Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history's greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby's triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers's last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts. Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki's; and a final draft written by Jones with Ashby's assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski's copy of the scripts that include handwritten notes, providing readers with valuable insight into the redrafting process. For each version, Ashby scholar Aaron Hunter adds perceptive analysis of the script's development, the relationships of the writers who worked on it, and key studio and production details. This is both a presentation of the script of Being There, and a record of the process of crafting that script – a text that will be of interest to film fans and scholars as well as writers and teachers of screenwriting. Evolution of a Screenplay is the first book of its kind to so amply demonstrate the creative development of a Hollywood script.
Despite extensive study of the poetic features of Psalm 119, the conceptions it advocates and its contribution to developing Judaism have not been well understood; indeed some scholars have dismissed the psalm as containing little more than wearisome repetition. Reynolds distinguishes between the psalmist and the speaker within the psalm. The psalmist portrays the speaker as an exemplary Torah student and thereby promotes the contemplation of Torah as a facet of ethical instruction. Using this new perspective, Reynolds contributes a fresh and coherent understanding of the ideas in Psalm 119. He explains the function of its length and highlights its emphasis on Torah study that became axiomatic in Rabbinic Judaism."--Publisher's website.
Master's Thesis from the year 2017 in the subject Politics - International Politics - Region: Near East, Near Orient, grade: A- (Class I), National University of Ireland, Maynooth (Military History and Strategic Studies), course: Leadership, Management and Defence Studies, language: English, abstract: The thesis examines how language shaped the public discourse concerning the German ISAF mission between 2009 and 2010. It focuses on the political and strategic communication concerning the German contribution to the mission. This paper examines a variety of definitions of war and discusses their applicability for the ISAF mission in Afghanistan. Although traditional, state-centered definitions of war are still relevant in legal respects, today inter-state wars between two belligerent states are the exception. Therefore, to be useful any definition of wars have to emphasise the effects of warfare and cover inter-state wars, and intra-state wars. After a series of incidents in Afghanistan, including the so-called Kunduz Airstrike and the Good Friday Battle, German Defence Minister Karl-Theodor zu Guttenberg described the security situation in Afghanistan as “kriegsähnlich” (war-like). He later progressed to describing it as “war”. This started a controversial debate. Before his pronouncements, the neutral term “Stabilisierungseinsatz” (stabilisation mission) was in official use. His actions stirred debate amongst the press and politicians in Germany about the International Security Assistance Force (ISAF) mission. This debate centred on the political and military objectives in Afghanistan and the label of war.
Casting fresh light on New Hollywood – one of American cinema's most fertile eras – Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunter's work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the era's films of cinematographers, editors, writers and other creative crew members. Placing Ashby's films and career within the historical context of his era to show how he actively resisted the auteur label, the author demonstrates how this resistance led to Ashby's marginalization by film executives of his time and within subsequent film scholarship. Through rigorous analysis of several films, Hunter moves on to demonstrate Ashby's own signature authorial contributions to his films and provides thorough and convincing demonstrations of the authorial contributions made by several of Ashby's key collaborators. Building on emerging scholarship on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinema's most exciting eras and one of its most vital filmmakers.
The history of St. Thomas, Nevada, the remains of which today lay under the high water mark of Lake Mead, begins in 1865 with Mormon missionaries sent by Brigham Young to the Moapa Valley to grow cotton. In 1871 the boundary of Utah territory was shifted east by one degree longitude, and the town became part of Nevada. New settlers moved in, miners and farmers, interacting with the Mormons and native Paiutes. The building of Hoover Dam doomed the small settlement, yet a striking number of people still have connections to a town that ceased to exist three-quarters of a century ago. Today, the ruins of this ghost town, just sixty miles east of Las Vegas, are visible when the waters of Lake Mead are low. Located in a national recreation area, the National Park Service today preserves and interprets the remains of St. Thomas as a significant historical site. Touching as it does upon on early explorers, Mormons, criminals, railroad and auto transportation, mining, water, state and federal relations, and more, St. Thomas, Nevada offers much to Mormon and regional historians, as well as general readers of western history.
Good qualitative research can help sport management researchers and industry professionals solve difficult problems and better understand their organisations, stakeholders and performance. Now in a fully revised and extended new edition, this book is a user-friendly introduction to qualitative methods in sport management. Covering the full research process from research planning to reporting results, this edition includes expanded coverage of cutting-edge areas including digital and social media research, critical realism, and social network analysis. The book examines the reflective and interrogative processes required for developing effective qualitative research questions and includes a deeper discussion of ontology and epistemology in the light of today’s rapidly changing society. It takes the reader step-by-step through essential and emerging qualitative methods, from actor network theory and ethnography to computer-assisted data analysis and sampling typologies. Every chapter includes examples of real qualitative research, including shorter "research briefs" and extended case studies, reflecting the exciting qualitative research that is currently occurring in sport business and management, and highlighting the links between research and sport management practice. This is essential reading for courses in sport management, sport business, sport policy, sport marketing, sport media, and communications. It provides students, researchers, and practitioners with the knowledge and skills to undertake qualitative research while deepening their understanding of how the social world can be perceived and interpreted through a particular theoretical lens. Useful online materials include recommended readings and PowerPoint slides.
This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.