“A story of money, family, who you can trust, and the extremes to which one will go for blood. I couldn’t put it down.” —Lisa Ling, host of CNN’s This Is Life Keep your family close and your enemies closer. Beth is the darling of God Halsa, a pharmaceutical giant, and she’s got the outrageous salary and lifestyle to prove it. Until she lands in white-collar women’s prison, thanks to a high-profile whistleblower suit. Sam, Beth’s husband, used to be the town’s most eligible bachelor, and he’s never had to do anything for himself. Until his wife goes to jail, and he’s left to raise two daughters on his own. Lise, the au pair, is the whistleblower. But is she? Everyone knows she’s not clever enough to have done it alone. Hannah, Sam’s sister, is devoted to her family. There’s nothing she wouldn’t do for them. Eva, Beth’s sister, is the smart one. (Read: not the pretty one.) Her life seems perfect on the surface, but sibling rivalry runs deep. Martin, Beth’s brother, is the firstborn, the former golden boy turned inside-the Beltway businessman. But what is he hiding? Someone knows something. Someone betrayed Beth. This is the story of the Min-Lindstroms. This is the story of the all-American family as it implodes under the weight of secrets, lies and the unchecked desire for wealth and power. A.H. Kim is an immigrant, graduate of Harvard College and Berkeley Law, lawyer, and mother of two sons. She lives in San Francisco with her husband. A Good Family is her first novel. Don't miss A.H. Kim's next exciting family drama, Relative Strangers!
From the acclaimed author of A Good Family comes a timely spin on Sense and Sensibility, a twenty-first-century family drama featuring two half-Korean sisters, their ex-hippie mother, multiple messy love affairs and one explosive secret that could ruin everything. Amelia Bae-Wood’s life is falling apart. Unemployed, newly single and completely broke—for reasons she hasn’t told anyone yet—she finds herself hitchhiking across California to deal with the fallout of her mother’s eviction from the family estate. Amelia needs somewhere to live and time to figure out what to do with the rest of her life, so moving with her mother and sister to Arcadia, the cancer retreat center where her sister volunteers, seems like as good an idea as any. Amelia’s sister, Eleanor, has too much on her plate, including being caught up in a court battle with a man who claims to be their half brother from Seoul and their late father’s only son—a secret love child from his Korean youth—who’s fighting for a piece of everything that belongs to the Bae-Wood women. And when Amelia adds herself to Eleanor’s list of problems, Eleanor must figure out what to hold on to—and when to let go—before things starts to unravel. A witty, wry and enormously entertaining retelling, the sisters’ journey of self-discovery as they reshape their lives gives this classic tale a modern, feminist twist, as it touches on themes of blended families, race, class and wealth.
At her father's dojang, Sunny and her friends practice Tae Kwon Do, defend the school against magical creatures, and make peace over shared persimmons.
A clever witch gets creative with a pair of scissors and a magical needle and thread. Using cut-out shapes she creates everything she needs for a comfortable life. But what happens when her cat gets hold of her needle and thread while she sleeps? Children will learn basic shapes: squares, triangles and circles through a book illustrated in the patchwork theme by celebrated UK illustrators The Pope Twins.
This volume provides the first printed critical edition of The Praise of Musicke (1586), keeping the original text intact and accompanied by an analytical commentary. Against the Puritan attacks on liturgical music, The Praise of Musicke, the first apologetic treatise on music in English, epitomizes the Renaissance defence of music in civil and religious life. While existing studies of The Praise of Musicke are limited to the question of authorship, the present volume scrutinizes its musical discourse, which recapitulates major issues in the ancient philosophy and theology of music, considering the contemporary practice of sacred and secular music. Through an interdisciplinary analysis of The Praise of Musicke, combining historical musicology with philosophical theology, this study situates the treatise and its author within the wider historical, intellectual and religious context of musical polemics and apologetics of the English Reformation, thereby appraising its significance in the history of musical theory and literature. The book throws fresh light on this substantial but neglected treatise that presents, with critical insights, the most learned discussion of music from classical antiquity to the Renaissance and Reformation era. In doing so it offers a new interpretation of the treatise, which marks a milestone in the history of musical apologetics.
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
In celebrating the 25th anniversary of the Arts of Korea Gallery, this issue of the Bulletin invites us to reflect on the past while embracing the future. Featuring objects from the Bronze Age to the present, Lineages: Korean Art at The Met illustrates both the continuities and ruptures of style, form, and medium that have defined the dynamic terrain of Korean art. The 47 works included—from lacquer and ceramics to paintings and collage—express Korean tradition, history, and socio-cultural change over more than three centuries of creativity. This volume honors one of the first museum galleries in the United States dedicated to Korean art by offering readers a greater understanding of the nation's aesthetic past and future.
Do you ever feel lonely? Like there are dark clouds filling the sky? Everyone feels lonely from time to time. Some Days Are Lonely beautifully illustrates that feeling, and shows how it will eventually pass. As the main character progresses through the story, he experiences loneliness like stormy weather. By the end of the story, the storm has cleared and a rainbow comes out, signifying the transience of uncomfortable or unwelcome emotions. Creative activities for kids and a ""Note to Parents"" are included.
Do you ever feel lonely like there is no one around? Everyone feels lonely from time to time, but the dark clouds and rain always go away and the sun shines again. Help children understand their feelings with the 'Growing Strong' series.
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