Frances Willard (1839-98), national president of the WCTU, headed the first mass organization of American women, and through the work of this group, women were able to move into public life by 1900. Willard inspired this process by her skillful leadership, her broad social vision, and her traditional womanly virtues. Although a political maverick, she won the support of the white middle class because she did not appear to challenge society's accepted ideals.
DIVRevisits the opportunities and obstacles that have faced women students, faculty, and administrators at the University of Michigan through the decades /div
While the memorialization of slavery has generated an impressive number of publications, relatively few studies deal with this subject from a transnational, transdisciplinary and transracial standpoint. As a historical phenomenon that crossed borders and traversed national communities and ethnic groups producing alliances that did not overlap with received identities, slavery as well as its memory call for comparative investigations that may bring to light aspects obscured by the predominant visibility of US-American and British narratives of the past. This study addresses the memory of slavery from a transnational perspective. It brings into dialogue texts and practices from the transatlantic world, offering comparative analyses which interlace the variety of memories emerging in diverse national contexts and fields of study and shed light on the ways local countermemories have interacted with and responded to hegemonic narratives of slavery. The inclusion of Brazil and the French, English, and Spanish Caribbean alongside the United States and Europe, and the variety of investigative approaches-ranging from cinema, popular culture and visual culture studies to anthropology and literary studies-expand the current understanding of the slave past and how it is reimagined today. This fascinating book brings freshness to the topic by considering objects of investigation which have so far remained marginal in the academic debate, such as heroic memorials, civic landscape, white family sagas, Young Adult literature of slavery, Latin American telenovelas and filmic narrations within and beyond Hollywood. What emerges is a multifarious set of memories, which keep changing according to generation, race, gender, nation and political urgency and indicate the advancing of a dynamic, mobilized memorialization of slavery willing to move beyond mourning towards a more militant stand for justice. This is an important book for those interested in African American, American, and Latin American studies and working across literature, cinema, visual arts, and public culture. It will also be useful to public official and civil servants interested in the question of slavery and its present memory.
Entre espadas, lanças e arcos, muitos seres destas terras optam por usar suas próprias garras como armas para rasgar brutalmente seus inimigos e provar seu valor neste mundo impiedoso e ambíguo. Com a humanidade dizimada, outras raças de origem posterior herdaram o dever de compreender os primórdios do mundo de Mayah e de que maneira suas diferentes religiões e políticas poderiam estar, de alguma forma, interligadas. Albert, um vampiro nobre e depressivo, busca honrar o legado de sua falecida mãe após uma grande oportunidade surgir em sua vida monótona e infeliz. É a chance do jovem espadachim pela primeira vez sair de seu reino, decifrar seu passado e encontrar um sentido em sua vida imortal.
This is the first full-length book on the work of ‘global Igbo’ writer Chris Abani. The volume dedicates a chapter to each of Abani’s fiction books, the two novellas Becoming Abigail (2006) and Song for Night (2007), the three novels GraceLand (2004), The Virgin of Flames (2007), and The Secret History of Las Vegas (2014), which are read against the grain of Abani’s most important essays and poetical production. By combining close readings and more theoretical reflections, this volume provides a significant insight for both scholars and students interested in the literature produced by the emerging African voices in the twentieth-first century, in the debate about human rights, and in general in how aesthetics is deeply linked with ethics.
Les lexiques et dictionnaires sont des ouvrages que l'on consulte a la fois par interet et par plaisir. Le present lexique anatomique trilingue inuktitut/francais/anglais ne fait pas exception a la regle. Il comble tout d'abord un manque existant dans le champ de l'anatomie inuit en rassemblant un corpus d'environ 570 termes provenant de l'Arctique oriental canadien (Nunavik et Nunavut oriental). Il permet ensuite d'aborder ce domaine lexical dans une perspective ethnolinguistique reliant les faits de langue aux choix culturels. Ce travail met ainsi en avant le caractere hautement motive de la langue inuit. Ouvrage thematique a vocation pratique, illustre de planches anatomiques, il met en evidence divers modes de designation des organes et zones du corps et contribue de la sorte a une meilleure connaissance de certaines mecanismes de conceptualisation chez les Inuit. Dictionaries are reference works: we consult them both for interest and for pleasure. This trilungual Inuktitut/French/English anatomical dictionary is no exception to this rule. It fills first and foremost a gap that exists in the field of Inuit anatomy, by bringing together a set of some 570 terms from the Canadian Eastern Arctic (Nunavik and Eastern Nunavut). It then provides an ethnolinguistic approach to this area of lexicography that links the facts of language to cultural choices. This work accordingly illustrates the highly motivated character of the Inuit language. This lexicon is dedicated to a specific theme, with practical intent and is illustrated with anatomical plates. It shows, as far as possible, various ways in which organs and areas of the body are designated and contributes thereby to an enhanced understanding of some of the conceptualization mechanisms used by the Inuit.
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