In 1985 Jacqueline Kent was content with her life. She had a satisfying career as a freelance book editor, and was emerging as a writer. Living and working alone, she relished her independence. But then she met Kenneth Cook, author of the Australian classic Wake in Fright, and they fell in love. With bewildering speed Jacqueline found herself in alien territory: with a man almost twenty years older, whose life experience could not have been more different from her own. She had to come to terms with complicated finances and expectations, and to negotiate relationships with Ken’s children, four people almost her own age. But with this man of contradictions – funny and sad, headstrong and tender – she found real and sustaining companionship. Their life together was often joyful, sometimes enraging, always exciting – until one devastating evening. But, as Jacqueline discovered, even when a story is over that doesn’t mean it has come to an end.
Blazing her trail at the dawn of the twentieth century, Vida Goldstein remains Australia’s most celebrated crusader for the rights of women. Her life – as a campaigner for the suffrage in Australia, Britain and America, an advocate for peace, a fighter for social equality and a shrewd political commentator – marks her as one of Australia’s foremost women of courage and principle. Vida first came to national prominence as the first woman in the Western world to stand for a national Parliament, in Victoria, for the Senate, in 1903. As a fighter for equal rights for women, and as a champion of social justice, she quickly established a pattern of working quietly against men’s control of Australian society. Her work for the peace movement and against conscription during the heightened emotions of the First World War showed her determination to defy governments in the name of fairness and equity. Vida came to adulthood when Australia was in the process of inventing itself as a new nation, one in which women might have opportunities equal to those of men. Her work for her own sex, especially her battles for equality in politics, illuminated issues that persist to this day. Jacqueline Kent has written acclaimed biographies of Julia Gillard, pianist and social activist Hephzibah Menuhin, and pioneer book editor Beatrice Davis.
Julia Gillard is an exceptional Australian political figure. The first woman to be deputy prime minister, and tipped by many to get the top job in the future, she is admired on both sides of politics as well as by the public. She is not loved by everybody. Her career has been marked by pitched battles with jealous rivals and powerful factions. T...
Beatrice Davis, 1909-1992, was general editor at Angus and Robertson the main Australian publishing company from 1937 to 1973. There she discovered and published such writers as Thea Astley, Miles Franklin, Patricia Wrightson, Xavier Herbert and Hal Porter becoming a literary tastemaker in the process. A central figure in Australian literature – ‘respected, feared, courted and berated.’ Originally published to great acclaim in 2001, A Certain Style introduced this stylish and formidable woman to thousands of readers and told a history of books and publishing in twentieth-century Australia. This reissue has a new introduction and updates throughout as the author presents a compelling account of a contradictory woman and her times.
No Australian prime minister has had to face such a difficult and challenging political environment as did Julia Gillard. Her impressive legislative record was overshadowed by pitched battles with jealous rivals and a remarkably hostile media, as well as her own struggles to communicate effectively with the public. Following her successful The Making of Julia Gillard, award-winning biographer Jacqueline Kent analyses our first woman prime minister's tumultuous term in office, drawing on a range of views and including an exclusive new interview with Gillard herself. Take Your Best Shot is an insightful, revelatory and immensely readable account of Julia Gillard's leadership – and its abrupt ending.
Entertaining contemporary novel about 3 14 year old girls who plan to go to London to meet their favourite rock group. Realistic story involving friendships and families, power and obsession.
No Australian prime minister has had to face such a difficult and challenging political environment as did Julia Gillard. Her impressive legislative record was overshadowed by pitched battles with jealous rivals and a remarkably hostile media, as well as her own struggles to communicate effectively with the public. Following her successful The Making of Julia Gillard, award-winning biographer Jacqueline Kent analyses our first woman prime minister's tumultuous term in office, drawing on a range of views and including an exclusive new interview with Gillard herself. Take Your Best Shot is an insightful, revelatory and immensely readable account of Julia Gillard's leadership - and its abrupt ending.
Vida Jane Mary Goldstein, feminist and suffragist, was born at Portland, Victoria. Her father was an anti-suffragist, but Jacob Goldstein supported his daughters to be economically and intellectually independent. Vida's with her mother collected signatures for the huge Woman Suffrage Petition. In the 1890s she became involved in various social welfare activities and attended Victorian parliamentary sessions where she learned procedure while campaigning for a wide variety of reformist legislation. In 1899 she led the radical women's movement in Victoria, and that year made her first public-speaking appearance to advocate the vote for woman. In 1902 she travelled to the United States of America to speak at the International Woman Suffrage Conference, was elected secretary, gave evidence in favour of woman suffrage to a committee of the United States Congress and attended the International Council of Women Conference. Australian women had been granted the Federal vote in 1902 and on her return from America she was one of four women who were the first in the British Empire to be nominated and to stand for election to a national parliament when she campaigned as an Independent candidate for the Senate in 1903. Through the newspaper she founded and edited, Woman's Sphere, and by lecture tours around Victoria, she campaigned untiringly for the State suffrage which was won in 1908. Vida returned to national politics and made four more attempts to gain election to Federal parliament- always as an Independent Woman Candidate. She was outspokenly opposed to capitalism, supporting production for use not profit, and public control of public utilities. In August 1909 Vida launched her second newspaper, the weekly Woman Voter, of which she was owner-editor. Vida Goldstein was the only Australian woman suffragist to gain an international reputation. In February 1911 she visited England at the invitation of the Women's Social and Political Union and her speeches drew huge crowds. During World War I Vida was uncompromisingly pacifist. She became chairman of the Peace Alliance, formed the Women's Peace Army in 1915, and was involved in much valuable social work including the organization of a women's unemployment bureau.
An ebook-only sneak peek of New York Times bestselling Maisie Dobbs author Jaqueline Winspear's memoir, This Time Next Year We'll Be Laughing (on sale November 10, 2020). Features an excerpt from the book and an interview with the author. The New York Times bestselling author of the Maisie Dobbs series offers a deeply personal memoir of her family’s resilience in the face of war and privation. After sixteen novels, Jacqueline Winspear has taken the bold step of turning to memoir, revealing the hardships and joys of her family history. Both shockingly frank and deftly restrained, her story tackles the difficult, poignant, and fascinating family accounts of her paternal grandfather’s shellshock; her mother’s evacuation from London during the Blitz; her soft-spoken animal-loving father’s torturous assignment to an explosives team during WWII; her parents’ years living with Romany Gypsies; and Winspear’s own childhood picking hops and fruit on farms in rural Kent, capturing her ties to the land and her dream of being a writer at its very inception. An eye-opening and heartfelt portrayal of a post-War England we rarely see, This Time Next Year We’ll Be Laughing chronicles a childhood in the English countryside, of working class indomitability and family secrets, of artistic inspiration and the price of memory.
A 2021 Edgar Award Nominee for Best Critical/Biographical “Jacqueline Winspear has created a memoir of her English childhood that is every bit as engaging as her Maisie Dobbs novels, just as rich in character and detail, history and humanity. Her writing is lovely, elegant and welcoming.”—Anne Lamott The New York Times bestselling author of the Maisie Dobbs series offers a deeply personal memoir of her family’s resilience in the face of war and privation. After sixteen novels, Jacqueline Winspear has taken the bold step of turning to memoir, revealing the hardships and joys of her family history. Both shockingly frank and deftly restrained, her story tackles the difficult, poignant, and fascinating family accounts of her paternal grandfather’s shellshock; her mother’s evacuation from London during the Blitz; her soft-spoken animal-loving father’s torturous assignment to an explosives team during WWII; her parents’ years living with Romany Gypsies; and Winspear’s own childhood picking hops and fruit on farms in rural Kent, capturing her ties to the land and her dream of being a writer at its very inception. An eye-opening and heartfelt portrayal of a post-War England we rarely see, This Time Next Year We’ll Be Laughing chronicles a childhood in the English countryside, of working class indomitability and family secrets, of artistic inspiration and the price of memory.
Excavations at Cliffs End Farm, Thanet, Kent, undertaken in 2004/5 uncovered a dense area of archaeological remains including Bronze Age barrows and enclosures, and a large prehistoric mortuary feature, as well as a small early 6th to late 7th century Anglo-Saxon inhumation cemetery. An extraordinary series of human and animal remains were recovered from the Late Bronze Age–Middle Iron Age mortuary feature, revealing a wealth of evidence for mortuary rites including exposure, excarnation and curation. The site seems to have been largely abandoned in the later Iron Age and very little Romano-British activity was identified. In the early 6th century a small inhumation cemetery was established. Very little human bone survived within the 21 graves, where the burial environment differed from that within the prehistoric mortuary feature, but grave goods indicate ‘females’ and ‘males’ were buried here. Richly furnished graves included that of a ‘female’ buried with a necklace, a pair of brooches and a purse, as well as a ‘male’ with a shield covering his face, a knife and spearhead. In the Middle Saxon period lines of pits, possibly delineating boundaries, were dug, some of which contained large deposits of marine shells. English Heritage funded an extensive programme of radiocarbon and isotope analyses, which have produced some surprising results that shed new light on long distance contacts, mobility and mortuary rites during later prehistory. This volume presents the results of the investigations together with the scientific analyses, human bone, artefact and environmental reports.
In her fifth outing, Maisie Dobbs, the extraordinary Psychologist and Investigator, delves into a strange series of crimes in a small rural community With the country in the grip of economic malaise, and worried about her business, Maisie Dobbs is relieved to accept an apparently straightforward assignment from an old friend to investigate certain matters concerning a potential land purchase. Her inquiries take her to a picturesque village in Kent during the hop-picking season, but beneath its pastoral surface she finds evidence that something is amiss. Mysterious fires erupt in the village with alarming regularity, and a series of petty crimes suggests a darker criminal element at work. As Maisie discovers, the villagers are bitterly prejudiced against outsiders who flock to Kent at harvest time—even more troubling, they seem possessed by the legacy of a wartime Zeppelin raid. Maisie grows increasingly suspicious of a peculiar secrecy that shrouds the village, and ultimately she must draw on all her finely honed skills of detection to solve one of her most intriguing cases. Rich with Jacqueline Winspear's trademark period detail, this installment of the bestselling series, An Incomplete Revenge, is gripping, atmospheric, and utterly enthralling.
At a time when Australia was a small country that took almost perverse pride in its anti-intellectualism, Beatrice Davis affirmed the importance of our writers in every aspect of her working life. Australian literature will always be in her debt. Beatrice Davis, 1909-1992, was this country's most acclaimed book editor, the 'backroom girl of Australian literature'. As general editor at Angus and Robertson from the late 1930s to the early 1970s, she discovered and nurtured the talents of countless writers, among them Thea Astley, Miles Franklin, Xavier Herbert and Hal Porter. Her position as a judge of major prizes, including the Miles Franklin Award, reinforced her pivotal role - one that saw her by turns respected, feared, courted and berated. In her long career she saw Australian publishing change from a genteel pursuit to a market-dominated industry. A Certain Style also tells the story of that change, illustrated by the decline and fall of Angus and Robertson, for almost a century as Australia's premier publishing house
Maisie Dobbs investigates the mysterious death of a controversial artist—and World War I veteran—in the fourth entry in the bestselling series from Jacqueline Winspear, Messenger of Truth. London, 1931. The night before an exhibition of his artwork opens at a famed Mayfair gallery, the controversial artist Nick Bassington-Hope falls to his death. The police rule it an accident, but Nick's twin sister, Georgina, a wartime journalist and a infamous figure in her own right, isn't convinced. When the authorities refuse to consider her theory that Nick was murdered, Georgina seeks out a fellow graduate from Girton College, Maisie Dobbs, psychologist and investigator, for help. Nick was a veteran of World War I, and before long the case leads Maisie to the desolate beaches of Dungeness in Kent, and into the sinister underbelly of the city's art world. Maisie once again uncovers the perilous legacy of the Great War in a society struggling to recollect itself. But to solve the mystery of Nick's death, Maisie will have to keep her head as the forces behind the artist's fall come out of the shadows to silence her. Following on the bestselling Pardonable Lies, Jacqueline Winspear delivers another vivid, thrilling, and utterly unique episode in the life of Maisie Dobbs.
Looks at the lives and contributions to the fashion industry of seven innovative designers, including Charles Frederick Worth, Levi Strauss, and Ralph Lauren.
Four fictional characters are interviewed in this profile of the adventurous sleuth, by the New York Times–bestselling author of A Sunlit Weapon. The historical mystery Maisie Dobbs was first published in 2003, introducing readers to an inquisitive, young, English, working-class woman as she opens her own London detective agency following World War I. Jacqueline Winspear’s debut won her the Agatha Award for Best First Novel and led to a New York Times–bestselling series. But just who exactly is Miss Maisie Dobbs? In this profile, four characters very close to Maisie shed light on the beloved psychologist and investigator. Her father, Francis Dobbs looks back on her childhood and proclaims the pride she instills in him. Her first employer, Lady Rowan Compton, recounts finding a young Maisie studying late one night in her library. Dr. Maurice Blanche, her mentor, discusses her studies and their detective work. And Billy Beale, her assistant, talks about their first meeting during the Great War, as well as what it’s like to work for her. It’s an enlightening read that fans are sure to love. Praise for Jacqueline Winspear and the Maisie Dobbs Novels “A detective series to savor.” —Time “In Maisie Dobbs, Jacqueline Winspear has given us a real gift. Maisie Dobbs has not been created—she has been discovered. Such people are always there amongst us, waiting for somebody like Ms. Winspear to come along and reveal them. And what a revelation it is!” —Alexander McCall Smith “History comes alive when a character you think of as a friend is in the thick of the action. That’s how Jacqueline Winspear keeps her Maisie Dobbs series so fresh.” —The New York Times Book Review “Maisie’s liveliness of mind, good sense, and kind nature make her a heroine a reader can enjoy spending time with.” —The Boston Globe “The author gives an intelligent and absorbing picture of the period, providing plentiful details for the history buff without detracting from the riveting mystery. Readers will be eager to see more of the spunky Maisie.” —Publishers Weekly, starred review
In Pardonable Lies, the third novel of this bestselling series from Jacqueline Winspear, London investigator Maisie Dobbs faces grave danger as she returns to the site of her most painful WWI memories to resolve the mystery of a pilot's death. A deathbed plea from his wife leads Sir Cecil Lawton to seek the aid of Maisie Dobbs, psychologist and investigator. As Maisie soon learns, Agnes Lawton never accepted that her aviator son was killed in the Great War, a torment that led her not only to the edge of madness but to the doors of those who practice the dark arts and commune with the spirit world. In accepting the assignment, Maisie finds her spiritual strength tested, as well as her regard for her mentor, Maurice Blanche. The mission also brings her together once again with her college friend Priscilla Evernden, who served in France and who lost three brothers to the war—one of whom, it turns out, had an intriguing connection to the missing Ralph Lawton. Following on the heels of Winspear's triumphant Birds of a Feather, Pardonable Lies is another compelling installment in the chronicles of Maisie Dobbs, "a heroine to cherish" (Marilyn Stasio, New York Times Book Review).
From the man who changed the way we all look at each other comes this compilation of 15 years of highlights of Allan Pease's insights into human behaviour.
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