THE STORY: MY NAME IS ASHER LEV follows the journey of a young Jewish painter torn between his Hassidic upbringing and his desperate need to fulfill his artistic promise. When his artistic genius threatens to destroy his relationship with his paren
Rebekah eagerly anticipates the return of her childhood sweetheart from college. . .and his long-awaited proposal. But when Asher instead tells her that their wedding must wait while he fights for his country, Rebekah’s dreams seem to shatter around her. Asher longs to provide a life of wealth and position for his true love, Rebekah. But when she balks at some of his plans for their future, he begins to question the dreams he believed they shared. Will Rebekah and Asher lose their dreams of love or follow God’s leading to the life He has for them together?
Since their molecular identification, small conductance calcium-activated potassium channel have emerged as important regulators of membrane excitability in central nervous system and in neuronal tissues. Three isoforms of the SK channel exist: SK1--SK3. These channels are subjected to multi-faceted regulation from the transcriptional to post-translational levels. The members of the SK channel family along with IK channel share a great deal of sequence conservation, and all of them use calmodulin as a beta subunit that confers Ca2+ sensing activity. One consequence of multi-level regulation of SK channels is control of cellular localization.
I will say no more about this lacerating book except to urge it upon all who care about literature in our difficult era." — Boston Globe "A sly and merciless lampoon of revolutionary romanticism. . . Kundera commits some of the funniest literary savaging since Evelyn Waugh polished off Dickens in A Handful of Dust."— Time Milan Kundera initially intended to call this novel The Lyrical Age. The lyrical age, according to him, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile"!), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud. Rimbaud entrapped by the communist revolution, entrapped in a somber farce.
The History of the 'Slave of Christ' : From Jewish Child to Christian Martyr offers the first critical editions and English translations of the two Syriac recensions of this fascinating text, which narrates the story of a young Jewish child, Asher, who after converting to Christianity and taking the name ʻAbda da-Miḥa ('slave of Christ') is martyred by his father Levi in a scene reminiscent of Abraham's offering of Isaac in Genesis 22. In a detailed introduction, the authors argue that the text is a fictional story composed during the early Islamic period (ca. 650-850) probably in Shigar (modern Sinjār). Building upon methodology from the study of Western Christian and Jewish texts, they further contend that the story's author constructs an imagined Jew based on the Hebrew Bible, thereby challenging the way that previous scholars have used this text as straightforward evidence for historical interactions between Jews and Christians in Babylonia at this time. This ultimately allows the authors to reevaluate the purpose of the text and to situate it in its Late Antique Babylonian context"--
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.