In June of 1961, A.E. Hotchner visited an old friend in the psychiatric ward of St. Mary's Hospital. It would be the last time they spoke: a few weeks later, Ernest Hemingway was released home, where he took his own life. Their final conversation was also the final installment in a story whose telling Hemingway had spread over nearly a decade. Hemingway divulged the details of the affair that destroyed his first marriage: the truth of his romantic life in Paris and how he lost Hadley, the true part of the literary woman he'd create and the great love he spent the rest of his life seeking. He told of the mischief that made him a legend: of impotence cured in a house of God; of a plane crash in the African bush, from which he stumbled with a bunch of bananas and a bottle of gin in hand; of F. Scott Fitzgerald dispensing romantic advice; of midnight champagne with Josephine Baker; of adventure, human error, and life after lost love. This is Hemingway as few have known him: humble and full of regret. To protect the feelings of Ernest's wife Mary (also a close friend) and to satisfy the terms of his publisher's cautious legal review, Hotch kept the conversations to himself for decades. Now he tells the story as Hemingway told it to him. Hemingway in Love puts you in the room with the master as he remembers the definitive years that set the course for the rest of his life and stayed with him until the end of his days"--
Bestselling author A. E. Hotchner's intimate account of his 53-year friendship with his pal Paul Newman. A. E. Hotchner first met Paul Newman in 1955 when the virtually unknown actor assumed the lead role in Hotchner’s first television play, based on an Ernest Hemingway story. The project elevated both men from relative obscurity to recognition and began a close and trusted friendship that lasted until Newman’s death in 2008. In Paul and Me, Hotchner depicts a complicated, unpredictable, fun-loving, talented man, and takes the reader along on their adventures. The pair traveled extensively, skippered a succession of bizarre boats, confounded the business world, scored triumphs on the stage, and sustained their friendship through good times and bad. Most notably, they started Newman’s Own as a prank and watched it morph into a major enterprise that so far has donated all its $300 million in profit to charities including the Hole in the Wall Camps worldwide, dedicated to helping thousands of children with life-threatening illnesses. Paul and Me, complete with personal photographs, is the story of a freewheeling friendship and a tribute to the acclaimed actor who gave to the world as much as the world gave him.
In the fourteen years that A. E. Hotchner traveled with Ernest Hemingway, he collected a lifetime's worth of Hemingway's experiences, anecdotes, and observations on the backs of matchbooks, napkins, and slips of paper. Speaking on everything from war to women to writing, Hemingway's words are at turns funny and poignant, revealing a rich portrait of the American literary giant and the world he took by storm. Complete with black-and-white photographs that cover nearly two decades of Hemingway's life, The Good Life According to Hemingway is an exuberant celebration of his remarkable genius and the chaotic adventure of his life.
An intimate, joy-filled portrait and New York Times bestseller, written by one of Hemingway’s closest friends: “It is hard to imagine a better biography” (Life). In 1948, A. E. Hotchner went to Cuba to ask Ernest Hemingway to write an article on “The Future of Literature” for Cosmopolitan magazine. The article never materialized, but from that first meeting at the El Floridita bar in Havana until Hemingway’s death in 1961, Hotchner and the Nobel and Pulitzer Prize–winning author developed a deep and abiding friendship. They caroused in New York City and Rome, ran with the bulls in Pamplona, hunted in Idaho, and fished the waters off Cuba. Every time they got together, Hemingway held forth on an astonishing variety of subjects, from the art of the perfect daiquiri to Paris in the 1920s to his boyhood in Oak Park, Illinois. Thankfully, Hotchner took it all down. Papa Hemingway provides fascinating details about Hemingway’s daily routine, including the German army belt he wore and his habit of writing descriptive passages in longhand and dialogue on a typewriter, and documents his memories of Gertrude Stein, F. Scott Fitzgerald, Martha Gellhorn, Marlene Dietrich, and many of the twentieth century’s most notable artists and celebrities. In the literary icon’s final years, as his poor health began to affect his work, Hotchner tenderly and honestly portrays Hemingway’s valiant attempts to beat back the depression that would lead him to take his own life. Deeply compassionate and highly entertaining, this “remarkable” New York Times bestseller “makes Hemingway live for us as nothing else has done” (The Wall Street Journal).
Acclaimed author and feisty nonagenarian Hotchner's witty ruminations about the art of living well into old age...with brio and a touch of his trademark sass, Hotchner writes about rediscovering love after 75, finding joy in a scrappy African gray parrot he named after his longtime friend, Ernest Hemingway, and going on his very first safari at age 88." - Kirkus Reviews When youngsters in their seventies and eighties, nervously lurching toward the horizon of ninety, ask me, "What's the secret?" That's what I tell them: "O.J. in the morning, gin and tonic at night." You don't have to be in your seventies or eighties to enjoy A. E. Hotchner's elixir for aging happily, but after reading this charming collection of essays, you may wish you were. Nonagenarian, novelist, playwright, and biographer, Hotchner gives us heartfelt and laugh-out-loud anecdotes that describe his unique reflections on the aging process. His musings cover everything from the outlandish commercials that target the older generation (Viagra, Cialis, and Flomax) to suggestions on adapting the tennis game for seniors (he suggests lowering the net by two inches and moving all outer lines two feet inward) to the advantages of having a pet (his pet parrot often tells guests to "kiss my ass"). He can equally capture the headier side of aging, which is bittersweetly revealed in his piece about divorce. With his disarming, eloquent voice and dry sense of humor, Hotch illuminates life's wisdoms through his optimistic, witty, and romantic outlook, all the while making you feel, well, not unhappy about growing older. O.J. in the Morning, G&T at Night is a book of courageous advice, humorous wisdom, and, above all, good strategies for how to stay young at heart.
He eventually went to Officer Candidate School and was assigned to the Anti-Submarine Command as a lieutenant adjutant, but just before his squadron's departure for North Africa he was detached and, despite knowing nothing about moviemaking, ordered to make a film that glorified the Anti-Submarine Command's role in combating U-boats.
Twelve-year-old Aaron Broom is protecting his father’s car from repossession when he witnesses a jewelry store robbery gone wrong. To Aaron’s shock, his father, a struggling salesman in the wrong place at the wrong time, is fingered as the prime suspect in the murder. Aaron—precocious, plucky, not a little naïve—must seek out gangsters, diamond dealers, bootleggers, and street kids in order to prove his father’s innocence. In his search for justice, Aaron draws upon the resources of a world-weary paperboy, an aspiring teen journalist, and a kindly lawyer. As they dig into the details of the case, these unconventional detectives reveal a cover-up that goes much deeper than a jewelry-store heist gone sour. Through it all, Aaron’s optimism and resourcefulness shine through. Hotchner’s latest is a rollicking ride through St. Louis at its lowest, as seen through the eyes of his most lovable narrator to date.
A. E. Hotchner did not come to the task of adapting Hemingway's seven-page short story "After the Storm" with apparent disadvantages. After all, he personally knew Ernest Hemingway; he had traveled with him to Paris, Pamplona, Venice, the Riviera. He had studied Hemingway's work and already adapted for the television or movie screen fifteen of the Nobel Prize–winning writer's works, including For Whom the Bell Tolls. Still, in the matter of adaptation, as Hotchner shows in the essay that opens this volume, close familiarity with an artist's work or personality does not necessarily simplify the challenge to the adapter. In addition to Hotchner's essay, which identifies the problems posed by adaptations of works not written for the screen, the book includes the complete texts of both Hemingway's story and the screenplay that converts it into a full-length feature film—making this volume invaluable to film students, movie fans, screenwriters, and Hemingway readers alike.
An entertaining, accessible history of the iconic Newman’s Own brand that also serves as a roadmap for foundations and charitable organizations looking to do the most good they can with what they have. Shameless exploitation has never been more fun nor done more good for more people than when done by Newman’s Own—the first green food company to use all-natural ingredients, and still the most successful. It was 1982 when Paul Newman and A. E. Hotchner made their foray into local gourmet shops with bottles of their homemade salad dressing. The venture was intended to be a lark, a way to poke fun at the traditional way the market operates. Hurdling obstacle after obstacle, they created the first company to mass-market all-natural products, eliminating the chemicals, gums, and preservatives that existed in food at the time. This picaresque saga is the inspiring story of how the two friends parlayed the joke into a multimillion-dollar company that gives all its profits to the less fortunate without spending money on galas, mailings, and other expensive outreaches. Told in alternating voices, Newman and Hotchner have written a zany tale that is a business model for entrepreneurs, an inspirational book, and just plain delightful reading.
From the author of the international bestseller Papa Hemingway, based on his own experiences: the story of a man struggling to overcome a rare syndrome that causes terrifying hallucinations, who eventually, despite the odds, finds love. Chet Tremaine is living his best life. A successful lawyer with a loyal best friend, the arts and culture of New York City at his doorstep, and a peaceful retreat in Connecticut, Chet has it figured out. Even when a freak tennis accident leaves him blind in one eye, Chet is confident he'll be able to bounce back. But then he starts hallucinating: unknown children playing in his living room, pine needles seasoning his salad, wire grids barring access to his bathroom. His doctor allays his worst fears, only to deliver an even more shocking diagnosis: Chet's eye injury has left him with Charles Bonnet syndrome, and this rare disease is incurable. Chet is going to be plagued by these hallucinations for the rest of his life. His social life impaired, his job in jeopardy, Chet is close to becoming a recluse when he helps a woman who's collapsed on a Manhattan street corner. She turns out to be Emma Vicky, a warm and witty British actress who suffers from Ménière's disease, a condition that causes severe vertigo. Like Chet, she feels restrained by her chronic illness and terribly isolated--until their meeting renews her desire to open up, let another person in. But Chet can't make the same leap. Instead, he decides to make a final Hail Mary attempt to find a cure, embarking on a spiritual quest that will take him all the way to the mountains of Nepal. By turns funny, harrowing, and inspirational, Kissing the Wind is A. E. Hotchner's final, and finest, achievement. AN ANCHOR ORIGINAL.
The White House is the backdrop as historical events, memories and personages are portrayed through letters and writings. A quaint maid serves as an interlocutor connecting scenes mostly of presidents and their wives. From Washington through Wilson with many in between the personal trials, tribulations and tragedies of America's first Families and the events of the times are seen in impressive vignettes. Starred Helen Hayes on Broadway. -- Publisher's description.
“There are three rules for running a business; fortunately, we don’t know any of them.” In 1978, Paul Newman and A. E. Hotchner decided that rather than just distribute Paul’s own salad dressing at Christmas to neighbors, they would offer it to a few local stores. Freewheeling, irreverent entrepreneurs, they conceived of their venture as a great way to poke fun at the mundane method of traditional marketing. Much to their surprise, the dressing was enthusiastically received. What had started as a lark quickly escalated into a full-fledged business, the first company to place all-natural foods in supermarkets. From salad dressing to spaghetti sauce, to popcorn and lemonade, Newman’s Own became a major player in the food business. The company’s profits were originally donated to medical research, education, and the environment, and eventually went to the creation of the eight Hole in the Wall Gang camps for children with serious illnesses. In these pages Newman and Hotchner recount the picaresque saga of their own nonmanagement adventure. In alternating voices, playing off one another in classic “Odd Couple” style, they describe how they systematically disregarded the advice of experts and relied instead on instinct, imagination, and mostly luck. They write about how they hurdled obstacle after obstacle, share their hilarious misadventures, and reveal their offbeat solutions to conventional problems. Even their approach to charity is decidedly different: every year they give away all the company’s profits, empty the coffers, and start over again. The results of this amazing generosity are brought to life in heartwarming stories about the children at their camps. With rare glimpses into their zany style and their compassion for those less fortunate, Newman and Hotchner have written the perfect nonmanagement book, at once playful, informative, and inspirational.
Traces Sophia Loren's rise from slum urchin of Pozzuoli to reigning queen of the cinema world, highlighting her early poverty, illegitimacy, criminal prosecution for adultery, marriage, and fight to have a child and surveying the triumphs and tribulations of her filmmaking career.
The author of the best-selling Papa Hemingway presents a dramatic historical portrait of the settlement of Louisiana and the life of Guy Laroule, a brave French expatriate who forged a living from an unforgiving land. Tour.
A portrait of the Rolling Stones that depicts a suicidal generation and explains the death of Brian Jones. Hotchner takes the reader through the ascent of the seminal rock group to the disaffection of a generation that begins to devour itself in an orgy of violence and drugs.
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