Cambridge and Its Colleges" by A. Hamilton Thompson is a comprehensive exam of the arena-magnificence academic and architectural gems tucked away inside the historical city of Cambridge. Thompson cautiously reveals the various tiers of documentation, scholarly accomplishment, and subculture that contain this esteemed group. The book capabilities as a literary manual, taking readers via the well-known hallways of Cambridge's educational establishments, every bankruptcy dedicated to a super studying surroundings. Thompson's tale captures the soul of each college's particular individual with the aid of painting a vibrant image of the architectural wonders, from the enduring spires to the serene courtyards. Thompson explores the affluent material of Cambridge's environment with authority, recounting the development of these intellectual strongholds and their continuing affect on learning and society. Beyond the stone walls, the writer describes the rich, highbrow lives which have flourished inside these establishments, from floor-breaking research to enduring customs that have fashioned a technology of scholars. "Cambridge and Its Colleges" is more than just a guidebook; it is a monument to the wealthy history of one of the global's nice universities. A. Hamilton Thompson's skillful fusion of ancient knowledge and architectural admiration takes readers on an engrossing tour via Cambridge's heart and spirit, making this painting a ought to-have associate for all people seeking to learn greater about this famend college city.
What force of will and circumstance drove a woman from a comfortable life painting china tea services to one of hardship and loneliness in the battle zones of France and Belgium following the Great War? For western Canadian artist Mary Riter Hamilton (1868-1954), art was her life’s passion. Her tale is one of tragedy and adventure, from homestead beginnings, to genteel drawing rooms in Winnipeg, Victoria and Vancouver, to Berlin and Parisian art schools, to Vimy and Ypres, and finally to illness and poverty in old age. No Man’s Land is the first biographical study of Hamilton, whose work can be found in galleries and art museums throughout Canada. Young and McKinnon’s meticulous research in unpublished private collections brings to light new correspondence between Hamilton and her friends, revealing the importance of female networks to an artist’s well being. Her letters from abroad, in particular, bring a woman’s perspective into the immediate post-war period and give voice to trying conditions. Hamilton’s career is situated within the context of her peers Florence Carlyle, Emily Carr, and Sophie Pemberton with whom she shared a Canadian and European experience.
Upshur County, West Virginia was created in 1851 from Randolph, Barbour, and Lewis counties. Upshur's early history and the lives of its more prominent pioneers and nineteenth-century Native Sons are ably captured in this tripartite volume. Part I, a condensed history of the state prepared by Hu Maxwell, ranges over everything from the first explorations of the Blue Ridge, the French and Indian War, and the Revolution to West Virginia geography and geology, formation of the state, and the Civil War in West Virginia. In Part II, Mr. Cutright lays out the history of the county, with emphasis on the Indian Wars, religious life, geography, formation of the county and its political and governmental institutions, Upshur County and Upshur countians in the Civil War, as well as a whole host of miscellaneous topics, such as turnpike and railroad construction, newspapers, financial institutions, the birds of Upshur County, and much more. In the final third of the volume we find an alphabetically arranged series of over 600 biographical/genealogical sketches of Upshur countians (some of them illustrated), which range from several paragraphs to several pages in length. In the majority of cases the subjects, who were mostly born around mid-century, are identified by their year of birth, the name of one or more parents, and the names of their spouse(s) and children. In addition, we learn something of each subject's career, military service (if any), and his/her movements to and from Upshur County. In short, given the book's 607 densely packed pages of historical and genealogical detail, this is the starting point for Upshur County research.
In the aftermath of sixth-century barbarian invasions, the legal profession that had grown and flourished during the Roman Empire vanished. Nonetheless, professional lawyers suddenly reappeared in Western Europe seven hundred years later during the 1230s when church councils and public authorities began to impose a body of ethical obligations on those who practiced law. James Brundage’s The Medieval Origins of the Legal Profession traces the history of legal practice from its genesis in ancient Rome to its rebirth in the early Middle Ages and eventual resurgence in the courts of the medieval church. By the end of the eleventh century, Brundage argues, renewed interest in Roman law combined with the rise of canon law of the Western church to trigger a series of consolidations in the profession. New legal procedures emerged, and formal training for proctors and advocates became necessary in order to practice law in the reorganized church courts. Brundage demonstrates that many features that characterize legal advocacy today were already in place by 1250, as lawyers trained in Roman and canon law became professionals in every sense of the term. A sweeping examination of the centuries-long power struggle between local courts and the Christian church, secular rule and religious edict, The Medieval Origins of the Legal Profession will be a resource for the professional and the student alike.
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