Here is the first volume in English which enables the reader to form a vivid impression of the great twelfth-century Paris master, Hugh of Saint-Victor. Among the classical authorities on the contemplative life in the Western world, no one has been accorded higher honor than Hugh. An extraordinary productive writer and teacher, Hugh's influence was felt throughout Europe during his own lifetime. He was the first great writer of dogmatics in the West. The greater part of this volume is devoted to substantial selections from Hugh's great works on the symbolism of Noah's Ark. In these works his aims as one skilled in critical explanation and as a theologian are constantly implicit. The charming later group of works on charity is represented by the first English version of a short piece, On the Nature of Love. From Hugh's unfinished commentary on Ecclesiastes, there is a short passage, The Soul's Three Ways of Seeing. In his full and concise introduction Aelred Squire discusses the more recent studies of the many biographical and literary problems of Hugh's career. He shows the close unity of Hugh's thought by examining his spiritual teaching in its wider theological context.
This is the first complete translation into English of Hugh of Saint Victor's Didascalicon. Composed in the late 1130s, the Didascalicon selects and defines all of the important areas of knowledge, demonstrating that not only are these areas essentially integrated, but that in their integrity they are necessary for the attainment of human perfection and divine destiny.
This book offers Hugh of Saint Victor’s early scholastic thoughts on sacrament in order to re-discover the pre-modern theological understanding of ontological signification. The Christian understanding of sacrament through the category of ‘signs’ results in a theology that inherently shares in the philosophical notion of semiotics. Yet, through the advent of post-structuralism, current sign-theory is effectively shaped by post-Kantian, ontological foundations. This can lead to misinterpretations of the sacramental theology that predates this intellectual turn. The book works within a context of Christological, realist mysticism. Such an approach allows mutually informing debates in semiotic development and studies on sacramental theology to sit side-by-side. In addition, as a work of ressourcement, influenced by the methodology and concerns of the historical, French Ressourcement, this study seeks to continue an engagement with some of the most promising sacramental positions that have emerged throughout twentieth-century theology, particularly with the revival of interest in Victorine theology. By providing an examination of sacramentality and theories of signification in the early scholastic theology of Hugh of Saint Victor, this book gives fresh impetus to the theology surrounding sacrament. As such, it will be of great interest to scholars of mysticism, theologians of sacrament, philosophical theologians, and philosophers of religion.
The version of the Rule of St. Augustine used at the Abbey of St.Victor began with the command to love God above all things and ones neighbor as oneself. Not surprisingly, then, love was a pervasive theme in the writings produced there, many of which are introduced and translated here: (1)five lyrical essays by Hugh of St.Victor (d.1141): The Praise of Charity; The Betrothal Gift of the Soul; In Praise of the Spouse; On the Substance of Love; What Truly Should Be Loved?; (2)On the Four Degrees of Violent Love, by Richard of St.Victor (d.1173), which traces the likenesses and differences between romantic love and the love of God; (3)Achard of St.Victor (d.1170), Sermon5 and two of Adam of St.Victors sequences are examples of how these authors wove love into their writings; (4)excerpts from the Microcosmus by Godfrey of St.Victor (d.ca.1195), summarize the central place of love in his humanistic theological anthropology.
In this book, Conrad Rudolph studies and reconstructs Hugh of Saint Victor's forty-two-page written work, The Mystic Ark, which describes the medieval painting of the same name. In medieval written sources, works of art are not often referred to, let alone described in any detail. Almost completely ignored by art historians because of the immense difficulty of its text, Hugh of Saint Victor's Mystic Ark (c.1125–30) is among the most unusual sources we have for an understanding of medieval artistic culture. Depicting all time, all space, all matter, all human history and all spiritual striving, this highly polemical painting deals with a series of cultural issues crucial in the education of society's elite during one of the great periods of intellectual change in Western history.
Starting from the theory of scriptural interpretation elaborated by Hugh of St. Victor, the Augustinian Canons of twelfth-century St. Victor in Paris were leading theorists and practitioners of scriptural exegesis. This volume contains translations of the exegetical theories elaborated in Hugh of St. Victors (d. 1141) Didascalicon, On Sacred Scripture and its Authors, The Diligent Examiner, and On the Sacraments (prologues); Andrew of St. Victors (d. 1175) prologues to select commentaries; Richard of St. Victors (d. 1173) Book of Notes and Apocalypse commentary; Godfrey of St. Victors Fountain of Philosophy; Robert of Meluns Sentences; and the anonymous Speculum on the Mysteries of the Church.
This volume brings together a number of texts that shed light on life in the Abbey of Saint Victor in Paris, from its ideals to its daily routine. The Liber ordinis builds a framework and ideal vision for life at the Abbey of Saint Victor. Richard's De quaestionibus, Hugh's De institutione novitiorum, the letters of Odo, William of Aebelholt's Vita, and the other documents translated here reflect the spirit of Victorine reform. Its central theme was the vita apostolica, with its emphasis on sharing resources and living in a community. By incorporating prayer, pastoral care, moral discipline, and education, the Victorines believed their lifestyle would help to reform the greater Christian world that was so in need of restoration to the image in which God had created it. Many of the texts gathered here are translated into English for the first time, and are an invaluable resource for the study of the Abbey of Saint Victor, twelfth-century church reform, and medieval spirituality.
Taking Hugh of St. Victor's On the Sacraments of the Christian Faith as his source text, Dillard applies the methods of analytic philosophy to develop a systematic theology in the spirit of Christian Platonism, exploring questions that remain pressing for readers interested in philosophy, theology, religion, and the history of medieval thought.
The Canons Regular of St. Victor were important contributors to the theology of the sacraments in the twelfth century. This volume introductes and translates much of Hugh's treatment on the Christian Sacraments, as contained in De sacramentis 1.9 and 2.5-9, 11-12 and 14, as well as his treatise on the Virginity of the Blessed Virgin, two treatises on penance by Richard of St. Victor, and the penitential of Peter of Poitiers.. The historical introductions and annotated translations make this volume suitable for courses on the development of the theology of the sacraments through the twelfth century.
Richard of St.Victor (d.1173) developed original ideas about the faculty of imagination in a twelfth-century Parisian context. Related to the historical study of philosophical psychology, Richard of St. Victor’s Theory of Imagination acknowledges that the faculty of imagination, being a necessary precondition for human reasoning and a link between soul and body, plays an important role in Richard’s understanding of the human soul. Richard also deals with the interpretation of biblical language, metaphors, rhetoric, and the possibility of creative imagination. Considering all these aspects of the imagination in Richard’s texts improves our understanding of his theological epistemology and sheds new light on the theory of the imagination in the history of medieval philosophy in general.
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