The brilliant screenplay of the Academy Award–nominated film The Trial of the Chicago 7 by Academy and Emmy Award–winning screenwriter and director Aaron Sorkin. Sorkin’s film dramatizes the 1969 trial of seven prominent anti-Vietnam War activists in Chicago. Originally there were eight defendants, but one, Bobby Seale, was severed from the trial by Judge Julius Hoffman—after Hoffman had ordered Seale bound and gagged in court. The defendants were a mix of counterculture revolutionaries such as Abbie Hoffman and Jerry Rubin, and political activists such as Tom Hayden, Rennie Davis, and David Dellinger, the last a longtime pacifist who was a generation older than the others. Their lawyers argued that the right to free speech was on trial, whether that speech concerned lifestyles or politics. The Trial of the Chicago 7 stars Sacha Baron Cohen, Eddie Redmayne, Frank Langella, and Mark Rylance, among others, directed by Aaron Sorkin. This book is Sorkin’s screenplay, the first of his movie screenplays ever published.
Saddam Hussein ruled Iraq as a dictator for nearly a quarter century before the fall of his regime in 2003. Using the Ba’th party as his organ of meta-control, he built a broad base of support throughout Iraqi state and society. Why did millions participate in his government, parrot his propaganda, and otherwise support his regime when doing so often required betraying their families, communities, and beliefs? Why did the “Husseini Ba’thist” system prove so durable through uprisings, two wars, and United Nations sanctions? Drawing from a wealth of documents discovered at the Ba’th party’s central headquarters in Baghdad following the US-led invasion in 2003, The Ba’thification of Iraq analyzes how Hussein and the party inculcated loyalty in the population. Through a grand strategy of “Ba’thification,” Faust argues that Hussein mixed classic totalitarian means with distinctly Iraqi methods to transform state, social, and cultural institutions into Ba’thist entities, and the public and private choices Iraqis made into tests of their political loyalty. Focusing not only on ways in which Iraqis obeyed, but also how they resisted, and using comparative examples from Hitler’s Germany and Stalin’s Russia, The Ba’thification of Iraq explores fundamental questions about the roles that ideology and culture, institutions and administrative practices, and rewards and punishments play in any political system.
A compelling biography of the Ghoul of Grays Harbor In the early twentieth century so many dead bodies surfaced in the rivers around Aberdeen, Washington, that they were nicknamed the “floater fleet.” When Billy Gohl (1873–1927), a powerful union official, was arrested for murder, local newspapers were quick to suggest that he was responsible for many of those deaths, perhaps even dozens—thus launching the legend of the Ghoul of Grays Harbor. More than a true-crime tale, The Port of Missing Men sheds light on the lives of workers who died tragically, illuminating the dehumanizing treatment of sailors and lumber workers and the heated clashes between pro- and anti-union forces. Goings investigates the creation of the myth, exploring how so many people were willing to believe such extraordinary stories about Gohl. He shares the story of a charismatic labor leader—the one man who could shut down the highly profitable Grays Harbor lumber trade—and provides an equally intriguing analysis of the human costs of the Pacific Northwest’s early extraction economy.
How the radical music of the 1960s was birthed amid unprecedented upheaval and systemic repression. Seventy years since the radical music of the 1960s first hit the airwaves, the anthems of the era continue to resonate with our current times. Through studying these musicians and the political contexts in which their pioneering songs were birthed; amidst paranoia, psychedelic delusions, desire and civil unrest; Aaron Leonard’s Whole World in an Uproar is an important new critical history of countercultural music from the Summer of Love to the unwelcome arrival of Bob Dylan.
A groundbreaking look at the transformation of SoHo. American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
Winner of a Christianity Today Book Award An incisive look at how evangelical Christians shaped—and were shaped by—the American criminal justice system. America incarcerates on a massive scale. Despite recent reforms, the United States locks up large numbers of people—disproportionately poor and nonwhite—for long periods and offers little opportunity for restoration. Aaron Griffith reveals a key component in the origins of American mass incarceration: evangelical Christianity. Evangelicals in the postwar era made crime concern a major religious issue and found new platforms for shaping public life through punitive politics. Religious leaders like Billy Graham and David Wilkerson mobilized fears of lawbreaking and concern for offenders to sharpen appeals for Christian conversion, setting the stage for evangelicals who began advocating tough-on-crime politics in the 1960s. Building on religious campaigns for public safety earlier in the twentieth century, some preachers and politicians pushed for “law and order,” urging support for harsh sentences and expanded policing. Other evangelicals saw crime as a missionary opportunity, launching innovative ministries that reshaped the practice of religion in prisons. From the 1980s on, evangelicals were instrumental in popularizing criminal justice reform, making it a central cause in the compassionate conservative movement. At every stage in their work, evangelicals framed their efforts as colorblind, which only masked racial inequality in incarceration and delayed real change. Today evangelicals play an ambiguous role in reform, pressing for reduced imprisonment while backing law-and-order politicians. God’s Law and Order shows that we cannot understand the criminal justice system without accounting for evangelicalism’s impact on its historical development.
The Marine Corps has always considered itself a breed apart. Since 1775, America’s smallest armed service has been suspicious of outsiders and deeply loyal to its traditions. Marines believe in nothing more strongly than the Corps’ uniqueness and superiority, and this undying faith in its own exceptionalism is what has made the Marines one of the sharpest, swiftest tools of American military power. Along with unapologetic self-promotion, a strong sense of identity has enabled the Corps to exert a powerful influence on American politics and culture. Aaron O’Connell focuses on the period from World War II to Vietnam, when the Marine Corps transformed itself from America’s least respected to its most elite armed force. He describes how the distinctive Marine culture played a role in this ascendancy. Venerating sacrifice and suffering, privileging the collective over the individual, Corps culture was saturated with romantic and religious overtones that had enormous marketing potential in a postwar America energized by new global responsibilities. Capitalizing on this, the Marines curried the favor of the nation’s best reporters, befriended publishers, courted Hollywood and Congress, and built a public relations infrastructure that would eventually brand it as the most prestigious military service in America. But the Corps’ triumphs did not come without costs, and O’Connell writes of those, too, including a culture of violence that sometimes spread beyond the battlefield. And as he considers how the Corps’ interventions in American politics have ushered in a more militarized approach to national security, O’Connell questions its sustainability.
From Aaron T. Beck and colleagues, this is the definitive work on the cognitive model of schizophrenia and its treatment. The volume integrates cognitive-behavioral and biological knowledge into a comprehensive conceptual framework. It examines the origins, development, and maintenance of key symptom areas: delusions, hallucinations, negative symptoms, and formal thought disorder. Treatment chapters then offer concrete guidance for addressing each type of symptom, complete with case examples and session outlines. Anyone who treats or studies serious mental illness will find a new level of understanding together with theoretically and empirically grounded clinical techniques.
Analyzing complex social and political issues through their manifestations in popular culture, this book provides readers a strong foundational knowledge of the 1960s as a decade. 1969 went out in a way that could never have been imagined in 1960. While the president at the end of the decade had been vice president at the start, the intervening years permanently changed American culture. Pop Goes the Decade: The Sixties explores the cultural and social framework of the 1960s, addressing film, television, sports, technology, media/advertising, fashion, art, and more. Entries are presented in encyclopedic fashion, organized into such categories as controversies in pop culture, game changers, technology, and the decade's legacy. A timeline highlights significant cultural moments, while an introduction and a conclusion place those moments within the contexts of preceding and subsequent decades. Attention to the decade's most prominent influencers allows readers to understand the movements with which these figures are associated, and discussion of controversies and social change enables readers to gain a stronger understanding of evolving American social values.
Reviews of The Gorehound's Guide to Splatter Films of the 1960s and 1970s: "recommended"--Booklist; "exhaustive...useful"--ARBA; "a solid reference work"--Video Watchdog; "bursting with information, opinion and trivia...impeccably researched"--Film Review; "interesting and informative"--Rue Morgue; "detailed credits...entertaining"--Classic Images. Author Scott Aaron Stine is back again, this time with an exhaustive study of splatter films of the 1980s. Following a brief overview of the genre, the main part of the book is a filmography. Each entry includes extensive technical information; cast and production credits; release date; running time; alternate and foreign release titles; comments on the availability of the film on videocassette and DVD; a plot synopsis; commentary from the author; and reviews. Extensive cross-referencing is also included. Heavily illustrated.
Through critical examination of more than 1,000 occurrences of terms depicting legal innovation, this study maps the contours of legal change reported during the rabbinic period. The Rhetoric of Innovation examines temporal clusters of statements and actions attributed to authority figures in the Tannaitic and Amoraic periods, also reviewing the geographic distribution of these words and their divergent usages in documents edited in Roman Palestine and Babylonia.
NEW YORK TIMES and USA TODAY Bestseller Top #10 Amazon Bestseller #1 Bestseller in Thriller #1 Bestseller in Mystery/Thriller #1 Bestseller in Hard-Boiled Thriller #1 Barnes & Noble Bestseller "I would recommend this book to anyone who likes James Patterson or books like his. I can't wait for the next book to come out." --Sandra Labella, Amazon reviewer Fans of Lee Child, James Patterson and Dean Koontz will love this exciting mystery thriller from New York Times bestselling author Aaron Patterson as intrigue and conspiracy drips off each page. * * * Get ready for book one in the Mark Appleton Hard-Boiled Thriller series, from New York Times and USA Today Bestselling thriller writer Aaron Patterson.* * * * * * *WarningThe WJA series is a cross genre series and may bend or break many rules. If you are set in the traditional ways of storytelling this may not be the series for you. Please use caution and only read if you are of an open mind, and crave something off the map and mind-bending. * * * PRODUCT DESCRIPTION: Mark Appleton is living the American Dream. Beautiful wife, loving daughter, and a high paying job in New York City. But when his family are killed in a accident he must reinvent himself. A year later in the midst of putting his life back together, Mark finds out that his family was killed and it was...No accident. Mark will stop at nothing to hunt down the men responsible for the death of his family and what he finds will change his life forever. Kirk Weston is a Detroit detective. He hates his job, his ex-wife, and his life. He is hand selected to help the FBI on a high profile case and just when he thinks things could not get any worse... They do. * * * Book 1 in the WJA series is, SWEET DREAMS, Book 2, DREAM ON, and Book 3, IN YOUR DREAMS are also available! * * * REVIEWS: "I loved this book. It kept me turning one page after the other at a fast pace. James Patterson is one of my favorite authors. I have read many of his books. Hoping to read all of them in my lifetime." --Amazon Reviewer "Suspense, thriller with a perfect ending, leaving me wanting more. An on the edge of your seat, all night read. I most certainly will be reading "Dream On." --Sheri Wilkinson, Sandwich, IL "Great mystery suspense cannot wait to read the next one the story keeps you guessing trying to figure out what is coming next." --Amazon Reviewer * * * SWEET DREAMS is an intense hard-boiled thriller of approximately 95,000 words / 395 pages. This book also contains the following bonus material: Excerpt from DREAM ON, by Aaron Patterson. SWEET DREAMS is for readers who enjoy Alex Cross and James Patterson's Michael Bennett novels rave about Aaron Patterson's Mark Appleton. Mystery thriller & suspense thrillers, conspiracy thriller, mystery thriller & suspense crime fiction, vigilante justice, dark action-packed disturbing vengeful, international mystery & crime, christian literature & fiction, religion & spirituality fiction, christian mystery & suspense, christian fiction, christian thrillers, christian suspense, thriller series. Visit Aaron's blog at TheWorstBookEver.blogspot.com Follow Aaron on twitter at twitter.com/Mstersmith Join Aaron on facebook too!
Two central questions are at the core of international legal theory: 'What is international law?', and 'Is international law really law?' This volume examines these critical questions and the philosophical foundations of modern international law using the tools of Anglo-American legal theory and western political thought. Engaging with both contemporary and historical legal theory and with an analysis of international law in action, the book builds an understanding and theory of law from the perspective of those who actually use this legal system and understand it, rather than constructing an artificial system from the standpoint of political scientists and moral philosophers. Law at the Vanishing Point provides a fascinating new challenge to those who reduce international law either to ethics or to politics and provides a critical new appraisal of its power as an independent force in human social relations.
How do statesmen become aware of unfavorable shifts in relative power, and how do they seek to respond to them? These are puzzles of considerable importance to theorists of international relations. As national decline has become an increasingly prominent theme in American political debate, these questions have also taken on an immediate, pressing significance. The Weary Titan is a penetrating study of a similar controversy in Britain at the turn of the twentieth century. Drawing on a wide variety of sources, Aaron Friedberg explains how England's rulers failed to understand and respond to the initial evidence of erosion in their country's industrial, financial, naval, and military power. The British example suggests that statesmen may be slow to recognize shifts in international position, in part because they rely heavily on simple but often distorting indicators of relative capabilities. In a new afterword, Friedberg examines current debates about whether America is in decline, arguing that American power will remain robust for some time to come.
Vancouver's Commodore Ballroom is, like New York's CBGB's and Los Angeles's Whiskey a Go-Go, one of the most venerated rock clubs in the world; originally built in 1930, it's hosted a who's-who of music greats before they made it big: The Police, The Clash, Blondie, Talking Heads, Nirvana, New York Dolls, U2, and, more recently, Lady Gaga and the White Stripes. Filled with never-before-published photographs, posters, and paraphernalia, Live at the Commodore is a visceral, energetic portrait of one of the world's great rock venues. Aaron Chapman is a musician and journalist, and the author of Liquor, Lust, and the Law.
Wildavsky demonstrates how various recent presidents have attempted to escape or overcome their beleaguered status by such devices as focusing on only a few issues or shedding responsibility (or blame) to other actors, or treating policy problems as if they were essentially administrative in nature. The book analyzes the wide divergence on public policy among Democratic and Republican activists and assesses the efforts of presidents from Nixon through Bush to cope, at times successfully, often not, with these divisions.
Fans of Lee Child, James Patterson and Dean Koontz will love this exciting mystery thriller from New York Times bestselling author Aaron Patterson as intrigue and conspiracy drips off each page. NEW YORK TIMES and USA TODAY Bestseller Top #10 Amazon Bestseller #1 Bestseller in Thriller #1 Bestseller in Mystery/Thriller #1 Bestseller in Hard-Boiled Thriller #1 Barnes & Noble Bestseller "I would recommend this book to anyone who likes James Patterson or books like his. I can't wait for the next book to come out." --Sandra Labella, Amazon reviewer * * * Get ready for book one in the Mark Appleton Hard-Boiled Thriller series, from New York Times and USA Today Bestselling thriller writer Aaron Patterson.* * * * * * *Author's Note: Sweet Dreams Extended Cut Edition is full of extended cut material. It has deleted scenes that never made it into the book, editing notes, and author interviews. I wanted to give you the reader an inside look into what a book goes through. All the sections in italics are scenes that were cut or taken out, and they are unedited. * * * PRODUCT DESCRIPTION: Mark Appleton is living the American Dream. Beautiful wife, loving daughter, and a high paying job in New York City. But when his family are killed in a accident he must reinvent himself. A year later in the midst of putting his life back together, Mark finds out that his family was killed and it was...No accident. Mark will stop at nothing to hunt down the men responsible for the death of his family and what he finds will change his life forever. Kirk Weston is a Detroit detective. He hates his job, his ex-wife, and his life. He is hand selected to help the FBI on a high profile case and just when he thinks things could not get any worse... They do. * * * Book 1 in the WJA series is, SWEET DREAMS, Book 2, DREAM ON, and Book 3, IN YOUR DREAMS are also available! * * * REVIEWS: "I loved this book. It kept me turning one page after the other at a fast pace. James Patterson is one of my favorite authors. I have read many on his books. Hoping to read all of them in my lifetime." --Amazon Reviewer "Sweet Dreams was a book I read in 2 days. I truly enjoyed the read. It kept me wanting to know more. I'm looking forward to Part 2 of the WJA Trilogy!" --Sharon Adams, Novi, MI "Suspense, thriller with a perfect ending, leaving me wanting more. An on the edge of your seat, all night read. I most certainly will be reading "Dream On." --Sheri Wilkinson, Sandwich, IL "New authors come and go every day. Very few come on the scene with the ability to weave a tale that will make you sad to reach the end, longing for more. At a time when the world needs a real hero, Patterson delivers big with the WJA's Mark Appleton--an unlikely hero for the 21st century." --The Joe Show "Aaron Patterson spins a good tale and does it well." --W.P. "SWEET DREAMS is packed with action, suspense, romance, betrayal, death, and mystery." --Drew Maples, author of "28 Yards from Safety" * * * SWEET DREAMS is an intense hard-boiled thriller of approximately 95,000 words / 395 pages. This book also contains the following bonus material: Excerpt from DREAM ON, by Aaron Patterson.
War has been a perennial feature of human history since ancient times, yet it remains a poorly understood phenomenon. It has done much to shape our world, from overthrowing leaders, establishing international governance, and inspiring social change, to destroying cities, dividing nations and breeding animosity. In this book, Dr Aaron Edwards succinctly combines political theories with historical realities. Using eyewitness accounts, war poetry and insightful analysis of a wide range of conflicts, War: A Beginner's Guide introduces the reader to the complexity and human face of war and invites readers to question whether violence is the most effective way to resolve disputes.
NEW YORK TIMES and USA TODAY Bestseller Top #10 Amazon Bestseller #1 Bestseller in Thriller #1 Bestseller in Mystery/Thriller #1 Bestseller in Hard-Boiled Thriller #1 Barnes & Noble Bestseller Top #10 Bestseller on iTunes, and Kobo * * * Cross Over Box Set - all three books in the Mark Appleton Thriller Series together in one neat package of hard-boiled, non-stop twists and turns.* * * CROSS OVER BOX SET CONTAINS THREE BOOKS: Sweet Dreams Dream On In Your Dreams If you like James Patterson's thrillers, Ted Dekker's and Lee Child's suspense, you'll love Cross Over box set. In the first book, SWEET DREAMS, Mark Appleton a hot shot architect living in New York City, is faced with the death of his family. Life turned upside down, he must choose between revenge and justice. In the second book, DREAM ON, Mark embraces his new life and is working with a secret agency known as the WJA. Caught up in a tangled web of lies, he has to go up against a Russian Mobster to save his beloved city. IN YOUR DREAMS finishes up the series with a deadly virus and a choice between reality and the two women he loves. Fans of Tom Clancy, Ted Bell and Michael Connelly will love Aaron Patterson's raw imaginative thrillers. Fans who like Alex Cross and James Patterson's Michael Bennett novels rave about Aaron Patterson's Mark Appleton. After you are done with the Mark Appleton thrillers check out the SARAH STEELE legal thrillers. The first in the series is BREAKING STEELE followed by TWISTING STEELE. This is a fast-paced series for fans of Bones, CSI, and Breaking Bad. REVIEWS: "I would recommend this book to anyone who likes James Patterson or books like his. I can't wait for the next book to come out." --Sandra Labella, Amazon reviewer "I think this is the final in the series. Without giving anything away, the end at first was a complete letdown. Then as I thought through it, it almost made no sense to end it any other way. Risky, but pulled off really well. I think if Tom Clancy crossed genres it would look something like this. Well done." --Roy Bartle *Warning The WJA series is a cross genre series and may bend or break many rules. If you are set in the traditional ways of storytelling this may not be the series for you. Please use caution and only read if you are of an open mind, and crave something off the map and mind-bending. Other Books by New York Times and USA Today Bestselling Author AARON PATTERSON Sweet Dreams (Book 1) Dream On (Book 2) In your Dreams (Book 3) Triple Thriller Box Set (Mark Appleton Thriller Series) Breaking Steele Twisting Steele Melting Steele Airel (Book 1) Airel (Book 2) Michael (Book 3) Michael (Book 4) Uriel (Book 5) Uriel (Book 6) 19 (Digital Short) The Craigslist Killer (Digital Short) Zombie High (Digital Short) Elena's Secret: A Vampire Diaries story ABOUT THE AUTHOR Aaron is a multi-platform New York Times and USA Today #1 bestselling author of Legal/Hard-Boiled Thrillers. He is an educator for indie publishing and is the Co-Founder of StoneHouse University and speaks all over the country on subjects like eBooks, Amazon and the Future of publishing. Visit Aaron's blog at TheWorstBookEver.blogspot.com Follow Aaron on twitter at twitter.com/Mstersmith Join Aaron on Facebook too!
Winner of the Jefferson Davis Award Winner of the Johns Family Book Award Winner of the Army Historical Foundation Distinguished Writing Award “A work of deep intellectual seriousness, sweeping and yet also delicately measured, this book promises to resolve longstanding debates about the nature of the Civil War.” —Gregory P. Downs, author of After Appomattox Shiloh, Chancellorsville, Gettysburg—tens of thousands of soldiers died on these iconic Civil War battlefields, and throughout the South civilians suffered terrible cruelty. At least three-quarters of a million lives were lost during the American Civil War. Given its seemingly indiscriminate mass destruction, this conflict is often thought of as the first “total war.” But Aaron Sheehan-Dean argues for another interpretation. The Calculus of Violence demonstrates that this notoriously bloody war could have been much worse. Military forces on both sides sought to contain casualties inflicted on soldiers and civilians. In Congress, in church pews, and in letters home, Americans debated the conditions under which lethal violence was legitimate, and their arguments differentiated carefully among victims—women and men, black and white, enslaved and free. Sometimes, as Sheehan-Dean shows, these well-meaning restraints led to more carnage by implicitly justifying the killing of people who were not protected by the laws of war. As the Civil War raged on, the Union’s confrontations with guerrillas and the Confederacy’s confrontations with black soldiers forced a new reckoning with traditional categories of lawful combatants and raised legal disputes that still hang over military operations around the world today. In examining the agonizing debates about the meaning of a just war in the Civil War era, Sheehan-Dean discards conventional abstractions—total, soft, limited—as too tidy to contain what actually happened on the ground.
Enrique Granados (1867-1916) is one of the most compelling figures of the late-Romantic period in music. During his return voyage to Spain after the premiere of his opera Goyescas at New York's Metropolitan Opera in 1916, a German submarine torpedoed the ship on which he and his wife were sailing, and they perished in the waters of the English Channel. His death was mourned on both sides of the Atlantic as a stunning loss to the music world, for he had died at the pinnacle of his career, and his late works held the promise of greater things to come. Granados was among the leading pianists of his time, and his eloquence at the keyboard inspired critics to dub him the "poet of the piano." In Enrique Granados: Poet of the Piano, Walter Aaron Clark offers the first substantive study in English of this virtuoso pianist, composer, and music pedagogue. While providing detailed analyses of his major works for voice, piano, and the stage, Clark argues that Granados's art represented a unifying presence on the cultural landscape of Spain during a period of imperial decline, political unrest, and economic transformation. Drawing on newly discovered documents, Clark explores the cultural spheres in which Granados moved, particularly of Castile and Catalonia. Granados's best-known music was inspired by the art of Francisco Goya, especially the Goyescas suite for solo piano that became the basis for the opera. These pieces evoked the colorful and dramatic world that Goya inhabited and depicted in his art. Granados's fascination with Goya's Madrid set him apart from fellow nationalists Albéniz and Falla, who drew their principal inspiration from Andalusia. Though he was resolutely apolitical, Granados's attraction to Castile antagonized some Catalan nationalists, who resented Castilian domination. Yet Granados also made important contributions to Catalan musical theater and was a prominent figure in the modernist movement in Barcelona. Clark also explores the personal pressures that shaped Granados's music. His passionate affair with a wealthy socialite created domestic tensions, but it was also a source of inspiration for Goyescas. Persistent financial difficulties forced him to devote time to teaching at the expense of composition, though as a result Granados made considerable contributions to piano pedagogy and music education in Barcelona through the music academy he founded there. While Granados's tragic and early demise casts a pall over his life story, Clark ultimately reveals an artist of remarkable versatility and individuality and sheds new light on his enduring significance.
An informal yet rigorous exploration of human emotions in all their complexity and subtlety. Why do we cry at the movies? What is the best way to manage destructive feelings such as jealousy? Although emotions pervade our lives, their nature, causes, and effects have only recently been studied by social scientists and philosophers. Despite growing scientific interest in the subject, empirical findings have not yet caught up with our intuitive knowledge. In this book Aaron Ben-Ze'ev carries out what he calls "a careful search for general patterns in the primeval jungle of emotions." In an engaging, informal style he draws on a variety of theoretical approaches and popular sources to produce a coherent account of emotions in all their subtlety. All of the ideas are illustrated with examples drawn from everyday life. The book is organized into two parts. The first presents an overall conceptual framework for understanding emotions. It looks at the typical characteristics and components of emotions, distinguishes emotions from other affective phenomena, classifies the emotions, and covers such related issues as emotional intelligence, regulating emotions, and emotions and morality. The second part discusses individual emotions, including envy, jealousy, pleasure-in-others'-misfortune, pity, compassion, anger, hate, disgust, love, sexual desire, happiness, sadness, pride, regret, and shame. The text is laced with insightful and often amusing quotations from sources ranging from Mae West to Montesquieu.
When Cowboys Come Home: Veterans, Authenticity, and Manhood in Post–World War II America is a cultural and intellectual history of the 1950s that argues that World War II led to a breakdown of traditional markers of manhood and opened space for veterans to reimagine what masculinity could mean. One particularly important strand of thought, which influenced later anxieties over “other-direction” and “conformity,” argued that masculinity was not defined by traits like bravery, stoicism, and competitiveness but instead by authenticity, shared camaraderie, and emotional honesty. To elucidate this challenge to traditional “frontiersman” masculinity, Aaron George presents three intellectual biographies of important veterans who became writers after the war: James Jones, the writer of the monumentally important war novel From Here to Eternity; Stewart Stern, one of the most important screenwriters of the fifties and sixties, including for Rebel without a Cause; and Edward Field, a bohemian poet who used poetry to explore his love for other men. Through their lives, George shows how wartime disabused men of the notion that war was inherently a brave or heroic enterprise and how the alienation they felt upon their return led them to value the authentic connections they made with other men during the war.
Tunisia became one of the largest sources of foreign fighters for the Islamic State—even though the country stands out as a democratic bright spot of the Arab uprisings and despite the fact that it had very little history of terrorist violence within its borders prior to 2011. In Your Sons Are at Your Service, Aaron Y. Zelin uncovers the longer history of Tunisian involvement in the jihadi movement and offers an in-depth examination of the reasons why so many Tunisians became drawn to jihadism following the 2011 revolution. Zelin highlights the longer-term causes that affected jihadi recruitment in Tunisia, including the prior history of Tunisians joining jihadi organizations and playing key roles in far-flung parts of the world over the past four decades. He contends that the jihadi group Ansar al-Sharia in Tunisia was able to take advantage of the universal prisoner amnesty, increased openness, and the lack of governmental policy toward it after the revolution. In turn, this provided space for greater recruitment and subsequent mobilization to fight abroad once the Tunisian government cracked down on the group in 2013. Zelin marshals cutting-edge empirical findings, extensive primary source research, and on-the-ground fieldwork, including a variety of documents in Arabic going as far back as the 1980s and interviews with Ansar al-Sharia members and Tunisian fighters returning from Syria. The first book on the history of the Tunisian jihadi movement, Your Sons Are at Your Service is a meticulously researched account that challenges simplified views of jihadism’s appeal and success.
A Rosetta Stone for understanding Donald Trump's style, mindset, and every action, made up of over one hundred interviews with his closest associates and adversaries over the last 15 years. To his critics, Donald Trump is an impulsive, undisciplined crackpot who accidentally lucked into the presidency. But in The Method to the Madness, reporters Allen Salkin and Aaron Short reveal that nothing could be further from the truth. This objective, nonpartisan oral history shows that Trump had carefully planned his bid for the presidency since he launched what many considered to be a joke candidacy in 1999. Between 2000 and 2015, when he announced his candidacy in the lobby of Trump Tower, he was able to identify an unserved political constituency, hone a persuasive message that appealed to their needs, and deliver it effectively, despite intense media opposition. Through candid conversations with more than 100 subjects close to the President, Salkin and Short make the case that Donald Trump’s ostensibly erratic approach to politics is consistent with his carefully honed personal and professional style of information gathering, opinion seed-planting, and conclusion sharing. His business, media, and political dealings from this era serve as a guide for understanding the man, his mindset, and his every action. The Method to the Madness is an accessible and unbiased oral history that brings readers into the private rooms where decisions are made, confidences are broken, strong words fly, and not all eye-witnesses see the same scene in quite the same way. Full of scoops both large and small, this is the first book to bring Trump, the politician, into focus.
According to author Aaron Sultanik, the viewer's response to a film derives from three visually ascertained, dramatically realized cognitive elements: (1) the multiple points of view of a camera's placement, angle, and mobility; (2) the dynamic spatiotemporal assemblage of a film's editing; (3) and the final meaning of a film through the story's pictorial stylization.
Defends the position of Melville as one of the most important poets of the 19th century, analyzing three of Melville's longest poems--each representative of a different era in Melville's career. The poems studied are Bridegroom Dick, The Scout Toward Aldie, and The Marquis de Grandvin.
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