The story of a modern Asian young woman trying to straddle Western attitudes and traditional beliefs. You've heard of an Essex Girl or even a Chelsea Girl but what is a Hounslow Girl? The term has become a byword for confident, young Muslim women who are grappling with traditional values, city life and fashion. From the joys of Pakistani weddings to fights on the night bus, Ambreen Razia's The Diary of a Hounslow Girl is a funny, bold, provocative play highlighting the challenges of being a teenage girl in a traditional Muslim family, alongside the temptations and influences of growing up in and around London. “Ambreen’s writing is poetic in its structure and intensity, funny, moving, chilling, and delivered in a style that takes inspiration from spoken word and physical theatre. She has created a rhythm that draws the audience in, as compelling as a thriller, complete with gathering ominousness, shocks and comic relief.” Deborah Bestwick, Director, Ovalhouse “Ambreen Razia’s terrific play is exactly the kind of new work we wish to support in the new home of multi-cultural theatre in London. Hounslow Girl is a wonderfully funny take on a London phenomenon and one audiences will enjoy.” Jatinder Verma, Artistic Director, Tara Arts” "a powerful piece of theatre... Ambreen Razia's performance is astonishing." BritishTheatre.com "This is a sophisticated, moving and often very funny piece of writing, particularly nuanced in its depiction of Shaheeda's relationship with her mother ... astute in tackling the breakdown of the loving bonds between parent and child that can occur when a child becomes a teenager – and also how this experience can be magnified for the children of first-generation immigrants, whose parents feel distant from their children’s British lives... Razia's script touches on everything from first love to cultural expectations to student-teacher relationships; it’s a bit like an inner-city version of An Education." The Stage Ambreen Razia is an actress and writer from South London. The Diary of a Hounslow Girl is Ambreen's debut show which premiered at Ovalhouse in 2015. Passionate about re-establishing British Asian comedy within the UK, she continues to write her comedy sketch show involving two British Asian girls exploring the clash between traditional Indian/Pakistani culture and modern British life. She is also currently writing her next play POT primarily focusing on the recent comeback of gang culture within the UK. Performance credits include: On the Middle Day (Old Vic Theatre); Words and Women (Edinburgh Fringe); Random Acts (Channel 4); Fair Exchange (Hen and Chickens Theatre); Variations on a Theme (Camden People's Theatre); Mind the Gap (National Theatre); No Guts, No Heart, No Glory (BBC4/Perth Festival Australia) and Murdered by my Father (BBC3).
A versatile collection of monologues written by 8 writer / performers who all share one thing in common; they've all successfully written and performed their pieces at TriForce's Monologue Slam. Due to the writers being from a variety of different backgrounds, there are a vast range of perspectives for performers to explore. Between them, as both writers and performers, they have a wealth of TV, film and theatre experience and are passionate about writing monologues that not only connect with a performer but with a diverse audience too. Whether you're auditioning for Monologue Slam, drama school or for any other showcasing opportunities, this book offers a mix of heart-warming, witty and gripping speeches for you to get your teeth into.
The story of a modern Asian young woman trying to straddle Western attitudes and traditional beliefs. You've heard of an Essex Girl or even a Chelsea Girl but what is a Hounslow Girl? The term has become a byword for confident, young Muslim women who are grappling with traditional values, city life and fashion. From the joys of Pakistani weddings to fights on the night bus, Ambreen Razia's The Diary of a Hounslow Girl is a funny, bold, provocative play highlighting the challenges of being a teenage girl in a traditional Muslim family, alongside the temptations and influences of growing up in and around London. “Ambreen’s writing is poetic in its structure and intensity, funny, moving, chilling, and delivered in a style that takes inspiration from spoken word and physical theatre. She has created a rhythm that draws the audience in, as compelling as a thriller, complete with gathering ominousness, shocks and comic relief.” Deborah Bestwick, Director, Ovalhouse “Ambreen Razia’s terrific play is exactly the kind of new work we wish to support in the new home of multi-cultural theatre in London. Hounslow Girl is a wonderfully funny take on a London phenomenon and one audiences will enjoy.” Jatinder Verma, Artistic Director, Tara Arts” "a powerful piece of theatre... Ambreen Razia's performance is astonishing." BritishTheatre.com "This is a sophisticated, moving and often very funny piece of writing, particularly nuanced in its depiction of Shaheeda's relationship with her mother ... astute in tackling the breakdown of the loving bonds between parent and child that can occur when a child becomes a teenager – and also how this experience can be magnified for the children of first-generation immigrants, whose parents feel distant from their children’s British lives... Razia's script touches on everything from first love to cultural expectations to student-teacher relationships; it’s a bit like an inner-city version of An Education." The Stage Ambreen Razia is an actress and writer from South London. The Diary of a Hounslow Girl is Ambreen's debut show which premiered at Ovalhouse in 2015. Passionate about re-establishing British Asian comedy within the UK, she continues to write her comedy sketch show involving two British Asian girls exploring the clash between traditional Indian/Pakistani culture and modern British life. She is also currently writing her next play POT primarily focusing on the recent comeback of gang culture within the UK. Performance credits include: On the Middle Day (Old Vic Theatre); Words and Women (Edinburgh Fringe); Random Acts (Channel 4); Fair Exchange (Hen and Chickens Theatre); Variations on a Theme (Camden People's Theatre); Mind the Gap (National Theatre); No Guts, No Heart, No Glory (BBC4/Perth Festival Australia) and Murdered by my Father (BBC3).
16 year old Louisa wakes up on lock down surrounded by debris from last night's blow out. Josh has vanished but she's not alone and is beginning to feel the heat. She must decide whether or not to do the right thing, but time is running out and a series of revelations suggest everything is not as it seems. Have you ever felt something whisper in your ear? Have you ever been led astray? This block is the devil's playground, He follows the beaten and weak. Preys on those whose dreams have drowned, And resides in towns which are bleak.
16 year old Louisa wakes up on lock down surrounded by debris from last night's blow out. Josh has vanished but she's not alone and is beginning to feel the heat. She must decide whether or not to do the right thing, but time is running out and a series of revelations suggest everything is not as it seems. Have you ever felt something whisper in your ear? Have you ever been led astray? This block is the devil's playground, He follows the beaten and weak. Preys on those whose dreams have drowned, And resides in towns which are bleak.
A versatile collection of monologues written by 8 writer / performers who all share one thing in common; they've all successfully written and performed their pieces at TriForce's Monologue Slam. Due to the writers being from a variety of different backgrounds, there are a vast range of perspectives for performers to explore. Between them, as both writers and performers, they have a wealth of TV, film and theatre experience and are passionate about writing monologues that not only connect with a performer but with a diverse audience too. Whether you're auditioning for Monologue Slam, drama school or for any other showcasing opportunities, this book offers a mix of heart-warming, witty and gripping speeches for you to get your teeth into.
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