Being a vampire isnt easy, and Sara Grey knows it well! Her continued need for anonymity pushes her from Crete back to her ancestral home in England. There she has a confrontation with the Brenfield Society, and they want to take possession of the mystical amulet she wears. Sara knows that she cant give it to them but isnt sure why. Trying to unlock the secrets of the mystical amulet, Sara infiltrates the Secret Archives at the Vatican with the help of her human friend and priest, Father David. But while in Rome, they receive news that her vampire lover, Antonio, is being imprisoned in the lands east of the Black Sea. This sends Sara and Father David on an adventure through strange and obscure lands to rescue the one who made her, while having to deal with the Brenfield men who are seemingly everywhere. Once back in England, her feud with the mysterious group escalates into all-out war, and the bloodshed follows Sara to her new home in New York and then back to London, where with a new name and teenage appearance, she must make her case for being human or else.
For thousands of years, Native Americans used the physical act and visual language of tattooing to construct and reinforce the identity of individuals and their place within society and the cosmos. This book offers an examination into the antiquity, meaning, and significance of Native American tattooing in the Eastern Woodlands and Great Plains.--Publisher description.
For thousands of years the immortal Gilgamesh has presided over the legendary Ur-Bar, witnessing history unfold from within its walls. Some days it is a rural tavern, others a fashionable wine shop. It may appear as a hidden speakeasy or take on the form of your neighborhood local. For most patrons it is simply a place to quench their thirst, but for a rare few the Ur-Bar is where they will meet their destiny. Join R.K. Nickel, Rachel Atwood, Kari Sperring, Jean Marie Ward, Gini Koch, Jacey Bedford, William Leisner, Garth Nix, Diana Pharaoh Francis, David Keener, Mike Marcus, Kristine Smith, Aaron M. Roth, and Juliet E. McKenna as they recount all new tales from the Ur-Bar. From humor to horror, from the Roman Empire to Martian Colonies, there’s something to please everyone. Just remember to beware when the mysterious bartender offers you the house special ...
New in the Differential Diagnosis in Surgical Pathology series, this abundantly illustrated title helps you systematically solve tough diagnostic challenges in soft tissue and bone pathology. It uses select images of clinical and pathological findings, together with succinct, expert instructions and diagnostic pearls, to guide you through the decision-making process by distinguishing between commonly confused lesions of soft tissue and bone. By presenting material according to the way pathologists actually work, this user-friendly volume helps you quickly differentiate entities that have overlapping morphologic features.
Toward the end of the twentieth century, science fiction television took a dark turn. Series like The X-Files, Millennium, and Dark Skies wove menacing technologies, paranormal forces, and shadowy government agencies into complex tales of corruption and cover-ups. Mind control, alien abductions, secret government laboratories, and implacable “men in black” moved from the fringes to the mainstream of American culture, making weekly appearances in living rooms everywhere. Other series that played on fears of new technologies—such as virtual reality—set the stage for unfamiliar kinds of exploitation, while Dark Angel offered glimpses of a near-future wasteland devastated by a technological catastrophe. In The Paranormal and the Paranoid: Conspiratorial Science Fiction Television, Aaron John Gulyas explores the themes that permeated and defined science fiction television at the turn of the millennium. The author traces the roots of this phenomenon in an earlier generation of series including The Invaders, Kolchak: The Night Stalker,and Project U.F.O. and examines how changes in the cultural landscape led to the proliferation of these types of shows. This book delves into the internal mythology of shows like The X-Files, resurrects now-forgotten series like Wild Palms and VR.5, and provides an important glimpse into American culture at the close of the twentieth century. While exploring the pervasive grimness of these shows, Gulyas also examines how they offer hope in the form of heroes—like agents Scully and Mulder—who relentlessly dug through the tissue of lies and distortions to find and expose the truth. The Paranormal and the Paranoid will appeal to scholars of media studies, sociology, and science fiction—not to mention fans of these programs and even conspiracy theorists.
Drawing from the knowledge and expertise of more than 70 contributing international experts, Diseases and Disorders of the Orbit and Ocular Adnexa thoroughly covers the state of the art in orbital and periocular disease from the perspective of a variety of specialties. Clearly written and profusely illustrated, it covers the clinical presentation, pathophysiology, natural history, and management alternatives of disease processes affecting the orbit, eyelids, lacrimal system, and upper face. With a singular focus on the diagnosis and management of orbital and ocular adnexal disease, this authoritative text gives you the information you need to excel both in practice and on exams in the specialty of ophthalmic plastic and reconstructive surgery. - Offers an in-depth and thorough approach to the pathophysiology of oculoplastics and orbital disease, incorporating the perspectives of numerous specialties – all in one convenient volume. - Uses an easy-to-follow, templated format throughout so you can find what you need quickly. - Covers new information not included in other texts, such as antibody testing in dysthyroid conditions and a rapidly emerging array of targeted immunosuppressive medications for the treatment of inflammatory orbital disease. - Includes hot topics such as the classification and management of orbital inflammatory disease; vascular neoplasms and malformations; periocular dermatology; burn management; facial paralytic disease; and the pathogenesis, evaluation and management of lymphoproliferative disease. - Features more than 1,200 high-quality clinical, imaging, and histological illustrations that provide clear visual examples of orbital disease. - Written by an international team of experts from five continents (across multiple specialties including ophthalmology, dermatology, burn management, plastic surgery, otolaryngology, endocrinology, and pathology) led by Dr. Aaron Fay and Dr. Peter J. Dolman.
A new and provocative take on the formerly classified history of accelerating superpower military competition in space in the late Cold War and beyond. In March 1983, President Ronald Reagan shocked the world when he established the Strategic Defense Initiative (SDI), derisively known as “Star Wars,” a space-based missile defense program that aimed to protect the US from nuclear attack. In Weapons in Space, Aaron Bateman draws from recently declassified American, European, and Soviet documents to give an insightful account of SDI, situating it within a new phase in the militarization of space after the superpower détente fell apart in the 1970s. In doing so, Bateman reveals the largely secret role of military space technologies in late–Cold War US defense strategy and foreign relations. In contrast to existing narratives, Weapons in Space shows how tension over the role of military space technologies in American statecraft was a central source of SDI’s controversy, even more so than questions of technical feasibility. By detailing the participation of Western European countries in SDI research and development, Bateman reframes space militarization in the 1970s and 1980s as an international phenomenon. He further reveals that even though SDI did not come to fruition, it obstructed diplomatic efforts to create new arms control limits in space. Consequently, Weapons in Space carries the legacy of SDI into the post–Cold War era and shows how this controversial program continues to shape the global discourse about instability in space—and the growing anxieties about a twenty-first-century space arms race.
Lady Sara Anne Grey's eternity is anything but dull. Between the often-conflicting demands of demon lovers, her corporate responsibilities, staying one step ahead of a murderous family of nobles, and having to please the crown, the afterlife is killing Sara Grey. Traipsing back to London after the bloodletting of the American Civil War, Sara discovers she's been too long absent from her corporation and responsibilities. Before she can focus on her work issues, the men from Grand Duke Bennett's family attempt to destroy her. The entire family just seems to be out for her blood. And if this most recent attempt to end her existence isn't enough, Sara must now trek off to deal with her wayward lover, Antonio, who is rumored to still be given over to his demonic nature. With her trusted amulet for companionship, Sara decides to deal with her problems head on. The Bennetts all need to die, the corporation needs to go, and Antonio needs to pull it together'or be replaced. From the posh streets of London to the Bristol countryside and the money-laden streets of New York City, Lady Sara risks final death and exposure of her vampire secret as she attempts to put her life straight. Will a life 380 years in the making end in triumph over adversity, or will one of the Bennett Family just end it?
This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
This Open-Access-book questions the relationship between institutionalized images and understandings of policing – the monolithic ideas common to most, if not all, Western law enforcement agencies – and contextual, situative, and local interactions where the human representatives of policing – street-level officers – come into contact with residents. The political and theoretical association of specific forms of “Western” policing with democratic society can be illustrated in the case of German integration: narratives of reform and essentially forging new democratic police agencies in the “new German states” stand at odds with much of the experience and statements of officers who continued to serve following (Re)Unification. Officers who present their works primarily in terms of their local responsibilities, expectations and more specifically to their unique and individual relationship and connection to their communities downplay the relevance of high-level policing policy. Based on a two-year ethnographic study of policing in a rural county in the German state of Brandenburg, this book explores the local nature of policing both in terms of how police officers imagine their communities to be and with reference to broader societal expectations and assumptions of what police, essentially, are, can effectively do, and should effectively do.
This book is a study of the Chamberlain's/King's Men as a business. It investigates the economic workings of the company: the conditions under which they operated, their expenses and income, and the ways in which they adopted to fit changing circumstances. Each chapter focuses on a different moment in the company's history, and consists of economic readings, exploring texts by Shakespeare and other authors through an economic lens, as the property of the company and through the circumstances in which they were written.
Recruited by British Intelligence to infiltrate the IRA and Sinn Féin during the height of the Northern Ireland Troubles, they were ‘agents of influence’. With codenames like INFLICTION, STAKEKNIFE, 3007 and CAROL, these spies played a pivotal role in the fight against Irish republicanism. Now, for the first time, some of these agents have emerged from the shadows to tell their compelling stories. Agents of Influence takes you behind the scenes of the secret intelligence war which helped bring the IRA’s armed struggle to an end. Historian Aaron Edwards, the critically acclaimed author of UVF: Behind the Mask, explains how the IRA was penetrated by British agents, with explosive new revelations about the hidden agendas of prominent republicans like Martin McGuinness and Freddie Scappaticci and lesser-known ones like Joe Haughey and John Joe Magee. Bringing to light recently declassified TOP SECRET documents and the firsthand testimonies of agents and their handlers, Edwards reveals how British Intelligence gained extraordinary access to the IRA’s inner circle and manipulated them into engaging with the peace process. With new insights into the spy masters behind the scenes, their strategies and tactics, and Britain’s international intelligence network in Northern Ireland, Europe, and beyond, Agents of Influence offers a rare and shocking glimpse into the clandestine world of secret agents, British intelligence strategy and the betrayal at the heart of militant Irish republicanism during the vicious decades of the Troubles.
Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.
An assortment of Hellblazer stories written by Brian Azzarello (100 BULLETS), Warren Ellis (PLANETARY), and others. In these stories by some of comics' top writers, John Constantine faces school violence, a desperate, occult family and more. Plus: A group of documentary filmmakers tries to find out what happened to Mucous Membrane — an up-and-coming punk band led by John Constantine that met a mysterious end. Collects HELLBLAZER #144, 145, 245-246, 250 and VERTIGO RESURRECTED: HELLBLAZER—SHOOT #1.
Through examination of the death penalty in literature, Aaron Aquilina contests Heidegger's concept of 'being-towards-death' and proposes a new understanding of the political and philosophical subject. Dickens, Nabokov, Hugo, Sophocles and many others explore capital punishment in their works, from Antigone to Invitation to a Beheading. Using these varied case studies, Aquilina demonstrates how they all highlight two aspects of the experience. First, they uncover a particular state of being, or more precisely non-being, that comes with a death sentence, and, second, they reveal how this state exists beyond death row, as sovereignty and alterity are by no means confined to a prison cell. In contrast to Heidegger's being-towards-death, which individualizes the subject – only I can die my own death, supposedly – this book argues that, when condemned to death, the self and death collide, putting under erasure the category of subjectivity itself. Be it death row or not, when the supposed futurity of death is brought into the here and now, we encounter what Aquilina calls 'relational death'. Living on with death severs the subject's relation to itself, the other and political sociality as a whole, rendering the human less a named and recognizable 'being' than an anonymous 'living corpse', a human thing. In a sustained engagement with Blanchot, Levinas, Hegel, Agamben and Derrida, The Ontology of Death articulates a new theory of the subject, beyond political subjectivity defined by sovereignty and beyond the Heideggerian notion of ontological selfhood.
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