An in-depth look at life in the “smart” city Technology has fundamentally transformed urban life. But today’s “smart” cities look little like what experts had predicted. Aaron Shapiro shows us the true face of the revolution in urban technology, taking the reader on a tour of today’s smart city. Along the way, he develops a new lens for interpreting urban technologies—logistical governance—to critique an urban future based on extraction and rationalization. Through ethnographic research, journalistic interviews, and his own hands-on experience, Shapiro helps us peer through cracks in the smart city’s facade. He investigates the true price New Yorkers pay for “free,” ad-funded WiFi, finding that it ultimately serves the ends of commercial media. He also builds on his experience as a bike courier for a food delivery startup to examine how promises of “flexible employment” in the gig economy in fact pave the way for strict managerial control. And he turns his eye toward hot-button debates around police violence and new patrol technologies, asking whether algorithms are really the answer to reforming our cities’ ongoing crises of criminal justice. Through these gripping accounts of the new technological urbanism, Design, Control, Predict makes vital contributions to conversations around data privacy and algorithmic governance. Shapiro brings much-needed empirical research to a field that has often relied on “10,000-foot views.” Timely, important, and expertly researched, Design, Control, Predict doesn’t just help us comprehend urbanism today—it advances strategies for critiquing and resisting a dystopian future that can seem inevitable.
This isn't about how to write spiritual books. It isn't about the romance of writing. It doesn't cover the ins and outs of publishing and building a brand. Instead, this fresh and unapologetic guide to writing as a spiritual practice approaches writing as a way to turn the spiral of body, heart, mind, soul and spirit that leads to spiritual awakening.
Push your writing through the trite and the boring to something fresh, something transformative. "Writing as spiritual practice has nothing to do with readers per se. You aren't writing to be read; you are writing to be freed. Writing as spiritual practice is conspiratorial rather than inspirational. It conspires to strip away everything you use to maintain the illusion of certainty, security and self-identity. Where spiritual writing seeks to bind you all the more tightly to the self you imagine yourself to be, writing as spiritual practice intends to free you from it." —from Rami’s Preface This isn’t about how to write spiritual books. It isn’t about the romance of writing. It doesn’t cover the ins and outs of publishing and building a brand. Instead, this fresh and unapologetic guide to writing as a spiritual practice approaches writing as a way to turn the spiral of body, heart, mind, soul and spirit that leads to spiritual awakening. Lead by renowned spirituality teacher Rami Shapiro and award-winning writer and writing coach Aaron Shapiro—and featuring over fifty unique, practical exercises—it takes you beyond assigning inspirational words to the page. It shows you how to use your writing to unlock the joy of life and the infinite perspectives and possibilities that living provides.
Written for parents and professionals, Parent Child Excursions is a practical, original, and detailed book about helping children with ADHD, anxiety, and autism.
The perfect graduation gift for every young adult entering the real world. In the New York Times bestseller Nick Hornby calls “helpful, stimulating, and very timely” (The Believer), philosopher Aaron James presents a theory of the asshole that is both intellectually provocative and existentially necessary. What does it mean for someone to be an asshole? The answer is not obvious, despite the fact that we are often personally stuck dealing with people for whom there is no better name. Try as we might to avoid them, assholes are found everywhere and in multiple iterations: smug assholes, royal assholes, the presidential asshole, corporate assholes, reckless assholes. The list goes on. Asshole management begins with asshole understanding. Much as Machiavelli illuminated political strategy for princes, this book finally gives us the concepts to think or say why assholes disturb us so, and explains why such people seem part of the human social condition, especially in an age of raging narcissism and unbridled capitalism. These concepts are also practically useful, as understanding the asshole we are stuck with helps us think constructively about how to handle problems he (and they are mostly all men) presents. We get a better sense of when the asshole is best resisted, and when he is best ignored—a better sense of what is, and what is not, worth fighting for.
“The Freedom Foundation is figuratively and literally writing the book on how to defeat government unions in America.” —Mike Huckabee, Former Governor of Arkansas “Aaron Withe and his team at the Freedom Foundation are doing work that I wish could have been done in Britain decades ago. If America is to continue to be the most free and prosperous country in the world, then the Freedom Foundation must win its fight against government unions. They have already been able to help hundreds of thousands of public employees to leave their unions, forcing union bosses into early retirement.” —Nigel Farage Critical race theory. Defunding the police. Closing down schools and keeping our children’s faces forever masked. What do these “woke” policies have in common? They are pushed and funded by government unions, which are the primary bankroller of the leftist causes that are growing Big Government and destroying American public education. The Freedom Foundation, a self-described “battle tank,” is dedicated to eliminating the pernicious influence of these unions. The Freedom Foundation’s CEO, Aaron Withe, is an English-born former college basketball player who is now dunking for American liberty. In Freedom Is the Foundation, Withe gives an insider account of his organization’s always aggressive, sometimes controversial, and undeniably successful campaign to recapture America from government unions. Taking advantage of a recent landmark US Supreme Court decision, the Freedom Foundation has helped liberate hundreds of thousands of government workers from their unions, saving them an average of $1,100 in yearly dues and depriving the unions of hundreds of millions of dollars—and rising—that would otherwise have been spent promoting radical causes and candidates. Blending frontline reporting with inspiring stories of courageous men and women who are standing up for their rights, Freedom Is the Foundation is both a roadmap to recovering freedom in America and a stirring account of how dedicated patriots are taking on—and intending to defeat—the most powerful lobby for wokeness and Big Government bullying in America.
This richly illustrated book presents the exhibits and curatorial visions of the 2015 Shenzhen Biennale of Architecture and Urbanism (UABB), organized around the theme, Re-Living the City. It highlights the contributions of dozens of international architects, designers and artists, and offers 12 probing, original essays. The projects and essays of UABB 2015, Re-Living the City, criticize the status quo of architecture and urbanism, but they also resist the false dream of designing a perfect city from scratch. Instead, they portray the city as the incremental product of its inhabitants and designers, who provisionally make and remake its fabric through various means at their disposal. Urbanization in the world’s fastest growing regions today has a dual character: officially-sanctioned, large-scale development shadowed by unregulated or ‘informal’ spaces built by disenfranchised migrants. UABB 2015 operates between these poles, seeking alternative paradigms to generate a more sustain- able, equitable, and imaginative urbanity.The principal exhibitions of UABB 2015 include: (1) ‘Radical Urbanism’, curated by Alfredo Brillembourg and Hubert Klumpner (Urban-Think Tank), based on the proposition that the city today is more radical than the architects and planners operating within it; (2) ‘Collage City 3D’, curated by Aaron Betsky, in which artists and architects are asked to create adjacent three-dimensional installations to explore the idea of habitable collage as a mode of urban design; and (3) ‘PRD 2.0’, curated by Doreen Heng Liu, focusing on the need for a more balanced approach to urbanism and architecture in the Pearl River Delta region in southeast China. Liu also offers an account of the renovation of the Shenzhen exhibition venue, the former Dacheng Flour Factory complex. In addition, the book presents the ‘Social City’ online platform and exhibition curated by Renny Ramakers, the ‘Maker Maker’ showcase of contemporary craft, and a series of national, regional, and thematic pavilions. Curatorial essays are complemented by guest essays from international critics, researchers, and practitioners.
How gallows humor can bolster us to confront global warming We’ve all seen the headlines: oceans rising, historic heat waves, mass extinctions, climate refugees. It feels overwhelming, like nothing can make a difference in combating this ongoing global catastrophe. How can we mobilize to save the world when we feel this depressed? Stay Cool enjoins us to laugh our way forward. Human beings have used comedy to cope with difficult realities since the beginning of recorded time—the more dismal the news, the darker the humor. Using this rich tradition of dark comedy to investigate climate change, Aaron Sachs makes the case that gallows humor, a mainstay of African Americans and Jews facing extraordinary oppression, can cultivate endurance, persistence, and solidarity in the face of calamity. Sachs surveys the macabre tradition of laughing during great suffering, from the Black Plague to the San Francisco earthquake of 1906—and offers some of the earliest examples of superlative dark comedy. He also explores how a new generation of activists and comedians are deploying dark humor to great effect, by poking fun at older people’s apathy about climate catastrophes, lambasting oil corporations’ “eco” rebranding, and even producing an off-Broadway dystopian comedy called “Sea Level Rise.” Sachs offers suggestions for how environmentalists can use dark comedy first to boost their own morale, and then to reframe their activism in more energizing and relatable ways. Environmentalism is probably the least funny social movement that’s ever existed. Stay Cool seeks to change that. Will comedy save the world? Not by itself, no. But it can put people in a decent enough mood to get them started on a rescue mission.
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