Be It So is a book about a common childhood in a communist country. It is about how the life was in a countryside with grandparents. This life had changed because of a trauma that she experienced in her life. Her life was turned upside down. She was disabled, and she had to adjust to how a disabled person lives. She had to go to a high school for physically disabled children.
LOST in the Programming Energies By: Ruth Oma Isaacs LOST in the Programming Energies is Ruth Oma Isaacs’ story of the harsh realities of being raped and continuously molested. Ruth expresses to her readers an emphasis on self, deadly habits, suicide, and recognizing the energies that affect the self. This is just another perspective showing how she came to have this perspective. She would like readers, especially those of Afrikan descent, to know that they do not have to suffer as they are programmed to do. We should all get in touch with ourselves and make choices that benefit us.
While many children are subject personally, in school, and on the Internet with bullying, there are ways to defeat it. If you cannot defeat your bully by yourself, just remember there is strength in numbers. You don't have to do it alone. This book is about a mean ogre that puts a spell over a magical garden, and as each child sets out to free the garden, the task is too big. But one set of children learns that if they stick together, they can defeat the ogre. Thus, the Power of Three.
Having fallen in battle long ago, Count Vlad Dracula is reborn as a katana-wielding young vampiress in an alternate-history Europe. After the reincarnated Dracula rescues a girl named Clara from a mysterious stranger, Clara explains that she is the creation of a certain Victor Frankenstein. She also reveals that she is fleeing from an organization called Cerberus, which seeks to capture and study “monsters” such as herself in order to create an army of human-monster hybrids. Clara begs the vampiress to flee with her to an island of monsters where the two of them will be safe…but as they set out for Monster Island, the sinister forces of Cerberus are in hot pursuit.
During the early era of cinema, moviegoers turned to women editors and writers for the latest on everyone's favorite stars, films, and filmmakers. Richard Abel returns these women to film history with an anthology of reviews, articles, and other works. Drawn from newspapers of the time, the selections show how columnists like Kitty Kelly, Mae Tinee, Louella Parsons, and Genevieve Harris wrote directly to female readers. They also profiled women working in jobs like scenario writer and film editor and noted the industry's willingness to hire women. Sharp wit and frank opinions entertained and informed a wide readership hungry for news about the movies but also about women on both sides of the camera. Abel supplements the texts with hard-to-find biographical information and provides context on the newspapers and silent-era movie industry as well as on the professionals and films highlighted by these writers. An invaluable collection of rare archival sources, Movie Mavens reveals women's essential contribution to the creation of American film culture.
Having narrowly escaped being blown to pieces, Count Vlad squares off against the mercenaries known as Grace and Gramps. However, what began as a battle to the death takes an unexpected turn when the pair end up joining the band of travelers. Count Vlad soon stumbles across none other than the Justiciar, the man who had him executed in the distant past. The Justiciar then recounts the tragic story of his imprisonment and his son's death. Yet he may not have been entirely forthcoming, as Count Vlad and friends soon learn when they cross paths with a young assassin...
Vlad's battle against Camille nearly ended in disaster, but thanks to some quick thinking and a clever transformation, Vlad lives on to fight another day. Yet the Justiciar's trackers are still on the party's tail, and Monster Island remains only a distant rumor. That's when Vlad suggests a daring plan: The party will cut through the heart of the empire and pass right under their enemies' noses. To do so, they'll need some help from their newest ally, a mysterious nun who may be more than meets the eye...
Vlad's battle against Camille nearly ended in disaster, but thanks to some quick thinking and a clever transformation, Vlad lives on to fight another day. Yet the Justiciar's trackers are still on the party's tail, and Monster Island remains only a distant rumor. That's when Vlad suggests a daring plan: The party will cut through the heart of the empire and pass right under their enemies' noses. To do so, they'll need some help from their newest ally, a mysterious nun who may be more than meets the eye...
The novel begins as a letter to her son, a complaint, or a justification. It has a testamentary and pedagogically sound, rather than confessional: My little one, I will tell you a sad story, which happened just before you were born.This novel is like an exotic fruit with a great bitter taste, from which springs a boundless desire to love and to be loved. It is the credo of a kind- hearted person who renounces at herself in favour of others. However, such an unselfish atitude is not appreciated in India; on the contrary, it is considered a weak, liable nature, which cannot achieve happiness even in mind. Perhaps if the author had been an Indian woman, she would not have been able to conceive such an orioginal work, crossed by a desire for total sacrifice of life, to the detriment of herself.
The overarching aim of The Sheep People is to examine what happens to the understanding of past societies when animals are perceived as sentient beings, agents with the ability to impact human lives. Not only are the agentive powers and potential of animals recognised, but also how this shaped prehistoric societies. Throughout, animals are considered as themselves, not as props, tools or consumables for human societies. A thorough review of recent research that supports the agential potential of animals from Human-Animal Studies and the social sciences, as well as ethology, biology and neurology is given, and discussed in light of the archaeological case study. In the Early Bronze Age in northern Europe, a transition from building two-aisled to three-aisled longhouses as the primary farm dwelling took place. In Rogaland, southwestern Norway, this architectural change happened as the result of intensified human-sheep relationships, born from greater engagement and proximity needed to utilise wool. Evidence from landscape changes, settlements, mortuary practices and rock art give an in-depth understanding of the life-world of Bronze Age human and non-human agents and the nature of the choices they made. A rock art panel portraying sheep, man and dog demonstrates the entangled choreography of sheep herding.
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