Discover the inner workings of FBI counterintelligence in this untold story of the FBI informants who infiltrated the Communist Party, the Black Panther Party, and other threats to US security. A Threat of the First Magnitude tells the story of the FBI’s fake Maoist organization and the informants they used to penetrate the highest levels of the Communist Party USA, the Black Panther Party, the Revolutionary Union and other groups labelled threats to the internal security of the United States in the 1960s and 1970s. As once again the FBI is thrust into the spotlight of US politics, A Threat of a First Magnitude offers a view of the historic inner-workings of the Bureau’s counterintelligence operations—from generating “fake news” and the utilization of “sensitive intelligence methods” to the handling of “reliable sources”—that matches or exceeds the sophistication of any contenders.
Heavy Radicals: The FBI's Secret War on America's Maoists is a history of the Revolutionary Union/Revolutionary Communist Party - the largest Maoist organization to arise in the US - from its origins in the explosive year of 1968, its expansion into a national organization in the early '70s, its extension into major industry throughout the early part of that decade, and the devastating schism in the aftermath of the death of Mao Tse-tung to its ultimate decline as the 1970s turned into the 1980s. From its beginnings the grouping was the focus of J. Edgar Hoover and other top FBI officials for an unrelenting array of operations: Informant penetration, setting organizations against each other, setting up phony communist collectives for infiltration and disruption, planting of phone taps and microphones in apartments, break-ins to steal membership lists, the use of FBI ‘friendly journalists’ such as Victor Riesel and Ed Montgomery to undermine the group, and much more. It is the story of a sizable section of the radicalized youth whose radicalism did not disappear at the end of the '60s, and of the FBI’s largest - and, up to now, untold - campaign against it.
Discover the inner workings of FBI counterintelligence in this untold story of the FBI informants who infiltrated the Communist Party, the Black Panther Party, and other threats to US security. A Threat of the First Magnitude tells the story of the FBI’s fake Maoist organization and the informants they used to penetrate the highest levels of the Communist Party USA, the Black Panther Party, the Revolutionary Union and other groups labelled threats to the internal security of the United States in the 1960s and 1970s. As once again the FBI is thrust into the spotlight of US politics, A Threat of a First Magnitude offers a view of the historic inner-workings of the Bureau’s counterintelligence operations—from generating “fake news” and the utilization of “sensitive intelligence methods” to the handling of “reliable sources”—that matches or exceeds the sophistication of any contenders.
In January 1978, President Jimmy Carter proclaimed that “There is all across our land a growing sense of peace and a sense of common purpose.” Yet in the ensuing months, a series of crises disturbed that fragile sense of peace, ultimately setting the stage for Reagan’s decisive victory in 1980 and ushering in the final phase of the Cold War. Meltdown Expected tells the story of the power shifts from late 1978 through 1979 whose repercussions are still being felt. Iran’s revolution led to a hostage crisis while neighbouring Afghanistan became the site of a proxy war between the USSR and the US, who supplied aid to Islamic mujahideen fighters that would later form the Taliban. Meanwhile, as tragedies like the Jonestown mass suicide and the assassination of Harvey Milk captured the nation’s attention, the government quietly reasserted and expanded the FBI’s intelligence powers. Drawing from recently declassified government documents and covering everything from Three Mile Island to the rise of punk rock, Aaron J. Leonard paints a vivid portrait of a tumultuous yet pivotal time in American history.
A critical look at the realities of community policing in South Los Angeles The Limits of Community Policing addresses conflicts between police and communities. Luis Daniel Gascón and Aaron Roussell depart from traditional conceptions, arguing that community policing—popularized for decades as a racial panacea—is not the solution it seems to be. Tracing this policy back to its origins, they focus on the Los Angeles Police Department, which first introduced community policing after the high-profile Rodney King riots. Drawing on over sixty interviews with officers, residents, and stakeholders in South LA’s “Lakeside” precinct, they show how police tactics amplified—rather than resolved—racial tensions, complicating partnership efforts, crime response and prevention, and accountability. Gascón and Roussell shine a new light on the residents of this neighborhood to address the enduring—and frequently explosive—conflicts between police and communities. At a time when these issues have taken center stage, this volume offers a critical understanding of how community policing really works.
Heavy Radicals: The FBI's Secret War on America's Maoists is a history of the Revolutionary Union/Revolutionary Communist Party - the largest Maoist organization to arise in the US - from its origins in the explosive year of 1968, its expansion into a national organization in the early '70s, its extension into major industry throughout the early part of that decade, and the devastating schism in the aftermath of the death of Mao Tse-tung to its ultimate decline as the 1970s turned into the 1980s. From its beginnings the grouping was the focus of J. Edgar Hoover and other top FBI officials for an unrelenting array of operations: Informant penetration, setting organizations against each other, setting up phony communist collectives for infiltration and disruption, planting of phone taps and microphones in apartments, break-ins to steal membership lists, the use of FBI ‘friendly journalists’ such as Victor Riesel and Ed Montgomery to undermine the group, and much more. It is the story of a sizable section of the radicalized youth whose radicalism did not disappear at the end of the '60s, and of the FBI’s largest - and, up to now, untold - campaign against it.
When Gideon Oliver's wife Julie attends a conservation forum on the emerald Isles of Scilly, Gideon tags along, expecting a holiday. To amuse himself, he explores the Neolithic sites there. But instead of ancient ruins, he finds evidence of a very recent murder.
The first book to document the efforts of the FBI against the most famous American folk singers of the mid-twentieth century, including Woody Guthrie, 'Sis Cunningham, Pete Seeger, Lee Hays and Burl Ives. Some of the most prominent folk singers of the twentieth century, including Woody Guthrie, 'Sis Cunningham, Pete Seeger, Lee Hays, Burl Ives, etc., were also political activists with various associations with the American Communist Party. As a consequence, the FBI, along with other governmental and right-wing organizations, were monitoring them, keeping meticulous files running many thousands of pages, and making (and carrying out) plans to purge them from the cultural realm. In The Folk Singers and the Bureau, Aaron J Leonard draws on an unprecedented array of declassified documents and never before released files to shed light on the interplay between left-wing folk artists and their relationship with the American Communist Party, and how it put them in the US government's repressive cross hairs. At a time of increasing state surveillance and repression, The Folk Singers and the Bureau shows how the FBI and other governmental agencies have attempted to shape and repress American culture.
How the radical music of the 1960s was birthed amid unprecedented upheaval and systemic repression. Seventy years since the radical music of the 1960s first hit the airwaves, the anthems of the era continue to resonate with our current times. Through studying these musicians and the political contexts in which their pioneering songs were birthed; amidst paranoia, psychedelic delusions, desire and civil unrest; Aaron Leonard’s Whole World in an Uproar is an important new critical history of countercultural music from the Summer of Love to the unwelcome arrival of Bob Dylan.
Baseball has long been viewed as the Great American Pastime, so it is no surprise that the sport has inspired many Hollywood films and television series. But how do these works depict the game, its players, fans, and place in American society? This study offers an extensive look at nearly one hundred years of baseball-themed movies, documentaries, and TV shows. Film and sports scholar Aaron Baker examines works like A League of their Own (1992) and Sugar (2008), which dramatize the underrepresented contributions of female and immigrant players, alongside classic baseball movies like The Natural that are full of nostalgia for a time when native-born white men could use the game to achieve the American dream. He further explores how biopics have both mythologized and demystified such legendary figures as Ty Cobb, Babe Ruth, Lou Gehrig, Jackie Robinson and Fernando Valenzuela. The Baseball Film charts the variety of ways that Hollywood presents the game as integral to American life, whether showing little league as a site of parent-child bonding or depicting fans’ lifelong love affairs with their home teams. Covering everything from Bull Durham (1988) to The Bad News Bears (1976), this book offers an essential look at one of the most cinematic of all sports.
Historians have painted a picture of nineteenth-century Baptists huddled in clapboard meetinghouses preaching sermons and singing hymns, seemingly unaware of the wider world. According to this view, Baptists were "so heavenly-minded, they were of no earthly good." Overlooked are the illustrative stories of Baptists fighting poverty, promoting abolition, petitioning Congress, and debating tax policy. Politics and Piety is a careful look at antebellum Baptist life. It is seen in figures such as John Broadus, whose first sermon promoted temperance, David Barrow, who formed an anti-slavery association in Kentucky, and in a Savannah church that started a ministry to the homeless. Not only did Baptists promote piety for the good of their churches, but they did so for the betterment of society at large. Though they aimed to change America one soul at a time, that is only part of the story. They also engaged the political arena, forcefully and directly. Simply put, Baptists were social reformers. Relying on the ideas of rank-and-file Baptists found in the minutes of local churches and associations, as well as the popular, parochial newspapers of the day, Politics and Piety uncovers a theologically minded and controversial movement to improve the nation. Understanding where these Baptists united and divided is a key to unlocking the differences in evangelical political engagement today.
In January 1978, President Jimmy Carter proclaimed that “There is all across our land a growing sense of peace and a sense of common purpose.” Yet in the ensuing months, a series of crises disturbed that fragile sense of peace, ultimately setting the stage for Reagan’s decisive victory in 1980 and ushering in the final phase of the Cold War. Meltdown Expected tells the story of the power shifts from late 1978 through 1979 whose repercussions are still being felt. Iran’s revolution led to a hostage crisis while neighbouring Afghanistan became the site of a proxy war between the USSR and the US, who supplied aid to Islamic mujahideen fighters that would later form the Taliban. Meanwhile, as tragedies like the Jonestown mass suicide and the assassination of Harvey Milk captured the nation’s attention, the government quietly reasserted and expanded the FBI’s intelligence powers. Drawing from recently declassified government documents and covering everything from Three Mile Island to the rise of punk rock, Aaron J. Leonard paints a vivid portrait of a tumultuous yet pivotal time in American history.
This book considers a 'baptist' account of the identity of the church, Jesus' body, and the communion elements in the Lord's Supper. It does so in conversation with Thomas Aquinas, Balthasar Hubmaier, and James Wm. McClendon, Jr. in the context of contemporary Baptist engagements with ecumenical Christianity and of contemporary philosophy of language. In a very creative and imaginative way it sets the stage for an account of the identity of Jesus' body, the bread and wine, and the church, that makes a constructive contribution to ecumenical Christianity
This book, on Jimi Hendrix’s life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix’s relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant “Gypsy” and “Voodoo child” whose racialized “freak” visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supremacist and hetero-normative codes and conventions. Focusing on Hendrix’s transnational biography and centrality to US and international visual cultural and popular music histories, this book links Hendrix to traditions of blackface minstrelsy, international freak show spectacles, black popular music’s global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix’s place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories.
The first book to document the efforts of the FBI against the most famous American folk singers of the mid-twentieth century, including Woody Guthrie, 'Sis Cunningham, Pete Seeger, Lee Hays and Burl Ives. Some of the most prominent folk singers of the twentieth century, including Woody Guthrie, 'Sis Cunningham, Pete Seeger, Lee Hays, Burl Ives, etc., were also political activists with various associations with the American Communist Party. As a consequence, the FBI, along with other governmental and right-wing organizations, were monitoring them, keeping meticulous files running many thousands of pages, and making (and carrying out) plans to purge them from the cultural realm. In The Folk Singers and the Bureau, Aaron J Leonard draws on an unprecedented array of declassified documents and never before released files to shed light on the interplay between left-wing folk artists and their relationship with the American Communist Party, and how it put them in the US government's repressive cross hairs. At a time of increasing state surveillance and repression, The Folk Singers and the Bureau shows how the FBI and other governmental agencies have attempted to shape and repress American culture.
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