During the last century, global analysis was one of the main sources of interaction between geometry and topology. One might argue that the core of this subject is Morse theory, according to which the critical points of a generic smooth proper function on a manifold determine the homology of the manifold. Morse envisioned applying this idea to the calculus of variations, including the theory of periodic motion in classical mechanics, by approximating the space of loops on by a finite-dimensional manifold of high dimension. Palais and Smale reformulated Morse's calculus of variations in terms of infinite-dimensional manifolds, and these infinite-dimensional manifolds were found useful for studying a wide variety of nonlinear PDEs. This book applies infinite-dimensional manifold theory to the Morse theory of closed geodesics in a Riemannian manifold. It then describes the problems encountered when extending this theory to maps from surfaces instead of curves. It treats critical point theory for closed parametrized minimal surfaces in a compact Riemannian manifold, establishing Morse inequalities for perturbed versions of the energy function on the mapping space. It studies the bubbling which occurs when the perturbation is turned off, together with applications to the existence of closed minimal surfaces. The Morse-Sard theorem is used to develop transversality theory for both closed geodesics and closed minimal surfaces. This book is based on lecture notes for graduate courses on “Topics in Differential Geometry”, taught by the author over several years. The reader is assumed to have taken basic graduate courses in differential geometry and algebraic topology.
Spotting a trend in the early 1950s of staging summer theater in the round under tents, Clevelander John L. Price Jr. decided to give it a try. Consulting a local statistician to determine the geographical center of the culturally inclined population, the bull's-eye fell in Warrensville Heights, a Cleveland suburb that was also the home to Thistledown Race Track. Price opened his Musicarnival there, on the grounds of the race track, with a production of Oklahoma! in the summer of 1954. The Music Went 'Round and Around tells the story of this unique summer theater and of its ebullient founder, John L. Price Jr. Price's venture was one of the last commercial legitimate theaters established in Cleveland. In its heyday the Musicar-nival had a capacity of 2500 and presented an average of eight to ten shows each summer. The backbone of the repertoire consisted of such musical classics as Carousel; Kiss Me, Kate; Wonderful Town; Fanny; Paint Your Wagon; and The Unsinkable Molly Brown. The summer schedule also featured popular solo acts, such as Louis Armstrong, Henny Youngman, Tom Jones, and even burlesque. Occasionally Price tried to sneak in an opera, letting the popular shows support these operatic flings. For the first eleven seasons Price principally used a resident stock company, occasionally bringing in a visiting star, if available and right for the role. Toward the end of the 1960s, however, Price was forced to adopt the star system to keep his tent filled. Dropping the stock company, he brought in packaged productions generally headlined by popular singing or television stars. Both offerings had strong followings, and Musicarnival kept the torch of musical theater burning brightly in Cleveland until 1975, when declining attendance finally forced its closing. The Music Went 'Round and Around is the first book in the Cleveland Showtime Series.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
Planning is a highly political activity. It is immersed in politics and inseparable from the law. Urban and regional planning decisions often involve large sums of money, both public and private, with the potential to deliver large benefits to some and losses to others. Contemporary Urban Planning, 11e provides students with an unvarnished and in-depth introduction to the historic, economic, political, legal, ideological, and environmental factors affecting urban planning today, and emphasizes the importance of considering who wins and who loses in planning decision making. The extensively revised and updated 11th edition of this beloved text tackles the most pressing recent issues in urban development—including the major turn toward reurbanization, Affordable Housing and the particular housing needs of an aging population, new developments in public transportation planning, policy, and technology, standards for "green" buildings, the second Obama administration’s environmental policy and energy planning, as well as the rapidly growing and critical field of planning for natural catastrophes. Contemporary Urban Planning is an essential resource for students, city planners, and all who are concerned with the nature of contemporary urban development problems.
This is a comprehensive guide to research on the American composer Elliott Carter (b. 1908), widely acknowledged as one of the greatest composers of the twentieth century. It contains a chronology, complete list of works, detailed discography, and fully annotated bibliography of over 1,000 books, articles, interviews, video recordings, and Carter's own writings. This essential reference book covers the most significant works in English, French, German, and Italian, from the 1940s-when Carter's music first began to attract attention-to the 1990s.
The autobiography, in dialogue, of the composer and lyricist of Chicago and Cabaret as well as a wise and witty memoir of forty years of American musicals.
The Washington Times columnist shares a revealing insider’s view of Washington, DC: “Whether you are a Democrat of a Republican, you will love this book.” —Sam Donaldson, ABC News John McCaslin’s “Inside the Beltway” column has been a favorite of Washington Times readers for years. Now, with his special brand of humor and warmth, the veteran journalist recounts his remarkable journey from Whitefish, Montana (where he reported on grizzly attacks), to the White House (where he covers an even more ferocious beast . . . politicians) and sharing the funniest, saddest, and most offbeat stories along the way. Inside the Beltway is essential reading for political junkies of all stripes—and anyone who’s curious about what really happens in Washington.
In her pulchritudinous prime Baby Doe was called the Silver Queen of Colorado by journalists and "that shameless hussy" by the proper wives of the men who eyed her. Flirtatious, adventurous, ambitious, Elizabeth McCourt Doe gave everyone a lot to talk about when she met Horace Tabor, the Silver King of Leadville, in 1880. Three years later they were free to legalize their passion. Although thirty years separated them, they were well matched in romantic recklessness. If The Legend of Baby Doe is the lowdown on the high jinks of two public lives, it is also the story of a love that survived spectacularly good times and bad. Before bad times came, Baby and Horace went on a spending spree. They built an opulent opera house in Denver and bought an Italian-ate villa. Baby Doe went out bejeweled and ermined, and sat at home alone, snubbed by the social dragons. John Burke has written about the giddy rise of a bonanza king who dreamed of entering the White House with Baby Doe on his arm and about the disastrous fall they took together. Wiped out by unwise investments and the Panic of 1893, Tabor soon died, leaving Baby Doe and their two daughters penniless. Reportedly, his deathbed order was to "hang on to the Matchless," a played-out mine filled with water. She managed to do that for almost four decades, struggling heroically against loneliness, poverty, and heartbreak, and becoming one of the great legends of the American West.
Local historian Seth Bate tells the story of the Walnut Valley Festival with reflections from staff, emcees, performers, campers, and characters from throughout its history. The Festival was launched in 1972 when a guitar maker, a farmer, and a businessman built their own music festival from the ground up. It has made the small town of Winfield into an annual destination for acoustic musicians and music lovers from around the world and it has always been participatory, with the informal campsite pickin' as much a part of the event as the stage shows and instrumental contests. The Walnut Valley Festival has always been proud of its deep-rooted traditions, but most of all, it is a community celebration.
More than 60 years’ experience in playing the clarinet has led to a very personal and idiosyncratic review of the repertoire. From the point of view of being both a player and a programmer the author has endeavoured to find works for unusual combinations involving the clarinet. This book includes a few orchestral solos and several vocal works (both chamber and operatic), but it is focussed on chamber music and includes gems from the repertoire for the standard wind quintet. The clarinet features as a solo instrument, in duos with a surprisingly large variety of instruments and in mixed trios, quartets and so on to larger ensembles. During the course of one year the reader will be exposed to 366 works, probably some unfamiliar, by 245 different composers. The author hopes it will whet the appetites of students, teachers and concert organizers alike.
An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.
Here at last is the definitive opera story collection, the only one now authorized by the Metropolitan Opera. Written by the associate editor of Opera News magazine, the volume includes the complete plots of 150 different operas, biographical information on all of the 72 composers represented, easy access to the stories through both a table of contents and an index, and a foreword by Peter Allen.
Insurance Law Handbook is a general, practical and accessible guide to all aspects of insurance law, including marine, aviation, employers' liability and professional indemnity. The updated 5th edition includes: - New chapter on cyber insurance - New chapter on public liability insurance - New chapter on comprehensive crime insurance - Coverage of the Insurance Act 2015 - Consideration of the implications of Brexit This specialist work combines a full range of information in one convenient, time-saving source of reference. This title is included in Bloomsbury Professional's Insurance Law online service.
A handbook for information about the 108th Congress and it's members including current photo's, phone numbers, biographical data, committee assignment, key staff information. White House Staff and selected editorial agencies
Derived from the full Oxford Dictionary of Opera, this is the most authoritative and up-to-date dictionary of opera available in paperback. Fully revised for this new edition, with over 3,500 entries, it is designed to be accessible to all those who enjoy opera, whether at the opera-house oron record. * Composers and their works * Singers and their notable performances * Plot summaries and separate entries for well-known roles, arias, and choruses * Leading conductors, producers, and designers * Opera companies and festivals
Though antebellum Louisiana shared the rest of the South's commitment to slavery and cotton, the presence of a substantial sugarcane industry, large Creole and Catholic populations, numerous foreign and northern immigrants, and the immense city of New Orleans made it perhaps the most unsouthern of southern states. John M. Sacher's A Perfect War of Politics explores why Louisiana joined its neighbors in seceding from the Union in early 1861 and offers the first comprehensive study of the state's antebellum political parties and their interaction with the electorate. Sacher shows that, although civic participation expanded beyond the elite from 1824 to 1861, Louisiana remained a "white men's democracy." Ultimately, he explains, an obsession with defending white men's liberty led Louisiana's politicians to support secession. Sacher's welcome study provides a fresh, grass-roots perspective on the political causes of the Civil War and confirms the dominant role regional politics played in antebellum Louisiana.
John Richardson's riveting memoir about growing up in England and, at twenty-five, beginning his twelve-year adventure with the controversial art collector Douglas Cooper. With a new introduction by Jed Perl, here is John Richardson's richly entertaining memoir of his life with the brilliant but difficult British art expert Douglas Cooper--a fiendish, colorful, Evelyn Waugh-like figure who single-handedly assembled the world's most important private collection of Cubist paintings. John Richardson tells the story of their ill-fated but comical association, which began in London in 1949 when Richardson was twenty-five and moved onto the Chãateau de Castille, the famous colonnaded folly in Provence that they restored and filled with masterpieces by Picasso, Braque, Lâeger, and Juan Gris. Richardson unfurls a fascinating adventure through twelve years, encompassing famous artists and writers, collectors and other celebrities--Francis Bacon, Jean Cocteau, Luis Miguel Dominguâin, Dora Maar, Peggy Guggenheim, and Henri Matisse, to name only a few. And central to the book is Richardson's close friendship with Picasso, which coincided with the emergence of the artist's new mistress, Jacqueline Roque, and gave Richardson an inside view of the repercussions she would have on Picasso's life and work. With an eye for detail, an ear for scandal, and a sparkling narrative style, Richardson has written a unique, fast-paced saga of modernism behind the scenes."--provided by publisher.
The author of The Charge of the Light Brigade examines the history behind a treasure of military gold that disappeared during the Peninsula War. History abounds with unresolved puzzles and unanswered questions, none more so than that of the loss of the British Army’s military chest during the retreat to Corunna in 1809. Now, with a group of fellow historians, the author set off to search the archives and the mountains of Galicia in a bid to find Moore’s gold. Sir John Moore’s small force had dared to attack Marshal Soult’s II Corps isolated in the north of Spain. But before Moore could pounce on the unsuspecting French corps, he learned that the Emperor Napoleon, at the head of an overwhelming body of troops, was bearing down on the British force, hoping to cut it off from the sea and its only avenue of escape. A desperate race for the coast then began, with the French hard on Moore’s heels. In subzero temperatures, the troops were driven on through the snow-clad Galician mountains at a punishing pace. As the men trudged on in deteriorating conditions, the bullocks pulling the army’s military chest could no longer keep up. So, in order to prevent the money from falling into enemy hands, the entire military chest was thrown down a deep ravine. What then happened to all those dollars and doubloons? Some were snatched up by the pursuing French cavalry. Some, also, were retrieved by British soldiers who intentionally lagged behind, though their greed cost them their lives on the end of a French bayonet. But what of the rest of the money?
Riemannian, symplectic and complex geometry are often studied by means ofsolutions to systems ofnonlinear differential equations, such as the equa tions of geodesics, minimal surfaces, pseudoholomorphic curves and Yang Mills connections. For studying such equations, a new unified technology has been developed, involving analysis on infinite-dimensional manifolds. A striking applications of the new technology is Donaldson's theory of "anti-self-dual" connections on SU(2)-bundles over four-manifolds, which applies the Yang-Mills equations from mathematical physics to shed light on the relationship between the classification of topological and smooth four-manifolds. This reverses the expected direction of application from topology to differential equations to mathematical physics. Even though the Yang-Mills equations are only mildly nonlinear, a prodigious amount of nonlinear analysis is necessary to fully understand the properties of the space of solutions. . At our present state of knowledge, understanding smooth structures on topological four-manifolds seems to require nonlinear as opposed to linear PDE's. It is therefore quite surprising that there is a set of PDE's which are even less nonlinear than the Yang-Mills equation, but can yield many of the most important results from Donaldson's theory. These are the Seiberg-Witte~ equations. These lecture notes stem from a graduate course given at the University of California in Santa Barbara during the spring quarter of 1995. The objective was to make the Seiberg-Witten approach to Donaldson theory accessible to second-year graduate students who had already taken basic courses in differential geometry and algebraic topology.
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