, Mullen focuses on the early years of the war, when Americans began to build relationships with their Mediterranean counterparts. This nuanced political and diplomatic history demonstrates that these connections represented the turning point of the war, rather than any individual battles. Though the war officially ended in 1805, whether the United States truly "won" the war is debatable: European nations continued to regard the United States as a lesser nation, and the Barbary states continued their demands for at least another decade.
PJ Harvey’s performances are premised on the core contention that she is somehow causing ’trouble’. Just how this trouble can be theorised within the context of the music video and what it means for a development of the ways we might conceptualise ’disruption’ and think about music video lies at the heart of this book. Abigail Gardner mixes feminist theory and critical models from film and video scholarship as a rich means of interrogating Harvey’s work and redefining her disruptive strategies. The book presents a rethinking of the masquerade that allies it to cultural memory, precipitated by Gardner’s claim that Harvey’s performances are conversations with the past, specifically with visualised memories of archetypes of femininity. Harvey’s masquerades emerge from her conversations and renegotiations with both national and transatlantic musical, visual and lyrical heritages. It is the first academic book to present analysis of Harvey’s music videos and opens up fresh avenues into exploring what is at stake in the video work of one of Britain’s premier singer-songwriters. It extends the discussion on music video to consider how to make sense of the rapidly developing digital environment in which it now sits. The interdisciplinary nature of the book should attract readers from a range of subject areas including popular music studies, cultural studies, media and communication studies, and gender studies.
Have you ever told yourself you would never do something or be a certain kind of person? Have you always had in the back of your mind exactly how your life was going to turn out? To Be or Not to Be entails a journey in which it takes one person over ten years before they finally figure out their true path is not of their own but Gods will. This author will take you through various events (both good and bad) that in the end will fall together for Gods own purpose. We are still struggling in places, but now we know God has a reason for everything.
Since its launch in 2006, Twitter has served as a major platform for political performance, social justice activism, and large-scale public debates over race, ethnicity, gender, sexuality, and nationality. It has empowered minoritarian groups to organize protests, articulate often-underrepresented perspectives, and form community. It has also spread hashtags that have been used to bully and silence women, people of color, and LGBTQ people. #identity is among the first scholarly books to address the positive and negative effects of Twitter on our contemporary world. Hailing from diverse scholarly fields, all contributors are affiliated with The Color of New Media, a scholarly collective based at the University of California, Berkeley. The Color of New Media explores the intersections of new media studies, critical race theory, gender and women’s studies, and postcolonial studies. The essays in #identity consider topics such as the social justice movements organized through #BlackLivesMatter, #Ferguson, and #SayHerName; the controversies around #WhyIStayed and #CancelColbert; Twitter use in India and Africa; the integration of hashtags such as #nohomo and #onfleek that have become part of everyday online vernacular; and other ways in which Twitter has been used by, for, and against women, people of color, LGBTQ, and Global South communities. Collectively, the essays in this volume offer a critically interdisciplinary view of how and why social media has been at the heart of US and global political discourse for over a decade.
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