The Selected Works of Andrew Lang: Volume 1Anthropology: Fairy Tale, Folklore, the Origins of Religion, Psychical ResearchEdited by Andrew Teverson, Alexandra Warwick and Leigh WilsonThis is the first critical edition of the works of Andrew Lang (1844-1912), the Scottish writer whose enormous output spanned the whole range of late-nineteenth century intellectual culture. Neglected since his death, partly because of the diversity of his interests and the volume of his writing, his cultural centrality and the interdisciplinary nature of his work make him a vital figure for contemporary scholars.This volume covers Lang's wide and influential engagement with the central areas of late nineteenth-century anthropology. Lang made decisive interventions in debates around the meaning of folk tales and the origins of religion, as well as being an important figure in the investigation of spiritualist claims through psychical research. The work reproduced here includes journalism, essays, extracts from books and previously unpublished letters which together articulate and challenge some of the central ideas and discussions of the period, including evolution, the relation between modern and non-modern cultures, the nature of scientific claims to truth, and the consequences of materialism. The volume will provide new and illuminating ways of understanding and assessing the period for scholars across a range of disciplines, including those interested in the histories of the fairy story, of science, of the occult, of colonialism and of anthropology.Key Features: Unpublished archival materialCritical introductions to the major areas of his workFull explanatory notesAndrew Teverson is Professor of English Literature and Associate Dean for the Faculty of Arts and Social Sciences at Kingston University, London. His research centres on the use and meaning of fairy tales, and he has published both on the employment of them in contemporary writing and on the historical development of the form. He is the author of Fairy Tale (Routledge, 2013).Alexandra Warwick is Professor of English Studies and Head of the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research is on Victorian culture, in particular the fin de sicle. Leigh Wilson is Reader in Modern Literature in the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research focuses on modernism, on the place of supernatural and occult beliefs and practices in the late nineteenth and early twentieth centuries, and on the contemporary British novel. She is the author of Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult (EUP, 2013).
This is the first critical edition of the works of Andrew Lang, the Scottish writer whose enormous output spanned the whole the range of late-nineteenth century intellectual culture: from literary criticism to anthropology, magic to archaeology, folklore to Scottish history. Critically neglected since his death, partly because of the diversity of his interests and the volume of his writing, he was central to some of the most important debates of the period. This, and the interdisciplinary nature of his work, makes him an important figure for contemporary scholars
GRANDMA'S TREASURES THE YELLOW FAIRY BOOK by Andrew Lang The Tales in this volume are intended for children, who will like, it is hoped, the old stories that have pleased so many generations. - Andrew Lang FAIRY BOOKS: CHILDREN'S STORIES FROM ALL AROUND THE WORLD. The Blue Fairy Book The Red Fairy Book The Green Fairy Book The Yellow Fairy Book The Pink Fairy Book The Grey Fairy Book The Violet Fairy Book The Crimson Fairy Book The Brown Fairy Book The Orange Fairy Book The Olive Fairy Book The Lilac Fairy Book
” Life is not all beer and skittles...and all books are not fairytales. In an imperfect state of existence, the poetry of it is that we cannot have all things as we would like them. “-Andrew Lang Perhaps in a perfect world, there would be no need for heroes, though such existence is unheard of. Instead, people must step up when they are needed, in whatever ways they are able. The Red Book of Heroes by Andrew and Leonora Lang serves as a record for some of these people, histories most daring and compassionate heroes. With masterful storytelling, a vast array of heroes is portrayed in this striking collection, including well-known historical figures, such as Florence Nightingale, the founder of modern nursing, and obscure heroes, such as John Howard the Philanthropist. With stories of varying lengths and diverse origins and characters, Andrew and Leonora Lang’s The Red Book of Heroes depicts the stories and backgrounds of historical figures. with intimate detail and authenticity. This edition of The Red Book of Heroes by Andrew and Leonora Lang now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of The Red Book of Heroes creates an accessible and pleasant reading experience for modern audiences while restoring the original authenticity and mastery of Andrew and Leonora Lang’s work.
GRANDMA'S TREASURES THE RED FAIRY BOOK by Andrew Lang The Tales in this volume are intended for children, who will like, it is hoped, the old stories that have pleased so many generations. - Andrew Lang FAIRY BOOKS: CHILDREN'S STORIES FROM ALL AROUND THE WORLD. The Blue Fairy Book The Red Fairy Book The Green Fairy Book The Yellow Fairy Book The Pink Fairy Book The Grey Fairy Book The Violet Fairy Book The Crimson Fairy Book The Brown Fairy Book The Orange Fairy Book The Olive Fairy Book The Lilac Fairy Book
The Red True Story Book by Andrew Lang is a large collection of short stories derived from truth and history. Varying in topics, lengths, and cultural origins, The Red True Story Book depicts the stories of real people who endure curious happenings of history. Wilson’s Last Fight follows the events leading to the death of a soldier, Major Wilson, in a 19th century battle against English settlers in South Africa and a Zulu tribe. In The Life and Death of Joan the Maid a young, playful girl suffers and unfortunate fate after a group of French children find a gorgeous beech tree, naming it the Fairy Tree, and starting a tradition of dancing and singing around the little tree. Though Andrew Lang is famous for his whimsical fairytale collections, The Red True Story Book explores historical oddities and wonders that had previously been predominately shared by word of mouth. Written in compelling, but accessible prose, this magnificent story collection is suitable for both children and adults. This edition of The Red True Story Book by Andrew and Leonora Lang now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of The Red True Story Book creates an accessible and pleasant reading experience for modern audiences while restoring the original mastery of Andrew Lang’s work.
Poetry is the language of the human nature, a beautiful tool to express every thought and feeling. Searching through different cultures, languages, and historical moments, Andrew Lang carefully crafted this diverse collection of poetry, translating and editing the lyrics of highly esteemed poets. Accepting only the finest of the craft, The Blue Poetry Book features some of humankind’s most magnificent poems, spanning across centuries and cultures. This diverse collection features works with rhythm, stanzas, and figurative language that remain embedded in the wit and heart of readers, immortalized as a whisper in the mind, present long after the collection’s conclusion. Comprised of over one-hundred poems, The Blue Poetry Book is a collection of poems assembled by Andrew Lang. Featuring the work of celebrated poets such as William Wordsworth, Walter Scott, William Blake, Edgar Allan Poe, Shakespeare, and more, this immense medley of poems unites legendary writers from different generations, representing their work under one language. Each poet is represented not only in their work, but in a short biography, written by the scholar Robert McWilliam, detailing their life and career. With masterful poems and intimate details of the authors’ lives, The Blue Poetry Book is both an entertaining collection and an invaluable educational resource, suitable for both children and adults. This edition of The Blue Poetry Book by Andrew Lang and Robert McWilliam now features a stunning new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of The Blue Poetry Book creates an accessible and pleasant reading experience for modern audiences while restoring the original precision and excellence of Andrew Lang’s work.
Originally published in 1897, The Pink Fairy Book is a dynamic collection of world-renown stories that are deeply rooted in Japanese, Italian and Scandinavian culture. These rich and compelling stories are staples within the children’s genre. The Pink Fairy Book is a continuation of Andrew Lang’s popular fairy tale book series. This edition includes more international fare such as "The Slaying of the Tanuki," "I Know What I Have Learned," "The Jackal, the Dove, and the Panther" and "How the Hermit Helped to Win the King's Daughter." With more than 40 stories to choose from, The Pink Fairy Book offers a delightful assortment of classic children’s fare. A rich collection of morality tales for readers of all ages. These narratives are populated by evil witches, spiteful kings and selfish trolls forced to confront the error of their ways. Andrew Lang’s The Pink Fairy Book delivers memorable stories with powerful messages. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Pink Fairy Book is both modern and readable.
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
The last of Andrew Lang's twelve famous Fairy Books, The Lilac Fairy Book features thirty-three stories from all over the world, including Portuguese, Scottish, Norwegian, and Swahili fairy tales, amongst many others. Lang's collections are notable for their graphic and often violent story elements, as well as for the beautiful original plates that are included as illustrations. His Fairy Books have been cited as literary influences by many writers, including Lord of the Rings author J.R.R. Tolkein.
The Green Fairy Book is a notable addition to Andrew Lang’s collection of children’s literature with international stories that include both Chinese and Spanish fables. It’s a delightful selection of the genre’s most memorable tales. Originally published in 1892, Andrew Lang combines a premier collection of children’s stories for The Green Fairy Book. Similar to his previous entries, this version features tales that have been passed down from generation to generation. Some of them include “The Blue Bird,” “The Enchanted Watch,” Little One-Eye, Little Two-Eyes, And Little Three-Eyes,” as well as “The Three Little Pigs and “The Three Bears.” This is a vibrant retelling of classic fairy tales that continue to stand the test of time. Andrew Lang is best known for his impressive series of children’s fables. The Green Fairy Book helped solidify his place a master storyteller in the juvenile genre. His compelling prose and vivid imagery make this collection a standout amongst its peers. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Green Fairy Book is both modern and readable.
“Andrew Lang and his associates managed to break the stranglehold of the pious sentimentality handed out to children by collecting—from all over the world—fairy tales of all people, and bringing out the volumes we all know and love.”—Kirkus Reviews The first installment of Andrew Lang's widely read classics and arguably his best known, The Blue Fairy Book has been admired time and time again, enchanting readers with its carefully crafted prose and eclectic assortment of fairy tales. Originally published in 1889, this collection of celebrated tales has stood the test of time. Some of the famous stories included are: Sleeping Beauty Rumpelstiltzkin Beauty and the Beast Hansel and Gretel Puss in Boots Goldilocks And many more! This beautiful edition comes complete with the original illustrations by Golden Age Illustrator Henry J. Ford and is the perfect gift to pass on these timeless classics to the next generation of readers and dreamers. The imaginations of children throughout time have been formed and nurtured by stories passed down from generation to generation. Of the countless genres of stories, fairy tales often conjure the most vivid fantastical worlds and ideas, which cultivate creativity and bring elements of magic back into the real world. Many of these fairy tales have been collected over time into hundreds of memorable collections. However, the ones commonly considered most notable are the Fairy Books compiled by famous Scottish novelist and poet Andrew Lang.
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