A Line In The Sand draws together over 80 of Australia's leading poets and public figures commissioned by Red Room Poetry across the last 20 years. These poems illuminate space and time, giving us ways to speak and listen to loss, dream, connection, truths and traces. As a celebration of the groundbreaking work Red Room Poetry does, to read these pages is to enter the alchemic process – where poetry transforms us, reawakening wonder and ways of being. Featuring poems from Yassmin Abdel-Magied, Maxine Beneba Clarke, Grace Tame, Jazz Money, Bruce Pascoe, Tony Birch, Maria Tumarkin, Sarah Holland-Blatt, Eloise Grills, Omar Musa and Uncle Archie Roach.
There's a marvelous revival of poetry underway in Rutherford, NJ, home of the influential American poet William Carlos Williams. A Symposium on WIlliams has led to a poetry cooperative, several websites, two ongoing workshops, and a monthly reading. The RUTHERFORD RED WHEELBARROW POETS ANTHOLOGY is the living proof of the great vortex of poetic energy that has been created. The book features an unpublished poem by WIlliams and also poets like JOHN BARRALE, CELINE BEAULIEU, SONDRA SINGER BEAULIEU, GEORGE DE GREGORIO, MARK FOGARTY, JIM KLEIN, LOREN KLEINMAN, ZORIDA MOHAMMAD, DEBORAH SCHANTZ, CLAUDIA SEREA and many more!
The Rutherford Red Wheelbarrow 6 collects the evidence of a great poetic energy that has coalesced around Rutherford, NJ, home of poet William Carlos Williams. Poetry that underlines the theme The epic is the local fully realized, along with essays on Dr. Williams, one of the most influential poets ever. Anyone who has taken part in the RWP poetry workshop or at vigorous reading series at the William Carlos Williams Center and the GainVille Cafe in Rutherford has been eligible to contribute to this beautiful book, which contains the great work of three dozen writers associated with Rutherford.
Back for more! The Red Wheelbarrow Poets Writing Workshop has been cranking out great poetry for the past ten years, and we've started to collect it each year. So here is volume 2 of POW, collecting workshop poems of the week from 2016 and early 2017. We have 16 poets and more than 50 poems in these pages, starting with an Ode to Beer and ending with a retrospective of a US Navy disaster in 1967. In between, there's everything else. POW!
For twenty years, Red Room Poetry has supported Australian poets, from nurturing new and emerging talent to providing a platform for established voices.In this special anniversary volume, A Line In The Sand, Red Room brings together over eighty pieces from leading poets and public figures in a retrospective that covers twenty years of the best Australian poetry.With work from poets including Yassmin Abdel- Magied, Maxine Beneba Clarke, Tony Birch, Eloise Grills, Sarah Holland-Batt, Jazz Money, Omar Musa, Bruce Pascoe, Maria Tumarkin and Uncle Archie Roach AC, this collection provides illumination, space to speak and to listen, connection between truth and dreams, loss and life.'Poetry is pure expression. It's an infinite canvas for linguistic creativity.' GRACE TAME'Poetry is the purest and most concentrated form of the wonder that is language.' MAXINE BENEBA CLARKE'Science gets us Knowledge, but Poetry gives us Insight.' DR KARL KRUSZELNICKI
A remarkable collection of 42 poets connected with the Rutherford, NJ poetry revival gives voice to memorable poetry and essays in the third edition of The Rutherford Red Wheelbarrow. Published by the Red Wheelbarrow Poets, this third annual edition of the literary journal celebrates the epic in the local and poetic voices in the American grain that so inspired William Carlos Williams, Rutherford's hometown doctor and poet, whose liberation of the voice of the common man (and woman) in poetry was a true revolution in words during the last century.--The Red Wheelbarrow Poets.
In 1909, William Carlos Williams published his first book of poetry in Rutherford, NJ and started the modernist revolution. In 2009, that tradition is continued by the release of the second Rutherford Red Wheelbarrow, a literary journal featuring the best of New Jersey and New York poets. There's an unpublished poem by Williams, several essays on the poet, and rare items from the Rutherford Public Library's Williams Collection.
The Red Wheelbarrow Poets are back with their best anthology ever! The Red Wheelbarrow 11 is full to bursting with great poetry, essays, artwork and reviews. There are dozens of poets here who have become a part of our community by reading at either of our monthly readings or participating in our long-running weekly poetry workshop. Featured poet is Jim Klein, with a selection of poems from his brand-new collection The Preembroidered Moment. Mike drop!
An essential collection from the leading figure of Chinese poetry translation, presenting work of insight, humor, and musicality that continues to resonates across thousands of years. Red Pine is one of the world's finest translators of Chinese poetic and religious texts. His new anthology, Dancing with the Dead: The Essential Red Pine, gathers over thirty voices from the ancient Chinese past—including Buddhist poets Cold Mountain (Hanshan) and Stonehouse (Shiwu), as well as Tang-dynasty luminaries Wei Yingwu and Liu Zongyuan. Dancing with the Dead also includes translations from such religious texts as Puming’s Oxherding Pictures and Verses and Lao-Tzu’s Daodejing, as well as poems and woodblock illustrations from Su Po-Jen’s Guide to Capturing a Plum Blossom, one of the world’s first printed books of art. Throughout the book, poems are accompanied by footnotes providing historical context, and each section includes a new and illuminating introduction chronicling Red Pine’s relationship to the poet—discovery, travel, scholarship. Dancing With The Dead is more than a book, it is a journey: part travel essay, part road map, part guided meditation. It is a history translated in poem. For Red Pine, “translating the words in a Chinese poem isn’t that hard, but finding the spirit that inspired those words, the music of the heart, and asking it to inspire [his heart], that is how, and why, [he] translates.” “our luggage is full of river travel poems may we ride forth together again.” – Wei Yingwu
The Red Wheelbarrow 9 continues the tradition of poetic excellence associated with Rutherford, NJ, hometown of major American poet William Carlos Williams. The Red Wheelbarrow Poets continue to attract the best of local poets and others drawn to the flame of modern 21st Century versifying. The RWP runs an ongoing weekly poetry workshop (it has been ongoing for ten years now) and monthly readings at both the Williams Center and GainVille Cafe in Rutherford. Participants in those three events are eligible for inclusion in the anthology, and this year we have nearly 50 poets and writers in a book that is bursting at the seams with poetry, prose and art. May the tribe increase!
A travel writer with a cult following."—The New York Times "There are very few westerners who could successfully cover so much territory in China, but Porter pulls it off. Finding Them Gone uniquely draws upon his parallel careers as a translator and a travel writer in ways that his previous books have not. A lifetime devoted to understanding Chinese culture and spirituality blossoms within its pages to create something truly rare."—The Los Angeles Book Review To pay homage to China's greatest poets, renowned translator Bill Porter—who is also known by his Chinese name "Red Pine"—traveled throughout China visiting dozens of poets' graves and performing idiosyncratic rituals that featured Kentucky bourbon and reading poems aloud to the spirits. Combining travelogue, translations, history, and personal stories, this intimate and fast-paced tour of modern China celebrates inspirational landscapes and presents translations of classical poems, many of which have never before been translated into English. Porter is a former radio commentator based in Hong Kong who specialized in travelogues. As such, he is an entertaining storyteller who is deeply knowledgeable about Chinese culture, both ancient and modern, who brings readers into the journey—from standing at the edge of the trash pit that used to be Tu Mu's grave to sitting in Han Shan's cave where the Buddhist hermit "Butterfly Woman" serves him tea. Illustrated with over one hundred photographs and two hundred poems, Finding Them Gone combines the love of travel with an irrepressible exuberance for poetry. As Porter writes: "The graves of the poets I'd been visiting were so different. Some were simple, some palatial, some had been plowed under by farmers, and others had been reduced to trash pits. Their poems, though, had survived... Poetry is transcendent. We carry it in our hearts and find it there when we have forgotten everything else." In praise of Bill Porter/Red Pine: "In the travel writing that has made him so popular in China, Porter's tone is not reverential but explanatory, and filled with luminous asides... His goal is to tell interested foreigners about revealing byways of Chinese culture."—New York Review of Books “Porter is an amiable and knowledgeable guide. The daily entries themselves fit squarely in the travelogue genre, seamlessly combining the details of his routes and encounters with the poets’ biographies, Chinese histories, and a generous helping of the poetry itself. Porter’s knowledge of the subject and his curation of the poems make this book well worth reading for travelers and poetry readers alike. It’s like a survey course in Chinese poetry—but one in which the readings are excellent, the professor doesn’t take himself too seriously, and the field trips involve sharing Stagg bourbon with the deceased.”—Publishers Weekly "Red Pine's out-of-the-mainstream work is canny and clearheaded, and it has immeasurably enhanced Zen/Taoist literature and practice."—Kyoto Journal "Bill Porter has been one of the most prolific translators of Chinese texts, while also developing into a travel writer with a cult following."—The New York Times "Red Pine's succinct and informative notes for each poem are core samples of the cultural, political, and literary history of China." —Asian Reporter Poets’ graves visited (partial list): Li Pai, Tu Fu, Wang Wei, Su Tung-p’o, Hsueh T’ao, Chia Tao, Wei Ying-wu, Shih-wu (Stonehouse), Han-shan (Cold Mountain). Bill Porter (a.k.a. "Red Pine") is widely recognized as one of the world's finest translators of Chinese religious and poetic texts. His best-selling books include Lao-tzu's Taoteching and The Collected Songs of Cold Mountain. He lives near Seattle.
The Art of Red Poetry a series of poetry meant to questi on the individual of today’s world. The color red based the theme of the craft seeing that Red is the color that represents many aspects and factors we live by such as: Love, Hate, War, Passion, Blood, Fire etc. This is the 1st of many and the beginning to the end. Ladies and Gentlemen, Kings and Queens, My friends This is The Art of Red Poetry!
The story of a female to male transexual and his dike biker friends in the Outlaws Biker Gang. His transition, life and loves circa 1998. 8th book in the popular series THE OUTLAW CHRONICLES by Master Artist Red Jordan Arobateau.
A Zen Buddhist masterpiece, winner of the 2018 Thornton Wilder Prize for Translation. The Platform Sutra occupies a central place in Zen (Ch’an) Buddhist instruction for students and spiritual seekers worldwide. It is often linked with The Heart Sutra and The Diamond Sutra to form a trio of texts that have been revered and studied for centuries. However, unlike the other sutras, which transcribe the teachings of the Buddha himself, The Platform Sutra presents the autobiography of Hui–neng, the controversial 6th Patriarch of Zen, and his understanding of the fundamentals of a spiritual and practical life. Hui–neng’s instruction still matters—the 7th–century school of Sudden Awakening that he founded survives today, continuing to influence the Rinzai and Soto schools of contemporary Zen. Red Pine, whose translations of The Heart Sutra and The Diamond Sutra have been celebrated and widely received, now provides a sensitive and assured treatment of the third and final sutra of the classic triumvirate. He adds remarkable commentary to a translation that, combined with the full Chinese text, a glossary, and notes, results in a Mahayana masterpiece sure to become the standard edition for students and seekers alike.
The Red Wheelbarrow Poets have staked a claim to one of the most valuable pieces of poetic ground in the country, Rutherford, NJ and the legacy of Rutherford's poet/physician William Carlos Williams. Each year for the past eight the group has produced an annual collection of the best poetry (and prose) from this lively and vibrant community. This year's Featured poet is Don Zirilli, who has also contributed four essays on Williams he has delivered at RWP readings in the past year.
Eric smelled the impending kick. "Touch that dog and I'll flatten you!" His voice slammed the chests of the two teenagers. The Drake brothers stepped several feet away from Jerome and Scruffy."I know who you are," Eric said. "I know where you live. The cops have their eye on you. Get!" Nick Drake grabbed Mack's wrist. "I got a better idea. The Newman sisters are getting out of school. We ought to be on Monk Street." Mack grinned. "I can picture them now. Short skirts, tight jeans, you're right.
The continuing journal of an old transsexual man living in poverty with his 2 parrots and cat. He is a writer, painter &... goes to religious institutions in his spiritual quest. His life & times. Many interesting interactions with fascinating characters. He lives in the queer, arts mecca, San Francisco. He sits in the sun on fire hydrants and ledges of buildings, writing his infameous NOTES, which comprise these journals; he is seeing a male hustler and a dancer at the gay men's strip show.
For the seventh time the Red Wheelbarrow Poets have packaged lightning in a bottle. Following the example of William Carlos Williams, the celebrated poet-doctor of Rutherford, NJ, these awesome poets and writers are turning the epic into the local fully realized. They are a closely knit community that has participated in the RWP writing workshop, now in its seventh year, or RWP readings at the Williams Center and GainVille Cafe, both in Rutherford. And they kick some ass too!
From the moment I watched a documentary of Chris Bonington and Tom Patey climb the perpendicular flanks of the Old Man of Hoy I knew that my life would not be complete until I had followed in their footholds. That was in 1983 when I was thirteen. Within months I was tackling my first crags and dreaming of standing atop Europe's tallest sea stack with the Atlantic pounding 450 feet below. Those dreams went dark at nineteen when I learned I was going blind. I hung up my harness for twenty years and tried to ignore the twinge of desire I felt every time The Old Man appeared on TV.' Middle aged, by now a family man, crime novelist and occasional radio personality, Red Szell's life nonetheless felt incomplete. He was still climbing, but only indoors until he shared his old, unforgotten, dream with his buddies, Matthew and Andres, and it became obvious that an attempt had to be made. With the help of mountain guides Martin Moran and Nick Carter, and adventure cameraman Keith Partridge, supported by family and an ever growing following, Red set out to confront the Orcadian giant.
The Red Wheelbarrow Poets Poetry Workshop has been producing top-rate poetry at various locations in Rutherford, NJ for the last ten years. The book represents the work of poets both local and cosmopolitan. The poems can be free verse, confessional, formal, even haiku and sonnets, but one thing they share in common is that they pay close attention to the dictum of famed Rutherford poet William Carlos Williams: Look for the live language. You'll find it in the work of JOHN BARRALE, MILTON EHRLICH, MARK FOGARTY, RICHARD GREENE, CLAUDIA SEREA, ZORIDA MOHAMMED, ANTON YAKOVLEV, JANET KOLSTEIN, WAYNE L. MILLER and BOB MURKEN.
Who am I? am I Egyptian? am I an Israelite? I’ll never stop being proud of who I am. so I choose to live in the light. I can hear the devils rattle in the shadows. sound the sirens of an age-old battle. I’ll always put up a good fight. Questions drive the universe. thoughts shape reality. father, please forgive me of my transgressions. I just have too many questions. So, I sit back an(listen)like Horton because the lessons I’ve learned are important. Who am I? you are My(son) a lion of Judah with the mark of the Buddha. whom I carved out of clay blessed with a beautiful heart your mother shall name you Tres.. have faith in me. God is the answer to all equations. The time is now to raise your vibration
Continuing journal of an old transsexual man living in poverty with his 2 parrots and cat. He is a writer, painter &... goes to religious institutions in his spiritual quest. His life &... More > times. Many interesting interactions with fascinating characters. He lives in the queer, arts mecca, San Francisco. He sits in the sun on fire hydrants and ledges of buildings, writing his infameous NOTES, which comprise these journals; he is seeing a male hustler and a dancer at the gay men's strip show.
This book explores 50 years of Irish women’s prison writing, 1960s–2010s, connecting the work of women leaders and writers in Northern Ireland during the Troubles. This volume analyzes political communiqués, petitions, news coverage, prison files, personal letters, poetry and short prose, and memoirs, highlighting the personal correspondence, auto/biographical narratives, and poetry of the following key women: Bernadette McAliskey, Eileen Hickey, Mairéad Farrell, Síle Darragh, Ella O’Dwyer, Martina Anderson, Dolours Price, Marian McGlinchey (formerly Marian Price), Áine and Eibhlín Nic Giolla Easpaig (Ann and Eileen Gillespie), Roseleen Walsh, and Margaretta D’Arcy. This text builds on different fields and discourses to reimagine gender and genre as central to an interdisciplinary and intersectional prison archive. Centering Irish women’s prison writings, in order to challenge canonization in history and literature, this volume argues that women’s lives and words offer a different view of gender and nation as well as offer a fuller and more inclusive archive of Irish history and literature. Additionally, this book will point to the ways in which their politics of everyday life and their cultural work is a form of anti-colonial civil rights feminism, for it speaks truth to power in a world in which compliance and silence are valued. Overall, this text focuses on rethinking and recasting women’s voices and words in order to document and promote the ongoing Irish freedom struggle from an abolitionist feminist perspective.
»As the impressive stories in this book illustrate, the experiences of the RED NOSES clowndoctors are as diverse as life itself: from cheerful and happy to moving and touching! The stories are all based on true situations. Look forward to stories full of little miracles.« Clowndoctors from Austria, Germany, the Czech Republic, Poland and many other countries describe moving encounters with patients, young and old: Évi, who dances her heart out with the clowns even though she can hardly stand on her own two feet; Álmos, an autistic boy who suddenly starts to speak when the clowns are there; Annie, who turns the tables and makes the clowndoctors laugh; or Melisa, a patient with cancer for whom the doctors had no more hope, but who nonetheless overcomes the crisis after the clowndoctor's visit. This book perfectly illustrates the power of laughter and humour, and the ability of the artists to create moments of happiness and joy in every situation, even when things seem lost.
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