This is a piece for solo voice, the voice of Will Ross, recently widowed. For years he’s worked on refurbishing his vacation cottage to be a retirement home for himself and his wife, Helen. As soon as he settles in, Helen dies. As the book opens, Will has decided, over the objections of his son (who lives in Houston) to stay on alone, to remain in his summer house after the summer has ended.
As A.G. Mojtabai's Thirst opens, Lena has been summoned to the bedside of her ailing "brother" Theo, an aging country priest who has started to refuse food and drink. What Lena faces is complicated by the fact that she left the faith long ago. First cousins and closest childhood friends, Theo and Lena were raised in a small Catholic farming community in Texas, named for the village their parents left behind in Germany, a place where all questions, asked and unasked, were answered for all time. The known world was bounded by the iron fence of the parish cemetery containing nearly all their dead. Beyond it lurked disorder, the dragons of unbelief. Now faced with the mysteries of mortality and loss, both are struggling to come to terms with the choices that have defined them. Thirst is a book hard to classify--a novella, certainly, but it is also in part a tone poem, a contemporary book of hours, and a meditation engaging issues of faith and doubt, death and healing. Roger Rosenblatt has said of A.G. Mojtabai: "It is rare to find a gorgeous stylist and a writer of substance yoked in the same artist. Her work shows heart and unsentimental kindness that leaves the reader enlightened and wiser.
Plato famously defined a human being as a “featherless biped.” It’s hard not to sense the ironic humor in this definition, a reminder that, for all our talk about human dignity, our condition is contingent, vulnerable, and at some level even comic. Perhaps that’s why the writer A.G. Mojtabai—known for her dry, understated, subtly humorous but ultimately honest and courageous depictions of the human condition—chose the name for her latest novel, set in the confines of Shady Rest Home for the Aged. Mojtabai offers us a varied cast of characters at Shady Rest, including: Eli, who fancies himself a ladies man; Elora, anxious about her wayward nephew; the aloof but lonely scholar Wiktor; and Maddie, a bit eccentric, true, but more wise and compassionate than most. At the center of it all is Daniel, an old soul in a young man’s body, with a strange gift for caring for the elderly. Featherless is one of those rare books that brings us news from the final frontier, the end of life. Its unflinching but humane gaze—informed by the author’s own experience—serves as a fitting capstone for a literary career of uncommon distinction.
This text studies America and its habits of nuclear accommodation through the city of Amarillo, the home of Pantex - the final assembly plant for all nuclear weapons in the USA. It provides narratives from the people working at Pantex or living in Amarillo, which reveal their hopes and fears.
Story of a social worker attempting to break the grip of delusion on a homeless man, Parts of a World is concerned with profound dilemmas--isolation, suffering, betrayal, loss of faith, and loss of reason.
In the middle of the night, somewhere in Oklahoma—or is it Missouri?—a bus hurtles down an anonymous American highway. Its passengers, among them two children traveling on their own, a retired salesman, an unwed teenage mother, an unemployed chemist, and the driver who ferries and broods over all of them, are in the middle of their journeys. Soon, two of the passengers will be lost, and then the bus itself will lose its way. The open road and, before that, the open frontier have long been part of the American romance, cherished features of the nation's traditional vision of itself. In her latest novel, A. G. Mojtabai stands this tradition on its head. Instead of the expansive thrust into unknown territory, the camaraderie of the open road, adventure, and the joys of vagabondage, we witness constriction, isolation, and fear. Instead of freedom, we find people fleeing from coast to coast in search of home and the ever-beckoning, ever-retreating promise of a better life. Richly drawn, evocative, and thought-provoking, All That Road Going is a challenging new departure from the road novel canon.
As A.G. Mojtabai's Thirst opens, Lena has been summoned to the bedside of her ailing "brother" Theo, an aging country priest who has started to refuse food and drink. What Lena faces is complicated by the fact that she left the faith long ago. First cousins and closest childhood friends, Theo and Lena were raised in a small Catholic farming community in Texas, named for the village their parents left behind in Germany, a place where all questions, asked and unasked, were answered for all time. The known world was bounded by the iron fence of the parish cemetery containing nearly all their dead. Beyond it lurked disorder, the dragons of unbelief. Now faced with the mysteries of mortality and loss, both are struggling to come to terms with the choices that have defined them. Thirst is a book hard to classify--a novella, certainly, but it is also in part a tone poem, a contemporary book of hours, and a meditation engaging issues of faith and doubt, death and healing. Roger Rosenblatt has said of A.G. Mojtabai: "It is rare to find a gorgeous stylist and a writer of substance yoked in the same artist. Her work shows heart and unsentimental kindness that leaves the reader enlightened and wiser.
This is a piece for solo voice, the voice of Will Ross, recently widowed. For years he’s worked on refurbishing his vacation cottage to be a retirement home for himself and his wife, Helen. As soon as he settles in, Helen dies. As the book opens, Will has decided, over the objections of his son (who lives in Houston) to stay on alone, to remain in his summer house after the summer has ended.
In the middle of the night, somewhere in Oklahoma—or is it Missouri?—a bus hurtles down an anonymous American highway. Its passengers, among them two children traveling on their own, a retired salesman, an unwed teenage mother, an unemployed chemist, and the driver who ferries and broods over all of them, are in the middle of their journeys. Soon, two of the passengers will be lost, and then the bus itself will lose its way. The open road and, before that, the open frontier have long been part of the American romance, cherished features of the nation's traditional vision of itself. In her latest novel, A. G. Mojtabai stands this tradition on its head. Instead of the expansive thrust into unknown territory, the camaraderie of the open road, adventure, and the joys of vagabondage, we witness constriction, isolation, and fear. Instead of freedom, we find people fleeing from coast to coast in search of home and the ever-beckoning, ever-retreating promise of a better life. Richly drawn, evocative, and thought-provoking, All That Road Going is a challenging new departure from the road novel canon.
Story of a social worker attempting to break the grip of delusion on a homeless man, Parts of a World is concerned with profound dilemmas--isolation, suffering, betrayal, loss of faith, and loss of reason.
The rules are simple enough: “Here’s the deal: Whoever keeps his hands longest on one of the dealer’s brand new pickup trucks owns it and gets to drive it away.” An actual contest hosted by an auto dealership in Texas is the prompt for this fictional exploration, which seeks to probe the depths and shallows of the American soul. To the players vying for this shiny new prize, competition revs up as the hours wear on, positions harden, sightlines narrow, and sleep-deprivation intensifies. At the center is the reporter Trew Reade, struggling to make sense of the event and his own role in it. Early on, he muses that “surface and substance were rarely the same; transparency could be the most cunning of masks.” So, too, is the author’s transparent prose. Reviewers have sometimes found Mojtabai’s vision akin to that of Marilynne Robinson and Flannery O’Connor, but the characterization from Books & Culture—“not like anyone else”—is perhaps best, inviting readers to discover this provocative writer for themselves.
Plato famously defined a human being as a “featherless biped.” It’s hard not to sense the ironic humor in this definition, a reminder that, for all our talk about human dignity, our condition is contingent, vulnerable, and at some level even comic. Perhaps that’s why the writer A.G. Mojtabai—known for her dry, understated, subtly humorous but ultimately honest and courageous depictions of the human condition—chose the name for her latest novel, set in the confines of Shady Rest Home for the Aged. Mojtabai offers us a varied cast of characters at Shady Rest, including: Eli, who fancies himself a ladies man; Elora, anxious about her wayward nephew; the aloof but lonely scholar Wiktor; and Maddie, a bit eccentric, true, but more wise and compassionate than most. At the center of it all is Daniel, an old soul in a young man’s body, with a strange gift for caring for the elderly. Featherless is one of those rare books that brings us news from the final frontier, the end of life. Its unflinching but humane gaze—informed by the author’s own experience—serves as a fitting capstone for a literary career of uncommon distinction.
As A.G. Mojtabai's Thirst opens, Lena has been summoned to the bedside of her ailing "brother" Theo, an aging country priest who has started to refuse food and drink. What Lena faces is complicated by the fact that she left the faith long ago. First cousins and closest childhood friends, Theo and Lena were raised in a small Catholic farming community in Texas, named for the village their parents left behind in Germany, a place where all questions, asked and unasked, were answered for all time. The known world was bounded by the iron fence of the parish cemetery containing nearly all their dead. Beyond it lurked disorder, the dragons of unbelief. Now faced with the mysteries of mortality and loss, both are struggling to come to terms with the choices that have defined them. Thirst is a book hard to classify-a novella, certainly, but it is also in part a tone poem, a contemporary book of hours, and a meditation engaging issues of faith and doubt, death and healing. Roger Rosenblatt has said of A.G. Mojtabai: "It is rare to find a gorgeous stylist and a writer of substance yoked in the same artist. Her work shows heart and unsentimental kindness that leaves the reader enlightened and wiser.
This text studies America and its habits of nuclear accommodation through the city of Amarillo, the home of Pantex - the final assembly plant for all nuclear weapons in the USA. It provides narratives from the people working at Pantex or living in Amarillo, which reveal their hopes and fears.
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